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My mother bought me my first tape recorder when I was nine. I spent 17 in major market radio, handling the writing, voicing and production of hundreds if not thousands of commercials and promo announcements. I also began producing local bands.In 1986... [more]
Member Since:
June 30th 2004
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Baltimore, MD
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Streaming capture in FCP X 10?
by Ty Ford 1 week ago
Hi, I have an old JVC deck with inputs and a 1394 bi-directional I O that allows me to capture VHS tapes that I play through the JVC device. It works on FCP 7. If I get a FW to thunderbolt or USB 3 ad
Re: Streaming capture in FCP X 10?
by Ty Ford 5 days ago
Hey, Thanks all. Here's what happened. Looking closely at the adapters. There's a TB 2 to TB 3 adapter and a FW to TB adapter. BUT, that TB is TB 1 and the people at the local Apple store said it woul
Zoom H4n - Capturing Conference Audio
by Andrew Tucker 1 month ago
Good day all, I'm more of a video editing person and when it comes to Audio recording, I know the bare basics (if that). I want to bring forth a scenario to see if there is a way to capture the best a
Re: Zoom H4n - Capturing Conference Audio
by Ty Ford 1 month ago
Thanks, Richard, You always have such a great answers. Regards, Ty Ford Cow Audio Forum Leader Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford 's Blog
Wireless Antenna Extension Cable for Audio Rack
by James Dow 1 month ago
Is a regular bnc video cable ok to use for an antenna extension, instead of the short bnc extension that comes with the Shure rack antenna extension kit Thanks, James JPD
Re: Wireless Antenna Extension Cable for Audio Rack
by Richard Crowley 1 month ago
Does "regular bnc video cable" mean 75 ohm coaxial cable like RG59 How long is this cable RF applications typically use 50 ohm cable. But if the cable is very short (perhaps less than 1ft) you could p
+1
Ty Ford liked this 1 month ago
Is there a CONSOLIDATE feature in FCP X?
by Ty Ford 1 month ago
Hi, I edited a half hour power point presentation and inserted live video and some VO. I had to add a lot of still frames to have the power point slides sync with the VO. The client has asked me to a
Re: Is there a CONSOLIDATE feature in FCP X?
by Ty Ford 1 month ago
HI John, There were two video streams, one of his on camera work and one of his VO. He did the VO on set and I recorded that with the same mic on a boom as I did his on camera work to make the whole p
REVIEW: Schoeps miniCMIT short shotgun
by Ty Ford 2 months ago
Nice little addition to your gear bag, https: tyfordaudiovideo.blogspot.com 2017 12 schoeps-minicmit-small-light-superior.html Regards, Ty Ford Cow Audio Forum Leader Want better production audio : Ty
AES - NYC Report #2
by Ty Ford 3 months ago
And here's the rest of the story! https: tyfordaudiovideo.blogspot.com 2017 11 aes-nyc-2017-part-2.html Regards, Ty Ford Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Bl
AES NYC Report #1
by Ty Ford 3 months ago
Hi, https: tyfordaudiovideo.blogspot.com 2017 11 aes-nyc-2017-part-1.html Enjoy! Regards, Ty Ford Cow Audio Forum Leader Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Bl
Richard Crowley wins the award for answering the most arcane questions this week
by Ty Ford 3 months ago
Thank you, Richard, for your dedication here. For you and the short list of others, there a space in Heaven for you when you're ready. Hope they have a good sound system up there. Regards, Ty Ford Cow
Re: Richard Crowley wins the award for answering the most arcane questions this week
by Richard Crowley 3 months ago
Thanks, Ty. Sometimes I wonder if I should answer the "too-arcane" questions that aren't really production-related. Maybe I should suggest other, more appropriate forums like GearSlutz for more audio
Trying to eliminate bad hiss per a wireless boom setup
by Seth Diamond 3 months ago
