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Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
23624 Posts
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Location:
Los Angeles, CA USA
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Sascha Engel

Walter Soyka
Can you Capture Video Through External Drive?
by Samuel Hays 2 days ago
This might be an amateur question, but I'm using Final Cut Pro 7, and I'm trying to capture video from my camcorder directly onto my Lacie drive, and I'm having trouble getting it to work. I have the
Re: Can you Capture Video Through External Drive?
by Shane Ross 12 hours ago
Ah...smart! Camera to computer via FW, and then drive via USB 3. Good solution! DV is interlaced, so there's that. But if it looks different than other footage from the same camera captured much earli
Gopro 4 Black Import/Export Settings for best quality
by Messias Goulart 2 days ago
I have a Gopro 4 Black and i have recorded on 1080p 60 fps all my videos. First of all, when i put the project format on 1080i 59,97 fps i saw that i loose a lot of quality on exporting. 1 So, what th
Re: Gopro 4 Black Import/Export Settings for best quality
by Shane Ross 19 hours ago
You need to transcode that footage to work with it in Avid. 1:1 is good, REALLY good, but it'll take a VERY fast RAID ARRAY to play back. Very high data rate. But DNxHD is a compressed format that is
Colours changing when I upload to Vimeo/YouTube
by Rikki Blow 6 days ago
Do any of you clever folk have any ideas why my FCPX exports (decent quality .movs OR .mp4) are changing colour quite dramatically when processed on both YouTube and Vimeo, and, more to the point, is
Re: Colours changing when I upload to Vimeo/YouTube
by Shane Ross 20 hours ago
The best you can do is export a ProRes master and deliver that. How it's encoded by YouTube or Vimeo...and how Firefox or Safari or Chrome display that...is out of your control. Nothing you can do abo
Premiere CC 2017 - Playhead timeline delay when playing clips
by Sean Winn 22 hours ago
Hi, just downloaded PPro CC 2017 a few days ago (upgrade from CS6). Operating on 27" imac: - Running version 10.11.4 - 2.9GHz Intel Core i5 - 8gb ram - NVIDIA GeForce GTX 660M 512mb. - Source footage
Re: Premiere CC 2017 - Playhead timeline delay when playing clips
by Shane Ross 21 hours ago
Source footage codec Shane Little Frog Post Read my blog, Little Frog in High Def
Need Recommendation for a Media driver and setup
by Kenneth Maultsby 5 days ago
Hello, everyone, I need some advice on media drive for my new PC I just built. I am just hobbies jumping back and forth from premiere to MC. Not too much MC just started backup getting tired of paying
Re: Need Recommendation for a Media driver and setup
by Shane Ross 2 days ago
Kenneth Maultsby "My question is raid 0 or raid 5." RAID 5 is best...protection is always a good thing. ONe reason you use that DROBO I'm sure. Shane Little Frog Post Read my blog, Little Frog in Hig
Applying the mask to source rushes
by Romana Cicova 3 days ago
Hi all, Is there a way to view actual rushes with a mask They were shot 16:9 but should have 1.85 mask but it should not be encoded in the rushes. Thank you!
Re: Applying the mask to source rushes
by Shane Ross 3 days ago
String them out in a sequence, and put the mask on the layer above Shane Little Frog Post Read my blog, Little Frog in High Def
How to keep project nice and clean. (probably easy)
by Anders Haavie 1 week ago
I edit realityshows, and I am now working on a series with 30 episodes, collaborating with other editors. My workflow is to edit an episode, open a previously edited episode in the mediabrowser and co
Re: How to keep project nice and clean. (probably easy)
by Shane Ross 3 days ago
The next update of Premiere will address this. BOY was I happy to see that. Next version you can open multiple projects at the same time..and even LOCK them like Avid bins in a shared environment. And
Oh God I am confused about Timecode
by Scott Davis 5 days ago
I have media that in the "Video" column is saying it is "DVCPro HD (720p 60)" while the "Format" is "720p 23.976". The problem is that when I put a TC burn in effect, it is not displaying the sequence
Re: Oh God I am confused about Timecode
by Shane Ross 5 days ago
The Panasonic P2 cameras could record 720p 23.98...23.98 actual frames per second. But the media would be ID'd as "DVCPRO HD 720p60." Because that's the format...the standard for 720p is 720p60...but
Generate an MXF file with AES3 audio format
by Manuela Porter 7 days ago
Hi!! I can't find the way to export an MXF file with audio in AES3. I need for a delivery for a TV channel.. I'm working with FC7 but I open to work with other platforms... I'm desperate.. I copy you
Re: Generate an MXF file with AES3 audio format
by Shane Ross 5 days ago
Googling this and I find things on exporting as AS-11 files...and that it's one of the new standards for some British TV networks. Sorry, I have no experience with this. You might try posting this in
+1
AVCHD workflow suggestions?
