Is there a bulk image sequence import? by Greg Lewis 18 hours ago Does Premiere have a means to import multiple image sequences at the same time I have a project that is giving me 1000s of images sequences over the next year. Importing them all individually is a rea
Smoke Curl Feedback Please (opacity 100%) by Jonathan Reed 21 hours ago So I've been tinkering with this, been all over the internet and taken it as far as I know how to go. To me, it still doesn't feel like A PART of this world. My previous feedback was that they couldn'
Smoke Curl Feedback please by Jonathan Reed 2 days ago Okay, So i've been all over the internet, spent hours tinkering (most of it was throwing stuff at the wall and seeing what sticks. So i've come to a spot, I'm curious if it looks like the smoke coming
Re: Smoke Curl Feedback please by Tero Ahlfors 2 days ago It took me a lot of effort to even see the smoke from the compression artifacts. Personally I can't make any judgment calls because I have no idea what this actually looks.
dolby codec in PP 2017 by Nelson May 1 week ago I haven't edited video in a while, so I may be a little green here. I am trying to do a project withPP 2017 and a Canon HD10. I can import video into PP, but can't import the audio. I get a few errors
Re: dolby codec in PP 2017 by Tero Ahlfors 1 week ago If I remember correctly the Dolby codec has been deprecated and it should use the Dolby decoder that's in the OS. I would probably try to transcode the footage to a format that works and see if the ca
Resolve 16 doesn't see license key by Tom Sefton 1 week ago Help Upgraded to Resolve 16 and now my license key isn't seen by the software. Working with 8K red footage and exporting to 8K proRes for an urgent project. I'm totally stuck. The dongle is an officia
Re: Resolve 16 doesn't see license key by Tero Ahlfors 1 week ago Tom Sefton "The dongle is an official one that came with a cinema camera purchase. " Did you buy this yourself or did you buy it from a third party There was a version cutoff where fake dongles would
It's not working (Visual demonstration) by Jonathan Reed 1 month ago Hey everyone. I've run into a bit of a snag. I've gotten the smoke how I want it, but when it comes to getting the smoke to track the gun barrel, it just won't sync up. I've looked all over online and
Resolve free version and server by martin frédéric 1 month ago Hi there, I wanted to know if it's possible to use the free version of resolve on a server to share the edit beethween several computer. I don't need to collaborate on the same edit at the same time,
Colour Grade Workflow by Jimmy Gallagher 1 month ago Hello So I am the editor on a film project. I exported an XML from Adobe Premiere pro for the colorist which they have graded. However, all the resizing , effects and credits did not go through the XM
Re: Colour Grade Workflow by Tero Ahlfors 1 month ago There are usually two different options that should be talked about before starting the work: 1: A roundtrip workflow where you get the graded footage back (probably with some heads tails) in the sour
Premiere Pro taking a long time to export. by ryan elder 1 month ago For some reason it takes a long time to export just a few minutes of a video now. The only difference is, this current project has surround sound but is it normal for surround sound to add on an extra
How was this done -Change of camera angle by Katarina Šeme 1 month ago Hello, I wonder how was this done -Change of camera angle in animation that looks like ordinary 2D animation. https: www.youtube.com watch v=Np1Vo88313I&feature=youtu.be on 5 seconds. I have seen simi
Re: Can't export higher than 4K by Tero Ahlfors 1 month ago Sa Dilshan "Are there any solution " Use a high enough H264 level that can output the resolution you need. Or export to a format that doesn't have those kind of restrictions.
Turbulent Displace Bug? by Nate DeCarmo 2 months ago I am trying to create a looping video with turbulent displace effect added. For some reason, using evolution, 0x00 is not the same as 1x00. Any help I'm wondering if it is a bug or if I am missing som
Speeding up Resolve in 6K with a Macbook by jabbar thomas 3 months ago Hi Folks, I ham coloring a music video shot on a Red Dragon 6K camera at 6144 x 2592 at 24.976 fps. It was shot Log encoded. I am limited to coloring on a 15-inch Macbook Pro (Mid 2012) Quad Core 2.3
Re: Loupedeck by Tero Ahlfors 7 months ago Eric Santiago "Hmm wonder if it will hit Resolve " I've tested Loupedeck for them with different post apps and I can't talk for the company, but they might have something coming up...
