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Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
24100 Posts
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Location:
Los Angeles, CA USA
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Mark Raudonis

Paul Escandon

Ronald Lindeboom

Sascha Engel

Walter Soyka
Convert File for DVD
by Molly Blank 22 hours ago
I have a 16.42 gb high res export that my editor made of a film. The client needs a smaller one for the DVD and I don't think they want an mpeg-2 to create in encore. How can I convert the 16.42 gb in
Re: Convert File for DVD
by Shane Ross 15 hours ago
Wait...you said they wanted a DVD. So, you aren't going to provide them with a DVD What EXACTLY do they want from you A file that they can fit onto a DATA DVD (meaning, basically like a hard drive)...
How do you "lock" two clips TOGETHER so they animate in sync??
by Jim Lino 19 hours ago
Hi there, Having a lot of trouble trying to figure out what should be a relatively simple thing. I have text over video of a car...... as the camera pans right to left (panning along the car).... I wa
Re: How do you "lock" two clips TOGETHER so they animate in sync??
by Shane Ross 18 hours ago
Jim Lino "Problem is.... if I manually animate the text just by itself.... it'll never look as good precise as if the two clips were just "linked" as they were moving together.... like how Final Cut
Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Noam Osband 3 days ago
I exported a timeline from FCP X. Some of the clips are multicam. Some multicam files worked fine. Others did not. I can hear them but dont see anything in the timeline in Resolve. Adding to the weird
Re: Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Shane Ross 2 days ago
Multicam transfering from any NLE to Resolve is iffy...spotty. I suggest COMMITING the angles...collapse them. Make them no longer multicam so when you send to Resolve, it doesn't have to deal with th
Does Davinci resolve capture prores in windows os?
by Ricardo Marty 4 days ago
I kinda read when dr12.5 came out that the windows version could capture prores but could not output prores. Is this true for version 15 Ricardo Marty
Re: Does Davinci resolve capture prores in windows os?
by Shane Ross 3 days ago
Duke Sweden " I was able to record in ProRes 4:4:4 and work with those files on my old, woefully underpowered PC. I just couldn't export in ProRes. Is that what you meant " The Ninja is a device that
AMA linking not available? - IMPORT QUESTIONS
by matt chapman 6 days ago
Hey guys- Making the jump from Premiere to Avid. Have a bunch of footage for messing around with. A few questions, I've reviewed the (ANCIENT... 2013) "Getting started fast with Avid Media Composer" f
Re: AMA linking not available? - IMPORT QUESTIONS
by Shane Ross 5 days ago
matt chapman "Now, does anyone know how to easily handle cell phone (1080 x 1920) footage. When I transcoded it to MXF through AVID, it all stretched. " Make a project with the dimensions of the phon
1080p 25 F55 into a 1080i 50 workflow
by Jason Welkerk 1 week ago
Hi Guys So basically we work in 1080i50 for on air transmission. However this travel show is being shot in 1080p 25 with the F55 camera. Would the best workflow just be as simple as linking & transcod
Re: 1080p 25 F55 into a 1080i 50 workflow
by Shane Ross 1 week ago
Ok, so over there you don't have it called 1080i50...it's called 1080i25 I hope I'm getting that right. Because here, it's 1080i60 at 29.97 and it causes confusion. As we have now. Sorry that I messed
prores 422(LT) with 48khz audio still requires rendering
by raju bhai 2 weeks ago
Hi, I am using FCP7 I have a video that i transcoded to prores 422(LT). I have a separate audio file that i am dropping into the timeline. I exported the audio at 48khz 24bit so it would be compatible
Re: prores 422(LT) with 48khz audio still requires rendering
by Shane Ross 1 week ago
FCP 7 was designed to work with broadcast standard formats. 640x360, even as ProRes LT...does not fit any broadcast standard. Your best option would be to convert that to 720x480 DV...or 720x486 ProRe
Final Cut Pro 10.4 compatibility with Compressor and Motion
by Anouk M.Renaud 1 week ago
I'm going crazy. Is there any way I can know the exact requirements of specific versions of software like FCPX Right now, I need to know if FCP 10.4 (not 10.4.1 or more, 10.4) is compatible with Motio
Re: Final Cut Pro 10.4 compatibility with Compressor and Motion
by Shane Ross 1 week ago
This is the forum for the old, outdate, discontinued FCP 7...for a place to get the answer you want, go to the FCPX forum.... https: forums.creativecow.net fcpx Shane Little Frog Post Read my blog, Li
Round Trip Canon C100 from FCP7 to DaVinci Resolve
by Brian Gee 1 week ago
I've been editing a documentary in FCP7 that was shot on Canon C100. Now, I'm testing out the workflow for doing a round trip from FCP7 to DaVinci Resolve 14. Upon importing an XML file from FCP to Re
Re: Round Trip Canon C100 from FCP7 to DaVinci Resolve
by Shane Ross 1 week ago
No. Because AVCHD is a crappy format. Mainly crappy in that timecode always restarts at 00:00:00:00...clip names start over again when you put in a new card...so you can have multiple clips with the s
Keyframe a LUT?
