Shane Ross: Activity About Liked Popular Images
Shane Ross

COW Leader
Broadcast Television Editor:
Nickelodeon
Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
24551 Posts
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Location:
Los Angeles, CA USA
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Walter Soyka
Video in the source and record monitor wont play but the audio does. Also no files are offline.
by Michael Holder 3 days ago
I just got the new version of Avid and the source and record monitor are black but the audio works. when i pull down to make the monitor bigger picture shows up but when i let go of the mouse it goes
Re: Video in the source and record monitor wont play but the audio does. Also no files are offline.
by Shane Ross 16 hours ago
Or..wait, go back to an earlier one...2019.8 or 2019.7 or 2019.6. This issue is popping up A LOT now on other forums. Don't use the latest 2019...go to an earlier one. In the download center are the s
DNxHD 36 not loading in Avid 2019
by Shabazz Graham 6 days ago
Hi Guys, I've recently leapt over to Avid 2019.6, and surprisingly enough cannot link or import some DNxHD 36 rushes. Instead, I get a pop up that says "Unable to link to file or volume. You may need
Re: DNxHD 36 not loading in Avid 2019
by Shane Ross 6 days ago
DNx36....meaning it's ALREADY Avid media. IN this case, you put those files into the AvidMediaFiles folder MXF 1...or 2...or empty numbered folder. Launch Avid...it'll scan that folder. Then drag the
Credits question
by David Dean 2 weeks ago
Hi - my company has hired someone whose job it is to prep Premiere projects for me as the editor. I'm using Tentacle Sync (a miracle!) to create XML timelines, and it's his job to make sure the multic
Re: Credits question
by Shane Ross 1 week ago
Yeah, sadly the assistants don't get to sit in proximity anymore...they are relegated to working at night, or in a separate room. Learning how to edit on the job is a lot harder anymore. Shane Little
I phone footage
by dan crouch 2 weeks ago
Hi guys, Can anyone please recomend some settings for ingesting and cutting i phone or android footage. I am just cutting a sequence for a mate using i phone footage and am unsure of what I should set
Re: I phone footage
by Shane Ross 2 weeks ago
Well, what is the frame rate of the footage Typically it's 30fps, but being iPhone, it's a VARIABLE rate, meaning it can be 26fps, or 32fps...or 30fps. Unpredictable. You can AMA link and see what it'
Cant jump to TC
by Ludmil Kazakov 2 weeks ago
I am trying to enter the TC in the number pad on my keyboard and it doesn't work. I switch users and it does, but I don't have my shortcuts on the new user.. any ideas where I can change the settings
Re: Cant jump to TC
by Shane Ross 2 weeks ago
Alas, no. They are saved as part of the user settings. I know your pain, it takes me nearly an hour to recreate my settings, I have SO many. Shane Little Frog Post Read my blog, Little Frog in High De
What do y'all recommend for a distribution format/file size
by Robert Withers 3 weeks ago
for a half hour film scan I'm trying to find the sweet spot between a 44 GB ProRes .mov file and a 1.45 GB .mp4. Or is the 1.45 .mp4 file the sweet spot Thanks, Robert Robert Withers Independent perso
Re: What do y'all recommend for a distribution format/file size
by Shane Ross 3 weeks ago
Distribution too.... Web Theater screening TV video billboard Phone Shane Little Frog Post Read my blog, Little Frog in High Def
'13 Mac Pros with Avid Media Composer not starting, apparently widely reported
by Craig Seeman 4 weeks ago
Hollywood filmmakers reporting massive failures of Mac Pros running Avid https: 9to5mac.com 2019 09 24 mac-pros-running-avid I guess that's one way to ensure MC users move to Windows.
Re: '13 Mac Pros with Avid Media Composer not starting, apparently widely reported
by Shane Ross 3 weeks ago
Oliver Peters " Does this affect machines without Media Composer installed " Yes. Many people with zero Avid software were affected. People with only Adobe software, or other graphics software. NOW I
Color Space 4:2:0
by Jeff Kelley 4 weeks ago
Hi, I've got a video. The people said it needs to be "color space 4:2:0 Is that something I can go in Premiere Thanks www.willinois.com
Re: Color Space 4:2:0
by Shane Ross 4 weeks ago
Color space is typically tied to a codec. ProRes 422 can only be 4:2:2...thus why it is called ProRes "422." HDV is a format that can go 4:2:0...as are a few formats of H.264...and XDCAM. So...when th
Consolidate HD video that was shot in 4k
by Steve West 4 weeks ago
I need to consolidate an HD video timeline with 4K content. When I do it- the clips stay 4k, I'd like to get the clips down to HD so the final file size isn't so big.