by Arturo Glass 7 days ago
I'm a recent convert to Premiere Pro. In the past I would ingest and encode all of my footage after each shoot. But now it looks like Premiere's ability to use AVCHD without pre-rendering footage can
Re: AVCHD workflow suggestions?
by Shane Ross 7 days ago
Arturo Glass " But now it looks like Premiere's ability to use AVCHD without pre-rendering footage can be a huge time saver." In order to do this, you need a lot of RAM (32GB) and a very good graphic
10 Bits Monitor on Premiere
by André Rodrigues 1 week ago
So, after research a LOT around internet and gather lots of not conclusive answers, I need someone which can give me a real answer for this. Premiere CAN or CAN'T output images in 10bits (not export,
Re: 10 Bits Monitor on Premiere
by Shane Ross 1 week ago
Andr Rodrigues "GTX 10xx " Andr Rodrigues "NVidia Quadro" Andr Rodrigues "Blackmagic Deck Link " One of those things is not like the other. You listed two GRAPHICS cards, and one VIDEO IO card. Two o
Log and Transfer ERROR Message in FCP7
by Richard Leko 1 week ago
Hi everyone, I'm editing a 4K music video that was shot on the Canon 1D @ 50fps for slow motion, in Final Cut Pro 7 (FCP7). I've used MPEG Streamclip to convert to ProRes 4444 4K as well as a 1080 Pro
Re: Log and Transfer ERROR Message in FCP7
by Shane Ross 1 week ago
How do you plan on onlining the project In FCP or other Knowing this is key...you need to make sure converted files you make can relink to the masters when done. And no, the version of Resolve that is
Benefits of shooting in DNxHD or DNxHR codec for post?
by Ryan Dundas 1 week ago
I am wondering what workflow people are using when bringing footage into Avid that was shot in DNxHD, and what are the benefits of shooting in that codec for post in Avid For the past few years we hav
Re: Benefits of shooting in DNxHD or DNxHR codec for post?
by Shane Ross 1 week ago
Ryan Dundas "Ok so it looks like there is no way to navigate to each file individually when relinking, like in Premiere or Final Cut " Sure there is. Who said there wasn't OH... you mean like LINK an
Merging multiple video and audio clips for short film
by James Tucker 1 week ago
Hello I am about to begin an edit of a short film but the crew recorded the audio separately. The video clips have an embedded guide track of course. There are many clips, shots, angles and takes. And
Re: Merging multiple video and audio clips for short film
by Shane Ross 1 week ago
PluralEyes can do this. But what you are faced with is QUITE normal. This is how post on pretty much every TV show you watch is done. From scripted to unscripted. And there are assistant editors who's
+1
Looking for specific advice on starting a sports highlight video business
by Kamal Abdallah 2 weeks ago
Hey guys, I'm someone with zero experience in filming, I have no idea what to look for in a camera, I have no idea what equipment I need to capture the footage I have in mind to the desired quality. I
Re: Looking for specific advice on starting a sports highlight video business
by Shane Ross 2 weeks ago
I highly suggest that if you have not done this before...that you find a job somewhere that does, to learn how it's done. A sports production company...become a production assistant, anything...to see
Importing a file into Compressor from FCP7
by Tom Fino 2 weeks ago
Trying to use the "Publish to YouTube" template in Compressor to compress a FCP7 file. However, when I start in Compressor and use Job Source File to import the file, the FCP files in my hard drive ar
Re: Importing a file into Compressor from FCP7
by Shane Ross 2 weeks ago
Which version of Compressor The only one you can SEND TO from FCP 7 is 3.5. Any later version and there is no such link. And what do you mean by FCP files Best option is to export from FCP 7 as EXPORT
Avid Media Composer to RX5 Workflow
by Marcel Kapono 3 weeks ago
I have a project I'm working on in Avid. Everything (except for Avid itself) is on an external HDD, and all my media is transcoded from AMA. I want to send my avid project over to RX5 somehow. The iss
Re: Avid Media Composer to RX5 Workflow
by Shane Ross 3 weeks ago
Guessing that the RX5 is the iZotope RX5...an audio mixing app The typical workflow for getting audio to an audio app like that (ProTools, etc) is to send an AAF with either embedded audio, or linked
Exporting Apple ProRes 422 from Premiere in Windows.