by Bruce Gaber 2 weeks ago
I'd like to fade in the look of a particular LUT. Is it possible to keyframe with LUTs Haven't been able to figure this one out. Thanks Bruce Bruce Gaber OSX High Sierra 10.13.3 iMac 27 " late 2013 3.
Re: Keyframe a LUT?
by Shane Ross 2 weeks ago
Split your clip....add the LUT to the part you want, but not to the other, and then add a dissolve between them...that'll do what you want. Shane Little Frog Post Read my blog, Little Frog in High Def
RESOLVE COLLABORATION...Amazingly cool
by Shane Ross 2 weeks ago
It collaborates better than the edit collaboration king...Avid. https: www.youtube.com watch time_continue=1&v=AT5wR9KTa2A Shane Little Frog Post Read my blog, Little Frog in High Def
Re: RESOLVE COLLABORATION...Amazingly cool
by Michael Gissing 2 weeks ago
Good to see it demoed. I don't know how well collaboration works with Avid so good to get your feedback Shane.
New iMac Pro system dropping frames (2 at a time)
by Dan Powers 2 weeks ago
Advice Brand new Imac Pro clean install Premiere Pro 2018 12.1.1 Running High Sierra. $12,000 machine dropping frames on rendered 1080 Pro Res. My old MacPro trash can drops fewer frames. I have a con
Re: New iMac Pro system dropping frames (2 at a time)
by Shane Ross 2 weeks ago
Try an earlier version of Premiere Pro...2017. I hear too many issues with 2018 that people who then go back to 2017 say solve them. But not sure projects can go back...but worth seeing if the frames
Troubleshooting - can't open XML from FCPX in DaVinci Resolve 12
by Lucy Slavinsky 2 weeks ago
Hello all, I am completly new to DaVinci Resolve. I am trying to move my project from FCPX to Premiere. Found some tutiorial on Youtube. Looks fairly easy. Exept.... DaVinci Resolve does not open XML.
Re: Troubleshooting - can't open XML from FCPX in DaVinci Resolve 12
by Shane Ross 2 weeks ago
Yes...compound clips from FCX are a big issue. They most likely are the cause of this slow import as well. Commit the edits on the FCX side, so collapse the compounds. And then export the XML. I sugge
Apple WWDC 2018
by Oliver Peters 2 weeks ago
From the POV of FCPX users, did anything in today's WWDC keynote get you jazzed - Oliver Oliver Peters - oliverpeters.com
Re: Apple WWDC 2018
by Shane Ross 2 weeks ago
Bill Davis "I'm also curious to see what happens to the aging stuff like Open CL and Quartz Composer. More than ever, it seems if you aren't re-versioning EVERYTHING across the platform - then the le
Captured Footage Is Softer Than Source Material - FCP7 - DigiBeta, Beta, Umatic
by Michael Gerrity 3 weeks ago
I've been capturing a ton of old media using Final Cut Pro 7. For old analog formats I'm running my decks through an AJA Io and capturing in FCP directly to ProRes 422. In most cases, everything looks
Re: Captured Footage Is Softer Than Source Material - FCP7 - DigiBeta, Beta, Umatic
by Shane Ross 2 weeks ago
Michael Gerrity "I just find it hard to believe weird that the J-30 would have firewire out and that wouldn't be the optimal way to capture the footage." That option only gives you DV quality. I alwa
+1
Importing an XML from Davinci into Premiere
by Brian DiLorenzo 3 weeks ago
Hey Everyone, So I have just completed color on my first feature film. It is a pretty massive project (over 90 minutes run time, thousands of assets). I just received my renders back from my colorist,
Re: Importing an XML from Davinci into Premiere
by Shane Ross 3 weeks ago
Brian DiLorenzo " Offline it all, let the XML sequence load into Premiere, then just remove all that audio off the timeline, and try the reconnect again " Don't "Offline" anything first. Bring in the
FCPX “Ken Burns” effect into Resolve
by Scott Witthaus 3 weeks ago
Will these translate to Reslove via xml Thanks in advance. Scott Witthaus Senior Editor Visual Storyteller https: vimeo.com channels 1322525 Managing Partner, Low Country Creative LLC Professor, VCU B
Re: FCPX “Ken Burns” effect into Resolve
by Shane Ross 3 weeks ago