Re: Consolidate HD video that was shot in 4k
by Shane Ross 4 weeks ago
When you consolidate, it keeps the original frame size. If you want the 4K downconverted, you'll have to single that footage out and recompress it. Shane Little Frog Post Read my blog, Little Frog in
Drop Frames in Premiere with good PC. What is happening ?
by frango jones 4 weeks ago
Hi guys good morning ! I'm going to the forum because I don't know what to do anymore. I've been trying to solve the Drop Frame problem for over a year now when using 4K 30 60 videos within the premi
Re: Drop Frames in Premiere with good PC. What is happening ?
by Shane Ross 4 weeks ago
4K...60p....MP4. There's a lot going on here. First...for 4K 60p you need FAST FAST hard drives to play that back. Not a single SSD...but a RAID of drives. You need SPEED to play that back... But then
Will I get dropped frames if I re-encode a HAP 60fps file?
by kit Carson 4 weeks ago
I have a HAP video I have created and I have to add another 1 minute of footage to the end of the file, but I dont have the original source clips. If I drop the HAP 60fps file into something like adob
Re: Will I get dropped frames if I re-encode a HAP 60fps file?
by Shane Ross 4 weeks ago
It won't drop any frames unless you tell it too. If you take a 60fps file, and encode to another 60fps file, all 60fps will be there. Shane Little Frog Post Read my blog, Little Frog in High Def
Colour Grade Deliverables
by Jimmy Gallagher 1 month ago
Hi. I'm working on my first professional short film as an editor and the Colorist is now ready with the completed colour grade. I was just going to get her to grade a pro res 4444 but she insisted on
Re: Colour Grade Deliverables
by Shane Ross 1 month ago
Well, not sure what exactly to do. I'd be inclinded to have them fix it...give them the QT Reference and say that they needed to online and grade the show as it was cut. Any online editor worth their
Added codec support
by Oliver Peters 1 month ago
Avid will now support ProRes RAW in Media Composer. The Blackmagic RAW 1.5 update adds BMD RAW support. ProRes support has been added for Windows. Also Apple will continue support of DNxHD DNxHR in ma
Re: Added codec support
by Shane Ross 1 month ago
OH! Natively CREATE ProRes encoded files on Windows! You can now not only use the RAW format, but ENCODE to ProRes. Well well...finally, one of the reasons keeping me on a Mac was that, and now it's g
Creating Partition for FCP6 on 2012 MacBook Pro
by Vince Waldron 1 month ago
Hi, I'm currently running the core FCP 6.0.5 app without issues on a 2012 MacBook that uses El Capitan 10.11.6. However, I need to access some of the FCP support apps, particularly Motion and Color, w
Re: Creating Partition for FCP6 on 2012 MacBook Pro
by Shane Ross 1 month ago
IN Lion Nah, you'll be good. Did you get Lion installed Shane Little Frog Post Read my blog, Little Frog in High Def
Can't export higher than 4K
by Sa Dilshan 1 month ago
Hi, I can't export anything higher than 4096x2048.
Re: Can't export higher than 4K
by Shane Ross 1 month ago
What are your project settings 4K Or higher Shane Little Frog Post Read my blog, Little Frog in High Def
AVID Filler is garbage and not black
by Stacy Lincoln 1 month ago
When I need filler, it's not black. Often it's green...but now it's just a garbage looking white with sync lines. And when a lift a clip from the timeline, it's also garbage, but different. Why isn't
Re: AVID Filler is garbage and not black
by Shane Ross 1 month ago
Filler was notorious for always never being LEGAL black, I recall that. But that was in SD days. Now I have it as act breaks and between bars and slate and it never gets flagged by QC. What version of
OT - Filmmaker mode on UHD TVs
by Shawn Miller 2 months ago
It's long past time that the TV set manufactures did this IMO https: www.forbes.com sites johnarcher 2019 08 27 new-james-cameron-approved-filmmaker-mode-coming-to-lg-vizio-and-panasonic-tvs #617aadfd
Re: OT - Filmmaker mode on UHD TVs
by Shane Ross 2 months ago
Odd...I can't "QUOTE" anything. Tried the SHIFT-Q...nothing. Click on the QUOTE option...nothing. So... TIM WILSON - "Indeed, we had a 7 year old 60" LG meet its demise recently, so I picked up a 65"
Looks like the FCP X forces converted another AVID editor. Wonder who gets the toaster prize?😉
by Bill Davis 2 months ago
https: nofilmschool.com switched-final-cut-pro-x-after-25-years Creator of XinTwo - http: www.xintwo.com The shortest path to FCP X mastery.
