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Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
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Location:
Los Angeles, CA USA
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Walter Soyka
Installing Media Composer First on Mac Running Mojave
by Andrew Fenner 4 weeks ago
I have just downloaded Avid Media Composer First 20.06.55072 and I am trying to install it on a MacPro: OS: 10.14.6 (Mojave) Processor 3.2GHZ Quad-Core Intel Xeon Memory: 32GB Graphics: Radeon RX 580
Re: Installing Media Composer First on Mac Running Mojave
by Shane Ross 4 weeks ago
Re-download the installer and try again. I WILL WARN YOU... Any project you make in First cannot be upgraded nor opened in any full version of Media Composer. No bins can be opened either. And your ex
How to split video without extracting a minimal fragment?
by Maxim Egle 1 month ago
How to split video without extracting a minimal fragment
Re: How to split video without extracting a minimal fragment?
by Shane Ross 1 month ago
Sorry, you are going to have to explain your question a bit better. I don't understand what you are trying to say. Shane Little Frog Post Read my blog, Little Frog in High Def
No sound playback from MC on PC
by Mike Münch 1 month ago
Hey guys, I'm using Avid MC 2020.4 on a PC. I have a black magic 4k intensity card for an external Monitor and a USB-C Scarlett 2i2 device for the audio output. All software that I'm using (ProTools,
Re: No sound playback from MC on PC
by Shane Ross 1 month ago
When you have an IO card installed and used for Avid playout to an external monitor...audio goes to that device. Period. There is no way to send audio out a separate device, or thru the computer. If y
dust spot on video clip
by Art Smith 1 month ago
I'm using Final Cut Pro 7 and have a dust spot on video clip. Unfortunately the distraction is strategically placed on the nose of my interviewee. Is there someway I can mask out the distraction in FC
Re: dust spot on video clip
by Shane Ross 1 month ago
There were plugins for stuff like this, like from Digital Heaven. But because this software is 9 years End of Life, not sure you can find them anymore... Shane Little Frog Post Read my blog, Little Fr
Transcoding Footage
by Maria Luisa Gambale 2 months ago
I stumbled into my last project with not much time to plan, and while still learning Adobe Premiere Pro. Since I was filming in different formats, I chose to transcode through Media Encoder all the fo
Re: Transcoding Footage
by Shane Ross 1 month ago
If you are aiming to do an OFFLINE ONLINE workflow with proxies, you need to use the Premiere Pro way of doing it. It will use Media Encoder, but in a way that allows you to relink to the masters with
Importing Animations w/ Alpha Channel into Avid 2020 on Catalina - About to blow my brains out.
by zach kaigler 2 months ago
This is about to drive me insane. I simply want to import title animations with alpha channels that I created in After Effects into Avid 2020, but it seems like everything I try has lead to a dead end
Re: Importing Animations w/ Alpha Channel into Avid 2020 on Catalina - About to blow my brains out.
by Shane Ross 2 months ago
Not missing anything. Avid 2020 won't do it....and it's a HUGE issue. At the company I'm at, we have a couple machines on MC2019 so that we CAN do this. Shane Little Frog Post Read my blog, Little Fro
Bake In FX
by Dan Stewart 2 months ago
Hi, Does anyone know if it's possible to 'bake in' FX in MC I've got a timeline very heavy with FX at 4k raw and I would like to send an embedded AAF to the grade - but with the FX burnt in so I dont
Re: Bake In FX
by Shane Ross 2 months ago
That's how mixing down works. It basically renders what it sees as one file, everything baked in. A separate file with only the sequence timecode, not the individual file timecode. So a mixdown of the
How is everyone doing?
by Jeremy Garchow 2 months ago
I just came off my first production since February. It was grueling. Long, hot (really hot) 90+ degree, 100+ degree heat index, days in the sun, a little rain everyday, mud, sweat, and tears (from sun
Re: How is everyone doing?
by Shane Ross 2 months ago
Thankfully work hasn't stopped for me. We had enough "in the can," and multiple series, to keep a bulk of the editors going. We did have to cut back the workforce at the company for a bit in order to
Black Bars Top and Bottom Appearing in Source and Project Window MC 2018.12.11
by Peter Vandall 2 months ago
Hi all, I just noticed this happening...I'm running MC 2018.12.11 with my Mac, running High Sierra. I started a new project, made the settings 1920x1080 23.976 FPS. The footage I'm cutting is 1920 x 1
Re: Black Bars Top and Bottom Appearing in Source and Project Window MC 2018.12.11
by Shane Ross 2 months ago
Sorry, no still attached. Shane Little Frog Post Read my blog, Little Frog in High Def
Jump from Avid to Resolve 16?