99% of the time I can't get the stills to even link properly. If there is keyframing done, yes. But if a plugin is used for this, then no. What I tend to have clients provide, due the the lack of link
Best editing codec for DaVinci Resolve
by Rainer Wirth 2 months ago
Hi folks, I'm new to this community and have just built up a new 4k workstation to work with DaVinci Resolve. Components work well, apart from the fact that the new 15 Beta2 version is crashing. But I
Re: Best editing codec for DaVinci Resolve
by Shane Ross 3 weeks ago
EditReady by Divergentmedia.com Shane Little Frog Post Read my blog, Little Frog in High Def
playhead scrubbing lag with 4K footage
by Andrew DeJohn 3 weeks ago
Greetings, I am trying to edit 4K XAVC-S footage on my Power Mac tower (specs below) and basically wondering what my limiting hardware factor is that I can upgrade that would enable me to edit and scr
Re: playhead scrubbing lag with 4K footage
by Shane Ross 3 weeks ago
You are working with 4K footage, in a complex codec (as you mentioned)...on a severely underpowered machine. You need faster processors, more RAM (32GB)...a GPU that has at least 4GB of RAM (yours has
AAF from AVID: Problems with Fades
by Sascha Engel 3 weeks ago
Hi Everybody, I have this issue, every time I get an AAF from AVID: Every Fade to black becomes a Fade to White in DaVinci. Of course I can change the "Dip to" Colour easily, but in a film with many t
Re: AAF from AVID: Problems with Fades
by Shane Ross 3 weeks ago
Well, I don't ever do dips to black in Avid because it has a few other issues...and we have a mandate at work not to do them as they have issues of not going to FULL black. We do this to ensure that o
+1
What are the .BIM sidecar files with my .MXF footage?
by Ben Rich 4 weeks ago
So I've been working with my Sony FS7 mk II for a year now. When ingesting footage I only save the .MXF footage and have no problem editing. But I want to better understand my camera as I am researchi
Re: What are the .BIM sidecar files with my .MXF footage?
by Shane Ross 4 weeks ago
Want to ensure the longevity of your camera masters ARCHIVE EVERYTHING! BACK UP THE ENTIRE card...not parts of it. Don't be selective, don't leave things out. Those files are so small, you aren't savi
Davinci resolve prores render duplicate frames
by Rayjohn Tagayon 4 weeks ago
Hi Our client just got back to us saying itunes rejected our prores movie because of "consistent duplicate frames." My problem is I render these prores files from a DPX sequence which is also the same
Re: Davinci resolve prores render duplicate frames
by Shane Ross 4 weeks ago
Can you see these duplicate frames yourself Is the source footage also 23.98 Or do you have 29.97 or other frame rate footage in your sequence Shane Little Frog Post Read my blog, Little Frog in High
The Competition?
by Scott Witthaus 1 month ago
In some sense, yes: https: vimeo.com 266289590 Scott Witthaus Senior Editor Visual Storyteller https: vimeo.com channels 1322525 Managing Partner, Low Country Creative LLC Professor, VCU Brandcenter
Re: The Competition?
by Joseph W. Bourke 1 month ago
Bill - The overarching rule in the corporate world has always been adapt or die. The overarching rule in the creative world will always be "Do the best work you can with the tools you are comfortable
+1
Shane Ross liked this 1 month ago
Client video review collaborative websites
by Dennis Dean 1 month ago
This is part of business for me so hopefully this is the correct forum. I'm looking for suggestions for websites that allow me to upload raw footage for my clients to view. Preferably with some kind o
Re: Client video review collaborative websites
by Shane Ross 1 month ago
Frame.io (extremely popular, and affordable) DigitalPigeon.com (I use this, affordable, easy, customizable to fit your BRAND) Shane Little Frog Post Read my blog, Little Frog in High Def
Third Party Effects
by David Page 1 month ago
How do I import third party effects plugins into PP and who offers trusted plugins for basic transitions such as motion blurs.
