christoph Gelfand: Activity About Liked Images
christoph Gelfand

Member Since:
May 30th 2006
101 Posts
100 posts
Missing camera alert
by Thanos Papadopoulos 5 years ago
Hi everybody, I am a bit new to final cut pro 10.1.3. So last day I imported some media in a keyword collection. These media are avc intra (which mean I choose to import them and copy them to an exter
Re: Missing camera alert
by Thanos Papadopoulos 5 years ago
Ok I found the solution. In apple's support I read that you can choose one or more clips and click re-import from the file menu. But this never worked to me. Perhaps it was for a previews version of f
+2
christoph Gelfand liked this 4 years ago
50' + 100' PROFlex Gepco VPM2000 HD/SDI BNCs
by christoph Gelfand 6 years ago
I purchased a number of long length HD SDI cables from HAVE for a two day shoot about a year ago and haven't used any of the cables since. I'm offering them with a healthy discount off what HAVE charg
Ultrastudio Express + FCP 7.0.3 No 1080/30p output preset
by christoph Gelfand 6 years ago
Does anyone know how to get UltraStudio Express to output 1080p 30 via SDI in FInal Cut 7 Works great in X, but nothing in 7. BM support says there is no preset which seems ridiculous for such an indu
Re: Ultrastudio Express + FCP 7.0.3 No 1080/30p output preset
by christoph Gelfand 6 years ago
I should add that I had it playing for 10 minutes this morning using 30p footage played back at 59.94i and then all of a sudden it dropped out. Very strange. Tested same cables with AJA T-Tap and no i
C300 FW 1.8: Weirdness in FCPX 10.0.8
by christoph Gelfand 6 years ago
Shooting on C300 @ 50Mbps 1920x1080 on fw 1.8. Dumped card on hard drive, imported to FCPX 10.0.8. The image looks flickery and grainy. I then did a test with converting a clip via MPEG Streamclip to
Getting text to look good in FCP X
by christoph Gelfand 7 years ago
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text
Re: Getting text to look good in FCP X
by christoph Gelfand 7 years ago
I apologize, I must be staring too deeply into my monitor. After further review, the FCP X titles look far superior upon export than the PSDs. Lesson learned, I suppose... Thank you!
Getting text to look good in FCP X
by christoph Gelfand 7 years ago
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text
Re: Getting text to look good in FCP X
by christoph Gelfand 7 years ago
How do I move this to the other forum that you suggested
10.0.4 Can't get audio to export
by David Burch 7 years ago
I am working on a large project involving about 12 hours of edited footage (a conference we recently shot) and yesterday set compressor to export all of my projects to ProRes 422 overnight, like I usu
Re: 10.0.4 Can't get audio to export
by christoph Gelfand 7 years ago
I just discovered this problem the hard way, exporting about 15 15-minute pieces which were all multicam and there's no audio in the first 40 seconds. Really strange. Some of the issues I've found thu
Audio dropouts w/ KONA LHE + FCP 7.03
by christoph Gelfand 8 years ago
I am using a 2010 Octo core Mac Pro (16gb RAM) with an Apple RAID card and KONA LHE. Running Final Cut 7.03 and feeding to an FSI 17" monitor. Everything was going fine with the setup until recently I
Re: Audio dropouts w/ KONA LHE + FCP 7.03
by gary adcock 8 years ago
christoph Gelfand "Everything was going fine with the setup until recently I started getting audio dropouts at random spots throughout my edit. I am editing ProRes 422 project with a stereo dialog tr
Luthier with AF100
by christoph Gelfand 8 years ago
Shot in 3 hrs with AF100, Zuiko 12-60, Nikon 85mm f1.4, and Voigtlander 25mm. Kessler slider V2 used for some of the tracking shots. Shot with available lighting @ 800 ISO, very light color correction
Re: Luthier with AF100
by Erik Naso 8 years ago
Sweet! I grew up learning how to play classical guitar. The AF-100 shines for pieces like this. Well done. I would have liked to see more extreme tight shots of the guitar, like the fret board and his
ex3 with standard def lens,much more balanced/quality great
by jim stamos 9 years ago
has anyone else used their standard def lens on the ex3. when i tried it, it worked well and i thought the footage looked nice. it was extremely close to my footage with the stock lens. the other thin
Re: ex3 with standard def lens,much more balanced/quality great
by christoph Gelfand 9 years ago
I will try to upload some pics later, but remember that the shoulder mount actually slides to adjust for your shoulder. It has two locking positions- the one closer to the eyepiece is designed to brin
Tips for workflow for multicam shoot with Sony EX3 and Canon 5D MkII
by Tom Downey 10 years ago
Shot a bunch of two camera interviews with the EX-3 and the 5D. I've been trying to find the ideal workflow. What I've been doing is converting and 5D H264 to ProRes, using Cinema Tools to slow down t
Re: Tips for workflow for multicam shoot with Sony EX3 and Canon 5D MkII
by christoph Gelfand 10 years ago
I just used the same workflow and am looking for answers on how to multiclip as well. One thing I can tell you is that I converted all my 5D footage to the XDCAM EX codec using MPEG Streamclip and it
Best way to create titles going from HD to SD
by christoph Gelfand 11 years ago
I have edited my FCP 6 project in the XDCAM EX preset and now want to output to SD. I have dropped my XDCAM EX sequence in an SD sequence with ProRes compression settings and everything looks good. Ho
Re: Best way to create titles going from HD to SD
by christoph Gelfand 11 years ago
Got it. So that picture I posted was created using Boris 3D and exported using the meothd you detailed. Do you think the text looks ok To me it looks kind of funky... I'm just trying nail down this te
Sony PHU-60 Problems
by Matt Sturns 11 years ago
I just got my EX3 and used it today for a shoot. About 10 minutes into the shoot, I started having problems with the PHU-60, 60GB hard drive. After recording about 5 minutes of footage it stopped reco
Re: Sony PHU-60 Problems - Update
by christoph Gelfand 11 years ago
I will say that the PHU-60k has issues . I took it for a test drive on a shoot recently and got a "Media Needs To Be Restored" error after 2.5 hours of shooting. Though some people have reported resto
numerical value for audio levels on EX1?