Re: Looks like the FCP X forces converted another AVID editor. Wonder who gets the toaster prize?😉
by Shane Ross 2 months ago
Bill Davis - "Radio is functionally a dead business walking." Uh...hardly. It's still HUGE. Many many millions still listen to it. And not only talking music stations, just ask Rush Limbaugh, Sean Han
Is this too much to ask for?
by Herb Sevush 2 months ago
https: www.dell.com en-us work shop cty pdp spd xps-8930-se-desktop cto8930w10pcfl4h mkwid=cpkDQMKKg&pcrid=348100066503&pkw=&pmt=&pdv=c&slid=&product=&pgrid=67903223182&ptaid=aud-741716055243&VEN1=cpk
Re: Is this too much to ask for?
by Shane Ross 2 months ago
Any. I'm on High Sierra, friend of mine who got me into this is running Mojave. Another editor I work with just built one and is running Mojave. When a new OS comes out, the Hackintosh crowd is typica
Crazy Debate
by David Mathis 2 months ago
Was surfing around on the BMD site and came across this thread: https: forum.blackmagicdesign.com viewtopic.php f=21&t=96573 This reminds me somewhat of the long gone Adobe CC debate that woke up some
Re: Crazy Debate
by Shane Ross 2 months ago
I'm fine with paying $10 for PS. My kids are VERY used to it, and it's one of the requirements for a college class one is taking, so... Shane Little Frog Post Read my blog, Little Frog in High Def
Ain't really a debate--rendering video?
by Richard Herd 2 months ago
I figure (and my wife laughs at me for it) I've spend 7 years just rendering video. What say ye How many years have you spent rendering video ha
Re: Ain't really a debate--rendering video?
by Shane Ross 2 months ago
Render time is a healthy "smoke break." A good reason to get up from your chair and walk about. Maybe hit the loo. Go talk to your post super, chat up another editor. Answer a few questions on a forum
+3
Blackmagic News
by David Mathis 2 months ago
Resolve 16 is out of beta but there is a 16.1 update that is in beta. They came out with a 6K camera with native EF mount. Fusion Studio standalone out of beta as well.
Re: Blackmagic News
by Shane Ross 2 months ago
WELL, we know ONE thing that DR 16.1 has that NO OTHER NLE has. A "boring detector." Any shot over a certain length of time gets flagged as boring (in the CUT page, specifically). Ball's in your court
Importing P2 Clips In Davinci Resolve 15
by Alvin Lowery 3 months ago
Is there a way in Davinci Resolve to get P2 clips audio and video imported together instead of seperately
Re: Importing P2 Clips In Davinci Resolve 15
by Shane Ross 3 months ago
Resolve LINKS to the media as it exists. P2 media has video and audio recorded separately, so they come in separately. Never thought to test this. Wonder if it works with DVCPRO HD P2 footage...the ol
importing .XML subtitles to Final Cut 7
by Mandy Moran 4 months ago
Trying to import an .xml file with the film's subtitles into Final Cut 7 and I keep receiving the following translation error: Here is a screenshot of the first page of the .xml file opened in Text Ed
Re: importing .XML subtitles to Final Cut 7
by Shane Ross 4 months ago
Where is this XML from It might be a newer XML format that the 9 year old software just can't read. Shane Little Frog Post Read my blog, Little Frog in High Def
Any opinions on the MacPro first look today?
by Rich Rubasch 5 months ago
Looked like the MacPro is back....priced to start around the iMacPro but upgradable....8 PCI slots Awesome! And lots of room for growth in the RAM and GPU department....plus Apple's own video card....