by Jed Cahill 2 months ago
Interested in anyone here who has transferred from Avid to Resolve, I know Avid is a beast but a few issues lately have got me looking. Serious question good bad and ugly, while trying to play with it
Re: Jump from Avid to Resolve 16?
by Shane Ross 2 months ago
You can transfer sequences, not full projects. you'll have to rebuild the projects and bring in the media, transcode it, all that. Yeah, there are many editing features that Avid has (most NLEs have)
Is MXP a video format?
by Abdulaziz Lamlum 2 months ago
A client has asked me to export the final project as the following: MXP OP1A wrap, XDCAMHD 50 PAL 25p, colour space: 422 I've never heard of mxp, do they meant MXF rather
Re: Is MXP a video format?
by Shane Ross 2 months ago
Everything else listed seems to indicate they want an MXF file. I'd ask them to be sure. "I'm sorry, can you clarify this deliverable Do you mean 'MXF' rather than 'MXP ' Thanks!" Shane Little Frog Po
DNxHR HQX not playing back
by Guy Handelman 2 months ago
I'm having trouble playing back footage in a timeline. The footage "stutters" while the audio plays at normal speed. The clips are imported at DNxHR HQX (3840x2160) at 23.98 fps. The project settings
Re: DNxHR HQX not playing back
by Shane Ross 2 months ago
Wondering if USB3 is fast enough for DNXHR at 4K.... Shane Little Frog Post Read my blog, Little Frog in High Def
A Proxy Which Avid can read?
by Malthe Rodin 2 months ago
Hi, I'm trying to make a proxy in Premiere, that Avid can read. Is that possible I would very much like to make a workflow in which Resolve-Roundtrip is excluded. Is there a way bring other format opt
Re: A Proxy Which Avid can read?
by Shane Ross 2 months ago
Using the CREATE PROXIES is an Premiere-only thing. A process for Premiere to read the full res file, but make editable proxies to lighten the load, and then relink back to masters with a click of the
can import some quicktime movies
by Emmet Reddy 2 months ago
after updating my mac os to catalina i opened my project and a load of clips are offline can even reconnect them or play them back vlc will play them back thats it. Quick time says the file isn't comp
Re: can import some quicktime movies
by Shane Ross 2 months ago
The Mac OS Catalina stops supporting many many QT file types. You'll have to convert those to more edit-friendly formats now....with VLC. I know this is moot now, but the general rules for upgrading a
2012 Mac Pro Hackintosh Pipe Dream
by Jerry Levine 2 months ago
Hi all . . . I'm running Media Composer 2018.12.9 on a 2012 Mac Pro, mid 2012 with 2 x 3.46 GHz 6-Core Intel Xeon processors. Just wondering if anyone has successfully hacked their 5,1 Mac Pro to incr
Re: 2012 Mac Pro Hackintosh Pipe Dream
by Shane Ross 2 months ago
OWC has options... https: eshop.macsales.com shop turnkey MacPro _ga=2.162698556.1835049443.1594258823-579832508.1592033844 Shane Little Frog Post Read my blog, Little Frog in High Def
Do you need to set the Fields in Sequence Settings?
by John Stanowski 3 months ago
Hi, I was wondering if it really matters whether or not you set the Fields to Progressive or Upper in the Sequence Settings of a sequence. I basically just realized that I have mixed settings on 3 seq
Re: Do you need to set the Fields in Sequence Settings?
by Shane Ross 3 months ago
If it's set to PROGRESSIVE, then there are no fields. Progressive means a full frame of video, not interlaced. Thus why you have 1080i60, or 1080p60. The "i" is "interlaced, and the "p" is progressive
Final Cut Pro 7 to Adobe Premiere Pro
by Ashleigh Hanley 3 months ago
I was hoping somebody could please help me by creating and XML from an old FCP project file I now work in premiere on a windows machine
Re: Final Cut Pro 7 to Adobe Premiere Pro
by Shane Ross 3 months ago
I got this... Shane Little Frog Post Read my blog, Little Frog in High Def
Exporting audio for QC - Mixing together???
