illya laney: Activity About Liked Popular Images
illya laney

Dailies Colorist In NOLA.

Currently working on The Tomb.
Member Since:
September 5th 2005
849 Posts
100 posts500 posts
Location:
New Orleans
Friends:

Arnie Schlissel

Ben Heusner Brownlee

Bryan Banks

Craig Harris

Darin Wooldridge

Dave Taylor

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Thomas Wong
Twitter
Alexa Timecode lost between dailies and raw for 48 and 60fps shot at 2K
by Colin Edelman 8 years ago
Hi, I received both raw .ari files and pro res proxy dailies from an Alexa camera shot at 2K (2880x1620) at various frame rates - 23.98, 48, and 60 fps. The problem is that the timecode of the .ari fi
Re: Alexa Timecode lost between dailies and raw for 48 and 60fps shot at 2K
by illya laney 8 years ago
The Codex doesn't kick in until it receives a signal while the Prores starts recording immediately. As far as I know, there's nothing you can do about it because the Prores clips will always be longer
Monitor Comparison
by Ryan Snook 8 years ago
I'm just getting into resolve, and am at a loss at what playback monitor solution I should get. I don't really have much of a budget right now, just about $1500 - $2000. I hear the DeckLink via SDI dr
Re: Monitor Comparison
by illya laney 8 years ago
It has built in test signals. There's many new features on this model because it's specifically designed for broadcast. Our engineering department uses a Klein probe I think. I could be wrong.
SInce Davinci now costs nothing, is it worth anything?
by Richard Dee 8 years ago
I appreciated the fact that I could download Resolve lite and get a feel for it, pay with basic grades, and make sure my JL Cooper Spectrum worked with it. But within a week or two I bought it, being
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Peter Berg liked this 8 years ago
Re: SInce Davinci now costs nothing, is it worth anything?
by illya laney 8 years ago
I'd like to meet those assistant editors and ask them to sync, grade, and transcode 7 hours of dailies and have them transferred by 10AM. Thanks.
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New Panasonic Broadcast/Post Plasmas
by Robert Houllahan 8 years ago
Anybody else take a look at these http: www.panasonic.com business plasma TH-42BT300U.asp Looks pretty nice!! 42" & 50" models. -Rob- Robert Houllahan Director Colorist Cinelab Inc. www.cinelab.com MA
Re: New Panasonic Broadcast/Post Plasmas
by illya laney 8 years ago
Chad Terpstra "I heard somewhere that Pioneer's magic was being integrated into Panasonic's line" I think the Pioneer guys Panasonic hired have been working on the higher end consumer plasmas since mi
Resolve Lite for Alexa ProRes 444 Log C dailies
by Nayeli Garci-Crespo 8 years ago
Hi everyone, This is my first time working with the Alexa, and I'm wondering if it's possible to create ProRes LT quicktimes for dailies with Arri's Rec 709 LUT from Alexa ProRes 444 Log C footage wit
Re: Resolve Lite for Alexa ProRes 444 Log C dailies
by illya laney 8 years ago
You can, but you'd lose any in-camera audio. Production mix is usually fed to the camera and some editorial houses require the production mix on their delivery specs. twitter.com illyalaney nextLAB Mo
Fcp X update
by Paul Provost 8 years ago
Claims XML export and import to davinci resolve! http: www.postandbeam.tv grade and finish @ post + beam http: www.facebook.com pages post-beam 137967176232067
Re: Fcp X update
by illya laney 8 years ago
The new XML they're using is called AXEL. twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color
FCPX-The Choice for a New Generation?
by Adam Portnoy 8 years ago
My 11.5 year old daughter is expressing interest in learning how to edit video. While I have FCP 7 and PPro CS5.5, I was wondering what the community thought of having her be the FCPX guinea pig. She
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tonybadea liked this 8 years ago
Re: FCPX-The Choice for a New Generation?
by illya laney 8 years ago
It's funny when people talk negatively about Avid when pretty much every one of their favorite shows and movies were edited with Media Composer. If we're going to talk about training...I'd argue that
News: Blackmagic Design Announces DaVinci Resolve for Microsoft Windows™
by Cow News Droid 8 years ago
New DaVinci Resolve for Windows 7 64bit will be demonstrated at IBC 2011 (Amsterdam IBC, The Netherlands--September 9, 2011) Blackmagic Design today announced DaVinci Resolve for Microsoft Windows whi