Re: Any opinions on the MacPro first look today?
by Shane Ross 4 months ago
While the outside looks even MORE cheese gratery than the first one...the internals are impressive. And I'll be getting the second generation version...maybe. If they wait 1 year between versions, I'l
"Spinning Wheel" of moving images..?
by Travis Wheaton 5 months ago
G'day, Long time reader, first time poster. FCP7 user here, having learned FCP5 at Griffth Film School here in Australia back in '06 '07. I want to try to achieve an effect that I describe as a "spinn
Re: "Spinning Wheel" of moving images..?
by Shane Ross 5 months ago
I had just about every plugin package made for FCP 7, and I don't recall seeing that. Anyway, if it DID exist, not sure you'd be able to find it. Not many people will keep selling plugins for an edit
Resolve 15 edit question - video only or audio only edits
by Oliver Peters 5 months ago
Resolve 15 - Edit page. Is there a simple keyboard command to overwrite or insert only audio or only video from a source clip with audio and video on it, without requiring a modified drag & drop Or ca
Re: Resolve 15 edit question - video only or audio only edits
by Shane Ross 5 months ago
Yup...that's my complaint. Not being able to see how many INCOMING tracks there are, until you cut a shot in. A big weakness in DR Shane Little Frog Post Read my blog, Little Frog in High Def
Combining sequences at 25 fps with 29.97 fps? ATTN: Shane Ross?
by James Ault 5 months ago
I built two sequences in FCP7 with similar footage--most in 1920x1080 XDCAM HD422 1080p30 (50mbs) but also a little SD shot with my SONY DVCAM in 4:3 and a little from someone else's DSLR. But I inadv
Re: Combining sequences at 25 fps with 29.97 fps? ATTN: Shane Ross?
by Shane Ross 5 months ago
James Ault "I let the sequences reside in 720 because I'm using some old SD footage in 4:3 I shot a while back with my DVCAM camera (didn't know how best to handle it in 1080). But most of the footag
white background issue....FCP 7
by Brad McAllister 5 months ago
For some reason, my white background is not showing 100% intensity once it is placed on the timeline. Although I have checked the scopes to see the intensity it is outputting 100%, but why does it do
Re: white background issue....FCP 7
by Shane Ross 5 months ago
OH! SOrry...this is a DIFFERENT ISSUE COMPLETELY! Sorry. Is it's opacity lower than 100% Look at the controls tab...what do you see there is the opacity something like 80% Shane Little Frog Post Read
Thanks Apple!
by Bill Davis 5 months ago
Just reading some of the posts on other forums about the iP -licensing issues regarding embedded tech in Premiere when my email pinged with a link to fat digital check for a recent gig. A gig was exec
Re: Thanks Apple!
by Herb Sevush 5 months ago
Michael Cioni defines Stockholm Syndrome as: "A survival strategy that forms a bond during intimate time spent together." A more accurate definition is: A survival strategy ( by prisoners of kidnappin
+2
Shane Ross liked this 5 months ago
Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by brianlaz 6 months ago
I brought an edl from FCPX that includes a broken apart compound clip, which had an animated mask, with different clips above and below (or in "front" and "behind"). The effect is not coming through,
Re: Where are the other blend modes that FCPX has, like silhouette alpha, behind, etc?
by Shane Ross 6 months ago
Yup. For stuff like that you'll need a full res export from FCX of those GFX. OR...do what I do, and ask for a full res textless export of the whole project. I use that to patch areas like this, or wh
Resolve 16
by David Mathis 6 months ago
Just a few more days until the new version comes out! https: www.blackmagicdesign.com
Re: Resolve 16
by Andrew Kimery 6 months ago
Another NAB where everyone talks about Resolve... and then no one currently using PPro, X or Avid actually switches to Resolve as their full time NLE. ;)
+2
Shane Ross liked this 6 months ago
While awaiting the 2019 Mac Pro
by Herb Sevush 7 months ago
Sitting here with my 2010 and 2013 Mac Pro's, easily the oldest computers I've ever edited with, and waiting for news of the mythical 2019 Mac Pro, I came upon this article by our own Oliver Peters. N
Re: While awaiting the 2019 Mac Pro
by Herb Sevush 7 months ago
Brett Sherman "A fairer comparison would be with the newly released iMac (which is roughly the same price, yet includes a 5K monitor)." Which said monitor is useless if you already have your own moni
+2
Shane Ross liked this 7 months ago
Color Grading Workflow
by Kevin Camin 7 months ago
Would you say this is the correct order of operations 1-3 are global changes. Basic workflow: 1. Correct exposure 2. Fix white balance 3. Adjust Saturation 4. Secondary Corrections: targeted adjustmen
Re: Color Grading Workflow
by Shane Ross 7 months ago
What David said. Make it look normal (exposure, white balance), then go for the look. Shane Little Frog Post Read my blog, Little Frog in High Def
Are Schools that Don't Support FCP X Part of the Problem?