by Devin Clarke 3 months ago
My films audio just failed QC because the audio tracks were mixed together How do you export audio without the tracks being mixed together I have 8 tracks, (L,R,C,LFE, Ls,Rs & stereo L&R) That I need
Re: Exporting audio for QC - Mixing together???
by Shane Ross 3 months ago
David Roth Weiss "then reassemble them as required at the mix" Sorry, what At what mix The OP has 8 separate tracks, each 5.1 track as mono, and Stereo L and R as mono...and wants to export a file wi
4K60p From Gh5 glitchy on Adobe Premier Program Monitor
by Tim Kline 3 months ago
Ive been stugggling with 4K60p footage on the Program monitor when scrubbing through. I generally will "ASSUME FRAME RATE" to 24p. Once I do that it just glitches back and forth to random spots in the
Re: 4K60p From Gh5 glitchy on Adobe Premier Program Monitor
by Shane Ross 3 months ago
What sort of hard drive is this stored on ProRes 4K 60p...that'll require a PRETTY fast drive setup with fast connection to deal with. Might be needing at least a 2 drive RAID connected via thunderbol
Final Cut Pro 7 to Adobe Premiere Pro
by Ashleigh Hanley 4 months ago
I have old final cut pro projects that I edited on my old Mac...I now wanted to reaccess these projects on my PC but I only have Premiere Pro...without being able to export an XML from FCP 7 as I no l
Re: Final Cut Pro 7 to Adobe Premiere Pro
by Shane Ross 4 months ago
If you don't have too many to convert, I can do it for you. comeback at mac dot com Shane Little Frog Post Read my blog, Little Frog in High Def
"Advanced" rolling credits question
by Tejus Shah 4 months ago
Hi all, I'm looking to do something that's seemingly beyond the scope of the roll feature, but I also don't know how to do it properly. I'm credits clip, in which I have the names roll through (simple
Re: "Advanced" rolling credits question
by Shane Ross 4 months ago
Want simple and easy...and affordable Look at Endcrawl.com. I did rolling credits a few times with AE and photoshop and did all sorts of trickery to get things right. Endcrawl was used on the last thi
Convert Final Cut Pro 7 project to open in Premiere without openening FCP 7
by Dave Blaire 4 months ago
I'd like to revisit a project from many years ago done in Final Cut Pro 7. If I could open FCP 7 I'd export an XML for Premiere - but I can't open FCP 7 since it doesn't work on the latest OS. Is ther
Re: Convert Final Cut Pro 7 project to open in Premiere without openening FCP 7
by Shane Ross 4 months ago
Shoot me an email at comeback at mac dot com Shane Little Frog Post Read my blog, Little Frog in High Def
Beta SP footage into FCP and Mac
by Mark Allen 4 months ago
I have some old Beta SP tapes that I want to archive. I haven't used Beta Sp since I used FCP 3 on an old G4 Mac. This G4 Mac still works along with the Cinewave card and Cinewave BOB. The problem is
Re: Beta SP footage into FCP and Mac
by Shane Ross 4 months ago
How "new" is this newer MacPro Cheese grater Trash can Can't be the new new one, that won't run FCP 7 at all. USB 3 will work on both. It's backwards compatible to USB 1, and will connect to the trash
samsung s9+ footage betw 28 and 29fps
by raju bhai 6 months ago
Hi! I am editing a video on FCP7. I shot a bunch of clips on Samsung s9+ in 1920x1080. The frame rate however varies slightly with every clip, ie 29.79, 28.85, 28.83, etc etc I am wondering when i tra
Re: samsung s9+ footage betw 28 and 29fps
by Shane Ross 6 months ago
raju bhai "I am wondering when i transcode all these clips to prores, what should i set the project FRAME RATE at " 29.97 Progressive. So 1920x1080 29.97p raju bhai "On compressor where i am transcod
How's business right now? (Also, what and where?) And how are YOU doing?
by Tim Wilson 6 months ago
The news has been so full of "okay, everybody's working at home" or "everybody SHOULD work at home" that it's easy to forget that not everyone in the world of video production has been granted this op
Re: How's business right now? (Also, what and where?) How you feeling about that?