Re: Third Party Effects
by Shane Ross 1 month ago
Well, one way is the FX FACTORY app. Several plugin makers make their plugins available thru that, and they install where they need to go. Shane Little Frog Post Read my blog, Little Frog in High Def
I have 1tb Samsung 960 Pro and 970 EVO. Which one for OS Windows 10 would you use? And why
by Scott Weigel 1 month ago
I just built a new PC. 7940X 14 Core, 64gigs memory, 1080ti, mono block waterblock with two 280 rads. I installed Win 10 Pro on my new Samsung 960 Pro 1tb drive, but just ordered the new 970 EVO 1tb a
Re: I have 1tb Samsung 960 Pro and 970 EVO. Which one for OS Windows 10 would you use? And why
by Shane Ross 1 month ago
Both are SSDs, and both are fast. I dont' think you'll see ANY difference if you use one over the other for either task, to b honest. Shane Little Frog Post Read my blog, Little Frog in High Def
The new Reality Distortion Field.
by Bill Davis 2 months ago
It s been a curious month. For the first three weeks, an incredible amount of what I read regarding Apple was about how the iPhone X was a poor selling failure. That message rang out across a huge arr
Re: The new Reality Distortion Field.
by Shane Ross 1 month ago
Bill Davis "Wow, just remembering how recently EVERYONE who used a laptop for video production was a wannabe. Totally Unprofessional. A joke. " Yeah, funny how when I used one on the set of a feature
+2
Smarter and Faster
by Oliver Peters 2 months ago
Steve Martin's Working Smarter and Faster presentation from NAB https: www.youtube.com watch time_continue=1&v=MdqTwAPg6Qg - Oliver Oliver Peters - oliverpeters.com
Re: Smarter and Faster
by Neil Goodman 2 months ago
I just really want to edit slower to be honest - all this fast fast fast stuff - I'm over here like my client gave 5 days to cut this trailer, I'm going to take all 5 days. Your not getting a cut from
+3
Shane Ross liked this 2 months ago
Reconsidering FCPX in Hollywood
by Oliver Peters 2 months ago
One of the Lumaforge NAB presentations: http: www.fcp.co final-cut-pro articles 2070-josh-beal-reconsidering-final-cut-pro-x-in-hollywood Direct link to the video here: https: www.youtube.com watch ti
+1
Al Bergstein liked this 1 month ago
Re: Reconsidering FCPX in Hollywood
by Andrew Kimery 2 months ago
Neil Goodman "Editors need a reason to switch - a bunch of people saying "hey look its faster", month after month for the last 7 years obviously hasn't made a difference to them or overridden the bad
+4
Shane Ross liked this 2 months ago
Apple and the relentless pursuit of excellence ...
by Simon Ubsdell 2 months ago
https: www.youtube.com watch v=AUaJ8pDlxi8 Simon Ubsdell tokyo productions hawaiki
Re: Apple and the relentless pursuit of excellence ...
by Shane Ross 2 months ago
Oop. Sorry, I forgot. There is no point in debating anything Apple with Bill. Apple does no wrong. And if they do, it's quickly remedied... or so minor that you are insane for even bringing it up. Let
JVC HM 650 through Black Magic Design Ultra Studio Minirecorder to FCPX
by Ty Ford 3 months ago
Hi, I was looking for ways to stream video from my HM 650 camera's HDMI port to FCP X or Adobe Premiere CC. I have streamed successfully before with the mini recorder and a laptop's thunderbolt connec
Re: JVC HM 650 through Black Magic Design Ultra Studio Minirecorder to FCPX
by Shane Ross 3 months ago
AH, yes...FIREWIRE capture still exists in FCP. SO...DV and HDV are the only tape formats Apple cares to support. That box is nice in that it enables VHS to be captured as DV....although that isn't do
Budgets Per Episode of a self contained "docu-series" ?
by James Adames 4 months ago
creating a crime doc series and would love to know what the budgets are
Re: Budgets Per Episode of a self contained "docu-series" ?
