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Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
24375 Posts
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Location:
Los Angeles, CA USA
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Sascha Engel

Walter Soyka
Premiere cuses my laptop to overheat, any idea why?
by Assaf Goldlust 1 day ago
so i was working with my laptop on a project. and i have noticed that everytime i do the following: 1.exporting footage from premiere 2.playing unrendred footage on the timeline 3.rendering footage on
Re: Premiere cuses my laptop to overheat, any idea why?
by Shane Ross 23 hours ago
Yes. The processors are being taxed. When they are working, and working hard, they get hot. Exporting footage...that makes the processors work hard. Playing unrendered footage...depending on what that
Does :01 mean one frame or one second?
by John Stanowski 3 days ago
Does :01 mean one frame or one second I have specs from WDAF which ask for a spot with slate and "there must be :01 black video before and after spot". I called the station and had to leave a message.
Re: Does :01 mean one frame or one second?
by Shane Ross 3 days ago
I would take that to mean one frame. 1:00 is one second. Hmmm...but thirty second spots are called :30 spots. Yeah, this is a thing they need to tell you. Shane Little Frog Post Read my blog, Little F
Proxy workflow similar to Premiere?
by Aaron Rosapepe 5 days ago
Greetings! I am about to start cutting a personal project and thought it would be a good chance to dive back into Avid. I am working with Red Dragon 6K footage as well as BMD 4K Braw. Edit timeline as
Re: Proxy workflow similar to Premiere?
by Shane Ross 4 days ago
Well, when we have 4K masters, we make 4K proxies. Same dimensions, just proxy. DNxHR LQ...still 4K. So we use Frame Flex to do the push ins. Shane Little Frog Post Read my blog, Little Frog in High D
+1
Converting Upres'd 1080 Pro Res footage to 1080i 59.94 DNxHD
by Anthony Vieira 1 week ago
Hi there, I'm working with SD 3 4" Umatic footage that my company captured through a Teranex to 1080 Pro Res. The client needs DNxHD 1920x1080i at 59.94 - and I don't see an option to export out of Pr
Re: Converting Upres'd 1080 Pro Res footage to 1080i 59.94 DNxHD
by Shane Ross 1 week ago
You are missing that 59.94i is 29.97 interlaced. The number before the letter refers to IMAGES per second. Since interlaced footage has two different fields in one frame...it is then 60 separate image
How are you calibrating external SDI displays?
by Dan Powers 1 week ago
Please don't reply with "Use a pre calibrated display", I have them. But I also have several client monitors (large LED displays) fed with an SDI signal converted to HDMI coming out of the edit apps v
Re: How are you calibrating external SDI displays?
by Shane Ross 1 week ago
I take mine in to a calibration expert who does it. Shane Little Frog Post Read my blog, Little Frog in High Def
Stripes / lines on footage
by Fabricio Lima 1 week ago
I filmed a live concert with Sonys A7s II and I'm currently in the editing process. Some of the footage came with these stripes line which I thought it would a frequency difference between the camera
Re: Stripes / lines on footage
by Shane Ross 1 week ago
Took me a while to see it, finally did in the white shirt. That's a sensor issue. The footage is recorded that way, that's what's coming off the sensor. You need to tell the camera op right away what
+1
Mass Export Canon MOV files with Left Channel Removed
by Adam Haas 2 weeks ago
We had an issue with our audio equipment while recording. We fed the audio from our external recorder into the camera. The left channel had its gain so high, it's unbearable to listen to. The right ch
Re: Mass Export Canon MOV files with Left Channel Removed
by Shane Ross 2 weeks ago
If you have Quicktime Pro, open the file...then go WINDOW SHOW MOVIE PROPERTIES, and uncheck the left channel (Ch1). If you don't have that, DIgital Rebellion has QT EDIT, part of the Pro Media Tools,
sequence timecode needs to match what clients see
by Steve Cornell 2 weeks ago
After googling and spending time with Adobe Support, there seems to be no way to display time code in hours, minute and seconds instead of frames. Clients watch videos in players such as quicktime so
Re: sequence timecode needs to match what clients see
by Shane Ross 2 weeks ago
