Tom Barton-Humphreys: Activity About Popular
Tom Barton-Humphreys

Member Since:
April 27th 2011
29 Posts
Panasonic HDX900
by Tom Barton-Humphreys 7 years ago
We capture the rushes at 1080i50... is this a progressive or interlaced image (same as 1080p25) Thanks Tom
Re: Panasonic HDX900
by Chris Tompkins 7 years ago
Interlaced. 1080i 50i 1080i 60i are interlaced formats. Chris Tompkins Video Atlanta LLC
H264 for Archiving to server?
by Geo Monterosa 7 years ago
I have an issue. We have a limited amount of space in our server. Currently we have a mix of video formats, ranging from apple pro res, Xdcam, dvcprohd, HDV, SD, H264. We are currently using FCP 7 and
Re: H264 for Archiving to server?
by Tom Barton-Humphreys 7 years ago
ProRes 422 (not HQ or LT) is your best option really. Or keep the original RAWs
Compressing h.264's for remote viewing; compress, upload FTP, notify
by Tom Barton-Humphreys 7 years ago
Mac 10.6.8 ProRes DVCPro HD etc H.264 or similar Significantly compressed for internet streaming Hi folks Currently use the latest Apple Compressor to crunch the maters down to remote viewing from exe
Re: Compressing h.264's for remote viewing; compress, upload FTP, notify
by Jessica Mantheiy 7 years ago
This option is not available in Compressor, but is in Adobe Media Encoder. Jessica Muth Production Operations Manager Video Labs Rockville, MD 301-217-0000 jmuth@videolabs.net
CatDV - Bru Server - LTO workflow
by Tom Barton-Humphreys 7 years ago
Hi folks We are dealing with a lot of DVCPro HD footage, 1000's of hours across 7 or 8 programmes and growing. We currently have 2 people logging the content with CatDV proxies. There is a huge backlo
CatDV - Bru Server - LTO workflow
by Tom Barton-Humphreys 7 years ago
Thanks guys The loggers are not really my domain, I am just dealing with the technical side of things. I have no idea how much detail or what they are expected to log etc. I'll check out PresSTORE - a
Mpeg Streamclip Vs Compressor
by Tom Barton-Humphreys 7 years ago
MacPro with OSX 10.6.8 Software using is Compressor 3.5.3 & Mpeg Streamclip 1.9.2 Current codec h.264 .mov from Canon 600d Desired codecProRes 422 For TV broadcast Hi folks Transcoding a lot of h.264'
+1
Nathan McAlpine liked this 7 years ago
Re: Mpeg Streamclip Vs Compressor
by Tom Barton-Humphreys 7 years ago
Thanks!
ProRes 422 - 12 or more tracks of audio - constant rendering?
by Tom Barton-Humphreys 7 years ago
Hi As far as I know, my project is set up correctly. I don't have to render audio or video edits, so I know my media is all the correct codec. However, when layered up, say 12 or more audio tracks, wh
Re: ProRes 422 - 12 or more tracks of audio - constant rendering?
by Tom Barton-Humphreys 7 years ago
Perfect, that worked a charm! Thanks, Tom
conforming a tapeless project
by Tom Barton-Humphreys 8 years ago
Hi folks We've shot a film on a Canon 600d and transcoded the footage to DVCPro HD. Can you conform a project the same as if you were overwriting proxys with online from Tape We want to have the final
Re: conforming a tapeless project
by Tom Barton-Humphreys 8 years ago
Ah. That'll be an issue then, as I pulled the files from the SD card to my HD then transcoded with compressor.
ProRes 422 text render issues
by Tom Barton-Humphreys 8 years ago
Hi guys FCP7, AJA Kona LHE. Having issues with my ProRess timeline, text needs rendering (it's got a light green bar across the text). When I've used DVCPro HD, it's not needed rendering (the line abo
Re: ProRes 422 text render issues
by Steve Eisen 8 years ago
What you are seeing is normal. Create your text in Motion and use a ProRes setting. Steve Eisen Eisen Video Productions Vice President Chicago Final Cut Pro Users Group
Edit Assistant, I was learning FCP7...
by Tom Barton-Humphreys 8 years ago
I have been an edit assistant at a post-production company for about a year now, and really want to apply myself as an editor with a view of going Freelance in the next couple of years, but I am just
Re: Edit Assistant, I was learning FCP7...
by Tom Barton-Humphreys 8 years ago
Thank you everyone for your input, everyone. The general feeling seems to be; FCX - not worth learning beyond basic functionality. Avid Media Comp - not the simplest of the bunch, but widely used. Ado
how can I automate dropping in/replacing sync audio in a sequence?
by Tom Barton-Humphreys 8 years ago
Hi We're using FCP 7. We need to remove all of the editors audio in the timeline and replace every clips audio with its original sync. We currently do this by hitting F to match frame, then paste in t
Re: how can I automate dropping in/replacing sync audio in a sequence?
by Tom Barton-Humphreys 8 years ago
the problem is that there's some stuff in the time line (quite a lot) which isn't the same speed. So you can't just mindlessly keyboard shortcut as you need to switch between the different sets of sho
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