Highspeed Workflow? by matt shires 9 years ago Hi All, I'm working with footage from an Arri Highspeed camera. It's recorded all the footage into Tiff Sequences. However when I transcode these to Proress HQ using MPEG Streamclip they look juttery
Re: Highspeed Workflow? by Chris Tompkins 9 years ago Do you have After Effect This can use a Targa sequence and create a MOV file for you. Also in Quicktime 7, you can open Image Sequence and select the frame rate @ that point and create a MOV. You can
ARRI Highspeed Camera-Tiff Sequences by matt shires 9 years ago Hi All, I'm working with footage from an Arri Highspeed camera. It's recorded all the footage into Tiff Sequences. However when I transcode these to Proress HQ they look juttery and don't run smooth.
Re: ARRI Highspeed Camera-Tiff Sequences by gary adcock 9 years ago matt shires "However when I transcode these to Proress HQ they look juttery and don't run smooth." My guess 1) you are at the wrong frame size- FCP functions best with 1080 or 720 HD formats- 2) You
live capture 1080 25p?? by matt shires 10 years ago Hi, We've got a keying job and I'd like to capture live from an EX-3 from the SDI out. I have two questions. 1. Will I see a notable improvement by live capturing rather than just taking he footage of
Setting up edit suite for charity. by matt shires 10 years ago Hi All, I'm putting together a budget for an edit suite at a college I volunteer for. I work on FCP for a living but feel this may be a bit pricey and was wondering whether Sony Vegas would be a more
keying shape by matt shires 10 years ago Hi, I'm keying a subject full length, it was captured on HDCam and imported prores 422 HQ. I'm keying with Keylite in CS4 The problem I'm getting is the outline when played is not solid, it keeps on s
are there any benefits to by matt shires 10 years ago Capturing HDV tape via an HD SDI and RS-422 rather than a firewire as the footage is so heavily compressed as it is I'm sure there is a reason, I just can't see one, please prove me wrong. Much Thanks
5D newbie advice on lenses by matt shires 10 years ago Hello, I've been lent a 5d Markii body for 3weeks,unfortunately I know as much about photography and filming as I do about pre-raphaelite art, so I reckon I can turn it on at a push. So I was wonderin
Re: 5D newbie advice on lenses by matt shires 10 years ago Thanks for the info, I am planning on shooting footage with the camera. I saw philip bloom use the Nikon mount Zeiss ZF 50mm f1.4 on sofia's people, obviously his a very talented gent, and I'm a cack
Capture Issues from EX-3 by matt shires 10 years ago I'm capturing footage live from an EX-3 but even though my capture settings are 1080 50p the same as the camera my footage is twice the speed. I've recorded footage on the cards at the same time and d
Re: Capture Issues from EX-3 by Kristian Lam 10 years ago Hi Matt, I don't think the EX-3 does 1080p50. Can you double check that it's not actually 1080p25 Which Blackmagic Design capture product are you using, is this in Final Cut or Premiere Pro on Windows
FCP switching to Avid by matt shires 10 years ago Hi, I'm an editor based in London, I've been working for the last 2 years all in FCP. I'm looking to move on to a post house ideally and was wondering how beneficial learning Avid would be and what co
Re: FCP switching to Avid by matt shires 10 years ago Hey Juris, thanks for response, Soho editors have stopped their avid courses infact quite alot of places don't do avid anymore even though I'd still say 50% of editing jobs still ask for knowledge of
Will multibridge work with FCP7? by matt shires 10 years ago Hey All, Our studio is about to upgrade to FCP 7 and I wondered if out Multibridge Extreme 7.1.2 will have any problems with it, especially the new Prores 4:4:4 RGB codec Many Thanks, Matt
exporting to .flv by matt shires 10 years ago wondering if anyone can help 2 questions really as I only got adobe the other week. 1. How come when I go to export a FLV file from FCP or compressor I'm not given the option in the settings even thou
Re: exporting to .flv by matt shires 10 years ago Thanks Steve, appreciate the link, however doesn't answer why I can't export .flv files from FCP. When I go to export either by quicktime, compressor or quicktime conversions I'm not give the option.
calibrating external monitor by matt shires 10 years ago Hi, Trying to calibrate my external monitor and have a couple of questions. 1. Read a few different solutions on how to do it from various places and wondered if anyone had a preference 2. Once you've
Re: calibrating external monitor by matt shires 10 years ago Does it matter setting the Pluge bars with blue only after i've set the chroma and hue or should i do the brightness and contrast first then the chroma I'm possible making this way more tricky than it
CS4 + Multibridge Extreme by matt shires 10 years ago Hey, Two questions really, just bought CS4 Production Premium and wondered how it will work with out Multibrige extreme, will I be able to capture through Black magic in 'Onlocation' and 'Premier Pro'
Re: CS4 + Multibridge Extreme by matt shires 10 years ago cheers Josh, any idea how I get CS4 to recognise I have a blackmagic card as the only codec options it's giving me at the moment are 10-bit RGB Blackmagic which is a bit intense for my needs Cheers, M
PSD massive resolution? by matt shires 11 years ago I'm planning on inserting a .PSD file at the end of a commercial I'm cutting. We're cutting with XDCAM ex at 1080X1920 but the .PSD file has dimensions 5755X4334, slightly on the massive side. I know
capturing dvcprohd 720 25p by matt shires 11 years ago Hey, I'm trying to capture DVCPro HD through SDI at 720p25. My capture settings for FCP are Blackmagic DVCPro HD 720 25p, but the captured footage looks awful, pixelated, more like a jpeg codec. When
Re: 16:9 14:9 (protected)? by Robin Probyn 11 years ago Its a half way house between 16-9 and 4-3.Meaning shoot for the full 16-9 frame,but keep important material within a frame ratio of 14-9.Most pro 2 3 inch video camera,s have this ratio as an option a