This is why you need to give clients QT files with visible time code burned onto the image. That way you get completely accurate numbers. Often when you encode files for clients to watch, time code me
+1
Color Grading Workflow
by Kevin Camin 2 weeks ago
Would you say this is the correct order of operations 1-3 are global changes. Basic workflow: 1. Correct exposure 2. Fix white balance 3. Adjust Saturation 4. Secondary Corrections: targeted adjustmen
Re: Color Grading Workflow
by Shane Ross 2 weeks ago
What David said. Make it look normal (exposure, white balance), then go for the look. Shane Little Frog Post Read my blog, Little Frog in High Def
Editing with DV
by Ben Harris 2 weeks ago
Hi, I'm working on a project which has a hell of a lot of footage captured from Mini DV tapes. I've captured these using FCP 7 as it was more convenient and they've been captured to DVC-PAL 720x576 (1
Re: Editing with DV
by Shane Ross 2 weeks ago
Ben Harris "I guess my question is - would Premiere deal fine with DV codec for a 5 minute timeline or do you still recommend transcoding to ProRes " it'll deal fine. That's an SD codec, and a lossle
+1
Updating source clip markers in sequence
by Alex Elkins 2 weeks ago
I'm logging material by playing back a stringout of all clips from a day's shoot. I'd like to add markers to clips as I'm watching but unfortunately the markers that are set in the timeline don't carr
Re: Updating source clip markers in sequence
by Shane Ross 2 weeks ago
I view clips in the source monitor and add locators (markers) there....BEFORE I cut into a sequence. If you need them updated in the sequence, then you need to re-cut them into it. Shane Little Frog P
Anamorphic footage choppy in timeline playback; will not render
by Shawn Spear 3 weeks ago
Hello, I've been editing a project off and on since early 2016 in Premiere. The footage given to me is a mix of 1920x1080 MOVs and 1440 x 1080 (1.33) anamorphic MOVs. In the past year or so the anamor
Re: Anamorphic footage choppy in timeline playback; will not render
by Shane Ross 3 weeks ago
What is the source codec of this footage Shane Little Frog Post Read my blog, Little Frog in High Def
Importing Avid ALE into NTSC project
by Reena Mang 3 weeks ago
Hi all, I have an excel to avid workflow via ALE import that raises a syntax error when importing the ALE into 23.98 and 24 NTSC projects (clips are the same format as the projects). I use the same pr
Re: Importing Avid ALE into NTSC project
by Shane Ross 3 weeks ago
Well, NTSC, technically speaking, is 740x486, 29.97fps. Always. Avid just happens to make a 23.98 NTSC format to allow us to work in a very low proxy workflow for HD footage. Meaning that if DHx36 is
Is Final Cut Pro X For Hollywood? Old question, interesting answer
by Gerry Fraiberg 4 weeks ago
Josh Beal is a Hollywood editor who has work on such shows as Counterpart, Bloodline, and House of Cards. As a TV editor, Josh thinks it is time for Hollywood to reconsider Final Cut Pro X as a viable
Re: Is Final Cut Pro X For Hollywood? Old question, interesting answer
by Shane Ross 3 weeks ago
greg janza "If FCPX was cross-platform I'd venture to guess that it could be a possibility in the future but since FCPX is locked there's very little chance this will ever happen." I don't think so.
+1
Final Cut Pro v. 6.0.6 and MAc OS High Sierra
by Raul Alvarez 3 weeks ago
Hi! I feel like I'm the only soul in this planet still running Final Cut Pro v. 6.0.6 on my Mac BookPro (Retina 15" late 2013). Up to now I was using it fine on Mac OS 10.9.5, BUT I just finally gave
Re: Final Cut Pro v. 6.0.6 and MAc OS High Sierra
by Shane Ross 3 weeks ago
Sorry, the last OS to officially support FCP 6 was 10.5. The last to support FCP 7 was 10.6.8. Many components of FCS 3 (FCP 7) broke with 10.9.5. And Apple officially announced that FCP 7 would not w
Exporting issues
by Arthur Thondhlana 4 weeks ago
Project shot at 1080p. I bring the project to premiere and sequence settings is 1440x1080, framing for 4:3 aspect ratio. I export with the same resolution settings and the final video is zoomed in. An
Re: Exporting issues
by Shane Ross 3 weeks ago
SO, shot 1920x1080, wide screen. But edited 1440x1080 square, with those settings, and when you export 1440x1080, it's zoomed in What are you export settings exactly Shane Little Frog Post Read my blo
Are Schools that Don't Support FCP X Part of the Problem?