Hey everyone, Here's the scoop. I'm having a terrible time trying eliminate really bad hiss (a truly unacceptable noise floor) per a wireless boom setup that I m assembling. What I have right now theo
Re: Trying to eliminate bad hiss per a wireless boom setup
by Bruce Watson 3 months ago
Seth Diamond "Audio Technica AT4053b (boom for indoor voice) ***OR*** Audio Technica AT875b (short shotgun for outdoors) ---(8 XLR patch cable)--- Sennheiser MZA14 48 (supplies +48V phantom power to
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Ty Ford liked this 3 months ago
Trouble syncing two audio sources
by Reid Kimball 3 months ago
Hello, I am using Adobe Premiere Pro CC and having trouble syncing two different audio sources of the same recorded sound. I recorded audio of a theater performance using two different shotgun microph
Re: Trouble syncing two audio sources
by Peter Groom 3 months ago
I think you have 2 things here. 1) The 2 devices werent able to be started at exactly the same moment so you will always have an offset or error of up to 1 frame no matter what you did. 2) You are try
+1
Ty Ford liked this 3 months ago
Can Pro Tools export MXF embedded audio media in an .AAF?
by David Glasgal 4 months ago
The post house I delivered the embedded .aaf to said it was embedded with OMFI media and they want .mxf media embedded. I don't see an option to select that. Any help Thanks David specs: MAC OS X VERS
Re: Can Pro Tools export MXF embedded audio media in an .AAF?
by Ty Ford 4 months ago
Hello David and welcome to the Cow Audio Forum. Looks like it can, but not very well and the work around takes you back to square one. http: avid.force.com pkb articles en_US Troubleshooting PTSW-1761
What microphone for street recording / protest coverage?
by Tom Brown 4 months ago
I have currently been making videos of an impromptu style, often featuring street interviews protests etc., but have been disappointed with the built in camera audio (Panasonic GH3). As the style is o
Re: What microphone for street recording / protest coverage?
by Ty Ford 4 months ago
Yes. But some slots in the tube are probably behind the capsule. That counts as back ports. Regards, Ty Ford Cow Audio Forum Leader Want better production audio : Ty Ford 's Audio Bootcamp Field Guide
FCP X says audio plug ins are not authorized and quits
by Ty Ford 4 months ago
Hi, After upgrading to 10.1.4, I can no longer use any audio plug ins When I start FCP X I get the below compatibility statement ands list. Then FCP X crashes. How can I get the Apple audio plugins, l
Re: FCP X says audio plug ins are not authorized and quits
by Ty Ford 4 months ago
Hi Noah, Well that's a huge PITA. I'll have to think about that. Regards, Ty Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford 's Blog
when I select imported mov, unattached audio also moves with it
by Ty Ford 4 months ago
How do I keep the audio from moving It's not highlighted. Thanks, Ty Ford Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford 's Blog
Re: when I select imported mov, unattached audio also moves with it
by Ty Ford 4 months ago
Brett, Thanks! That works. Yes, I saw those small vertical marks and figured they had something to do with the way things were working but had no idea how to work around that. Regards, Ty Ford Want be
Review of Aston Origin - studio cardioid condenser mic
by Ty Ford 4 months ago
$299 for a studio condenser How good can it be Find out. http: tinyurl.com ydy9rzlm Regards, Ty Ford Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford 's Blog
Converting XLR to 3.5mm... potentially with a Zoom H4N?
by Travis Roesler 4 months ago
Hey guys, I notice when stepping down my Rode NTG to a 3.5 mm with 'just cord conversions', I lose all of my bass. Not 100% sure why, but upon doing some research, it's pretty obvious that this is the
Re: Converting XLR to 3.5mm... potentially with a Zoom H4N?
by Richard Crowley 4 months ago
Most XLR to TRS (whether 3.5 mm or 1 4 inch) connect Tip = 3, Ring = 2, Sleeve = 1. However that wiring ends up recording your signal properly on the Left channel, and the INVERSE phase on the Right c
