Simon Ubsdell: Activity About Liked Popular Tutorials & Articles Images
Simon Ubsdell

Member Since:
March 19th 2009
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Beginner's Question: Black Halo around Mask
by Florian Gintenreiter 1 day ago
I just started out learning Fusion, by recreating a comp I did in AE and ran into a peculiar issue that I don't even know how to google. I'm sure it's pretty basic, so don't be too hard on me. I'm try
Re: Beginner's Question: Black Halo around Mask
by Simon Ubsdell 13 hours ago
Can you post more details of how you are building your flow, preferably with a screenshot You shouldn't be seeing this ... Simon Ubsdell tokyo productions hawaiki
How hard or how much time to do this?
by Larry Watts 1 week ago
I have about a minute of footage I follow shot of a Polar bear walking parallel to me. She is walking on grass and has a chain link fence behind her. I want to composite her walking on hard hard pack
Re: How hard or how much time to do this?
by Simon Ubsdell 7 days ago
Michael McCune "Simon; are you saying that the Planar Tracker works as many tracking points" The planar tracker "does what it says on the tin" - it tracks planes and areas that approximate close enou
AVID Presentation Thurs at KeyCode - the natives were restless.
by Bill Davis 1 week ago
https: www.facebook.com Avid videos 10155071293607525 The Q&A was ... difficult. Props to AVID for facing their customers this way. Two hour video - the Q&A starts about :45 min in. The NLE biz is def
Re: AVID Presentation Thurs at KeyCode - the natives were restless.
by Shawn Miller 1 week ago
Tim Wilson " I'm barely tolerable in the present tense, ideally in vastly smaller doses than I typically dole out." Disagree!! Your posts are always fun and informative... more Tim (IMO)! Shawn
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Simon Ubsdell liked this 1 week ago
Tutorial: Blackmagic Fusion 9's Most Powerful Tool: The Custom Tool
by Simon Ubsdell 1 week ago
Blackmagic Design Fusion Blackmagic Fusion 9's Most Powerful Tool: The Custom Tool Meet The Custom Tool, the most powerful and versatile tool in Blackmagic Fusion's entire toolbox " which ironically
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Bob Cole liked this 2 days ago
Re: Blackmagic Fusion 9's Most Powerful Tool: The Custom Tool
by Bob Cole 2 days ago
Fascinating. It is neat to see the terminology of image control (especially my favorite, "gamma") expressed in simple math. This is going to be like learning a new language and might even help me bett
Removing background from an image based on a clean plate of that background
by Jacob Taylor 1 week ago
I want to know if there's an actual technique for what I'm describing in After Effects: -I have a video of someone walking past a brick wall, and I want to key the wall out so I just have footage of a
Re: Removing background from an image based on a clean plate of that background
by Simon Ubsdell 1 week ago
While you're absolute right to point out the amazingness of Mocha Pro, is it the answer to the OP's question He wants a matte for his foreground, not to remove his foreground to create a clean plate o
Simon Ubsdell's tutorial on managing problem edges is one-of-a-kind, so much information
by Michael McCune 1 week ago
https: youtu.be xRkkUQpaYJg "It's all about the edges." This tutorial, like Simon's other tutorials, has so much information that one really is rewarded by studying them. Edge quality obviously makes
Re: Simon Ubsdell's tutorial on managing problem edges is one-of-a-kind, so much information
by Simon Ubsdell 1 week ago
Thanks, Mike. I'm glad to know it was interesting to you. This is indeed a very useful technique that has many uses and can be a real life saver for fixing problem edges of all kinds. One of the thing
RED 8k camera, a sign of things to come from apple?
by Andre van Berlo 2 weeks ago
A few days ago i read an article from some apple rumours site that apple might be building a new 8K display to go along with the 2018 mac pro. ( http: www.macworld.co.uk news mac new-apple-8k-retina-d
Re: RED 8k camera, a sign of things to come from apple?
by greg janza 2 weeks ago
And that's what makes the Yedlin experiment so fascinating. Unless I'm misunderstanding his results, Yedlin proves without any doubt that there's no way for the human eye to detect a difference in res
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Simon Ubsdell liked this 2 weeks ago
Why FCPX?
by Steve Connor 3 weeks ago
I thought I'd beat Bill to it https: www.provideocoalition.com fcp-x-producers-pov-feature-film-daisy-winters
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Gerry Fraiberg liked this 3 weeks ago
Re: Why FCPX?