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illya laney liked this 8 years ago
Re: News: Blackmagic Design Announces DaVinci Resolve for Microsoft Windows™
by prathvish hegde 8 years ago
wow thats great news at least we have grown up above apple !!! hats off davinci oh sorry blackmagic design u rock i think they should release a beta version and allow people to try and get feedback no
Be STILL my BEATING HEART.
by Aindreas Gallagher 8 years ago
Jeremy garchow just posted this. http: vimeo.com 28681222 No published Apis, no published XML hooks stuff, and you can still get this I am many flavours of agog. www.ogallchoir.net promo producer edit
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Eduardo Serrano liked this 8 years ago
Re: Be STILL my BEATING HEART.
by illya laney 8 years ago
Yeah, it's too bad they didn't expand into other cameras. twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color
AVID Resolve roundtrip
by Joseph Owens 8 years ago
I know this has been explored a couple of times, but as a total newcomer to AVID, I don't understand the MXF way of doing things, obviously. What I got out of Resolve in Source mode was still one big
Re: AVID Resolve roundtrip
by illya laney 8 years ago
How did they label the Tapes in Avid The Tape column should actually be relabeled as Source since everyone and their momma is using tapeless cameras now. The key to a "solid" roundtrip is making sure
Lightworks evolves
by Geoff Dills 8 years ago
Highlights: -subscription for pro codecs except dnxhd which has one time purchase -Mac beta in December, windows full release November -matrix support with Aja and blackmagic support coming -share pro
Re: Lightworks evolves
by illya laney 8 years ago
Funny enough, I was actually looking at that yesterday. It's interesting to see the long list of big budget films that have used Lightworks. It's double the number of films cut on Final Cut Pro and it
Tangent Element
by Paul mitchell 8 years ago
guys check out the new panel http: www.tangentdevices.co.uk products_element.asp
Re: Tangent Element
by illya laney 8 years ago
SpeedGrade LOL twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color
Feature Request Color Temp/Tint sliders
by Lee Niederkofler 8 years ago
Hi, I've just worked on some stills in Lightroom, and I find the Color Temperature and Color Tint sliders are very useful for creating looks or just to get a quick White Balance. I know Speedgrade has
Re: Feature Request Color Temp/Tint sliders
by Joseph Owens 8 years ago
You might get a sense of why from this thread from about 15 or so years ago... http: www.colorist.org pipermail oldtig-mhonarc 1996 msg01702.html Some techniques are protected by manufacturers... anyw
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illya laney liked this 8 years ago
I guess it's So Long and Thanks for all the Fish!
by Darren Kelly 8 years ago
Today I ordered Production bundle CS5.5. I made the decision to not go to FCPX, but leo the decision that there are better choices out in the market. I also ordered a PC, the first in my company since
@Craig S.
by David Cherniack 8 years ago
Craig Seeman " Once you put together a powerful professional PC workstation it's not going to be that much cheaper than some Macs. Look at what a decked out HPZ400 or Z800 workstation costs. Consider
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illya laney liked this 8 years ago
FCX makes the air again.
by Mark Morache 8 years ago
Shhhh. Nobody knows but us. I've actually been using this software for real-world, over-the-air broadcast work. Yes! I said it's been broadcast. The average viewer doesn't know what's happening, but q
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Gerald Baria liked this 8 years ago
Re: FCX makes the air again.
by Rafael Amador 8 years ago
Gerald Baria "Ha! This will shut a lot of people up.:D See, we should all just be like Mr. Morache, stop whinning and start learning. Thank you sir." Nobody had ever doubt that FCX was able of some b
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illya laney liked this 8 years ago
Complicated means Pro : Simplified is Dumb/Amateurish
by Gerald Baria 8 years ago
I have just recently been visiting Cow all because of FCPX, for guidance and perspective from all the industry experts that I use to think proliferates much here with all your sigs and first-paragraph