by Juan Manuel Palomino Domínguez 1 year ago
Hi. I need to export a video with these settings: Apple ProRes 422 (HQ) ITU-R BT.709 color space VBR expected 220 Mbps 1920 x 1080 square pixel Original Aspect Ratio udio 5.1 Channels: L, R, C, LFE, L
Re: Exporting Apple ProRes 422 from Premiere in Windows.
by Shane Ross 3 weeks ago
If this is for delivery to a TV network, none of those encoders will work. They produce a "hacked" version of the codec that networks reject. Sorry, Apple doesn't officially license the ProRes encoder
FCP7 or MPEG Streamclip progressive issue?
by Mickey Power 1 year ago
I love Streamclip the app and use it often but have an odd issue converting HD AVC clips from my DJI Osmo camera (all progressive) to prores clips. When I put the converted clips from Streamclip in th
Re: FCP7 or MPEG Streamclip progressive issue?
by Shane Ross 3 weeks ago
MPEG STREAMCLIP isn't without it's issues. And making QTs that aren't interlaced has been on thing it didn't always do well. So don't use it...Compressor does a fine job, as do other options. Shane Li
In Premiere, video footage at 50 fps look like being fast-forwarded
by Luciana Foglio 3 weeks ago
Hello everyone! I am trying to get my head around a problem I am having. I did quite a lot of research before posting here. I will very much appreciate your help! I shot a concert with the following c
Re: In Premiere, video footage at 50 fps look like being fast-forwarded
by Shane Ross 3 weeks ago
Luciana Foglio "1 GH4 - at 4k 50fps" It doesn't shoot 4K at 50fps... tops out at 30fps in 4K. It'll do 23.98, 24, 25, 29.97 at 4K. It'll do 50fps and 60fps at 1080p. Luciana Foglio "When I import the
Conform 60fps to 25fps to have slowmotion
by Gabriele Marchi 3 weeks ago
Hi guys, I've been conforming videos shot in 60fps to 25 fps for ages with cinema tools. Unfortunately I've been stolen my mac book and now I have to use a borrowed pc to do a work. So obviously I can
Re: Conform 60fps to 25fps to have slowmotion
by Shane Ross 3 weeks ago
You can do this inside premiere. Select the clip in the Browser, and right-click on it. Choose MODIFY INTERPRET FOOTAGE. And then type in "23.98" into the ASSUME THIS FRAME RATE box. Done Shane Little
+1
How to achieve this type of wipe transition between footage?
by Anna Eleazar 3 weeks ago
Hello, here is a clip for reference of a "wipe"-like transition I'd like to learn how to do on premiere pro https: www.youtube.com watch v=XGIJjMxwxR4 Hope you guys can help. I'm really looking for ot
Re: How to achieve this type of wipe transition between footage?
by Shane Ross 3 weeks ago
Actually, I do this all the time in Avid....using the Animatte. The guy is already blurry...the camera dollys right to left, making his body cross the screen. Layer this shot on top, the incoming shot
Smart Rendering confusion
by Alex Vak 3 weeks ago
Hello everyone, here's what I'm trying to do: convert ("rewrap" if you like) DVCPRO HD Panasonic P2 file structures videos, into single files that contain only video audio (preferably .mxf, 2nd choice
Re: Smart Rendering confusion
by Shane Ross 3 weeks ago
I don't know the solution to your question, but I do know your method will compromise any link to the camera masters. NO way to match back to the camera masters as no original data will transfer using
Flattened XML export?
by Mathew Farrell 3 weeks ago
Hey Groovers, Working as a colourist, perhaps the hardest part of my job is conforming big timelines from the likes of FCPX to bring into Resolve. One of the standard colour workflows is to ask the ed
Re: Flattened XML export?