by Shane Ross 3 months ago
Sorry, that's one area that I'm not aware of the costs. I work on recreation docs, and archival docs, and feature docs....but nothing in the arena of Drugs, INC or DIRTY MONEY... Shane Little Frog Pos
Fair Use in a Documentary About Syria
by Juan David Romero 6 months ago
Good morning. I have a legal question about using news clips on a short documentary film that is 23 minutes in length. I'm using the news clips to help tell a story and help the audience visualize the
Re: Fair Use in a Documentary About Syria
by Shane Ross 4 months ago
grinner hester "the only ones who get away with piracy are wedding videographers because it doesn't air." Nope. They get sued: https: daredreamermag.com 2011 12 07 the-music-licensing-chickens-have-c
Question Re: Legalities of using parts of youtube clips in your own timeline
by Darren Martin 5 months ago
Hey guys, just curious on the legalities of using a few second snipets of other peoples clips in your own video. Like for example if i want to use a couple of seconds of an olympic athlete winning a r
Re: Question Re: Legalities of using parts of youtube clips in your own timeline
by Shane Ross 5 months ago
That Steve Jobs ad about changing the world..paid to use that footage. I work on historical docs, and can tell you that places are pretty darn good at catching those who use their footage without perm
AVID project to latest FCPX- how?
by Kent Beeson 5 months ago
any easy way to take an AVID project to FCPX 10.4 then back to AVID after finished
Re: AVID project to latest FCPX- how?
by Shane Ross 5 months ago
Francois Jean "Since AVID original goal was to off line and generate an EDL maybe you could use this path to DaVinci resolve then via fcpxml to the wonderfull FCPX NLE then back to AVID using EDL X .
How Long To Edit a Reality Show?
by Emily Geraghty 7 months ago
Hi! I'm working on a project that's taking me longer than I'd like it to, and probably longer than my company would like it to. So I thought I'd ask ya'll what your opinion is. I'm a producer, shooter
Re: How Long To Edit a Reality Show?
by Shane Ross 5 months ago
grinner hester "Budget 5 days per episode." How long is the episode How much footage do you have Have the story producers gone through and made a REALLY TIGHT precut On a 60 min show (43 of actual sh
Question about copyright laws on videos
by Darren Martin 5 months ago
Hi guys, just wondering if i can have some advice on a copyright matter. I am a videographer and have been doing vids for around 6 months, I have noticed some of my footage from a paid video i did a f
Re: Question about copyright laws on videos
by Shane Ross 5 months ago
Were you paid as a shooter For your time If you are paid to shoot the video, as a videographer...then the footage belongs to the client. You were hired to shoot images and provide them to the client.
Conflict between BMD Ultrastudio4k and Premiere Pro cc
by Mark Suszko 5 months ago
I'm in OS X 10.10.5 Yosemite on an older iMac., 27-inch, 2013. Just really starting to play with Premiere CC . Everything was working for weeks, then this morning I updated firmware for the attached B
Re: Conflict between BMD Ultrastudio4k and Premiere Pro cc
by Shane Ross 5 months ago
Can you go back to the firmware that worked Not all updates are good, especially when running older OS versions. When you find the mixture that works, don't change it. Only update if you have problems
iMac Pro
by Rich Rubasch 6 months ago
The new iMac Pro will be available Dec 14th! Any early adopters Go! Rich Rubasch Tilt Media Inc. Video Production, Post, Studio Sound Stage Founder President Editor Designer Animator http: www.tiltmed
Re: iMac Pro
by Shane Ross 6 months ago
This guy had it for a couple days... http: blog.vincentlaforet.com 2017 12 12 apples-new-imacpro-has-an-impressive-200-300-speed-bump But really, for $5000 base model, it makes the argument for going
The continuing saga of FCP to Resolve to Avid
by Jeff Markgraf 3 years ago
My goodness, it's like one of those serialized magazine stories... So it seems that X to Resolve and back or Avid to Resolve and back is straightforward. X to Resolve to Avid is considerably less so.
