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Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
24491 Posts
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Location:
Los Angeles, CA USA
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Sascha Engel

Walter Soyka
Importing P2 Clips In Davinci Resolve 15
by Alvin Lowery 3 days ago
Is there a way in Davinci Resolve to get P2 clips audio and video imported together instead of seperately
Re: Importing P2 Clips In Davinci Resolve 15
by Shane Ross 19 hours ago
Resolve LINKS to the media as it exists. P2 media has video and audio recorded separately, so they come in separately. Never thought to test this. Wonder if it works with DVCPRO HD P2 footage...the ol
4:3 in a 16/9 environment - creative question if you please..
by Mark Foerster 5 days ago
I have a Apollo doc that I'm cutting - alot of the source footage is 16mm from nasa and I'm currently going to just let it black pillarbox on both sides - wondering about any creative ways to make it
Re: 4:3 in a 16/9 environment - creative question if you please..
by Shane Ross 5 days ago
Hi Mark. I onlined a feature length TV doc on the Apollo program for National Geographic called APOLLO: MISSIONS TO THE MOON. We had some SD footage, a lot of HD footage that was pillarboxed, and 8K f
Super thick interlacing lines
by Jeff Bugbee 1 week ago
Anyone ever seen this before I've got this old footage, it appears to conform to the WWSSS interlacing, but the lines are SUPER thick, not like the usual very fine interlacing lines. I'm unable to do
Re: Super thick interlacing lines
by Shane Ross 7 days ago
If it's progressive, that means that it was incorrectly captured. If you captured, then recapture as interlaced. If you licensed it, or obtained it via third party, ask them to re-capture or re-encode
Where can I get background footage?
by Paul Nicholson 1 week ago
I am awestruck that Youtube doesnt have hundreds of free background videos. I need them for my acting scenes that run for 3 - 4 minutes without cutting. I would like backgrounds that people generally
Re: Where can I get background footage?
by Shane Ross 1 week ago
Youtube isn't a stock footage supply company. It's a place people post videos for others to watch. If you want stock footage, and backgrounds, and stuff like that, you need to look at places like: Pon
Resolve To AVID FrameFlexed
by jj johnson 1 week ago
I have been stymied! In MC I have a film that has been shot with all types of cameras - from Cellphone to RED6K and everything in between. The final has been conformed to link to the raw and I have fo
Re: Resolve To AVID FrameFlexed
by Shane Ross 1 week ago
Hmmm...that is odd. Glad you solved it! Now I have that in my solution pocket. Good going Shane Little Frog Post Read my blog, Little Frog in High Def
Lock and unlock with password in Avid Media Composer
by kevin brown 2 weeks ago
Hello, Can you lock tracks or bins in avid media composer that require a password to unlock, without using a third party software etc...
Re: Lock and unlock with password in Avid Media Composer
by Shane Ross 1 week ago
Nope...sorry Shane Little Frog Post Read my blog, Little Frog in High Def
What is the best codec to use when working on high resolution footage?
by Max Smith 2 weeks ago
Hello, We typically use MXF OP-Atom DNxHD 1080i 175 10-bit to make transcodes for our offline editing. However I'm wondering if there is a better codec I could be using specifically for blowing up (zo
Re: What is the best codec to use when working on high resolution footage?
by Shane Ross 2 weeks ago
I believe that 4K and 5K and 8K cameras also only SHOOT progressive. Interlaced tops out at 1080i. Shane Little Frog Post Read my blog, Little Frog in High Def
importing .XML subtitles to Final Cut 7
by Mandy Moran 3 weeks ago
Trying to import an .xml file with the film's subtitles into Final Cut 7 and I keep receiving the following translation error: Here is a screenshot of the first page of the .xml file opened in Text Ed
Re: importing .XML subtitles to Final Cut 7
by Shane Ross 3 weeks ago
Where is this XML from It might be a newer XML format that the 9 year old software just can't read. Shane Little Frog Post Read my blog, Little Frog in High Def
Change footage file name before linking or after transcoding?
by Stephen Bodossian 4 weeks ago
Hello! I'm going to be working with 4k footage and will be linking and relinking, but am concerned that the footage and sequence won't relink if I change the file names at the wrong step. So which is
Re: Change footage file name before linking or after transcoding?