by Shane Ross 3 weeks ago
Ah...yeah, you have it down. I never round trip back to FCX...the final is rendered out of Resolve for the stuff I do. Guess I should toy with sending it back. I wonder how the text would hold up I ha
Is drop frame needed / relevant anymore?
by Patrick Donegan 12 months ago
If one is not producing anything fro broadcast, is it time to drop the drop frame Or is it the "just in case" Or - does DVD_Video and BluRay use or need drop frame I am just wondering .... about other
Re: Is drop frame needed / relevant anymore?
by Shane Ross 3 weeks ago
If you shoot and cut 23.98, then it's NDF (Non-Drop Frame) anyway, there is no such thing as 23.98 DF. That only exists in the 30fps world (well...59.94i or 29.97p). But then those of us in broadcast
How much gear do you need to edit a movie in real time?
by Jeremy Garchow 1 month ago
Turns out, not a ton: http: appleinsider.com articles 17 07 13 baby-driver-cut-in-real-time-with-avid-on-apples-15-inch-macbook-pro
Re: How much gear do you need to edit a movie in real time?
by Herb Sevush 1 month ago
But wait, you mean he cut this on Avid How was that possible We all know that Avid is slow and pre-historic, I thought it was positively illegal to use Avid on a laptop, like the "coolness" values of
+4
Shane Ross liked this 1 month ago
What would really make you excited ...
by Simon Ubsdell 1 month ago
... about the next version of FCP X Whether you're a diehard FCP X aficionado or someone who's still sitting on the fence, what would be the feature, or set of features, that would really set your wor
Re: What would really make you excited ...
by Shane Ross 1 month ago
Bill Davis "95% are "I had this feature in something else - now please give it to me again, just inside X." It's tiresome. " Or it's funtionality that we need...which is why the other NLE's are bette
+1
Informal NLE poll
by Oliver Peters 1 month ago
Since the question of numbers and market penetration seems to come up frequently in some of these threads, I'm curious what the people in this forum run across in their own personal encounters. Obviou
Re: Informal NLE poll
by Shane Ross 1 month ago
Not all roads lead to FCX, Bill. FCX isn't the ULTIMATE NLE that is the future...and the mentality that unless people embrace risk and jump on FCX they will stagnate...that FCX is the only NLE that's
Contrast difference in output
by Syam Kumar 1 month ago
hey i am syam Im using davinci resolve studio 12.5 in mac pro 6 core machine and using eizo as secondary monitor. The problem is when i take output of a graded file as apple 4444 or h264 , dpx (whatev
Re: Contrast difference in output
by Shane Ross 1 month ago
How are you getting your image to your Eizo HDMI out from the computer direct Or are you using BMD I O hardware, like an Ultrastudio card The only way to get an accurate image to that monitor from Res
+1
FCP minus the X
by James Culbertson 1 month ago
I'm thinking it is time to start calling FCPX... FCP. We could call FCP legacy... FCPL. Thoughts
Re: FCP minus the X
by Shane Ross 1 month ago
I'll be calling it FCX for the rest of my days... :) Shane Little Frog Post Read my blog, Little Frog in High Def
Avid Finally Drops Free Media Composer Software — Here's What to Expect
by Craig Seeman 2 months ago
Avid Finally Drops Free Media Composer Software Here's What to Expect http: nofilmschool.com 2017 05 avid-finally-drops-its-free-media-composer-software Features Free (email required to download) 4 Vi
Re: Avid Finally Drops Free Media Composer Software — Here's What to Expect
by Shane Ross 2 months ago
Michael Gissing "an editor friend on FB that said you can't export or import AAF or XML" You can't export an XML from the full Avid either... It's not in it's wheelhouse. AAF export is mainly used fo
FCPX Documentary on Kickstarter!
by Noah Kadner 2 months ago
For those want to see the FCPX debate taken to a whole other level please check out Off the Tracks on Kickstarter: http: kck.st 2uiKYZH Kickstarter Pitch Video https: www.youtube.com watch v=F9dtsd2ZV
Re: FCPX Documentary on Kickstarter!
by Neil Goodman 2 months ago
Its crazy to me that people still feel the need to defend and justify the use of it. Its been 6 years. Just use it or dont and stfu already!