by Tangier Clarke 4 weeks ago
Folks, I've been talking to various friends I went to school with (LMU) about FCP X and although many favor it and just as many if not more still want nothing to do with it (often without ever having
Re: Are Schools that Don't Support FCP X Part of the Problem?
by Michael Hancock 3 weeks ago
Tangier Clarke "Do you think that higher education institutions not offering FCP X as a part of their academic tool set is a disservice and affects market penetration of FCP X " Might be a disservice
+1
Shane Ross liked this 3 weeks ago
Converting codecs to edit in MC
by Sean Lennon 3 weeks ago
Hi folks, just a question regarding converting codecs MC doesn't like into a codec MC does like. What software do you use to do this Or can it be done in avid I've seen some programs that convert say
Re: Converting codecs to edit in MC
by Shane Ross 3 weeks ago
If you want free, RESOLVE is an option. A tad more complex than just doing it in Avid. Shane Little Frog Post Read my blog, Little Frog in High Def
FCPX Oscar win
by Oliver Peters 4 weeks ago
Congrats to "Skin". https: oscar.go.com nominees short-film-live-action skin http: www.fcp.co final-cut-pro articles 2144-surprising-anti-racist-short-movie-edited-with-final-cut-pro-x-gets-nominated-
+1
Kripá Pizzorno liked this 3 weeks ago
Re: FCPX Oscar win
by Shane Ross 4 weeks ago
And as we ALL know, the NLE is the whole reason the films were great. Boy does Avid like to claim that. Shane Little Frog Post Read my blog, Little Frog in High Def
50 fps PAL footage to FCP7 timeline always needs render?
by raju bhai 4 weeks ago
Hi I have HD flipcam footage that was shot in india. It is 50 fps, 1280x720, AVC coding, AAC, 44.1khz When I drop this clip into a fresh timeline in FCP7 and agree to dialog box that asks to change se
Re: 50 fps PAL footage to FCP7 timeline always needs render?
by Shane Ross 4 weeks ago
OK, first off, FCP 7 only works with specific codecs, those found in the Easy Setup list. So even if you make a sequence that matches your source codec, FCP will not work with it without rendering (th
Good bye Seven; we had fun, didn't we?
by Mark Suszko 1 month ago
It was an emotional weekend for me this past week. I finally pulled the trigger and nuked my entire home editing system for a ground-up re-build, upgrading the OS and erasing FCP7, DVDSP, and etc. to
Re: Good bye Seven; we had fun, didn't we?
by Shane Ross 1 month ago
That IKEA commercial always cracked me up. Well, I keep a legacy system around JUST IN CASE (happen to need to use it about once a year)...and for things like making DVDs. Plus I have a 16TB RAID 5 Ca
Final Cut Pro 6 insists on changing the aspect ratio of my project
by Marc Dewey 1 month ago
I'm trying to finish up an old project in FCP 6 on my Mac Pro, and now it has me tearing my hair out. Most of the footage was from my Canon XH-A1, shot in 1080 HDV 24fps. Everything looks great in the
Re: Final Cut Pro 6 insists on changing the aspect ratio of my project
by Shane Ross 1 month ago
Well, as you pointed out, HDV isn't full raster 1920x1080, it's thin raster (anamorphic) 1440x1080...and is more square. BUT, when you use an HDV sequence setting, FCP knows to stretch the image out t
replacing proxies with colored footage issue
by Sam Stephan 1 month ago
Hi all, I'm a first-time poster here; hopefully this is posted in the correct area. I've done searches on this through this forum and the Avid Community but haven't found a prior post that handles my
Re: replacing proxies with colored footage issue
by Shane Ross 1 month ago
Sam Stephan "And I don't think I can just import an AAF from him, since it would correspond to the "coloring" timeline, which is now useless to me." This is how things work...you send an EDL that ref
markers on clip and markers on same clip in sequence
by Ludmil Kazakov 1 month ago
ok.. so i have a clip that is on a sequence.. i frame match that clip and make markers on the source clip.. then those markers are not on the very same clip on the sequence.. i have to overwrite it...
Re: markers on clip and markers on same clip in sequence
by Shane Ross 1 month ago
No...he said: "the locators... will go into the sequence if you already have them on the clip if you have the setting for that turned on" Meaning if you have them on the clip already...in the source..