by Shane Ross 4 weeks ago
Don't change the file name BEFORE importing. No no..keep that as is. And when you import, keep the name there too, and only add to the COMMENTS. Or, keep the name, but put a description before it, or
Media Composer 2019
by Oliver Peters 4 weeks ago
2 days away. A little background: http: www.avidblogs.com for-the-makers-how-you-helped-us-create-media-composer-2019 - Oliver Oliver Peters - oliverpeters.com
Re: Media Composer 2019
by Shane Ross 4 weeks ago
Eric Santiago "With Premiere and FCPX pricing and 4 to 1 project ratio, Its been getting harder to convince corp on the yearly fee." But...Premiere Pro IS a subscription. It's the first NLE to do it.
Using the Mac Pro 2013 as an external GPU?
by Andre van Berlo 1 month ago
I'm currently contemplating my next Mac purchase and while looking for setting up a network I came across this: "If your use-case is in need of a lot of processing power, you can take advantage of CPU
Re: Using the Mac Pro 2013 as an external GPU?
by Shane Ross 1 month ago
Andre van Berlo "So now I wonder, could I connect my Mac Pro 2013 to a new machine and will that new machine be able to utilize the D700's and CPU in my nMP " Only if you connect via Ethernet, and ne
Avid Media Composer License - use with different account?
by Anja Seffer 1 month ago
Dear all, I'm a newbie not only to this forum but also to Avid so please excuse any stupid questions that might occur. Also checked the other threads and couldn't find the following issue answered. So
Re: Avid Media Composer License - use with different account?
by Shane Ross 1 month ago
Anja Seffer "I got an Avid Media Composer liscense by my producer that he bought through his Avid account. Can I use this lisence through my own account " No, you'll have to sign in to his account, a
+1
Using AVID for it's Fluid Morph but with colourspace problems
by Ben Allan 1 month ago
So I have encoded footage i've been cutting in Premiere. It's Morph tool is terrible so I tried it in AVID and it worked great. The only problem is the that it appears to change the colour space- When
Re: Using AVID for it's Fluid Morph but with colourspace problems
by Shane Ross 1 month ago
You shouldn't be doing this with Proxy footage. When you export out of Avid, you lose all metadata linking the proxies to the master footage. If you do this, it needs to be to high res files. Shane Li
The Cheese Grater is back
by Craig Seeman 1 month ago
The Cheese Grater is back with 8 PCIe slots. The Kremlinologist can examine the FCPX screenshot. Afterburner. Things that make you go hmmm.
Re: The Cheese Grater is back
by Shane Ross 1 month ago
Yes...CONNECTORS. For the drive, but again, no power. And no, no slots. Only TWO drive slots for M2 SSD drives. Weaksauce. What's wrong with allowing for 4 internal drives Sure, we can keep things com
Apple dropping codec support...repercussions
by Shane Ross 1 month ago
So, Apple in it's infinite and ever-forward thinking wisdom, dropped support for many many legacy codecs. The excuse was that they weren't 64 bit compatible and they are moving to all 64-bit processin
+1
Graham Withers liked this 1 month ago
Re: Apple dropping codec support...repercussions
by Shane Ross 1 month ago
Oliver Peters "I presume these were wrapped as .mov and not .avi (since it was a Windows user). I'd bet .mov." Yes, MOV files in the ANIMATION codec. But when he got info for it, it said QUICKTIME RL
Best Practice for Working with Mixed Frame Rates in PPRO?
by Michael Berrios 1 month ago
Hi all, could someone please confirm best practices for working with mixed frame rates in Premiere Pro Specifically two sets of footage that can be synced by audio, but were recorded at 29.97 and 23.9
Re: Best Practice for Working with Mixed Frame Rates in PPRO?
by Shane Ross 1 month ago
John Pale "Going from 23.976 to 29.97 does not duplicate entire frames." 23.98 (24p) to 29.97 progressive (30p)...progressive to progressive...will duplicate entire frames. John Pale "That s not how
How to make this in Premiere Pro?
by Djafar Golet 1 month ago
How to trim video frames, like on this screenshot, that only half can be seen in the video https: www.youtube.com watch v=dKWeh3_YU30 This is video example. Timestamp 1:19:34- 1:23:20
Re: How to make this in Premiere Pro?
