Randy Rubin: Activity About Popular Images
Randy Rubin

Member Since:
July 22nd 2011
67 Posts
1080 24p to SD 29.97 Interlaced Conversion
by Randy Rubin 1 year ago
Hi All, I'm prepping a video for broadcast and am trying to determine the best way to do the conversion. I've outlined what I've done via After Effects but I'm not sure it is to spec and I'm curious i
Re: 1080 24p to SD 29.97 Interlaced Conversion
by Randy Rubin 1 year ago
Thanks that's helpful. I ended up delivering and receiving approval on the Letterbox format as the client preferred not to crop.
Premiere Pro Encoding for Broadcast: 720x576 FHA
by Randy Rubin 1 year ago
Hi All, I've been given broadcast specs for a spot that needs to be delivered to Italy and am having some issues. Source Video: ProRes 422 (HQ), 1920x1080 Progressive 23.976 fps Requested Specs: 720x5
Re: Premiere Pro Encoding for Broadcast: 720x576 FHA
by Randy Rubin 1 year ago
I see the scale to fill. Thanks!
Interpolate between Dynamic Keyframes
by Randy Rubin 3 years ago
Hi There, I have two dynamic keyframes and I am try to animate my primary correction. Instead of interpolate between the keyframes, the correction changes when it hits the second keyframe. I've made s
Re: Interpolate between Dynamic Keyframes
by tiphaine buccino 2 years ago
Thanks a lot guys ! You save me from a nightmare !!
Clipping Highlights and Shadows
by Randy Rubin 3 years ago
Hi There, When I grade I typically try to keep my highlights at or below the reference levels of 1023 and 0. My understanding is that these reference levels are for broadcast safe and inform you that
Re: Clipping Highlights and Shadows
by Randy Rubin 3 years ago
Hi Sascha, Thanks, that's really helpful and makes sense. It's sometimes easier for me to let the highlights go and crush the blacks than try to get the same kind of contrast within the limits of broa
h.264 Export for Vimeo Q's
by Randy Rubin 3 years ago
Hello, I exported a H.264 according to Vimeo's guidelines ( https: vimeo.com help faq uploading-to-vimeo compression-tutorials#adobe-premiere-pro-cc-721 ) for Premiere Pro CC. I'm a bit dissapointed i
Re: h.264 Export for Vimeo Q's
by Daniel Tamblyn-Watts 3 years ago
Hi Randy, I am not an expert, but I do regularly cut my projects in Premiere for 1080p playback on Youtube. The settings I aim for are: Format: H.264 Width: 1,920 Height: 1,080 Frame Rate: 29.97 Field
Resolve/Premiere Pro CC 14/AE Linked Comp Round Trip Workflow Q's
by Randy Rubin 3 years ago
Hi All, Posted this on the Adobe forum, but figured multiple opinions is never a bad thing! I started using Premiere Pro for a project I just wrapped editing. I switched from Avid because I knew I'd b
Re: Resolve/Premiere Pro CC 14/AE Linked Comp Round Trip Workflow Q's
by Randy Rubin 3 years ago
Thanks, nope only a minute long video. I was going to upres some of the footage back to 2.5K for scaling but maybe that'll throw off the effects - I'll have to see. Is there a better workflow for futu
Source Monitor In Timeline
by Randy Rubin 3 years ago
Hello, If I have a sequence loaded into the source monitor, is it possible to view that sequence (the Source Monitor) in the timeline panel This is something I do in Avid often and cannot seem to figu
Re: Source Monitor In Timeline
by Randy Rubin 3 years ago
Thanks, looking forward to it!