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Gary Pollard liked this 8 years ago
Re: Complicated means Pro : Simplified is Dumb/Amateurish
by Glen Hurd 8 years ago
First time I'd have to disagree with you Scott :) What demise From newbies Is he serious I've never seen a newbie do anything besides waste his life away for $10 hour doing wedding videos, or run arou
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illya laney liked this 8 years ago
Final Cut Pro X. Now What? Keycode Media - Video now online
by Craig Seeman 8 years ago
Final Cut Pro X. Now What Keycode Media - Video now online. Probably one of the most intelligent discussions by broadcast and feature film professionals about FCPX. Personally I am most impressed by M
Re: Final Cut Pro X. Now What? Keycode Media - Video now online
by Michael Kammes 8 years ago
We were as taken by surprise by FCP X as anyone else was. Resellers, like most of the public, are kept in the dark when it comes to Apple development, despite what the rumors say. As I wrote in my blo
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illya laney liked this 8 years ago
Alexa LUT Applied Wrong?
by Robert Due 8 years ago
I am working with some Alexa Log C footage. I think I may have made a mistake when I applied the LUT. Instead of on a node, I applied it on the Config page under the Display Lookup Table pulldown. Whe
Re: Alexa LUT Applied Wrong?
by Mike Most 8 years ago
I normally ad my LUT to the second node of the Tree. I find its the easiest as if I need to make changes to the original LOG image I can pop back to Node 1 and if not I can grade away happily from No
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illya laney liked this 8 years ago
Good Job Steve
by Mark Dobson 8 years ago
I know a lot of people are really disappointed with FCP X ( I'm not one of them) but I just thought I'd say thanks to Steve Jobs for helping me make a living for the last quarter of a century. And as
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Jason Jenkins liked this 8 years ago
Re: Good Job Steve
by Jamie Franklin 8 years ago
All speculative I guess. It could go either way. Apple, under Jobs, EOL'd most of the enterprise software they acquired...so...hopefully one day we'll discover who was really behind this debacle...
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illya laney liked this 8 years ago
Quick Tip: Using external mattes for creative effects
by Josh Petok 8 years ago
Here's a little tutorial I put together for using external mattes to create Noir style shadows or highlights: http: vimeo.com 28139214 Josh Petok Online Color JoshPetok.com TheCurrentCut.com
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illya laney liked this 8 years ago
Re: Quick Tip: Using external mattes for creative effects
by Christopher Adams 8 years ago
This was brilliant! Loved it. I can see a bunch of uses for this. even people's shadows walking across people etc. CJ Adams
Real World job on FCPX
by Craig RussillRoy 8 years ago
HiYall, thought i would throw a few words together on my FCPx experience on a paying job. Background; been editing for a million years on all the usual suspects - I have recently started helping my wi
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Lawrence Eaton liked this 8 years ago
Re: Real World job on FCPX
by Scott Sheriff 8 years ago
illya laney "Dailies for a majority of the biggest films, commercials, and TV shows in the world end up on DVD and or services like DAX or PIX(and soon nextSPOT). I'm trying not to sound like a money
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illya laney liked this 8 years ago
Let’s get ready to rumble…
by Craig Alan 8 years ago
FCP 7 VS FCP X And in this corner ... Two experienced professional FC editors begin with identical systems having already imported the same clips media. ROUND 1 FCP 7 editor creates a short but comple
Re: Let's get ready to rumble!
by MIke Guidotti 8 years ago
Round 5 FCP 7 Editor exports sequence to HDCAM to send to HBO FCX Editor uploads storyline to YouTube
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illya laney liked this 8 years ago
What Do we Do now? How Do you Feel?
by Greg Burke 8 years ago
Okay So, THis program has been out for awhile now and SOME questions have been answered, I was very angry when this was released and I vented on the iMovie X Forums, But what I realize now is that I w