by Shane Ross 1 month ago
That's ZOOMING. Enlarging the clip to beyond the frame size. Looks like they might have blown it up 200% or more. And that wasn't how Aquaman was originally edited. Someone did that as some sort of od
My "60FPS" Footage was recorded as slo-mo'ed 24fps. Any fix for this besides speeding up the clips?
by Kore To 1 month ago
So I shot a video recently with a Blackmagic Ursa mini pro and I asked my dp to shoot everything in 60fps. The DP forgot to switch the off speed recording function to 60FPS so all of my clips are 24fp
Re: My "60FPS" Footage was recorded as slo-mo'ed 24fps. Any fix for this besides speeding up the clips?
by Shane Ross 1 month ago
Nope. The speed change is baked in. It's recorded as slow motion, it's not a metadata tag, it really is slow motion. Shane Little Frog Post Read my blog, Little Frog in High Def
Any opinions on the MacPro first look today?
by Rich Rubasch 1 month ago
Looked like the MacPro is back....priced to start around the iMacPro but upgradable....8 PCI slots Awesome! And lots of room for growth in the RAM and GPU department....plus Apple's own video card....
Re: Any opinions on the MacPro first look today?
by Shane Ross 1 month ago
While the outside looks even MORE cheese gratery than the first one...the internals are impressive. And I'll be getting the second generation version...maybe. If they wait 1 year between versions, I'l
Duplicate Premiere File Structure on Finder Level
by Ryan Drum 1 month ago
Hi everyone! I have a mac-based project with a huge sound library that is organized well within Premiere. Outside of Premiere however, it is messy and scattered across the computer. Would there be a w
Re: Duplicate Premiere File Structure on Finder Level
by Shane Ross 1 month ago
So, outside, on the finder level, it's all messed up. But in PPro, it's all nice and in organized bins. And you want to somehow translate that cool PPRo organization TO the finder level, have that SFX
"Spinning Wheel" of moving images..?
by Travis Wheaton 2 months ago
G'day, Long time reader, first time poster. FCP7 user here, having learned FCP5 at Griffth Film School here in Australia back in '06 '07. I want to try to achieve an effect that I describe as a "spinn
Re: "Spinning Wheel" of moving images..?
by Shane Ross 2 months ago
I had just about every plugin package made for FCP 7, and I don't recall seeing that. Anyway, if it DID exist, not sure you'd be able to find it. Not many people will keep selling plugins for an edit
Resolve 15 edit question - video only or audio only edits
by Oliver Peters 2 months ago
Resolve 15 - Edit page. Is there a simple keyboard command to overwrite or insert only audio or only video from a source clip with audio and video on it, without requiring a modified drag & drop Or ca
Re: Resolve 15 edit question - video only or audio only edits
by Shane Ross 2 months ago
Yup...that's my complaint. Not being able to see how many INCOMING tracks there are, until you cut a shot in. A big weakness in DR Shane Little Frog Post Read my blog, Little Frog in High Def
Combining sequences at 25 fps with 29.97 fps? ATTN: Shane Ross?
by James Ault 2 months ago
I built two sequences in FCP7 with similar footage--most in 1920x1080 XDCAM HD422 1080p30 (50mbs) but also a little SD shot with my SONY DVCAM in 4:3 and a little from someone else's DSLR. But I inadv
Re: Combining sequences at 25 fps with 29.97 fps? ATTN: Shane Ross?
by Shane Ross 2 months ago
James Ault "I let the sequences reside in 720 because I'm using some old SD footage in 4:3 I shot a while back with my DVCAM camera (didn't know how best to handle it in 1080). But most of the footag
white background issue....FCP 7
by Brad McAllister 2 months ago
For some reason, my white background is not showing 100% intensity once it is placed on the timeline. Although I have checked the scopes to see the intensity it is outputting 100%, but why does it do
Re: white background issue....FCP 7
by Shane Ross 2 months ago
OH! SOrry...this is a DIFFERENT ISSUE COMPLETELY! Sorry. Is it's opacity lower than 100% Look at the controls tab...what do you see there is the opacity something like 80% Shane Little Frog Post Read
Thanks Apple!
by Bill Davis 2 months ago
Just reading some of the posts on other forums about the iP -licensing issues regarding embedded tech in Premiere when my email pinged with a link to fat digital check for a recent gig. A gig was exec
Re: Thanks Apple!