Re: The continuing saga of FCP to Resolve to Avid
by Shane Ross 6 months ago
THIS is why you hire an editor that is familiar with the NLE being used. The sheer amount of time and effort needed to convert an entire project to another NLE means a lot of wasted time and money. If
Moving project from FCPX to Premiere
by Rob Garver 7 months ago
Hello -- I have the latest 12.0 version of Premiere Pro, and the early 2016 version of FCPX, 10.2.3. I cut a full-length film on FCPX, and I want to move the entire project to Premiere Pro. I am worki
Re: Moving project from FCPX to Premiere
by Shane Ross 6 months ago
That post house might need to bone up on FCX to (insert online editing app here). I've onlined and delivered over 13 FCX projects in Resolve and we've gotten it down to a science. Rocky at first, but
Where to learn about the business side of things
by Paulo Jan 7 months ago
Hello: I'm quite familiar with all the sites and resources to learn about this industry, from this very site to FxPHD, Lynda.com, etc. But all of them are related to the technical and creative side: h
Re: Where to learn about the business side of things
by Shane Ross 7 months ago
Really, the only GOOD way to do this is to learn from experience. The people who are currently heading production companies or being producers are ones who started out as assistants, or associate prod
Best way to work FCPX with DaVinci
by Antonis Ant 10 months ago
Hi everyone. I am using FCPX for my edits and DaVinci for the color grading. Doing the XML round trip works fine, however I notice two issues: 1. When I export back from DaVinci to FCPX and I want to
Re: Best way to work FCPX with DaVinci
by Shane Ross 10 months ago
As someone who has graded 10 docs in Resolve that were cut in FCX, I concur with what Oliver said. When you grade the footage, the only way to get that grade applied and sent back is to render it out
Intensity Shuttle
by Ty Ford 11 months ago
Hi, A friend has just told me that he has success in importing footage into his laptop using the intensity shuttle. He's using premiere on a PC and among other sources us using an old M2 video deck be
Re: Intensity Shuttle
by Shane Ross 10 months ago
Correct...FCX no longer sees external capture cards in terms of being able to capture. FCX does see them for output to a monitor, but FCX (Apple) thinks that tapes no longer exist, or the need to capt
Colours changing when I upload to Vimeo/YouTube
by Rikki Blow 10 months ago
Do any of you clever folk have any ideas why my FCPX exports (decent quality .movs OR .mp4) are changing colour quite dramatically when processed on both YouTube and Vimeo, and, more to the point, is
Re: Colours changing when I upload to Vimeo/YouTube
by Shane Ross 10 months ago
The best you can do is export a ProRes master and deliver that. How it's encoded by YouTube or Vimeo...and how Firefox or Safari or Chrome display that...is out of your control. Nothing you can do abo
Flattened XML export?
by Mathew Farrell 11 months ago
Hey Groovers, Working as a colourist, perhaps the hardest part of my job is conforming big timelines from the likes of FCPX to bring into Resolve. One of the standard colour workflows is to ask the ed
Re: Flattened XML export?
by Shane Ross 11 months ago
Ah...yeah, you have it down. I never round trip back to FCX...the final is rendered out of Resolve for the stuff I do. Guess I should toy with sending it back. I wonder how the text would hold up I ha
Is drop frame needed / relevant anymore?
by Patrick Donegan 2 years ago
If one is not producing anything fro broadcast, is it time to drop the drop frame Or is it the "just in case" Or - does DVD_Video and BluRay use or need drop frame I am just wondering .... about other
Re: Is drop frame needed / relevant anymore?
by Shane Ross 11 months ago
If you shoot and cut 23.98, then it's NDF (Non-Drop Frame) anyway, there is no such thing as 23.98 DF. That only exists in the 30fps world (well...59.94i or 29.97p). But then those of us in broadcast
How much gear do you need to edit a movie in real time?
by Jeremy Garchow 11 months ago
Turns out, not a ton: http: appleinsider.com articles 17 07 13 baby-driver-cut-in-real-time-with-avid-on-apples-15-inch-macbook-pro
Re: How much gear do you need to edit a movie in real time?
by Herb Sevush 11 months ago
But wait, you mean he cut this on Avid How was that possible We all know that Avid is slow and pre-historic, I thought it was positively illegal to use Avid on a laptop, like the "coolness" values of
+4
Shane Ross liked this 11 months ago
FCPX Documentary on Kickstarter!
by Noah Kadner 12 months ago
For those want to see the FCPX debate taken to a whole other level please check out Off the Tracks on Kickstarter: http: kck.st 2uiKYZH Kickstarter Pitch Video https: www.youtube.com watch v=F9dtsd2ZV
Re: FCPX Documentary on Kickstarter!
by Neil Goodman 12 months ago
Its crazy to me that people still feel the need to defend and justify the use of it. Its been 6 years. Just use it or dont and stfu already!
+1
Shane Ross liked this 12 months ago
Blackmagic Ultrastudio 4k Extreme
by Joseph Berg 1 year ago
Hey Guys, Was having some issues posting this in another thread, so I decided to make a new post. I'm looking to invest in the Black magic Ultrastudio 4K Extreme and essentially I'm wondering if it wi
Re: Blackmagic Ultrastudio 4k Extreme
by Shane Ross 12 months ago
I know it's been two weeks, but here goes. The Ultrastudio 4K Extreme has MANY outputs, all hot. Meaning you can output SDI to two different monitors...and HDMI out yet another. You can have THREE ext
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