Re: What Do we Do now? How Do you Feel?
by illya laney 8 years ago
Herb Sevush "these have very little relevance to the glacial pace of feature film editing" In Hollywood it's not just features, but narrative television and trailers too. Believe it or not, there's st
Where are we TODAY?
by Rick Fromet 8 years ago
So, here's our situation we're in, in the real world, as of today... We are in the process of hiring 2 new editors, and need to buy them software laptops. We are a FCP house with 9 FCPS licenses. So y
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illya laney liked this 8 years ago
Re: Where are we TODAY?
by Gary Huff 8 years ago
Craig Seeman Are you confusing connected clips with secondary storylines. Connected clips only have a vertical relationship. Secondary Storyline has a horizontal relationship and maintains one connec
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illya laney liked this 8 years ago
Avid Workflow using AMA
by Eric Santiago 8 years ago
Does anyone here have any tips and tricks on editing AMA in Avid MC then round-tripping to Resolve 8 using R3D clips I tried AAF but cant seem to get past the link error. Avid throws out an error that
Re: Avid Workflow using AMA
by Marcin Zwolski 8 years ago
AMA detects folders named with RMD and RDC and files named .R3D. So, if you retain proper magazine folder structure (Your HD) camera+reel_date.RMD camera+reel_clip_date+random number.RDC everything sh
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illya laney liked this 8 years ago
If you have to switch today...
by Armando Ciurana 8 years ago
This is pretty much my reality, I have to make a expansion plan for the next year, today and I have been considering switching both of our on-line systems (now FCS 3) to Avid Autodesk Black Magic. I m
Re: If you have to switch today...
by illya laney 8 years ago
Avid twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color Truelight
Color bars?
by Graham Dickinson 8 years ago
Did Apple not include bars and tone on fcpx If they are in the program can anybody tell me where to find them
Re: Color bars?
by illya laney 8 years ago
Bill Davis "Color bars are kinda an analog video world artifact." So how do you CYA when a client comes back because they think the black levels are wrong Every delivery we make(HDCAM SR or file based
Modifying Clip Timecode With XML
by illya laney 8 years ago
Basically I need a quick way of replacing the Media Start column with timecode from an XML(created using a modified ALE in Cinema Tools). The offline material has different timecode than the source me
Re: Modifying Clip Timecode With XML
by illya laney 8 years ago
The footage was being recorded onto a Clipster then captured into FCP. The Aux TC(which contained the source TC) didn't carry over into the XML which was generated from an ALE in the Clipster. It woul
older computer settings for Alexa
by Denis Bosnjakovic 8 years ago
Hello, I am shooting a short film on the Alexa and am data managing the clips myself and editing as well. We would be shooting on SxS Cards in ProRes 4444 and I wanted to know since I have never used
Re: older computer settings for Alexa
by illya laney 8 years ago
So dynamic and unlimited won't help timeline playback when a color correction or LUT filter is applied twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color True
ALEXA - Can't open Clips on computer
by Adam Foskey 8 years ago
Hey guys, I am new to the site. I am just looking for any kind of help with this situation possible. A colleague of mine was shooting with the Arri Alexa recently, and the problem they are having is t
Re: ALEXA - Can't open Clips on computer
by illya laney 8 years ago
"FYI- this cannot not happen in the camera- this is a file transfer error on the data handlers side-you cannot corrupt a ProRes clip in an Alexa" What if the camera freezes in the middle of a take I'v
ALEXA - Transcoding
by Kim Fox 8 years ago
Hi all, Okay, I'm new to the ALEXA, and I need a little help. As I understand it, the camera records in either ProRes 4444, or ProRes 422. I've just gotten the dailies for a feature, and it looks like
Re: ALEXA - Transcoding
by illya laney 8 years ago
If everything needs to be transcoded to LT, then you can just throw one compressor setting on everything. If I'm forced to use compressor, I'll usually set it up by camera roll to stay organized and I
Alexa footage not correcting properly