by Herb Sevush 2 months ago
Michael Cioni defines Stockholm Syndrome as: "A survival strategy that forms a bond during intimate time spent together." A more accurate definition is: A survival strategy ( by prisoners of kidnappin
+2
Shane Ross liked this 2 months ago
old QT movie won't open, says "converting": Apple compressor for FCP7?
by raju bhai 2 months ago
Hi, I have an old quicktime movie file, from over a decade ago. It won't open. Everytime i click on it it says "converting" with a progress bar. But it never finishes converting, just gets stuck. I ha
Re: old QT movie won't open, says "converting": Apple compressor for FCP7?
by Shane Ross 2 months ago
What is the codec of that file And ever since Mac OS...hmm...10.9 or 10.8, if a QT file wasn't ProRes or H.264 or some other MP4 type, The OS and QT couldn't open it natively, it had to convert it to
Adjusting Audio in Premiere Pro...
by Tom Laughlin 2 months ago
So, I often have to manually ride the audio and mix as fast as I can. My question about audio is, what do you all do to level audio more quickly Do you use "Normalize" or do you adjust the track to a
Re: Adjusting Audio in Premiere Pro...
by Shane Ross 2 months ago
I always manually adjust...i have far better control. I use Avid, and that has an AUTO DUCKING tool, but it's TOO precise, I like doing it my way. As for "broadcast standard," It's all up to each netw
Export non CMX EDL?
by Brian Sternkopf 2 months ago
Does anyone know if there is a way to export an non CMX EDL out of Premiere Pro CC, or if there is a way to get more that 4 tracks at a time from a CMX EDL Thanks; Brian
+1
Brian Sternkopf liked this 2 months ago
Re: Export non CMX EDL?
by Shane Ross 2 months ago
OK, well...you can make sure your music is on only four tracks when you make the EDL. I make a practice of limiting my music to 2 tracks...THREE at most. BUT...if you need a MUSIC CUE sheet... I have
Anyone still running Final Cut Studio 7?
by Loren Latker 2 months ago
I know, I should have exported my .fcp files to xml before I upgraded to Mojave and FCP X, but I did not. I have an old MacBook Air still running OSX Sierra, but FCP won't run, and I no longer have th
Re: Anyone still running Final Cut Studio 7?
by Shane Ross 2 months ago
I have a machine with this on it still. I'll do it for $5 a sequence. Contact me at comeback at mac dot com NOTE: Any plugins or FCP specific effects will not transfer. ONly straight cuts and dissolve
Lost in the Mojave Desert
by David Butterfield 3 months ago
A well-meaning person updated the OS on my MBP and thus neutralized my cherished FCP 6 and 7. I was still using these classics and have projects there that I need to update or draw from. Before I try
Re: Lost in the Mojave Desert
by Shane Ross 2 months ago
But yes, ANY solution means getting FCP Legacy installed on a computer with a compatible OS, so you can open it and export what needs to be export. Shane Little Frog Post Read my blog, Little Frog in
Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by brianlaz 3 months ago
I brought an edl from FCPX that includes a broken apart compound clip, which had an animated mask, with different clips above and below (or in "front" and "behind"). The effect is not coming through,
Re: Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by Shane Ross 3 months ago
Yup. For stuff like that you'll need a full res export from FCX of those GFX. OR...do what I do, and ask for a full res textless export of the whole project. I use that to patch areas like this, or wh
Resolve 16
by David Mathis 3 months ago
Just a few more days until the new version comes out! https: www.blackmagicdesign.com
Re: Resolve 16
by Andrew Kimery 3 months ago
Another NAB where everyone talks about Resolve... and then no one currently using PPro, X or Avid actually switches to Resolve as their full time NLE. ;)
+2
Shane Ross liked this 3 months ago
While awaiting the 2019 Mac Pro
by Herb Sevush 3 months ago
Sitting here with my 2010 and 2013 Mac Pro's, easily the oldest computers I've ever edited with, and waiting for news of the mythical 2019 Mac Pro, I came upon this article by our own Oliver Peters. N
Re: While awaiting the 2019 Mac Pro
by Herb Sevush 3 months ago
Brett Sherman "A fairer comparison would be with the newly released iMac (which is roughly the same price, yet includes a 5K monitor)." Which said monitor is useless if you already have your own moni
+2
Shane Ross liked this 3 months ago
Color Grading Workflow
by Kevin Camin 4 months ago
Would you say this is the correct order of operations 1-3 are global changes. Basic workflow: 1. Correct exposure 2. Fix white balance 3. Adjust Saturation 4. Secondary Corrections: targeted adjustmen
Re: Color Grading Workflow
by Shane Ross 4 months ago
What David said. Make it look normal (exposure, white balance), then go for the look. Shane Little Frog Post Read my blog, Little Frog in High Def
Are Schools that Don't Support FCP X Part of the Problem?