by Tangier Clarke 8 months ago
Folks, I've been talking to various friends I went to school with (LMU) about FCP X and although many favor it and just as many if not more still want nothing to do with it (often without ever having
Re: Are Schools that Don't Support FCP X Part of the Problem?
by Michael Hancock 8 months ago
Tangier Clarke "Do you think that higher education institutions not offering FCP X as a part of their academic tool set is a disservice and affects market penetration of FCP X " Might be a disservice
+1
Shane Ross liked this 8 months ago
Ain’t your grandpas TV Production studio any more, I suppose.
by Bill Davis 9 months ago
Yes, it s pretty much a LumaForge marketing video. https: youtu.be w3fKC1ZqnPE But it still signals the promise is that smaller virtual studios can now more easily do stuff like this on more of a DYI
Re: Ain’t your grandpas TV Production studio any more, I suppose.
by Andrew Kimery 9 months ago
Bill Davis "These young producers are creating content nearly exclusively for a relatively newly viable non-broadcast market. The gold standard for them is clearly NOT AC Neilson ratings, but "likes"
+1
Shane Ross liked this 9 months ago
compression for YouTube
by Bob Cole 10 months ago
This may not be a DaVinci Resolve issue, but I used Resolve to output a video for YouTube, using the YouTube-recommended parameters. It plays well on my computer, but a client with a slower connection
Re: compression for YouTube
by Shane Ross 10 months ago
YouTube will take what you upload and encode it several ways...to deal with just this. They encode 1080p, 720p...and 480p...not sure if they go lower than that. But really, no matter what you upload,
Getting a 29.97 timecode on a 29.97 video
by Yan Desjardins 1 year ago
Hello, I'm encountering a problem I've never seen before. I have a 29.97fps video, but the timecode I overlay on it is of 30fps. I can't change the timecode frame rate and, therefore, can't find a way
Re: Getting a 29.97 timecode on a 29.97 video
by Shane Ross 1 year ago
GAH! I thought I was in the Avid forum...that is an Avid response, but I can't see how to edit or delete my post.... sorry Shane Little Frog Post Read my blog, Little Frog in High Def
Basic timeline editing question
by Paul Carlin 1 year ago
I am cutting video clips (with audio) into a music video timeline. When I Overwrite the clips into my timeline, the source audio always follows, going so far as to create a new audio track if my A1 is
Re: Basic timeline editing question
by Shane Ross 1 year ago
Yeah, deselect the audio on the source side in the timeline. Turn it off. Only have Video highlighted. Shane Little Frog Post Read my blog, Little Frog in High Def
That same old question...
by Eric Santiago 1 year ago
It seems to pop up every so often here and other apps. How do you folks deal with projectors and media players I get to see my work maybe once or twice a year in public venues so experience is lacking
Re: That same old question...
by Shane Ross 1 year ago
1) Fiddle with the projector. Go in early, put the film on...and see if you are allowed to adjust things so that the film can be seen better. Mark down all the settings so you can go back to them, but
LACPUG - Randy Ubillos
by Oliver Peters 1 year ago
Learning about the beginnings http: www.fcp.co final-cut-pro articles 2095-randy-ubillos-back-to-the-beginnings-of-final-cut-pro-at-the-18th-anniversary-lacpug YouTube Pt 1 https: www.youtube.com watc
Re: Lightworks
by Bob Zelin 1 year ago
I know that this will be incredibly disrespectful of lots of famous editors - but famous Lightworks Editors that include Thema Schoonmaker Tariq Anwar Henry Stein Jill Bilcock Scott Hill - they probab
+2
Shane Ross liked this 1 year ago
Marketing head scratcher.... hmmm
by Todd Terry 1 year ago
Well this board has been painfully slow, and I was just doing a repair in the studio which brought to mind a question I've been wondering about for years and years... so I thought I'd bring this up...