by todd heyman 9 years ago
im a director color correcting a directors cut of a spot I just shot on the Arri Alexa, in Apple Color on a macpro 2.8 ghz quadcore with 8G of RAM. Although Im not in love with the color the agency we
Re: Alexa footage not correcting properly
by illya laney 9 years ago
I don't know what the keyboard shortcut is, but on a panel you can choose to go directly to keyframes. You definitely need to delete them before resetting the secondaries. twitter.com illyalaney
HD-SDI to HDMI converter
by illya laney 9 years ago
Would an HD-SDI to HDMI converter transmit a 10 bit signal Motion Design, Color, Editing SWGC Incorporated
Re: HD-SDI to HDMI converter
by illya laney 9 years ago
Does it support 10bit via HD-SDI Motion Design, Color, Editing SWGC Incorporated
Change Sequence Settings to Original Media Specs
by Paul Ewen 9 years ago
I started with Apple Pro Res 1080i 23.98 footage from the Canon 5D camera. I stupidly didn't look at the sequence settings I was making and made sequences which were 1280x1080 fps:29.92 DVCPRO HD 1080
Re: Change Sequence Settings to Original Media Specs
by illya laney 9 years ago
Jeez...are you talking about having problems with transitions and keyframes Motion Design, Color, Editing SWGC Incorporated
Stacked video show-through
by Michael Loftus 9 years ago
In After Effects I created a 3D Picture Montage with Trapcode Particular according to a tutorial by Rob Birnholz. This is a flying picture montgage on a black background. At the end of tutorial, he im
Re: Stacked video show-through
by illya laney 9 years ago
Did you render the montage out with alpha channels Motion Design, Color, Editing SWGC Incorporated
Audio Mixing a Sequence
by James Coppens 9 years ago
I have a sequence that is a collection of clips. I am doing a voice over but I want to lower the sound of the sequence during my voice over. I've been doing this by manually lowering the decibel level
Re: Audio Mixing a Sequence
by illya laney 9 years ago
Haha. No problem. Motion Design, Color, Editing SWGC Incorporated
Dump your RED camera, iPhone 4 is here
by David Roth Weiss 9 years ago
The following project was shot entirely on a new iPhone. Pretty impressive if you ask me. Now, if the the phone would only work better, and they'd fix that new antenna... http: www.vimeo.com 12819723
Re: Dump your RED camera, iPhone 4 is here
by illya laney 9 years ago
Check this out... http: www.tiffen.com smoothee_home.html Motion Design, Color, Editing SWGC Incorporated
flying mouse
by Nick kypros 9 years ago
Anybody have mouse problems Recently my mighty mouse cursor will suddenly fly off to one of the four corners of my monitor. I've tried several other mice but they react the same way, looking for chees
Re: flying mouse
by illya laney 9 years ago
I've had it happen at multiple places though, all different studios desks pads, and the only thing in common is the Mighty Mouse. Motion Design, Color, Editing SWGC Incorporated
Think the Mac is dead? I think not...
by Ben Holmes 9 years ago
http: feedproxy.google.com r 9To5Mac-MacAllDay 3 CnqHzbyJr3k iphone_drives_apple_aapl_revenue Sure, the iPhone is a revenue cash cow. Good - I like my suppliers cash rich. Interesting point; the iphon
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Isaac Brillant liked this 8 years ago
Re: Think the Mac is dead? I think not...
by illya laney 9 years ago
Dan Brockett When were we talking about HDTV sales If you went to college and ever took a statistics class, or if you have ever worked in retail or marketing, you know that 99.8% of statistics are me
3cp Positives and Negatives?
by illya laney 9 years ago
http: 3cp.gammadensity.com index-2-prod-3cP-Overview.html I'm experimenting with alternate workflows and wanted to know about anyone's positive or negative experiences using 3cp. So far I think some o
Keyed actor becomes transparent
by Dan Yadin 9 years ago
I've used color key and keylight to rotoscope my actor in front of a blue screen. When I lay that footage over a second video, you can see right through my actor's shirt to the video behind him. How d
Re: Keyed actor becomes transparent
by illya laney 9 years ago
I just messed around with your shot for a second and got a pretty good luma key from his shirt. To do this right I'd suggest doing separate keys. Mask out different sections of his body precompose eac
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