by Tangier Clarke 5 months ago
Folks, I've been talking to various friends I went to school with (LMU) about FCP X and although many favor it and just as many if not more still want nothing to do with it (often without ever having
Re: Are Schools that Don't Support FCP X Part of the Problem?
by Michael Hancock 5 months ago
Tangier Clarke "Do you think that higher education institutions not offering FCP X as a part of their academic tool set is a disservice and affects market penetration of FCP X " Might be a disservice
+1
Shane Ross liked this 5 months ago
Ain’t your grandpas TV Production studio any more, I suppose.
by Bill Davis 6 months ago
Yes, it s pretty much a LumaForge marketing video. https: youtu.be w3fKC1ZqnPE But it still signals the promise is that smaller virtual studios can now more easily do stuff like this on more of a DYI
Re: Ain’t your grandpas TV Production studio any more, I suppose.
by Andrew Kimery 6 months ago
Bill Davis "These young producers are creating content nearly exclusively for a relatively newly viable non-broadcast market. The gold standard for them is clearly NOT AC Neilson ratings, but "likes"
+1
Shane Ross liked this 6 months ago
compression for YouTube
by Bob Cole 7 months ago
This may not be a DaVinci Resolve issue, but I used Resolve to output a video for YouTube, using the YouTube-recommended parameters. It plays well on my computer, but a client with a slower connection
Re: compression for YouTube
by Shane Ross 7 months ago
YouTube will take what you upload and encode it several ways...to deal with just this. They encode 1080p, 720p...and 480p...not sure if they go lower than that. But really, no matter what you upload,
Getting a 29.97 timecode on a 29.97 video
by Yan Desjardins 10 months ago
Hello, I'm encountering a problem I've never seen before. I have a 29.97fps video, but the timecode I overlay on it is of 30fps. I can't change the timecode frame rate and, therefore, can't find a way
Re: Getting a 29.97 timecode on a 29.97 video
by Shane Ross 10 months ago
GAH! I thought I was in the Avid forum...that is an Avid response, but I can't see how to edit or delete my post.... sorry Shane Little Frog Post Read my blog, Little Frog in High Def
Basic timeline editing question
by Paul Carlin 10 months ago
I am cutting video clips (with audio) into a music video timeline. When I Overwrite the clips into my timeline, the source audio always follows, going so far as to create a new audio track if my A1 is
Re: Basic timeline editing question
by Shane Ross 10 months ago
Yeah, deselect the audio on the source side in the timeline. Turn it off. Only have Video highlighted. Shane Little Frog Post Read my blog, Little Frog in High Def
That same old question...
by Eric Santiago 11 months ago
It seems to pop up every so often here and other apps. How do you folks deal with projectors and media players I get to see my work maybe once or twice a year in public venues so experience is lacking
Re: That same old question...
by Shane Ross 11 months ago
1) Fiddle with the projector. Go in early, put the film on...and see if you are allowed to adjust things so that the film can be seen better. Mark down all the settings so you can go back to them, but
LACPUG - Randy Ubillos
by Oliver Peters 1 year ago
Learning about the beginnings http: www.fcp.co final-cut-pro articles 2095-randy-ubillos-back-to-the-beginnings-of-final-cut-pro-at-the-18th-anniversary-lacpug YouTube Pt 1 https: www.youtube.com watc
Re: Lightworks
by Bob Zelin 1 year ago
I know that this will be incredibly disrespectful of lots of famous editors - but famous Lightworks Editors that include Thema Schoonmaker Tariq Anwar Henry Stein Jill Bilcock Scott Hill - they probab
+2
Shane Ross liked this 1 year ago
Marketing head scratcher.... hmmm
by Todd Terry 1 year ago
Well this board has been painfully slow, and I was just doing a repair in the studio which brought to mind a question I've been wondering about for years and years... so I thought I'd bring this up...