by Shane Ross 6 months ago
Senior Editor on THE CURSE OF OAK ISLAND. We are here, and we are working. ALL of post is working, some of production is working, although no travel for interviews or shooting is happening. At least w
Changing Final Cut 7 to a new software
by Manuela Porter 7 months ago
Hi everyone, I am working in the Postproduction department of a dubbing company and we are investing in a software update. We intend is to update macOS from Sierra to the latest version and for the 64
Re: Changing Final Cut 7 to a new software
by Shane Ross 6 months ago
Robert Withers "When I exported a project from FCP7 to Premiere using XML the stereo camera mic tracks converted from stereo to "dual mono."" OK...that's a translation issue. That won't happen if you
NAB Cancellation Thread: From Adobe, AJA, and Avid to Zaxcom. And of course NAB themselves!
by Oliver Peters 7 months ago
Admin note: With apologies to Oliver for making his original thread about AJA into an all-companies thread, we don't need a new thread for every company. Please post ALL company and NAB general conver
Re: AJA will not be on-site at NAB2020
by Shane Ross 7 months ago
I just happen to be missing it this year due to other reasons, so I didn t even book anything yet. Glad that I didn t. I m wondering how much of a ghost town it ll be. Normally I m hired by AJA to be
FCP 7 used on PARASITE
by Shane Ross 8 months ago
FCP 7...discontinued nearly a decade ago...was used to cut a feature film in 2019...one up for an oscar. https: blog.frame.io 2020 01 13 parasite-design-and-vfx fbclid=IwAR3FwI6L2KZggZJlthtUFfG6WuA14G
Re: FCP 7 used on PARASITE
by Shane Ross 7 months ago
Brett Sherman "I think this post is rather tongue-in-cheek, but the notion of what software is used for Oscar-nominated films is a rather silly to me." That was the WHOLE POINT of the post...tongue i
PAL DV capture
by Rick Neely 7 months ago
Hey guys, Really going back old school on this one-- have a client with some PAL miniDV tapes. Premiere pro captured a few nicely, but the rest have timecode breaks galore, and research shows the old
Re: PAL DV capture
by Shane Ross 7 months ago
You are sure it is PAL Just for yucks, try an NTSC Easy Setup. MAN, I'm giong to have to dig into my memory here... Shane Little Frog Post Read my blog, Little Frog in High Def
FCP7 to Resolve or Premiere
by Leonard Levy 8 months ago
Which of these 2 NLE's will handle an XML from Final Cut Pro 7 more easily, especially if there a lot of effects & color corrections (using just the FC7 tools). I'm finally upgrading and coming into t
Re: FCP7 to Resolve or Premiere
by Shane Ross 8 months ago
https: blog.frame.io 2020 01 13 parasite-design-and-vfx fbclid=IwAR3FwI6L2KZggZJlthtUFfG6WuA14GqqFktIegskRs-MKJoUzBLTDJJIb40 Shane Little Frog Post Read my blog, Little Frog in High Def
A warning about Catalina and the 2019 Mac Pro
by Herb Sevush 8 months ago
Yes, I did it. I bought a new Mac Pro. It arrived last Friday and I figured that by the end of this week I would be posting a glowing review along with a discussion about various upgrades and configur
Re: A warning about Catalina and the 2019 Mac Pro
by Shane Ross 8 months ago
I thought these were able to be rolled back to Mojave. That's not the case Shane Little Frog Post Read my blog, Little Frog in High Def
Importing P2 Clips In Davinci Resolve 15
by Alvin Lowery 1 year ago
Is there a way in Davinci Resolve to get P2 clips audio and video imported together instead of seperately
Re: Importing P2 Clips In Davinci Resolve 15
by Shane Ross 1 year ago
Resolve LINKS to the media as it exists. P2 media has video and audio recorded separately, so they come in separately. Never thought to test this. Wonder if it works with DVCPRO HD P2 footage...the ol
Any opinions on the MacPro first look today?
by Rich Rubasch 1 year ago
Looked like the MacPro is back....priced to start around the iMacPro but upgradable....8 PCI slots Awesome! And lots of room for growth in the RAM and GPU department....plus Apple's own video card....