by christoph Gelfand 11 years ago
I have been mixing audio for 10 years but can't figure out for the life of me how to show a numerical point at which one is supposed to set tone from a mixer on the Ex1. On the DVX at least there's a
Re: numerical value for audio levels on EX1?
by christoph Gelfand 11 years ago
Thank god for you! That's a big help. I feel like an idiot. Thanks again.
XDCAM Transfer 2.7 still not showing all clips
by christoph Gelfand 11 years ago
Shot for the past week using two 8gb cards and two 16gb cards. Have been using ShotPut to offload cards to dump footage to two Lacie Rugged drives and then dumping those at night to a 2 TB RAID 1 Laci
Re: XDCAM Transfer 2.7 still not showing all clips
by christoph Gelfand 11 years ago
After further testing, I attempted to reload problematic BPAV folders back onto an S x S card and then reimport using Clip Viewer instead of Shotput. Then I opened XDCAM Transfer and ABRACADABRA the t
multi-cam on boat shoot
by jason miller 12 years ago
Hey all...thank you in advance for any advice you can offer.. we are going to shoot footage for a documentary on a ship in the keys next week.. there will be 3 or 4 cameras involved..two hvx200s, a so
Re: multi-cam on boat shoot
by christoph Gelfand 12 years ago
Hey, If you have specific audio questions in the future, you might also try a new forum @ www.locationaudio.net . It's a forum designed for film and audio professionals to solve all sorts of audio iss
Lavs for legal work, depositions
by Allen Zagel 12 years ago
Hello I'd like some ideas about wired lav mics for doing deposition work. I'm sort of torn between the following lavs. Right now money is tight but I'm leaning at either the AT 831B or the Shure SM93'
Re: Lavs for legal work, depositions
by christoph Gelfand 12 years ago
Hey, If you have specific audio questions in the future, you might also try a new forum @ www.locationaudio.net . It's a forum designed for film and audio professionals to solve all sorts of audio iss
should i export 8-bit uncompressed from a DV project?
by christoph Gelfand 12 years ago
dual 2.5 g5, 7gb RAM, 500gb G-raid Working on an SD DV project in FCP 6.01. People keep saying in different forums that final product will look better by exporting in uncompressed 8 or 10 bit Is this
Re: should i export 8-bit uncompressed from a DV project?
by Tom Brooks 12 years ago
If you simply export to a new format, heck no, it won't look better. But if you put your title clips into an uncompressed sequence, that's something altogether different. Your Livetype titles could in
cropping QT files for video projection
by christoph Gelfand 12 years ago
FCPS 2, g5 dual 2.5 Trying to output QT files for playback on video projector in normal NTSC 4:3 aspect...the projector will be hooked up to a PC and play thru whatever inane video player the PC uses.
Re: cropping QT files for video projection
by christoph Gelfand 12 years ago
the projector basically takes a direct feed from a PC which I'm not terribly familiar with, but know enough to say that because the PC is just playing a QT file, it displays the full QT frame as oppos
Optibase MPEG Master (Macintosh) MPEG-2- good or not?
by christoph Gelfand 13 years ago
Does anyone have any thoughts on this particular hardware encoder or any mac-based encoders that can do a better job than Compressor
Re: MPEG-2 software encoders on the mac
by christoph Gelfand 13 years ago
Charles, in attempting to solve this whole which-compression software-works best dilemma- I have found that Popwire know about the Compression Master 4 issues with DVD studio 4. I received this from t
16:9 MPEG-4 in Compression Master
by ScottieB 13 years ago
I'm having a really hard time with this... please help! I have a source movie that is a 16:9 DV file that is letterboxed (the original film is in scope 2.35:1 aspect) - I need to convert this to an MP
Re: 16:9 MPEG-4 in Compression Master
by christoph Gelfand 13 years ago
Do you find that compression master works better than compressor for MPEG-2 with DVD as your final format
© 2019 CreativeCOW.net All Rights Reserved
[TOP]