by Walter Soyka 2 weeks ago
Bill Davis "Often the smartest path is to take a small efficiency hit today - in order to gain a larger and on-going efficiency boost later." Bill, I agree, but this is much easier said than done. Fo
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Simon Ubsdell liked this 2 weeks ago
Tutorial: Blackmagic Fusion 9 Advanced Keying: Fixing Problem Edges
by Simon Ubsdell 4 weeks ago
Blackmagic Fusion 9 Advanced Keying: Fixing Problem Edges In this advanced keying tutorial for Blackmagic Fusion, longtime VFX artist Simon Ubsdell addresses a common problem: edges too brightly lit,
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Tim Wilson liked this 4 weeks ago
Unknown effect
by Lorenzo Farò 1 month ago
Hi there! My first thread here and just for a curiosity. I'm keen on editing but I'm not very good yet. When I see an edit online I search by myself a similar effect until I find something I'm looking
Re: Unknown effect
by Simon Ubsdell 1 month ago
That's a simple "zoom blur", which in After Effects you can achieve with CC Radial Blur set to "Fading Zoom". Simon Ubsdell tokyo productions hawaiki
Green Screen - Greenish shoes on green screen
by Muaz Nikolic 1 month ago
Hello, I have received a footage of the man that needs to be keyed out (recorded on green screen). Upper part of the body was not a problem to be key out, but he came on the set with shoes which are s
Re: Green Screen - Greenish shoes on green screen
by Simon Ubsdell 1 month ago
Muaz Nikolic "if you could tell me a little bit more about how to use luma key on this exampl" The simplest way is first to key the shot using Keylight but without worrying about the boot. Then dupli
Why so complicated to do green screen keying in Resolve?
by Duke Sweden 1 month ago
I can't understand why such an advanced piece of software like Resolve can't come up with an easier way to green screen. I love the program, have switched from Premiere Pro, but in that program I mere
Re: Why so complicated to do green screen keying in Resolve?
by Simon Ubsdell 1 month ago
You might find this tutorial useful - it takes you through the basics of using Fusion Connect: https: youtu.be Z2D58JPIa0o Simon Ubsdell tokyo productions hawaiki
Fusion 9: cannot save a composition: recognized problem???
by Michael McCune 2 months ago
Fusion 9 here does not seem to want to save compositions, though otherwise seems to operate normally. Uninstalled, reinstalled, verified drives and Preferences Path names: but no joy. Renders and Save
Re: Fusion 9: cannot save a composition: recognized problem???
by Simon Ubsdell 1 month ago
Glenn Sakatch "I had a few issues with 9, (saving was one of them) Then realized that both 8 and 9 were on the system." Good recommendation. I would mention however that I have both 8 and 9 installed
Despill question
by Ingi Fiev 1 month ago
Hello, I read in a book recently what algorithm uses ultimatte for its blue despill. It goes like this: If green is equal to or less than red, hold blue to the level of green. If green is greater than
Re: Despill question
by Simon Ubsdell 1 month ago
One fairly simple thing to bear in mind is that your basic CDK is in fact a very useful map of where the green exceeds the other channels, and hence where the spill is a problem. With this in mind you
3d Camera not working correctly
by Oliver Leutnecker 1 month ago
Hello there! I'm trying to work my way into Fusion 9 and am encountering the first obstacles. I have used Blackmagic's DaVinci for the past few years quite intensively but am completely new to VFX com
Re: 3d Camera not working correctly
by Simon Ubsdell 1 month ago
Oliver Leutnecker "If I move around the camera I can see the 3d grids moving etc BUT the image I arranged in 3d space is not visible through the camera. Instead of using a still image I have also tri
A title tool for Premiere Pro (public beta)
by Andreas Kiel 1 month ago
With the introduction Adobe Premiere Pro 2017 the old Title tool was replaced by a new "Graphic and Type" tool. The old tool is still available, but there is no export of titles anymore. This latter f
Re: A title tool for Premiere Pro (public beta)
by Simon Ubsdell 1 month ago
This is another amazingly useful and well designed tool from Andreas. No-one understands subtitling better than he does. I highly recommend this latest offering to anyone who needs to work with subtit
Am I the only one that thinks these three problems make Premiere virtually unusable?