Re: Any opinions on the MacPro first look today?
by Shane Ross 1 year ago
While the outside looks even MORE cheese gratery than the first one...the internals are impressive. And I'll be getting the second generation version...maybe. If they wait 1 year between versions, I'l
Resolve 15 edit question - video only or audio only edits
by Oliver Peters 1 year ago
Resolve 15 - Edit page. Is there a simple keyboard command to overwrite or insert only audio or only video from a source clip with audio and video on it, without requiring a modified drag & drop Or ca
Re: Resolve 15 edit question - video only or audio only edits
by Shane Ross 1 year ago
Yup...that's my complaint. Not being able to see how many INCOMING tracks there are, until you cut a shot in. A big weakness in DR Shane Little Frog Post Read my blog, Little Frog in High Def
Thanks Apple!
by Bill Davis 1 year ago
Just reading some of the posts on other forums about the iP -licensing issues regarding embedded tech in Premiere when my email pinged with a link to fat digital check for a recent gig. A gig was exec
Re: Thanks Apple!
by Herb Sevush 1 year ago
Michael Cioni defines Stockholm Syndrome as: "A survival strategy that forms a bond during intimate time spent together." A more accurate definition is: A survival strategy ( by prisoners of kidnappin
+2
Shane Ross liked this 1 year ago
Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by brianlaz 1 year ago
I brought an edl from FCPX that includes a broken apart compound clip, which had an animated mask, with different clips above and below (or in "front" and "behind"). The effect is not coming through,
Re: Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by Shane Ross 1 year ago
Yup. For stuff like that you'll need a full res export from FCX of those GFX. OR...do what I do, and ask for a full res textless export of the whole project. I use that to patch areas like this, or wh
Resolve 16
by David Mathis 1 year ago
Just a few more days until the new version comes out! https: www.blackmagicdesign.com
Re: Resolve 16
by Andrew Kimery 1 year ago
Another NAB where everyone talks about Resolve... and then no one currently using PPro, X or Avid actually switches to Resolve as their full time NLE. ;)
+2
Shane Ross liked this 1 year ago
While awaiting the 2019 Mac Pro
by Herb Sevush 1 year ago
Sitting here with my 2010 and 2013 Mac Pro's, easily the oldest computers I've ever edited with, and waiting for news of the mythical 2019 Mac Pro, I came upon this article by our own Oliver Peters. N
Re: While awaiting the 2019 Mac Pro
by Herb Sevush 1 year ago
Brett Sherman "A fairer comparison would be with the newly released iMac (which is roughly the same price, yet includes a 5K monitor)." Which said monitor is useless if you already have your own moni
+2
Shane Ross liked this 1 year ago
Color Grading Workflow
by Kevin Camin 2 years ago
Would you say this is the correct order of operations 1-3 are global changes. Basic workflow: 1. Correct exposure 2. Fix white balance 3. Adjust Saturation 4. Secondary Corrections: targeted adjustmen
Re: Color Grading Workflow
by Shane Ross 2 years ago
What David said. Make it look normal (exposure, white balance), then go for the look. Shane Little Frog Post Read my blog, Little Frog in High Def
Are Schools that Don't Support FCP X Part of the Problem?
by Tangier Clarke 2 years ago
Folks, I've been talking to various friends I went to school with (LMU) about FCP X and although many favor it and just as many if not more still want nothing to do with it (often without ever having
Re: Are Schools that Don't Support FCP X Part of the Problem?
by Michael Hancock 2 years ago
Tangier Clarke "Do you think that higher education institutions not offering FCP X as a part of their academic tool set is a disservice and affects market penetration of FCP X " Might be a disservice
+1
Shane Ross liked this 2 years ago
Ain’t your grandpas TV Production studio any more, I suppose.
by Bill Davis 2 years ago
Yes, it s pretty much a LumaForge marketing video. https: youtu.be w3fKC1ZqnPE But it still signals the promise is that smaller virtual studios can now more easily do stuff like this on more of a DYI
Re: Ain’t your grandpas TV Production studio any more, I suppose.