+1
Shane Ross liked this 2 months ago
Why no 21:9 iMac Pro?
by Oliver Peters 2 months ago
Friday afternoon musing... Seems like Apple should offer this option for the creative market. AFAIK, LG is making Apple's displays and they offer this. So a 34" ultrawide 4K display on an iMac Pro wou
Re: Why no 21:9 iMac Pro?
by Shane Ross 2 months ago
That's exactly what I did last September, I made one. Biggest issue with that is updates. You have to be very careful about doing them, and sometimes, you might not be able to. Currently I can't updat
Blackmagic Ultrastudio 4k Extreme
by Joseph Berg 2 months ago
Hey Guys, Was having some issues posting this in another thread, so I decided to make a new post. I'm looking to invest in the Black magic Ultrastudio 4K Extreme and essentially I'm wondering if it wi
Re: Blackmagic Ultrastudio 4k Extreme
by Shane Ross 2 months ago
I know it's been two weeks, but here goes. The Ultrastudio 4K Extreme has MANY outputs, all hot. Meaning you can output SDI to two different monitors...and HDMI out yet another. You can have THREE ext
Is it Possible to Edit 4K Raw Files in FCP7?
by Michael Fraticelli 2 months ago
Hello Gang Sorry there's no longer a catagory for FCP7 so I had to post this here. I have an older Mac Pro Desktop and FCP7. Was wondering if its possible to edit '4K Raw Files' in Final Cut Pro 7 Or
Re: Is it Possible to Edit 4K Raw Files in FCP7?
by Shane Ross 2 months ago
Sorry, Michael! I'm horrible with names. Faces I have down PAT, but I can't see your face here. And judging one's level of skill is tough too. Sorry if I was condescending at all... Shane Little Frog
Editable text
by Al Flores 2 months ago
Hi guys! I'm having such a hard time with this, once you have your layers in PSD, once you're in FCP... Can you edit the text in FCP or you need to go back to PSD and edit the text Can't you do it dir
Re: Editable text
by Shane Ross 2 months ago
No...the text is part of the PSD file. If done in PSD, it needs to be changed in PSD. Even FCX can't dig into a PSD file and change the text. Sorry Shane Little Frog Post Read my blog, Little Frog in
+1
Strange glitches playing MXF from Avid in FCPX
by Marco Feil 3 months ago
Hello wise editors I couldn't find anything similar on the web so I hope one of you has a clue what it could be... We've got a weird problem with some footage we receive from one of our clients. They
Re: Strange glitches playing MXF from Avid in FCPX
by Shane Ross 3 months ago
Noah, not from a camera card. He said this was Avid consolidated media Shane Little Frog Post Read my blog, Little Frog in High Def
Importing XML from Davinci Resolve
by Jordan Mena 4 years ago
I did a grade for a half hour show in Resolve. When finished I did a FCP XML roudtrip for delivery. I decided to bring in my XML into FCPX to check before handing off to the client. I understand that
Re: Importing XML from Davinci Resolve
by Shane Ross 4 months ago
Resolve also has regular XML export. It's near the bottom of the options. I use that a lot as I need to go to FCP 7 to convert the XML to work in Sequence CLip Reporter for clip reports. Shane Little
DigiBeta tape to Uncompressed Quicktime
by Rayjohn Tagayon 4 months ago
I'll be doing our first tape to data conversion in about a few weeks and I have little idea how to go about it. We have an ultrastudio 4k connected via thunderbolt to our mac workstation running davin
Re: DigiBeta tape to Uncompressed Quicktime
by Shane Ross 4 months ago
Are those elements separate on the tape Meaning, are there multiple tracks of audio, besides the stereo mix Digibeta can have 4 tracks of audio, so the first two typically are the stereo mix, and then
LinkedIn Question
by Todd Terry 5 months ago
I know some (many ) of you are LinkedIn users. I am a cursory user of only the mildest degree, so I had a newbie question... When a person sends you an invitation, and you decline it, does that person
Re: LinkedIn Question
by Shane Ross 5 months ago
They aren't notified if you decline. Only if you accept. Shane Little Frog Post Read my blog, Little Frog in High Def
P2 Support in Davinci 12.5
by Alvin Lowery 5 months ago
Can we edit P2 in Davinci 12.5
Re: P2 Support in Davinci 12.5
by Shane Ross 5 months ago
Sorry, on a crunch of a job at the moment. But I'll dig out some P2 from my archives and test and see later today. Shane Little Frog Post Read my blog, Little Frog in High Def
