Sony FS7 and XAVC-I Codec in Premiere by Michael Buday 4 years ago I'm going to be shooting a large amount of material at 4K, most likely using the Sony FS7 and the XAVC-I codec @23.98fps. I'm wondering if anyone has worked natively in this format with Premiere Pro.
Re: Sony FS7 and XAVC-I Codec in Premiere by paul colin 4 years ago David, Thank you for your thoughtful reply. My question was not totally coherent. But it points to your statement "The idea of re-wrapping in post is to change the way the file format is written in th
Ingesting DVCPRO HD as Pro Res 422 In FCP by paul colin 10 years ago To all, I would like to ingest DVCPRO HD footage from P2 cards from a panasonic card reader(over USB 2)into FINAL CUT PRO directly as PRO RES 422. Is there plug in for this Can this be done I'm using
Compressor settings for HD to SD by paul colin 10 years ago To All, I posted this the other day but was buried under a flurry of many many posts. So I thought I'd try again. Doing a show that's aprox. 40 min. TRT. It's a 1080i ProRes422 project. The final prod
flying slime effect by paul colin 10 years ago Hi All, OK, here's a weird one. The client wants me to create a slomo sequence where it appears that slime (actually dog slobber) is flying through the air. Anybody have a notion of what I can use fro
creating 3D (red & green glasses) comps by paul colin 10 years ago I've been doing character animation for a client on a regular basis. NOW they want to get on the 3D bandwagon. Not the 3D (actually 2 1 2D) space that can easily implemented in AE but the kind viewers
Re: creating 3D (red & green glasses) comps by paul colin 10 years ago Thanks Bogie! I am creating character animation from multilayered psd files imported as comps. Alas, I have no other choice than to use filters to create the stereo pairs. Unless you can think of anot
HPX500 5600 Preset Fix by David Hudson 11 years ago Just wondering when the Preset fix that done on Mr. Neals camera was going to made public. Also would like to know if the it's true that the noise level on the 200A is lower then the level on the 500.
Re: HPX500 5600 Preset Fix by paul colin 11 years ago It's the Canon HJ17ex7.6B-IRSE e-HDxs 17x 2 3" ENG High Definition Wide Angle Lens, with 2x Extender. I tried the bundled Canon CAC lens that was offered with the camera... just didn't cut it. This on
HPX-500 720 or 1080? by paul colin 12 years ago Dear Group, I've had my HPX 500 for a while now but am still conducting tests in the varieties of frame rates and formats. I recently bought Noah Kadner's DVD on the HVX-200, where he states that the
Re: HPX-500 720 or 1080? by paul colin 12 years ago Richard, I'm viewing on a Panasonic LH80WP monitor (7.5") HD component when shooting, and a Sony LMD 232W (23") through a Kona 3 HD SDI connection after ingest. The 720 signal looks kind of soft as co
Bright Frames when Rendering WEIRD by Jason McKee 12 years ago Alright. I have never had this problem before but since switching to Apple and CS3 I have been getting weird bright frames at random when rendering. They actually render out too. This is extremely fru
Re: Bright Frames when Rendering WEIRD by paul colin 12 years ago Thanks guys! Good ol' Adobe. I guess I'll turn off the feature until Adobe releases a patch; or try the the adding handles to clip trick. Oh well. Happy New Year all! Best, Paul Colin, Cezanne Studio,
HDV clips in AE by paul colin 12 years ago I just got my super duper MacPro 8 core machine (3.0 Ghz w 7gigs RAM) into operation; loaded my brand new AE CS3 software and expected to see more than 8 secs of HDV footage in full res RAM preview. H
Re: HDV clips in AE by paul colin 12 years ago Thanks Dave I think the 3gig limit is just the way things are . I spent some time trying out different combos of things only to come to the conclusion that full res isn't the opimal way to view a comp