by Ian Dillon 2 months ago
Don't get me wrong, I use Premiere every day and have been using it for years, but these three Premiere problems literally make me want to smash my computer every day. Does anyone have the same proble
Re: Am I the only one that thinks these three problems make Premiere virtually unusable?
by Simon Ubsdell 1 month ago
greg janza "My years as an Avid editor have trained my fingers to expect certain actions from keyboard commands and so I'm usually disappointed when other NLE's can't be customized to operate in the
Ripple delete on multiple tracks
by Simeon in 't Veld 2 months ago
Hey Creative Cows! After years of finding really helpful info here I just made my account and first post. I have a spotlist of 2 hrs. of footage in a timeline. I have arranged the shots over various t
Re: Ripple delete on multiple tracks
by Simon Ubsdell 2 months ago
As I mentioned, you can delete a gap (as if it were a clip) - you don't need to be messing around with adjustment layers. Opt Delete is the shortcut for Ripple Delete. Simon Ubsdell tokyo productions
Apple's official FCP7 EOL
by Oliver Peters 2 months ago
https: support.apple.com en-gb HT207888 - Oliver Oliver Peters - oliverpeters.com
Re: Apple's official FCP7 EOL
by Simon Ubsdell 2 months ago
Michael Gissing "Clever software." Very, very clever software with an incredible range of translation options, but even more amazing support from Michael Rooney. Since I posted my comment a few hours
+1
Add & Subtract -- Apply Mode in Behavior parameters.
by Terry Maloney 2 months ago
Hello, I am creating behaviors. In the Behavior window my "add mode" moves one way and my "subtract mode" moves the opposite way. Perfect ! I tried the "Add and Subtract" mode thinking it would altern
Re: Add & Subtract -- Apply Mode in Behavior parameters.
by Simon Ubsdell 2 months ago
You still haven't said what behavior you are using which makes it hard to advise. Edit: I see from a previous post that you are using Audio Behaviors here, is that right In which case, I don't think w
Change the name in the Behaviors.
by Terry Maloney 2 months ago
Hi, I am making many audio behaviors on one JPG over time. Their names are defaulted as Audio, Audio 1; Audio 2 etc. I need to make these names more descriptive. I can't use the source material becaus
Re: Change the name in the Behaviors.
by Simon Ubsdell 2 months ago
Terry Maloney "There are no behaviors in the layers list." That's because you have disabled the Show Behaviors button at the bottom of the Layers panel: Turn it back on to see your behaviors in the L
Premiere Pro Workspaces
by Simon Ubsdell 2 months ago
Another great article from Oliver that takes us behind the scenes of his preferred custom layouts for Premiere Pro: https: digitalfilms.wordpress.com 2017 08 17 customize-premiere-pro-with-workspaces
Re: Premiere Pro Workspaces
by Simon Ubsdell 2 months ago
Bill Davis " less "on-topic" content won't build the brand very efficiently." I'm intrigued to know what exactly you mean by "the brand" here. Are you talking about the COW brand (which seems to be t
Editing "Detroit" - Essential Reading
by Simon Ubsdell 2 months ago
A simply wonderful interview by Steve Hullfish with the editors of Detroit: https: www.provideocoalition.com art-cut-editors-detroit Obviously I particularly liked this insight from William Goldenberg
Re: Editing "Detroit" - Essential Reading
by Oliver Peters 2 months ago
And another great line for the interview: William Goldenberg: "Michael Kahn would say to me all the time, 'If you want to go faster, slow down. If you slow down and you re patient everything will happ
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Simon Ubsdell liked this 2 months ago
FCP X - steady as she goes.
by Bill Davis 2 months ago
I really have nothing important to say here. Since I've posted a couple of OT threads contributing nothing about how X actually functions... I'll spend today (Sunday) doing 20 pages of narration work
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David Mathis liked this 2 months ago
Re: FCP X - steady as she goes.