+1
Ty Ford liked this 4 months ago
Tascam DR60 MK2 - Recording two people in mono
by Barry Zimmerman 6 months ago
I am hoping to find a solution here, been looking all over the internet and cant find an answer. I recently purchased a Tascam DR60 thinking that I could plug in two wireless mics using the xlr adapte
Re: Tascam DR60 MK2 - Recording two people in mono
by Bruce Watson 6 months ago
Barry's confusion is understandable, to me anyway. There's not any really good definition for the word "stereo" or even "stereophonic" from which it derives. Stereo is interchangeably used to mean "tw
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Ty Ford liked this 6 months ago
Audio Mixer question (for camcorder videography)
by Kathy Lewis 6 months ago
I'm looking into buying my first wireless mic system and it comes with a mixer. It's a "Quad Lavalier System". I'll be connecting this directly to my camcorder when I record my videos or podcasts, or
Re: Audio Mixer question (for camcorder videography)
by Richard Crowley 6 months ago
It seems extraordinarily unlikely that you will be able to record four separate audio tracks. It would require a mixer with four separate (or two independent stereo) outputs. And a rather high-end cam
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Ty Ford liked this 6 months ago
Intensity Shuttle
by Ty Ford 7 months ago
Hi, A friend has just told me that he has success in importing footage into his laptop using the intensity shuttle. He's using premiere on a PC and among other sources us using an old M2 video deck be
Re: Intensity Shuttle
by andy patterson 6 months ago
An ADVC Fire Wire system might work best for capturing VHS tapes. The Intensity Shuttle might need a TBC (time base corrector) if the video quality and VHS deck are not up to par.
Sennheiser AVX
by Rob Dunford 7 months ago
Sennheiser AVX system, whats with the country specific frequency bands. I though the '1.9mhz' band was designed not to be country specific. Would it be illegal if I used my UK AVX in the US or vis a v
Re: Sennheiser AVX
by Richard Crowley 7 months ago
I think you mean the 1.9GHz band (not MHz). Sennheiser apparently believe that we, their customers and end-users, are not smart enough to understand details like what frequency bands they make for dif
+1
Ty Ford liked this 7 months ago
Outdoor recording, only me
by Scott Hopkins 7 months ago
Hello I am recording outdoor interviews about 5 feet from subject with camera zoom H5. I'm using Laos and then I shot gun mounted on the camera 1 feet foot high and 8 inches to the left. I tried my Se
Re: Outdoor recording, only me
by Bruce Watson 7 months ago
Scott Hopkins "I will stick with my good lav, but still wonder how all those ENG camera operators get by with a shotgun mounted right next to the lens." In my local news market there are three main p
+1
Ty Ford liked this 7 months ago
From Mixer to camera
by Kurt Johnston 7 months ago
I am new to this and wanted to check if what I want to do is possible. We have meeting presentations that we do monthly and would like to record. The room has built-in audio system using 4 wireless mi
Re: From Mixer to camera
by Brian Reynolds 7 months ago
The answer to your question is 'YES' it can be done...... Here is the tricky bit, the mixer unit has 'Line Out' XLR connections and also 'Meeting out' RCA connections both of these should give you the
+2
Ty Ford liked this 7 months ago
Lavalier Microphone with a lot of movement noise
by Daan van den Berg 8 months ago
Hi everyone, To be honest I don't really know if this is the most appropriate segment of the forum for this question, but as I scanned through it this one seemed best for it. If not, my apologies. The
Re: Lavalier Microphone with a lot of movement noise
by Daan van den Berg 7 months ago
I found out that their kit isn't the ME4 but the older ME2. I read on this forum that ppl don't like the ME4 much: https: forums.creativecow.net thread 30 860989 Will read that one! Thanks