New Macbook Pro advice by Bob Sims 8 months ago Hi Folks. Looking for advice on specs for a new Macbook Pro (processor, RAM, hard drive size, graphics card, etc.). Main uses: Lots of Photoshop A fair amount of FCP Some After Effects Some audio edit
Re: Resolve 15.2 by Tero Ahlfors 11 months ago Oliver Peters "The Mac App Store versions of 15.2 are now also available. " Do. Not. Get. The. App. Store. Version. It has serious Apple sandboxing issues and limitations. The dongle activation code
Art doesn't pay by Oliver Peters 1 year ago Nice video piece by Mark Toia. https: www.youtube.com watch v=uBdSDkq0lfk&feature=youtu.be This is a new Frame.io Master series. Toia has been active on the RED forums for several years. And relevant
Re: Art doesn't pay by Andrew Kimery 1 year ago Bill Davis "In processing interviews, not having the ability to range reject OR select something that "reads well" but doesn't PLAY well - seems to me a step backwards from what I'm doing now. Scanni
FCPX and Fusion by David Mathis 1 year ago After playing around with the Fusion page in Resolve and Fusion itself I find myself enjoying a node based workflow even more. I feel it allows for more creativity with title work and adding spice to
Re: FCPX and Fusion by Tero Ahlfors 1 year ago Node based compositing works really well in a situation where you are comping together a CG shot from a lot of passes that are used and reused a lot. It's easy to group different parts and keep them i
The Real Menace of FCP X by Simon Ubsdell 1 year ago The original promise of FCP X was great. Here was an approach that offered us a set of interesting new concepts and consequently some different ways of thinking about editing. I for one never had an a
Re: The Real Menace of FCP X by Dominic Deacon 1 year ago I agree with everything Gregor said. The initial outburst against FCX was unreasonable though I was a part of it. At the time I was a kid who had no money but who had invested what was, to me at least
Moving Plug-ins from PC to Mac by Rod Duarte 1 year ago Hello! So, I'm using my PC to work in After Effects, but I want to render everything on my Mac Pro. Now, I've thought of three ways to do this: - Exporting the project and then importing on the mac -
Re: Moving Plug-ins from PC to Mac by Daniel Waldron 1 year ago Most plugins only come with a license for 1 user computer at a time, or maybe 2 for home and office or something like that. I work between multiple Macs and PCs quite often, and the solution is to sim
The new Reality Distortion Field. by Bill Davis 1 year ago It s been a curious month. For the first three weeks, an incredible amount of what I read regarding Apple was about how the iPhone X was a poor selling failure. That message rang out across a huge arr
Re: The new Reality Distortion Field. by Shane Ross 1 year ago Bill Davis "Wow, just remembering how recently EVERYONE who used a laptop for video production was a wannabe. Totally Unprofessional. A joke. " Yeah, funny how when I used one on the set of a feature
Reconsidering FCPX in Hollywood by Oliver Peters 1 year ago One of the Lumaforge NAB presentations: http: www.fcp.co final-cut-pro articles 2070-josh-beal-reconsidering-final-cut-pro-x-in-hollywood Direct link to the video here: https: www.youtube.com watch ti
FCPX or R15? by Oliver Peters 2 years ago I find the Resolve threads here fascinating. 2.5 million FCPX users notwithstanding, is Apple playing catch-up now to Blackmagic Design and Resolve It amazes me that a community where a trackless UI w
Re: FCPX or R15? by Tero Ahlfors 1 year ago Herb Sevush "Where " Click on the name or portrait and then there's the ignore button under the portrait on the user page.
More "demystification"... by Bill Davis 2 years ago I'm trying to stay out of this because in both software engineering and color theory - I'm pretty much an idiot. I'm just an end user, and HAPPY to be one. But this has blown up so much - that I'm fas
Re: More "demystification"... by Michael Gissing 2 years ago Bill Davis "It REALLY felt like another "here we go again" on this subject to me: Magnetic Timeline: READY-FIRE-AIM Trackless Audio: READY-FIRE-AIM NOW it's "Apple has screwed up color correction in
Disappointed by Ken Filewych 2 years ago Kinda disappointed with this forum - I've posted a few times and crickets. I really love Resolve and want to use it in more robust circumstances while editing (for my features or drama episodic) but t
Re: Disappointed by Joseph Owens 2 years ago I guess it doesn't really help that this forum is for the most part almost moribund. Used to be pretty active, the highest traffic on the Cow when Resolve was first introduced to the not-specifically-
iMac Pro or next year's Mac Pro? by Steve Connor 2 years ago So the new iMac Pro should be available in the next couple of weeks, is anyone thinking of getting one I'm very interested but also intrigued by next year's Mac Pro as well "Traditional NLEs have time
Re: iMac Pro or next year's Mac Pro? by Neil Goodman 2 years ago This thread just makes me want to buy large quantities of alcohol for all my past present and future assist, coordinators and finish teams. Ive been very fortunate to work with great support teams as
Revisionist History... by Bill Davis 3 years ago I'm still on a lot of press release lists from my reporter days. So I've been watching the minor flury of PR pitches going out about this being the 25th Anniversary of Premiere Pro pre-NAB. Had to lau
Re: Revisionist History... by Michael Phillips 3 years ago I don't think it's a big issue as the marketing is the brand, not the individual(s). I can somewhat relate to this; Avid can refer to Academy Award winning Media Composer, but both awards (the plaque