by Simon Ubsdell 2 months ago
Andrew Kimery "I guess saying "I'm applying a LUT" sounds more impressive than "I'm applying a preset". " And of course "developers" can charge a lot more more for a "LUT" than for a "preset" ... Sim
Can someone please explain what "Pedestal" is
by Martin Kruul 2 months ago
My keying techniques are getting better and better each day - but can someone please finally explain exactly what Pedestal is All I know of it is that it's "the thing that I want to boost all the way
Re: Can someone please explain what "Pedestal" is
by Simon Ubsdell 2 months ago
Herb Sevush "Simon didn't mention this, probably because he's too modest to mention he is the software designer who created it, but it's a great keyer." Thanks, Herb, for the mention of Hawaiki Keyer
Tutorial: Blackmagic Design Fusion 9 Tutorial: The New Planar Tracker
by Simon Ubsdell 2 months ago
Blackmagic Design Fusion Blackmagic Design Fusion 9 Tutorial: The New Planar Tracker Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell draws on over 25 years of experience to
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Shawn Miller liked this 2 months ago
Fusion Connect: Is there a way to use mattes created in Fusion within Resolve???
by Michael McCune 2 months ago
Resolve 14 and Fusion 9 are much appreciated leaps forward. One question regarding Fusion Connect: while the Fusion tracker and the ability to create mattes works very well, IMHO, and while I have use
Re: Fusion Connect: Is there a way to use mattes created in Fusion within Resolve???
by Simon Ubsdell 2 months ago
There is a different way you could do this and that's by rendering OpenEXR which allows you to access the alpha channel as an external matte directly inside the Resolve Color node, but you can't do th
Apple getting ready for the coming new MacPros?
by Bill Davis 3 months ago
My friend Alex Gollner posted this earlier today. Be an interesting coming few years. http: alex4d.com notes item apple-new-mac-pro-media-workflow-lab Creator of XinTwo - http: www.xintwo.com The shor
Re: Apple getting ready for the coming new MacPros?
by Oliver Peters 3 months ago
Bill Davis "And I'd argue that you are WAY underselling what Apple created by exposing so much of the database to the user by way of its implementation in X. It's systematic in a way no other NLE is
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Simon Ubsdell liked this 3 months ago
OT: Resolution vs Spatial Fidelity
by Oliver Peters 3 months ago
For those with some time on their hands http: yedlin.net ResDemo # Also here: http: vashivisuals.com empirical-truth-film-versus-digital - Oliver Oliver Peters - oliverpeters.com
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Simon Ubsdell liked this 3 months ago
Re: OT: Resolution vs Spatial Fidelity
by Michael Gissing 3 months ago
An important piece in the puzzle is which process offers the best workflow in post processing like grading. I take the point that all cameras and lenses used in this demo show it is possible to get a
Bulk removing / disabling effect
by Marc Nibor 3 months ago
I have a quite complex project with around roughly 600 snippets. Each one of them has the "Clip Name" effect activated. Soon I will start rendering the Final Cut... and I am looking for a simple worka
Re: Bulk removing / disabling effect
by Simon Ubsdell 3 months ago
Select all your clips and either right-click and select Remove Attributes or select it from the Edit menu. You can then choose which attributes to remove, in your case make sure Clip Name is selected.
+1
What would really make you excited- Round 2
by Oliver Peters 3 months ago
Just because the other thread became so derailed. It would be nice to have some sort of submaster master routing in the Audio Lanes mode so that you can add effects, like a broadcast limiting filter.
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Gerry Fraiberg liked this 3 months ago
Re: What would really make you excited- Round 2
by Michael Hancock 3 months ago
Alex Gollner "The ProApps team like stories. They like each feature request to come with a story showing how it would change your day to day life. "I often have these kind of tasks. I have to do this
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Simon Ubsdell liked this 3 months ago
What would really make you excited ...
by Simon Ubsdell 4 months ago
... about the next version of FCP X Whether you're a diehard FCP X aficionado or someone who's still sitting on the fence, what would be the feature, or set of features, that would really set your wor
Re: What would really make you excited ...
by Andrew Kimery 3 months ago
Mark Suszko "This. All day." I'll never forget when a producer came in while we were editing some event coverage (so speed was paramount) and said, "I know you guys take pride in your work, but this
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Simon Ubsdell liked this 3 months ago
Tinting a transparency with surrounding pixels
by James Lee 4 months ago
I'm trying to create an elegant stack of effects that will recolour the lineart for animation. The idea is that the surrounding colour information will bleed in to the blacks, which will soften the lo
Re: Tinting a transparency with surrounding pixels
by Simon Ubsdell 3 months ago
Surely this is very simple unless I've misunderstood you. Take your matted version and add a blur to spread the surrounding colours into the black areas. Then use the matted version as Track Matte (Al
Re-position the timeline-cursor where it started from?
