joe andolina: Activity About Liked Popular
joe andolina

Member Since:
February 4th 2006
16 Posts
Finished edit from FCP6 to FCP7
by joe andolina 6 years ago
Hello, I have a project edited on my G5 with FCP6. I also have a MacPro with FCP7. I want to export the movie from the time line of FCP6 and get it over to FCP7 to use the create bluray feature since
Re: Finished edit from FCP6 to FCP7
by joe andolina 6 years ago
Thank you Nick. Appreciate the quick response.
No Timeline in Media Composer 6
by Thomas Frank 8 years ago
So, I have downloaded a trial of Media Composer 6 to give it a try since AVID is praisinig it so highly. First I followed the steps of crating a Project importing media and creating a Sequence. So whe
Re: No Timeline in Media Composer 6
by joe andolina 7 years ago
One little work around for me is temporarily change the bar under preferences to the left monitor as mentioned, and after I get the time line to show, move the bar back to the right monitor and move t
Compressor Dialog Normalization setting
by Bob Cole 10 years ago
In one of Larry Jordan's newsletters is the following advice: "I wanted to add one thing regarding audio levels. If you are using Compressor to make MPEG-2's for your DVD's, make sure and set the "Dia
Re: Compressor Dialog Normalization setting
by joe andolina 10 years ago
Thanks for the tip on the audio settings. that explains why I could never retain the original audio levels after outputting to DVD. I've also been trying to change settings under the GOP as IP for the
p2 import button in FCP
by Ryan Hansen 10 years ago
I have Final Cut 6 but my FCP does not have a "import p2" button, nor does it have it on the button list for me to add. Is there someplace where I can download the import p2 function for my FCP, can a
Re: p2 & HPX170 doesn't mount for FCP importing
by joe andolina 10 years ago
sorry, meant Jan, not Jim :)
stairstepping issue w/output in FCP4 & xl2 footage
by joe andolina 13 years ago
I'm trying to solve a problem we're seeing with stairstepping. We capture our footage shot with the xl2 in 24pn 16:9 to FCP4. Now, when we watch the footage that is brought down to the timeline, keepi
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