All the little things that I miss in Fcpx - that become a big deal
by Mauricio Lleras 2 months ago
Long time reader here. Noticed this forum has been getting quiet lately so I thought I'd stir it up a little in hope of some great discussion as always and also maybe finding out if some of the things
+1
Peter Steinberg liked this 1 month ago
Re: All the little things that I miss in Fcpx - that become a big deal
by Shane Ross 2 months ago
Ronny Courtens "Worx4 X from Marquis Broadcast will consolidate your Final Cut projects with handles. It still has some limitations but it works well for most projects. I agree this is a very useful
MXF not supported AVID MC
by Claudia Mehrweger 2 months ago
Hello everyone, I,m new in Creative Cow. I have shot a few pictures with a SONY PMW 200. AVID MC (Ultimate) doesn t import the files. The icon of the clips is different from the ones I shot before. No
Re: MXF not supported AVID MC
by Shane Ross 2 months ago
What steps are you talking to import Source Browser is the way to go with this...navigate to the files and LINK. Wait, PICTURES Do you mean VIDEOS Shane Little Frog Post Read my blog, Little Frog in H
1080i60, 1440x1080 to prores422
by raju bhai 2 months ago
Hi, I have footage shot on a Canon HV-30. It is HDV 1080i60 with frame size 1440x1080 (current size 1888x1062(actual)) and fps 29.96 To edit on FCP7, do i still need to convert this to Prores422 And i
Re: 1080i60, 1440x1080 to prores422
by Shane Ross 2 months ago
raju bhai "Given the HDV parameters of the footage i stated above, do i still need to convert to Prores to edit in FCP7 " No. FCP 7 will edit HDV just fine, and you can export a ProRes full scale QT
+1
Need to export XML from old FCP 7 project
by Philip Ohler 3 months ago
Anyone have FCP 7 running on a machine they could take my old project file and export and XML for me Would greatly appreciate the help. Thank you. Philip Ohler
Re: Need to export XML from old FCP 7 project
by Shane Ross 2 months ago
YUP...same address... Shane Little Frog Post Read my blog, Little Frog in High Def
Media Composer 2018 Jump To Marker
by Gabriel Figueroa 2 months ago
Hello, I'm an editor that actually relies on markers; as opposes to sub-clips, for editing. Its a system that has worked for me for many years. One of my favorite things to do was to open a Markers Li
Re: Media Composer 2018 Jump To Marker
by Shane Ross 2 months ago
Double clicking will jump to that marker in the timeline. And when I press ENTER, it opens up the MARKER DIALOG window, and brings me there. Running 2018.8. What about you Shane Little Frog Post Read
Do I need to de-interlace?
by Jared Hawco 2 months ago
Hi All, I'm working on a new video project in FCP 7. Most of the footage was shot on a Sony VX1000 (SD 480, 60i) but I also have some Super 8 for cut shots (1080P HD Scan, 24 fps, ProRes 422). I captu
Re: Do I need to de-interlace?
by Shane Ross 2 months ago
Jared Hawco "My question is do I need to de-interlace my VX1000 footage before editing If so, what is the best method " Well, where will this be seen TV WEB If on TV, even if from a DVD or BluRay...t
Ain’t your grandpas TV Production studio any more, I suppose.
by Bill Davis 3 months ago
Yes, it s pretty much a LumaForge marketing video. https: youtu.be w3fKC1ZqnPE But it still signals the promise is that smaller virtual studios can now more easily do stuff like this on more of a DYI
Re: Ain’t your grandpas TV Production studio any more, I suppose.