+1
Ty Ford liked this 7 months ago
I have run into a sound problem?
by Hugh Hill 8 months ago
Hello, Creative Audio Pros. I have been asked to do a corporate video for a company in London, I went down to see if I could hook into the existing speaker system but not sure if I can I have included
Re: I have run into a sound problem?
by Richard Crowley 8 months ago
Is this a live event in front of an audience Or is this just a video shoot "Live-to-tape" Or a production Scripted Ad-hoc Is the venue providing sound reinforcement Microphones If there will be an aud
+1
Ty Ford liked this 8 months ago
Is it Possible to Edit 4K Raw Files in FCP7?
by Michael Fraticelli 8 months ago
Hello Gang Sorry there's no longer a catagory for FCP7 so I had to post this here. I have an older Mac Pro Desktop and FCP7. Was wondering if its possible to edit '4K Raw Files' in Final Cut Pro 7 Or
Re: Is it Possible to Edit 4K Raw Files in FCP7?
by Shane Ross 8 months ago
First off, there is a forum for older FCP, it's called FCP LEGACY: https: forums.creativecow.net applefinalcutpro Secondly....are you going to be DELIVERING 4K is this going to have a 4K finish, or ar
+1
Ty Ford liked this 8 months ago
Random high pitched noise spike in microphone recordings
by Maxime Grenier 9 months ago
This has been happening for the last 2-3 weeks. I have tried to find the source of it, plugged my AT2020 USB in different ports, played with the settings etc and this still happens. The sound bug some
Re: Random high pitched noise spike in microphone recordings
by Richard Crowley 9 months ago
Sounds to me like typical artifacts from the recording device being unable to keep up with the audio sampling rate and recording to a file, etc. etc. Are you recording on the SAME machine that you are
+1
Ty Ford liked this 9 months ago
Starting an audio repair business
by Mark Forester 9 months ago
Hi all, I am in the process of starting a business in sound that I think might be of interest to this community, and as its initial phases I hope to show it here and ask for some feedback. The aim of
Re: Starting an audio repair business
by Chris Wright 9 months ago
try izotrope rx 6 advanced. they used machine learning to develop algorithms that used to be impossible to fix. then you can be called the "miracle worker" like scotty. and re-recording for spec will
+1
Ty Ford liked this 9 months ago
Podcast Studio Furniture
by Richard Kuenneke 9 months ago
Our podcast studio is nothing more than mismatched folding chairs and a rat's nest of cables. Where could I find a studio table with isolation for the mic booms The room is small - about 140 inches x
Re: Podcast Studio Furniture
by Richard Crowley 9 months ago
Ty Ford "What are those four things sticking up out of the center of the table " Those are stacks of toy magnets in odd shapes. They are rather hyper types and they like having a few "toys" on the ta
+1
Ty Ford liked this 9 months ago
Need advice on fixing awful interview audio with iZotope RX 6
by Erik Rosenbluh 9 months ago
I was given an interview that was recorded, to put it mildly, gawdawful. I was wondering if there was a way to make it audible I played with iZotope RX 6 a little, but I'm no sound mixer. I'm hoping s
Re: Need advice on fixing awful interview audio with iZotope RX 6
by Chris Wright 9 months ago
ill try it if you post a download link. i'd first do a de-clip, de-reverb, then a de-noise, in that order. then I'd use leveler freqs. or I'd try noise reduction in audition with learn sound model. th
+1
Ty Ford liked this 9 months ago
Hey!! Where are my kudos and bright ideas clicks????
by Ty Ford 12 months ago
In the old Cow system, I could choose from two icons for each person's post. One was solution and the other was bright idea. When you looked at the thread, these icons appeared next to the entry to in
Ty Ford 1 year ago
Hello Robert, I wanted to reach out off board to answer your question. Thanks for accepting my request.