Re: Marketing head scratcher.... hmmm
by Shane Ross 1 year ago
OMG! That's hilarious. A LOT of people must have bought the wrong versions... Shane Little Frog Post Read my blog, Little Frog in High Def
Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Noam Osband 1 year ago
I exported a timeline from FCP X. Some of the clips are multicam. Some multicam files worked fine. Others did not. I can hear them but dont see anything in the timeline in Resolve. Adding to the weird
Re: Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Shane Ross 1 year ago
Multicam transfering from any NLE to Resolve is iffy...spotty. I suggest COMMITING the angles...collapse them. Make them no longer multicam so when you send to Resolve, it doesn't have to deal with th
Does Davinci resolve capture prores in windows os?
by Ricardo Marty 1 year ago
I kinda read when dr12.5 came out that the windows version could capture prores but could not output prores. Is this true for version 15 Ricardo Marty
Re: Does Davinci resolve capture prores in windows os?
by Shane Ross 1 year ago
Duke Sweden " I was able to record in ProRes 4:4:4 and work with those files on my old, woefully underpowered PC. I just couldn't export in ProRes. Is that what you meant " The Ninja is a device that
Keyframe a LUT?
by Bruce Gaber 1 year ago
I'd like to fade in the look of a particular LUT. Is it possible to keyframe with LUTs Haven't been able to figure this one out. Thanks Bruce Bruce Gaber OSX High Sierra 10.13.3 iMac 27 " late 2013 3.
Re: Keyframe a LUT?
by Shane Ross 1 year ago
Split your clip....add the LUT to the part you want, but not to the other, and then add a dissolve between them...that'll do what you want. Shane Little Frog Post Read my blog, Little Frog in High Def
Davinci resolve prores render duplicate frames
by Rayjohn Tagayon 1 year ago
Hi Our client just got back to us saying itunes rejected our prores movie because of "consistent duplicate frames." My problem is I render these prores files from a DPX sequence which is also the same
Re: Davinci resolve prores render duplicate frames
by Shane Ross 1 year ago
Can you see these duplicate frames yourself Is the source footage also 23.98 Or do you have 29.97 or other frame rate footage in your sequence Shane Little Frog Post Read my blog, Little Frog in High
The Competition?
by Scott Witthaus 1 year ago
In some sense, yes: https: vimeo.com 266289590 Scott Witthaus Senior Editor Visual Storyteller https: vimeo.com channels 1322525 Managing Partner, Low Country Creative LLC Professor, VCU Brandcenter
Re: The Competition?
by Joseph W. Bourke 1 year ago
Bill - The overarching rule in the corporate world has always been adapt or die. The overarching rule in the creative world will always be "Do the best work you can with the tools you are comfortable
+1
Shane Ross liked this 1 year ago
Client video review collaborative websites
by Dennis Dean 1 year ago
This is part of business for me so hopefully this is the correct forum. I'm looking for suggestions for websites that allow me to upload raw footage for my clients to view. Preferably with some kind o
Re: Client video review collaborative websites
by Shane Ross 1 year ago
Frame.io (extremely popular, and affordable) DigitalPigeon.com (I use this, affordable, easy, customizable to fit your BRAND) Shane Little Frog Post Read my blog, Little Frog in High Def
The new Reality Distortion Field.
by Bill Davis 1 year ago
It s been a curious month. For the first three weeks, an incredible amount of what I read regarding Apple was about how the iPhone X was a poor selling failure. That message rang out across a huge arr
Re: The new Reality Distortion Field.
by Oliver Peters 1 year ago
greg janza "In addition, the clean design element of Apple products which tends to be a big selling point seems to be consistently destroyed by the endless adapters and add-on units required just to
+2
Shane Ross liked this 1 year ago
Smarter and Faster
by Oliver Peters 1 year ago
Steve Martin's Working Smarter and Faster presentation from NAB https: www.youtube.com watch time_continue=1&v=MdqTwAPg6Qg - Oliver Oliver Peters - oliverpeters.com
Re: Smarter and Faster
by Neil Goodman 1 year ago
I just really want to edit slower to be honest - all this fast fast fast stuff - I'm over here like my client gave 5 days to cut this trailer, I'm going to take all 5 days. Your not getting a cut from
+3
Shane Ross liked this 1 year ago
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