by Andrew Kimery 2 months ago
Bill Davis "These young producers are creating content nearly exclusively for a relatively newly viable non-broadcast market. The gold standard for them is clearly NOT AC Neilson ratings, but "likes"
+1
Shane Ross liked this 2 months ago
compression for YouTube
by Bob Cole 3 months ago
This may not be a DaVinci Resolve issue, but I used Resolve to output a video for YouTube, using the YouTube-recommended parameters. It plays well on my computer, but a client with a slower connection
Re: compression for YouTube
by Shane Ross 3 months ago
YouTube will take what you upload and encode it several ways...to deal with just this. They encode 1080p, 720p...and 480p...not sure if they go lower than that. But really, no matter what you upload,
creating MP4 from Pro Res FCP7
by Brian Fifield 4 months ago
Hi, PLEASE can someone help me - I have a very old version of FCP7 and an equally old iMac. I have lots of full concerts sitting in FCP7 projects which I need to convert to MP4s. I have followed sever
Re: creating MP4 from Pro Res FCP7
by Shane Ross 4 months ago
Yeah, sorry, you have to make the time. You can't export MP4 directly from FCP...not even SEND TO COMPRESSOR will make an MP4. This software you are using is very old, 10+ years at this point, and at
Future MacOS/FCPX won't support DNxHD/HR or CineForm among other codecs
by Andrew Kimery 4 months ago
"In Final Cut Pro, you might see an alert that legacy media files won't be compatible with future macOS releases. Legacy media files are compatible with macOS Mojave, but they won't be with future mac
Re: Future MacOS/FCPX won't support DNxHD/HR or CineForm among other codecs
by Shane Ross 4 months ago
Wait...DNxHR is considered "legacy" by Apple It's the current codec Avid offers. DNxHD is also still in heavy rotation. I get losing Sorenson and Cinepack...those are 1990s throwbacks. But DNxHR Apple
And Desktop Adobe Rush overview from the "Premiere" FCPX site ;)
by Craig Seeman 5 months ago
http: www.fcp.co final-cut-pro articles 2120-first-look-adobe-rush And an oops on Adobe and ProRes RAW In other Adobe news, the first updates showed that Premiere now supported ProRes RAW. That inform
Re: And Desktop Adobe Rush overview from the "Premiere" FCPX site ;)
by Shane Ross 5 months ago
Andrew Kimery "I think Bill was referring to the iOS version of iMovie since X has always been able to import projects from he desktop version." Roger dodger...I forget that exists Shane Little Frog
Getting a 29.97 timecode on a 29.97 video
by Yan Desjardins 6 months ago
Hello, I'm encountering a problem I've never seen before. I have a 29.97fps video, but the timecode I overlay on it is of 30fps. I can't change the timecode frame rate and, therefore, can't find a way
Re: Getting a 29.97 timecode on a 29.97 video
by Shane Ross 6 months ago
GAH! I thought I was in the Avid forum...that is an Avid response, but I can't see how to edit or delete my post.... sorry Shane Little Frog Post Read my blog, Little Frog in High Def
Basic timeline editing question
by Paul Carlin 6 months ago
I am cutting video clips (with audio) into a music video timeline. When I Overwrite the clips into my timeline, the source audio always follows, going so far as to create a new audio track if my A1 is
Re: Basic timeline editing question
by Shane Ross 6 months ago
Yeah, deselect the audio on the source side in the timeline. Turn it off. Only have Video highlighted. Shane Little Frog Post Read my blog, Little Frog in High Def
That same old question...
by Eric Santiago 7 months ago
It seems to pop up every so often here and other apps. How do you folks deal with projectors and media players I get to see my work maybe once or twice a year in public venues so experience is lacking
Re: That same old question...
by Shane Ross 7 months ago
1) Fiddle with the projector. Go in early, put the film on...and see if you are allowed to adjust things so that the film can be seen better. Mark down all the settings so you can go back to them, but
LACPUG - Randy Ubillos
by Oliver Peters 9 months ago
Learning about the beginnings http: www.fcp.co final-cut-pro articles 2095-randy-ubillos-back-to-the-beginnings-of-final-cut-pro-at-the-18th-anniversary-lacpug YouTube Pt 1 https: www.youtube.com watc
Re: Lightworks
by Bob Zelin 8 months ago
I know that this will be incredibly disrespectful of lots of famous editors - but famous Lightworks Editors that include Thema Schoonmaker Tariq Anwar Henry Stein Jill Bilcock Scott Hill - they probab
+2
Shane Ross liked this 8 months ago
Marketing head scratcher.... hmmm
by Todd Terry 9 months ago
Well this board has been painfully slow, and I was just doing a repair in the studio which brought to mind a question I've been wondering about for years and years... so I thought I'd bring this up...