Other shotguns: I quite like the Schoeps CMIT. Not the Super CMIT. I think that's a bit overblown.

I frequently use a Schoeps CMC641 hyper outside on a boom with wind protection. I like it because it doesn't hear the lows and low miss that get into interference tubes which are more omnidirectional to those frequencies. I've never compared it for reach, but never found it wanting when I used it that way.

I'm still wonder if "reach" wasn't a term created by the marketing departments of mic makers to sell more mics.

Also, the DPA shotguns and hypers are very impressive. Here's a piece I did on them not too long ago.

http://tyfordaudiovideo.blogspot.com/2015/09/dpa-boom-mics-4017-and-4018-wi...

The Rode NTG-3 and NTG-8 use the RF circuitry that Sennheiser employs on its 416 and 816. The pattern of the NTG-3 is a little wider than the 416. More about it here: http://tyfordaudiovideo.blogspot.com/2012/04/rode-ntg-3-shotgun-mic-ready-f...

And, here's a piece I did comparing the MKH 816 and NTG-8. http://tyfordaudiovideo.blogspot.com/2013/11/rode-ntg8-big-shot-gun.html

Hope you find them useful.

My regular email address is tyford@tyford.com.

Please feel free to use it.

Regards,

Ty

Robert Withers 1 year ago
Hello, Ty, Thanks so much for your note and apologies again for my gratuitous griefing. You are such a strong and supportive presence on that list. I look forward to reading your posts here and there. [more]
Importing HM650 OK clips into FCP X
by Ty Ford 1 year ago
I have an HM650 that allows me to mark cuts as OK in the camera. How to I find these cuts when preparing to or actually importing them into FCP X Thanks, Ty Ford Want better production audio : Ty Ford
Ty Ford 1 year ago
Thanks for your great help to Gami!
best file formats and compression for webbed
by Ty Ford 2 years ago
Hi, I have a client who makes power point presentations and we have tried to use his slides to make a video in FCP X that will be narrated and run as a webinar. even outputting an ,mp4 at 1280 results
Re: best file formats and compression for webbed
by Ivan Myles 2 years ago
If there isn't much animation or video try increasing key frame distance to 90-120 frames (or longer), increase maximum bit rate, and use multi-pass encoding. If the slides are all static (text and im
The ever-changing Voiceover biz
by Todd Terry 2 years ago
We all know how the internet has changed the landscape of the voiceover world.... and a biz that used to be dominated by a dozen guys now has thousands in the marketplace all out for the same jobs. I
Re: The ever-changing Voiceover biz
by Ty Ford 2 years ago
The rest of the story....... Clear Channel was ground zero for creating the present VO market situation. I used to make a "nice" living doing VO full-time from my studio and traveling to others. When
the ever changing angry reader of Creative Cow
by Bob Zelin 2 years ago
Hi - as we approach NAB 2016, I have found it increasing "amusing" that I seem to offend readers with my replies when I try to explain to them that their old antiquated equipment is obsolete and they
+1
Jamie Pence liked this 2 years ago
Re: the ever changing angry reader of Creative Cow
by Ty Ford 2 years ago
Bob you ignorant slut....(SNL reference) There is still some life left in some "legacy" gear. At some point, every piece of gear hits the wall. Try the old "slap and tickle" approach. See how ingeniou
+1
Does Pluraleyes fix drift?
by Ty Ford 2 years ago
HI, Asking for a friend. Digital clocks can be different in different devices. I have seen and heard audio recorded on two devices walk away from each other in post because of this. Does Pluraleyes ha
Re: Does Pluraleyes fix drift?
by Ty Ford 2 years ago
Thanks! Ty Ford Want better production audio : Ty Ford 's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford 's Blog
Zoom Q8 HD camcorder review
by Ty Ford 3 years ago
Here ya go. http: tyfordaudiovideo.blogspot.com 2015 05 zoom-q8-like-q4-but-more.html Regards, Ty Ford Want better production audio : Ty Ford's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford's Blog
Wireless boom mic solutions
by Nathan Lehner 3 years ago
I'm looking for a solution to wirelessly send audio from my Rode NTG-3 (phantom powered) to my FS-700 but still have my audio guy be able to monitor sound. I know there are many options like this: htt
Re: Wireless boom mic solutions
by Ty Ford 3 years ago
Hello Nathan, two solutions: Give your boom op a Sound Devices MM-1. http: www.sounddevices.com products portable-audio-tools mm-1 Connect your favorite transmitter to the output of the MM-1. The resp
FCP 7 Balking
by Ty Ford 3 years ago
Hi, For reasons that don't need discussion, I'm still running FCP 7 on a Mac at one of my work stations. I was working on a 2K HD project this afternoon on internal drives and had to shift to FCP X on
Re: FCP 7 Balking
by Ty Ford 3 years ago