by Angelika Blaschke 4 months ago
Dear cows! I am on my Premiere CC timeline. I click the space bar to play the clips from where the cursor currently is located. Then I click space again to stop the playing. My question now is: Is the
Re: Re-position the timeline-cursor where it started from?
by Simon Ubsdell 4 months ago
Angelika Blaschke "Honesty I cannot understand why a mighty program as Premiere CC did not program a function like bringing-back-the-playhead-to-the-start-position..." What do you mean by this Do you
Detour
by Oliver Peters 4 months ago
Shot on an iPhone. https: www.youtube.com watch v=KrN1ytnQ-Tg Additional: https: www.apple.com uk detour - Oliver Oliver Peters Post Production Services, LLC Orlando, FL www.oliverpeters.com
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Simon Ubsdell liked this 4 months ago
Re: Detour
by Simon Ubsdell 4 months ago
Herb Sevush "why would you " In this case because you're Michel Gondry and because doing something surprising and amazing and utterly enchanting is what you do every day, just like breathing. Simon U
FCPX Documentary on Kickstarter!
by Noah Kadner 4 months ago
For those want to see the FCPX debate taken to a whole other level please check out Off the Tracks on Kickstarter: http: kck.st 2uiKYZH Kickstarter Pitch Video https: www.youtube.com watch v=F9dtsd2ZV
Re: FCPX Documentary on Kickstarter!
by Herb Sevush 4 months ago
Bill Davis "So if you want to see a bunch more of Randy's thinking - you can just back the project!" And you get an autograph from Randy himself, I mean OMG. I've heard that if you put in enough fund
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Simon Ubsdell liked this 4 months ago
Image Mask Woes
by Brett Sherman 4 months ago
So this drives me nuts in Motion. If I have two layers in a group. One is say a graphic, the second is an the source of an image mask applied to the graphic. Then if I change the position of the group
Re: Image Mask Woes
by Simon Ubsdell 4 months ago
It depends whether or not you have Stencil enabled in the Mask Options. Simon Ubsdell tokyo productions hawaiki
More Bricklayers and Sculptors from Oliver and Simon
by David Lawrence 5 months ago
Great new post on Oliver's blog, deep diving into Simon's recent Bricklayers and Sculptors thread. Thanks for posting Oliver, and thanks Simon for giving us an in-depth look at how you organize and ed
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Tim Wilson liked this 4 months ago
Re: More Bricklayers and Sculptors from Oliver and Simon
by Walter Soyka 4 months ago
In reading the comments here, I wonder if the majority of the posters in this thread have missed Simon's point entirely. It's right in the title: Always Be Editing. Collections and bins hold clips. A
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Simon Ubsdell liked this 4 months ago
Orlando Post Pros' NAB Recap
by Oliver Peters 5 months ago
A video from our annual meeting this week, if you have about 90 minutes to kill https: www.youtube.com watch v=hAHHFft1v-A&feature=youtu.be - Oliver Oliver Peters Post Production Services, LLC Orlando
Re: Orlando Post Pros' NAB Recap
by Tim Wilson 4 months ago
Oliver Peters "Avid Connect had 1300 PAID attendees, who came in a couple of days early to be there. This number has been increasing each year for the 4 years that it's been held. Compare this to the
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Simon Ubsdell liked this 4 months ago
Change green screen spill color/generate spill map
by Ben Waflik 5 months ago
Hi! I have a shot of an object in front of a green screen, and I want to change green screen's color and green spill on the object to say pink. Hue Saturation and keying gave poor results here so I us
Re: Change green screen spill color/generate spill map
by Simon Ubsdell 5 months ago
There are several different ways of creating a spillmap for green screens, but the simplest way is just to subtract the red channel from the green channel. How you do this is up to you, but you could
Picture upload notifications
by Simon Ubsdell 5 months ago
I love getting notifications of Mr Wilson's inimitable posts, but I am less enthusiastic to receive a notification whenever he uploads an image file. I can live with it of course, but just thought you
Re: Picture upload notifications
by Simon Ubsdell 5 months ago
Hi Tim It looks as though you have indeed sorted it out - no notifications for a few days now. Many thanks :) Simon Ubsdell tokyo productions hawaiki
Trying to enter in RGB or Hex values inside of a Replicator / Cell Controls / Color Gradient and I am going nuts!