Re: Marketing head scratcher.... hmmm
by Shane Ross 8 months ago
OMG! That's hilarious. A LOT of people must have bought the wrong versions... Shane Little Frog Post Read my blog, Little Frog in High Def
Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Noam Osband 9 months ago
I exported a timeline from FCP X. Some of the clips are multicam. Some multicam files worked fine. Others did not. I can hear them but dont see anything in the timeline in Resolve. Adding to the weird
Re: Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Shane Ross 9 months ago
Multicam transfering from any NLE to Resolve is iffy...spotty. I suggest COMMITING the angles...collapse them. Make them no longer multicam so when you send to Resolve, it doesn't have to deal with th
Does Davinci resolve capture prores in windows os?
by Ricardo Marty 9 months ago
I kinda read when dr12.5 came out that the windows version could capture prores but could not output prores. Is this true for version 15 Ricardo Marty
Re: Does Davinci resolve capture prores in windows os?
by Shane Ross 9 months ago
Duke Sweden " I was able to record in ProRes 4:4:4 and work with those files on my old, woefully underpowered PC. I just couldn't export in ProRes. Is that what you meant " The Ninja is a device that
Round Trip Canon C100 from FCP7 to DaVinci Resolve
by Brian Gee 9 months ago
I've been editing a documentary in FCP7 that was shot on Canon C100. Now, I'm testing out the workflow for doing a round trip from FCP7 to DaVinci Resolve 14. Upon importing an XML file from FCP to Re
Re: Round Trip Canon C100 from FCP7 to DaVinci Resolve
by Shane Ross 9 months ago
No. Because AVCHD is a crappy format. Mainly crappy in that timecode always restarts at 00:00:00:00...clip names start over again when you put in a new card...so you can have multiple clips with the s
Keyframe a LUT?
by Bruce Gaber 10 months ago
I'd like to fade in the look of a particular LUT. Is it possible to keyframe with LUTs Haven't been able to figure this one out. Thanks Bruce Bruce Gaber OSX High Sierra 10.13.3 iMac 27 " late 2013 3.
Re: Keyframe a LUT?
by Shane Ross 10 months ago
Split your clip....add the LUT to the part you want, but not to the other, and then add a dissolve between them...that'll do what you want. Shane Little Frog Post Read my blog, Little Frog in High Def
RESOLVE COLLABORATION...Amazingly cool
by Shane Ross 10 months ago
It collaborates better than the edit collaboration king...Avid. https: www.youtube.com watch time_continue=1&v=AT5wR9KTa2A Shane Little Frog Post Read my blog, Little Frog in High Def
+1
Marc Wielage liked this 3 months ago
Re: RESOLVE COLLABORATION...Amazingly cool
by richard mazikowski 3 months ago
Love this. The Color clip collaboration and the deliver page collaboration is a huge help. I can even see a single colorist using multiple machines to speed up the delivery process.
Troubleshooting - can't open XML from FCPX in DaVinci Resolve 12
by Lucy Slavinsky 10 months ago
Hello all, I am completly new to DaVinci Resolve. I am trying to move my project from FCPX to Premiere. Found some tutiorial on Youtube. Looks fairly easy. Exept.... DaVinci Resolve does not open XML.
Re: Troubleshooting - can't open XML from FCPX in DaVinci Resolve 12
by Shane Ross 10 months ago
Yes...compound clips from FCX are a big issue. They most likely are the cause of this slow import as well. Commit the edits on the FCX side, so collapse the compounds. And then export the XML. I sugge
Davinci resolve prores render duplicate frames
by Rayjohn Tagayon 10 months ago
Hi Our client just got back to us saying itunes rejected our prores movie because of "consistent duplicate frames." My problem is I render these prores files from a DPX sequence which is also the same
Re: Davinci resolve prores render duplicate frames
by Shane Ross 10 months ago
Can you see these duplicate frames yourself Is the source footage also 23.98 Or do you have 29.97 or other frame rate footage in your sequence Shane Little Frog Post Read my blog, Little Frog in High
The Competition?
by Scott Witthaus 10 months ago
In some sense, yes: https: vimeo.com 266289590 Scott Witthaus Senior Editor Visual Storyteller https: vimeo.com channels 1322525 Managing Partner, Low Country Creative LLC Professor, VCU Brandcenter
Re: The Competition?
by Joseph W. Bourke 10 months ago
Bill - The overarching rule in the corporate world has always been adapt or die. The overarching rule in the creative world will always be "Do the best work you can with the tools you are comfortable
+1
Shane Ross liked this 10 months ago
Client video review collaborative websites
by Dennis Dean 10 months ago
This is part of business for me so hopefully this is the correct forum. I'm looking for suggestions for websites that allow me to upload raw footage for my clients to view. Preferably with some kind o
Re: Client video review collaborative websites
by Shane Ross 10 months ago
Frame.io (extremely popular, and affordable) DigitalPigeon.com (I use this, affordable, easy, customizable to fit your BRAND) Shane Little Frog Post Read my blog, Little Frog in High Def
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