Dave, thanks for shining a light into my problem. and, of course, when I went down to the studio this afternoon, I hit the space bar and the files played just fine. However, your insights were really
Zoom Q4: 1080p video + 24/96 audio. $299?
by Ty Ford 3 years ago
Review here . http: tyfordaudiovideo.blogspot.com 2014 11 zoom-q4-1080p-with-lcd-viewer-and-2496.html Regards, Ty Ford Want better production audio : Ty Ford's Audio Bootcamp Field Guide Ty Ford Blog:
Edit quirk what am I doing wrong?
by Ty Ford 4 years ago
HI, I have FCP 7 Sometimes when I choose a video crossfade with two files butted together, after I click at the joint of the two files and choose a transition, the result is that the grey part showing
Re: Edit quirk what am I doing wrong?
by Ty Ford 4 years ago
Ha. stupid me. Thanks for my "technical breakthrough" Ty Want better production audio : Ty Ford's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford's Blog
SDI or HDMI to Thunderbolt for streaming?
by Ty Ford 4 years ago
Hi, I have a JVC HM650 camera with both SDI and HDMI outputs. I'm trying to set up a live stream using DAcast and my Mac Book Pro (with thunderbolt I O. Does anyone have any experience with this Will
Re: SDI or HDMI to Thunderbolt for streaming?
by Ty Ford 4 years ago
Thanks Jim, The box will be here in a couple of days. I'll report back. Regards, Ty Want better production audio : Ty Ford's Audio Bootcamp Field Guide Ty Ford Blog: Ty Ford's Blog
The Adobe site has the worst support EVER. I can't even post a question about FMLE 3.0. I'll try here.
by Ty Ford 4 years ago
I'm trying to find out if FMLE 3.0 will talk with this Black Magic Design box. http: tinyurl.com nxc9jml BMD says, "I don't know! Ask Adobe!" I want to use the box to feed SDI or HDMI from my camera t
Re: The Adobe site has the worst support EVER. I can't even post a question about FMLE 3.0. I'll try here.
by Ryan Holmes 4 years ago
It's a $137 device. Buy it, try it. If it doesn't work send it back. BTW, this forum is for Adobe Media Encoder (video compression software). It has nothing to do with FMLE. Totally different animal.
Headhone gain for 5D III?
by Nick Griffin 4 years ago
Is there a control for getting more volume to the headphone output. (And WOW, is the manual that comes with this camera inadequate. I mean seriously incomplete and obtuse.)
Re: Headhone gain for 5D III?
by Ty Ford 4 years ago
The TASCAM DR60D is also a great way to capture sound for the mk iii. Even though it's a mixer and recorder, it's line output works much the way the Sound Devices Mix Pre D does and it's a lot less ex
What happened to this forum?
by Bob Cole 4 years ago
I honestly don't know whether this is a totally off-the-wall remark, or a trenchant, emperor-has-no-clothes observation: Why has this forum, which used to be quite entertaining and informative, declin
Re: What happened to this forum?
by Ty Ford 4 years ago
" And as far as getting to know you on a more personal level: it's been my privilege. " Dude, You do NOT know what you're setting into play. Regards, Ty Ford Want better production audio : Ty Ford's A
Question about shooting in public locations with or without a tripod.
by Stephen Pickering 4 years ago
Hi there, I have a friend who would like to shoot some footage of some park city scenery (not a busy street, train tracks, government building, etc). We won't be filming anyone specifically (the publi
Re: Question about shooting in public locations with or without a tripod.
by Ty Ford 4 years ago
If you're in Washington DC, around the capitol and other government buildings, there is a requirement to register and have a card that says you can use a tripod. The reason given (last time I heard on
WORK FOR HIRE contract…Really?
by Ty Ford 4 years ago
Hi, A publisher I have been writing freelance articles for for some time just sent me a contract that says, in the future, all my writing for them will be work for hire and their's to do whatever they
Re: WORK FOR HIRE contract…Really?
by Ty Ford 4 years ago
Thanks Malcolm, It was the editor who sent me the contract. When I called one of the sub editors to say, "Looks like we won't be working together any more.", he said the main editor had "passed my ema
The HM-650 is there a way to convert any a/v output to Firewire for streaming?
by Ty Ford 4 years ago
There are two USB ports, an HDMI port, and a BNC for HDMI and SDI. So far, no love in trying the USB ports. I need to plug into a Mac for a streaming event. Regards, Ty Want better production audio :
Re: The HM-650 is there a way to convert any a/v output to Firewire for streaming?
by Ryan Babb 4 years ago
unfortunately i think your best bet in this situation is going to be an external capture device that will convert the SDI HDMI to Thunderbolt for use in a mac. PowerMac - 2 x 2.4 Xeon 12 GB 1066 DDR3
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