wrong transform properties after FCPX XML import in Resolve
by Ron Fya 6 months ago
Hey Guys, After importing an XML from FCPX 10.3 into Resolve 12.5, I have this problem where about 50% of the clips have their PTZR parameters not translating properly. I had to postpone my delivery b
Re: wrong transform properties after FCPX XML import in Resolve
by Shane Ross 6 months ago
Whenever I get any project from a client, I ask that they export a textless, full resolution QT file. I will use that file for the times that the footage doesn't link properly, or when compound clips
+1
Premiere Pro not outputting 1920 x 1080 p (25 fps) to external monitor with BM Intensity Shuttle
by Adam Read 6 months ago
Hi For some bizarre reason, my Intensity Shuttle is not outputting 1920 x 1080p (25fps) to the external monitor when using ANY of the Adobe sequence presets. It is only outputting if I select 1080i 25
Re: Premiere Pro not outputting 1920 x 1080 p (25 fps) to external monitor with BM Intensity Shuttle
by Shane Ross 6 months ago
Your monitor might not be capable of 25p...only of receiving a 25i signal. 25i is fine... and while the SIGNAL getting to the monitor is interlaced, the footage will still be progressive. Shane Little
What in the world!
by Stephen Smith 7 months ago
I have color graded an image in Resolve and really like it. I exported the clip and brought it into Adobe Premiere and it doesn't look the way it did in DaVinci Resolve. Any idea on how to fix this. H
Re: What in the world!
by Shane Ross 6 months ago
Ultrastudio express, or Ultrastudio 4K. Possibly the 4K so that you can be more future-proof. https: www.blackmagicdesign.com products ultrastudiothunderbolt Although even the $145 Mini Monitor has HD
Davinci Resolve cropping in playback monitor through DeckLink Extreme 4k 12G
by Peter Chagnon 7 months ago
Hi Friends, We recently got a new PC at my work and we've set it all up and are currently running it through its jumps. We are using a DeckLink Extreme 4K 12 G for our output to our color monitor, and
Re: Davinci Resolve cropping in playback monitor through DeckLink Extreme 4k 12G
by Shane Ross 7 months ago
Here....I've attached the settings I use. Make sure that in the IMAGE SCALING setting, it's set to 1080, and not UHD... Shane Little Frog Post Read my blog, Little Frog in High Def
Conform hell...
by Hector berrebi 7 months ago
People often ask what's conforming, the process of bringing a timeline from an NLE into a grading tool, which in most cases became a relatively simple task in recent years. Just wanted to share the cu
Re: Conform hell...
by Shane Ross 7 months ago
What I do in that case is tell them to remove all temp color correction, all titles....and export a high res, ProRes HQ or DNxHD 175x Quicktime movie, and EDL. That I then take into Resolve and chop u
+1
Workflow order
by Owen Harvey 7 months ago
Hello all. I wanted to get a better understanding off all of your workflows. For me it is: import media sort through media (what to use) place on timeline trim Stabilize Colour grade Titles Audio (usu
Re: Workflow order
by Shane Ross 7 months ago
Import media Organize media. Watch media...which can happen when I am organizing media...so I know where to but it. If I have an assistant editor, then the first two parts are done by them. Load clip
Convert 3G SDI 4K into display port
by Michael Belanger 7 months ago
I am sure many have asked this question before. I have a Studio 4K card and do have clients who shoot both UHD and DCI 4K . I was hoping to use the SDI output from the card and send to a high quality
Re: Convert 3G SDI 4K into display port
by Shane Ross 7 months ago
That has an HDMI input, and your BMD IO has HDMI output...so you can connect via HDMI. Shane Little Frog Post Read my blog, Little Frog in High Def
Resolve to Premiere Pro Archiving
by jabbar thomas 7 months ago
Hi Folks, I am working with a director who edited his 4K feature film in Resolve. I have been asked to take a look at his cut and make some changes. I don't know Resolve as an editor. Can I please get
Re: Resolve to Premiere Pro Archiving
by Shane Ross 7 months ago
Sorry, but you can't export full projects via XML...only cuts. You can string out all the media on the timeline, and then in the DELIVERY PAGE, compress that to what you need. And you can export a seq
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