by Jiggy Gaton 5 months ago
Can someone help me get the exact RGB value inside of that control I can't be dragging an eyedropper around till I find the right RGB. And then you have the option of entering in the % of RGB which ma
Re: Trying to enter in RGB or Hex values inside of a Replicator / Cell Controls / Color Gradient and I am going nuts!
by Simon Ubsdell 5 months ago
Jiggy Gaton "What do I have to do, break out a calculator " Yes. And those are RGB values expressed on the scale of 0-1 rather than on the scale of 0-255. Doesn't make them any less RGB values. Simon
Color/Compositing Workflow
by Matt Dunne 6 months ago
Hi guys, hoping to have someone with more experience than I help me out with something. We are working through a video that requires a ton of compositing work, marrying camera moves together, set clea
Re: Color/Compositing Workflow
by Simon Ubsdell 6 months ago
I know this isn't the answer you need, but the Resolve Fusion Connect workflow is a dream for this kind of project. (Not to mention that Fusion is a far better compositor than After Effects will ever
Replacement edge color
by Azalbert Christine 6 months ago
Good evening, I used the filter "edge work" on older versions of motion. I would like to know what filterI can use to replace it . I would make oil painting with a photo Could you help me, please Cris
Re: Replacement edge color
by Simon Ubsdell 6 months ago
Go to Filters Stylize and look for Edges, High Pass and Line Art. They should all be useful to you. Combining them gives interesting effects too. Simon Ubsdell tokyo productions hawaiki
+1
TGA Vs PNG
by yuvi rana 6 months ago
which format is better TGA or PNg We create Architectural walkthroughs .. When we render image sequences out of 3ds Max with the intention of compositing and post producation to them in After Effects.
Re: TGA Vs PNG
by Simon Ubsdell 6 months ago
I'll add an upvote for EXR - it's the option that makes the best sense for 3D renders, especially if you want to get into multi-pass. And the compression is very efficient. TGA is a very antiquated op
wobbly edges green screen
by Alex Sporanox 7 months ago
Hi all, it is my first post. I have just started to make some experiments of footages on green screen where the subject makes some movements with the hands. I use adobe after effect cs6. My biggest pr
Re: wobbly edges green screen
by Simon Ubsdell 7 months ago
Alex Sporanox "- Ok 10 feet (2 feet was a mistake, sorry)" In the example you posted, the subject is far too close to the backing. As a result, the fine hairs on the arm are nearly twice as green as
Looking to Import and replace text objects for quick turnaround of a video that needs to change daily in a short amount of time (10 Minutes or less)
by Smooch Medina 7 months ago
I want to make a motion project that displays texts which is done. But the content needs to change a few times daily based on text messages we receive from the public. Also once I walk away from this
Re: Looking to Import and replace text objects for quick turnaround of a video that needs to change daily in a short amount of time (10 Minutes or less)
by Simon Ubsdell 7 months ago
If you select Generators Text Generators File, you have a tool that's designed for this kind of thing. The File generator displays the contents of a text file. The appearance (font, weight, size, and
How can I use multiple styles of text in one line/text box in Motion?
by Tolbert Pitman 7 months ago
Hello All: I'm new to Motion and FCPX, and loving it so far. I'm trying to rebuild a graphic that I use a lot in AE with Motion. It's a lower 3rd, name key and some other graphics that I use for a cli
Re: How can I use multiple styles of text in one line/text box in Motion?
by Simon Ubsdell 7 months ago
Robin S. Kurz "Which is what it is I took it he's talking about, yes." Indeed, your answer was correct in terms of the question. I was just pointing out that it was not correct in the sense that you
Total Rookie Question: Video Track expanded vertically - how to shrink back to normal?
by Matt Wilson 8 months ago
Hi all, I managed to somehow expand one of my video tracks, so it's now been vertically expanded. How do I shrink it back to normal size I took a look at manual - couldn't find the answer - hopefully
Re: Total Rookie Question: Video Track expanded vertically - how to shrink back to normal?
by Simon Ubsdell 8 months ago
You can just grab the top of the video layer (in the track panel) and drag downwards. Or you can use the Time View Options button to set the track heights. That's the button to the left of the time zo
+1
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