geraint pari huws: Activity About
geraint pari huws

Member Since:
January 23rd 2006
236 Posts
100 posts
anamorphic workflow
by geraint pari huws 2 years ago
Hi all I'm looking to work with 4:3 anamorphic rushes 2048 1536 within mc, un-squeezed, which is no problem, but am looking for a way to display squeezed and cropped output, ie 2:1 letterbox within a
Re: anamorphic workflow
by Jimmy See 2 years ago
I'm trying to figure this out on my end but am testing with source material that isn't similar to yours at all and am just having to pretend that it is, so sorry if this is incorrect. I think I know w
metafuze
by geraint pari huws 5 years ago
Where am I going wrong, I'm importing file sequences via metafuze, process is fine when I import 1080 185 10bit, but, when I select uncompressed 10bit, the new transcoded mxf files roll horizontally.
Re: metafuze
by geraint pari huws 5 years ago
I use resolve, but as a one(ish)stop shop, metafuze is fairly simple, and scans dpx folders really efficiently
avd 444 workflow
by geraint pari huws 6 years ago
AMA PRORES 444 clips show as yrb709 in the colour space column. I want to transcode arri prores444 to dnx444 within my rgb project, then output to SR using dualstram 444. Is this process really 444 rg
Re: avd 444 workflow
by Michael Phillips 6 years ago
What version MC are you running Michael
prores 444
by geraint pari huws 6 years ago
Mc 6,5 onn pc, ama arri prorez444 show as yrb709 in color space column, not rgb, if Im working in an rgb project, and transcode to dnx444 or 1.1rgb does avid keep the processs 444 throughout Thanks fo
Avid Title Tool
by Mandla Bolekaja 6 years ago
Can you fade in separate lines of text in the Avid Title Tool Just trying to add a simple title on one line then fade in a second title on a second line. M
Re: Avid Title Tool
by geraint pari huws 6 years ago
too late now I'm sorry, but for next time, other answers are all correct, but. Use the effect editor's crop, it will save you having to reopen title tool every time. promote the title first, then add
Avid pan & zoom, video bcg, CC Effect
by Jonas Hansen 8 years ago
Is it possible(with workarounds) to hva a pan&zoom image ontop of a background and only grade the p&z effect. the only thing i seem to be able to do is CCE the whole thing. tried putting it in a subcl
Re: Avid pan & zoom, video bcg, CC Effect
by geraint pari huws 8 years ago
If you want to create a matte, which will make your work around work, then do exactly the same pan and zoom move, but, replace your still with a white field, mix it down and you have an matte, you can
protecting/isolating OMFI of GFX kit
by Shai Yosub 12 years ago
Question in brief: On the Avid, is it possible to isolate a hard drive so that no one will be able to tamper with the OMFI material on it (digitize onto it or delete from it) Question in detail: I wor
Re: protecting/isolating OMFI of GFX kit
by geraint pari huws 12 years ago
or... lock the clips at bin level, or get all your gfx in one bin, export as omf and just suck them back in when needed or use Media Databe Viewer (freeware) to copy the mediafiles to a safe location,
multiple track locks
by geraint pari huws 12 years ago
This is probably stupidly obvious or in the book but, how do I lock multiple tracks in one go thanks in advance Amheus
Re: multiple track locks
by Carl Amoscato 12 years ago
Hi, At the bottom of the timeline, under all the other track lock indicators, click the empty grey square, which turns all the track locks on or off. good luck, CarlThere is no such thing as a video e
hd - 1080 59.94i /50i workflow
by geraint pari huws 12 years ago
HI. I'm sure the answer's in the archives somewhere so I apologise for repitition beforehand... Off line - on-line project looming. Programme delivery will be for UK. HDcam 1080 50i + SD digibeta. (PA
Re: hd - 1080 59.94i /50i workflow
by geraint pari huws 12 years ago
cheers great straight answer, was intending on the standards convert since whole prooject depends on intercut footage, wanted to check I wasn't missing something before spending a fortune. thanks agai
playback all 4 audio tracks
by geraint pari huws 12 years ago
Does anyone know of a vtr which will play back all 4 audio tracks recorded whilst shooting hdv 1080i...
panasonic monitoring
by geraint pari huws 13 years ago
Any thourghts on Panasonic lcd broadcast monitors, ie BT-LH2600W for use in critical post enviroment thanks for any input amheus
Re: panasonic monitoring
by Tony Salgado 13 years ago
as compared to or versus what other monitors How critical are your needs. Color critical as in final color grading or just "good enough". Tony Salgado
Sony Digital Betacam Deck issues
by elementim 13 years ago
On the sony DVW-M2000 digibeta deck, when I try to edit to tape from Final Cut, the error it keeps giving me is "unable to lock servo on deck, please adjust device preroll setting. Also, the "stop" bu
Re: Sony Digital Betacam Deck issues
by geraint pari huws 13 years ago
switch reference to input video.