Re: Marketing head scratcher.... hmmm
by Shane Ross 1 year ago
OMG! That's hilarious. A LOT of people must have bought the wrong versions... Shane Little Frog Post Read my blog, Little Frog in High Def
Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Noam Osband 1 year ago
I exported a timeline from FCP X. Some of the clips are multicam. Some multicam files worked fine. Others did not. I can hear them but dont see anything in the timeline in Resolve. Adding to the weird
Re: Why can't I see - but can hear - some of my multicam clips in Resolve after important an XML from FCPX?
by Shane Ross 1 year ago
Multicam transfering from any NLE to Resolve is iffy...spotty. I suggest COMMITING the angles...collapse them. Make them no longer multicam so when you send to Resolve, it doesn't have to deal with th
Does Davinci resolve capture prores in windows os?
by Ricardo Marty 1 year ago
I kinda read when dr12.5 came out that the windows version could capture prores but could not output prores. Is this true for version 15 Ricardo Marty
Re: Does Davinci resolve capture prores in windows os?
by Shane Ross 1 year ago
Duke Sweden " I was able to record in ProRes 4:4:4 and work with those files on my old, woefully underpowered PC. I just couldn't export in ProRes. Is that what you meant " The Ninja is a device that
Keyframe a LUT?
by Bruce Gaber 1 year ago
I'd like to fade in the look of a particular LUT. Is it possible to keyframe with LUTs Haven't been able to figure this one out. Thanks Bruce Bruce Gaber OSX High Sierra 10.13.3 iMac 27 " late 2013 3.
Re: Keyframe a LUT?
by Shane Ross 1 year ago
Split your clip....add the LUT to the part you want, but not to the other, and then add a dissolve between them...that'll do what you want. Shane Little Frog Post Read my blog, Little Frog in High Def
Davinci resolve prores render duplicate frames
by Rayjohn Tagayon 1 year ago
Hi Our client just got back to us saying itunes rejected our prores movie because of "consistent duplicate frames." My problem is I render these prores files from a DPX sequence which is also the same
Re: Davinci resolve prores render duplicate frames
by Shane Ross 1 year ago
Can you see these duplicate frames yourself Is the source footage also 23.98 Or do you have 29.97 or other frame rate footage in your sequence Shane Little Frog Post Read my blog, Little Frog in High
The Competition?
by Scott Witthaus 1 year ago
In some sense, yes: https: vimeo.com 266289590 Scott Witthaus Senior Editor Visual Storyteller https: vimeo.com channels 1322525 Managing Partner, Low Country Creative LLC Professor, VCU Brandcenter
Re: The Competition?
by Joseph W. Bourke 1 year ago
Bill - The overarching rule in the corporate world has always been adapt or die. The overarching rule in the creative world will always be "Do the best work you can with the tools you are comfortable
+1
Shane Ross liked this 1 year ago
Client video review collaborative websites
by Dennis Dean 1 year ago
This is part of business for me so hopefully this is the correct forum. I'm looking for suggestions for websites that allow me to upload raw footage for my clients to view. Preferably with some kind o
Re: Client video review collaborative websites
by Shane Ross 1 year ago
Frame.io (extremely popular, and affordable) DigitalPigeon.com (I use this, affordable, easy, customizable to fit your BRAND) Shane Little Frog Post Read my blog, Little Frog in High Def
The new Reality Distortion Field.
by Bill Davis 1 year ago
It s been a curious month. For the first three weeks, an incredible amount of what I read regarding Apple was about how the iPhone X was a poor selling failure. That message rang out across a huge arr
Re: The new Reality Distortion Field.
by Oliver Peters 1 year ago
greg janza "In addition, the clean design element of Apple products which tends to be a big selling point seems to be consistently destroyed by the endless adapters and add-on units required just to
+2
Shane Ross liked this 1 year ago
Smarter and Faster
by Oliver Peters 1 year ago
Steve Martin's Working Smarter and Faster presentation from NAB https: www.youtube.com watch time_continue=1&v=MdqTwAPg6Qg - Oliver Oliver Peters - oliverpeters.com
Re: Smarter and Faster
by Neil Goodman 1 year ago
I just really want to edit slower to be honest - all this fast fast fast stuff - I'm over here like my client gave 5 days to cut this trailer, I'm going to take all 5 days. Your not getting a cut from
+3
Shane Ross liked this 1 year ago
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