Resolve/Avid/After Effects Workflow
by Randy Rubin 3 years ago
Hi All, I'm working on a project right now that requires compositing to be done in After Effects for the edit. I started the project by rendering low-res files from Resolve of RAW & ProRes media via A
Re: Resolve/Avid/After Effects Workflow
by Joseph Owens 3 years ago
Randy Rubin "how can I bring the footage online in the final stage for grading " If it is not part of a Media Composer timeline, where it has been imported as Media, and re-edited into the project, i
Planning Green Screen Shoot
by Randy Rubin 3 years ago
Hi All, I'm planning a shoot and one of the things we need is different pieces of jewelry keyed out from the background. The initial idea is to shoot against a green screen, but the complication is th
Re: Planning Green Screen Shoot
by Dave LaRonde 3 years ago
If there isn't a lot of movement in the shot, you may be able to get away with using Rotobrush. Then you don't have to worry about green spill and green reflections in the shiny stuff. Can't offer bet
Avid Round Trip Alpha Channel Issues
by Randy Rubin 3 years ago
Hi, I'm having an issue bringing my work from Resolve back into Avid for final output. I started by creating proxies in resolve, exporting an AAF and doing the edit in Avid. I then exported an AAF, re
Re: Avid Round Trip Alpha Channel Issues
by Randy Rubin 3 years ago
Actually thanks, that worked. Resolve still does not export Alpha.
Da Vinci Resolve 10: Adjusting a Track
by Randy Rubin 3 years ago
Resolve 10.1.5, Windows PC I don't know if this is a bug or if I am doing something wrong but any help is much appreciated. I tracked a PowerCurve and the track is pretty solid excluding the end. I wa
Re: Da Vinci Resolve 10: Adjusting a Track
by Marc Wielage 3 years ago
I think one trick is, you have to go to the point where you want the new keyframe to appear, THEN hit the keyframe button, THEN change the position. And then hit the Interpolation button.
Performance Issues: AE CS6
by Randy Rubin 4 years ago
Hi All, Hoping to get some assistance in understanding the performance of my machine. I custom built the system this past year, and am a bit frustrated with my After Effects performance when animating
Re: Performance Issues: AE CS6
by Randy Rubin 4 years ago
It is the Classic 3D renderer. I ended up doing exactly as you suggested last night - adjusted workflow. I lowered resolution, and turned off motion blur while working. This made things much smoother.
Judging Exposure and the Histogram 5D Mark II/III
by Randy Rubin 5 years ago
Hi All, I've been shooting video with the 5D Mark II for a while now and am finding I am still guessing a bit when it comes to exposure. I've got a basic idea of what's close, but am never absolutely
Re: Judging Exposure and the Histogram 5D Mark II/III
by Sareesh Sudhakaran 5 years ago
Exposure to the right is easier for still photography, and even then you have RAW to save your rear if you misread the histogram. Lower-end cameras (by which I mean professional 35mm DSLRs) don't have
Multi Camera 5D Mark II/III Interview
by Randy Rubin 5 years ago
Hi All, I am doing a shoot utilizing 2 5D Mark II's and 1 5D Mark III. The shoot is of a roundtable discussion. We will be able to accommodate stopping the conversation for slates at the end of 12min
Re: Multi Camera 5D Mark II/III Interview
by Randy Rubin 5 years ago
Yep, thanks. Just read up a bit more on multi-cam editing and seems doable. I'll be slating and either manually syncing in Avid or using PluralEyes. -Randy
Panel/Round-Table Discussion A/V Techniques
by Randy Rubin 5 years ago
Hi All, I am looking into techniques for shooting a discussion between five people. The format is undecided, it really depends on what is most viable within the scope of our workflow I do in-house vid
Re: Panel/Round-Table Discussion A/V Techniques
by Mark Suszko 5 years ago
Actually, a set of gopros covering the entire room from one vantage point in the center of the circle could work pretty well. You would use the high rez HD footage to create fake zooms and crops to SD
MC6 AAF -> Resolve 8.1 Lite (no linking to clips on import)
by Randy Rubin 6 years ago
Hi, Looking for some pointers in the right direction. I'm trying to get my feet wet in Resolve and I can't seem to get an AAF to link to my media. I onlined my sequence to 1:1 MXF and consolidated the
Re: MC6 AAF -> Resolve 8.1 Lite (no linking to clips on import)
by Randy Rubin 6 years ago
Thanks for the help Mike. I sent Black Magic support an email about the issue. -Randy
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