Preparing video for network broadcast
by Mark Remple 14 years ago
Hello I run a small video production company and we were hired to do some "B-roll" footage for a client that is going to be distributed via newswire to all of North America. We are a small company tha
Re: Preparing video for network broadcast
by geraint pari huws 14 years ago
BARS + TONE STEREO GLITS - 1 MIN yOUR ANN POP A BLACK BAND ACROSS THE MIDDLE OF THE BARS ON WHICH YOU COULD ADD TEXT STATING... a WHAT TYPE OF BARS, 75% OR 100% B REFERENCE LEVEL FOR TONE EG TONE AT -
DV deck reference issue?
by FXholt 14 years ago
I'm trying to go composite from a VHS deck to DV deck (BR DV6000) and both decks have reference coming in from the generator. The resulting picture bounces left and right. I have talked to several peo
Re: DV deck reference issue?
by geraint pari huws 14 years ago
try dropping all the syncs, the dv will try to ref to whatever input you've selected, though you may have to check this in the menu. Time base corrector or synchroniser is a better bet thouh!
Manual Download for BVW-75
by Mike Carro 14 years ago
Is there a place(couldn't find it on Sony's professional website) where I can download user manuals for Sony Decks In particular the bvw-75 thanks!
Re: Manual Download for BVW-75
by geraint pari huws 14 years ago
on-line is difficult, try any facility house, they probably have a pile of old ones, or mail if you have a specific question.
b wavs
by geraint pari huws 14 years ago
can anyone suggest software(cheaper the better!) that can convert bwavs to omf or aaf keeping timecode intact
Re: b wavs
by Billy Stuart 14 years ago
amhues, Another source is "BWF2XML". www.spherico.de filmtools BWF2XML good luck!Billy Stuart Post Supervisor National Boston Video 617.734.4800
hd - ish
by geraint pari huws 14 years ago
anyone out there have a quick comparison between panasonic varicam progressive HD and sony HDcam progressive. I was under the impression the panasonic recorded on dvc pro tapes, surely the resolution
Re: hd - ish
by Tony Salgado 14 years ago
HDCAM SR can record either 4:2:2 or 4:4:4. The Sony F950 camera is one of the Sony camera than can output a processed (not raw) 4:4:4 signal. Tony Salgado
Tech Reports & Audio Levels
by xtothed 14 years ago
Hi all, I have two queries...that in some ways are related. I have edited and dumped down a TV commerical onto Beta SP, PAL 16:9 - via Final Cut Pro, Blackmagic Decklink and into the UWP 1800. My audi
Re: Tech Reports & Audio Levels
by geraint pari huws 14 years ago
sure - equate neg 20 db on fcp to o-level (vu) on you deck, most broadcasters restrict any material to peaking 8db above reference, sooooo, you fcp meters should never peak above -12 db(if you're refe
Jitter at top of frame
by Don Hertz 14 years ago
I know this has been covered in the past, but I just can't remember the full answer and my keyword searches in this forum are coming up blank. In FCP when I render a slow-motion or apply a glow effect
Re: Jitter at top of frame
by geraint pari huws 14 years ago
you have to zoom it up! phase alternating lines...PAL
FCP DUNCE
by geraint pari huws 14 years ago
facing poss project on basic fcp system. will be loading native firewire off j30 digibetaplayer, can i down compress on capture, ie... I am offlining, can i compress incoming data to preserve drive sp
Re: FCP DUNCE
by geraint pari huws 14 years ago
offline rt- not in front of fcp nor manual now - will this allow me to do almost everthing real time not filtering or col correcting, only editing! The system will be all mac, no black magics etc, fir
fcp v avid
by geraint pari huws 14 years ago
Can anyone suggest where I might find an authorative, comprehensive, objectively written paper comparing the relative merits of avid and fcp used within a tape based non dv hdv enviroment. in anticip
Re: fcp v avid
by geraint pari huws 14 years ago
comprehensive! head to head across all areas apart from aesthetics, I know a G5 looks pretty but I want to cut on it not look at it! digitising through to export and playout, interporability, ease of
loading/viewing prob
by geraint pari huws 14 years ago
help loading off j3o firewire to mac firewire. very basic set up, no external interfaces... media loads playsback correctly during and after digitise, however, audio plays back intermintently out of s
Re: loading/viewing prob
by geraint pari huws 14 years ago
thanks for the reply... I'm aware that I can avoid hearing the problem, but still need to know the cause, audio off the j3 is embedded 16bit 48khz off digibeta, why is the g5 fcp giving me rate conver
sample rate error?
by geraint pari huws 14 years ago
help further to previous message. Whilst viewing audio moitored off vt is differant pitch to audio via mac - seems like 48 44.1 error... loading firewire off j3 to mac firewire in (no ext cards) all p
© 2019 CreativeCOW.net All Rights Reserved
[TOP]