by Andrew Kimery 2 years ago
Bill Davis "These young producers are creating content nearly exclusively for a relatively newly viable non-broadcast market. The gold standard for them is clearly NOT AC Neilson ratings, but "likes"
+1
Shane Ross liked this 2 years ago
compression for YouTube
by Bob Cole 2 years ago
This may not be a DaVinci Resolve issue, but I used Resolve to output a video for YouTube, using the YouTube-recommended parameters. It plays well on my computer, but a client with a slower connection
Re: compression for YouTube
by Shane Ross 2 years ago
YouTube will take what you upload and encode it several ways...to deal with just this. They encode 1080p, 720p...and 480p...not sure if they go lower than that. But really, no matter what you upload,
Getting a 29.97 timecode on a 29.97 video
by Yan Desjardins 2 years ago
Hello, I'm encountering a problem I've never seen before. I have a 29.97fps video, but the timecode I overlay on it is of 30fps. I can't change the timecode frame rate and, therefore, can't find a way
Re: Getting a 29.97 timecode on a 29.97 video
by Shane Ross 2 years ago
GAH! I thought I was in the Avid forum...that is an Avid response, but I can't see how to edit or delete my post.... sorry Shane Little Frog Post Read my blog, Little Frog in High Def
Basic timeline editing question
by Paul Carlin 2 years ago
I am cutting video clips (with audio) into a music video timeline. When I Overwrite the clips into my timeline, the source audio always follows, going so far as to create a new audio track if my A1 is
Re: Basic timeline editing question
by Shane Ross 2 years ago
Yeah, deselect the audio on the source side in the timeline. Turn it off. Only have Video highlighted. Shane Little Frog Post Read my blog, Little Frog in High Def
That same old question...
by Eric Santiago 2 years ago
It seems to pop up every so often here and other apps. How do you folks deal with projectors and media players I get to see my work maybe once or twice a year in public venues so experience is lacking
Re: That same old question...
by Shane Ross 2 years ago
1) Fiddle with the projector. Go in early, put the film on...and see if you are allowed to adjust things so that the film can be seen better. Mark down all the settings so you can go back to them, but
LACPUG - Randy Ubillos
by Oliver Peters 2 years ago
Learning about the beginnings http: www.fcp.co final-cut-pro articles 2095-randy-ubillos-back-to-the-beginnings-of-final-cut-pro-at-the-18th-anniversary-lacpug YouTube Pt 1 https: www.youtube.com watc
Re: Lightworks
by Bob Zelin 2 years ago
I know that this will be incredibly disrespectful of lots of famous editors - but famous Lightworks Editors that include Thema Schoonmaker Tariq Anwar Henry Stein Jill Bilcock Scott Hill - they probab
+2
Shane Ross liked this 2 years ago
Marketing head scratcher.... hmmm
by Todd Terry 2 years ago
Well this board has been painfully slow, and I was just doing a repair in the studio which brought to mind a question I've been wondering about for years and years... so I thought I'd bring this up...
Re: Marketing head scratcher.... hmmm
by Shane Ross 2 years ago
OMG! That's hilarious. A LOT of people must have bought the wrong versions... Shane Little Frog Post Read my blog, Little Frog in High Def
Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Noam Osband 2 years ago
I exported a timeline from FCP X. Some of the clips are multicam. Some multicam files worked fine. Others did not. I can hear them but dont see anything in the timeline in Resolve. Adding to the weird
Re: Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Shane Ross 2 years ago
Multicam transfering from any NLE to Resolve is iffy...spotty. I suggest COMMITING the angles...collapse them. Make them no longer multicam so when you send to Resolve, it doesn't have to deal with th
Does Davinci resolve capture prores in windows os?
by Ricardo Marty 2 years ago
I kinda read when dr12.5 came out that the windows version could capture prores but could not output prores. Is this true for version 15 Ricardo Marty
Re: Does Davinci resolve capture prores in windows os?
by Shane Ross 2 years ago
Duke Sweden " I was able to record in ProRes 4:4:4 and work with those files on my old, woefully underpowered PC. I just couldn't export in ProRes. Is that what you meant " The Ninja is a device that
Keyframe a LUT?
by Bruce Gaber 2 years ago
I'd like to fade in the look of a particular LUT. Is it possible to keyframe with LUTs Haven't been able to figure this one out. Thanks Bruce Bruce Gaber OSX High Sierra 10.13.3 iMac 27 " late 2013 3.
Re: Keyframe a LUT?
by Shane Ross 2 years ago
Split your clip....add the LUT to the part you want, but not to the other, and then add a dissolve between them...that'll do what you want. Shane Little Frog Post Read my blog, Little Frog in High Def
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