Seth Thy: Activity About Liked Images
Seth Thy

Member Since:
November 2nd 2009
56 Posts
Alexa ProRes 4444 + LUT = strange results
by Seth Thy 3 years ago
Hi, I'm grading a short shot with Alexa Mini in ProRes4444 2K. It was edited in FCP 7 and sent to me as QT file. I used Scene Cut to cut it in Resolve. I'm not used to using LUTs, tried them a few tim
Re: Alexa ProRes 4444 + LUT = strange results
by Seth Thy 3 years ago
Hi Jens, they've edit it on FCP7, so I'm pretty sure they didn't use any LUTs to REC709. I'm not allowed to post anything online until movie is out, but I'll try to at least post part of an image. S
Alexa Mini 2K delivering as HD
by Seth Thy 3 years ago
Hi, I'm grading a short movie, shot on Alexa Mini, ProRes 4444 2K 25p, edited as 2K in FCP7. I need to send back HD (instead of 2K), since they have graphics and animated intro outro already done in H
Re: Alexa Mini 2K delivering as HD
by Seth Thy 3 years ago
great. thank you joseph (again). seth
reconform after scene cut detection
by Seth Thy 3 years ago
Hi, I'm working on a movie which I imported to Resolve using Scene Cut Detection. I'm having some problems with a disk where original QT file is located and I need to copy it to other disk. If I do th
Re: reconform after scene cut detection
by Seth Thy 3 years ago
Hi guys, I just reconformed the file in new location and everything is working just fine. Tnx Seth
mixed progressive and interlace material. deinterlace before or after grading?
by Seth Thy 4 years ago
Hi, I tried searching but didn't find an answer. I'm editing grading documentary in FCP7 Resolve 11. Most of the footage is HD, some is 4K and we also use some upconverted SD interlaced archive footag
Re: mixed progressive and interlace material. deinterlace before or after grading?
by David Baud 4 years ago
Seth Thy "Should I up convert SD before FCP or is it ok to just scale to HD. Should I de-interlace SD material before or after Resolve " Because you have a mix of footage (4K, HD & SD, progressive &
+1
Seth Thy liked this 4 years ago
In pre-production of feature film, need advice
by Seth Thy 4 years ago
Hi, We're in pre-production of feature film (I'm a colorist). It's gonna be a combination od documentary and fiction. Style of color grading will be a bit different of fiction and documentary parts. F
Re: In pre-production of feature film, need advice
by Seth Thy 4 years ago
It will be graded just a bit differently, but we want to have same quality of image. I don't think you want to have such a huge difference in quality between Alexa and iPhone in same film. Well, maybe
FCP7 automatic add edit/cut detection?
by Seth Thy 4 years ago
I know this may be silly question, but... I got new job today and in a few days I'll get 10 x 50 min. TV series to grade in Resolve and I'll be on really tight deadline. It is edited in FCP7 and I was
Re: FCP7 automatic add edit/cut detection?
by Seth Thy 4 years ago
yes, i thought so too, just needed someone to confirm it. thanks shane. again :)
We're in the middle of filming documentary, have a big sync problem
by Seth Thy 5 years ago
Hi there smart people, I really need your advice with this audio recording sync problem. We are filming documentary on a busy market. We are using Canon C300 with mic on it and we're recording audio s
Re: We're in the middle of filming documentary, have a big sync problem
by Seth Thy 5 years ago
Hi guys, I apologise for not replying sooner. We tried with TC free run on both camera and sound recorder, and then sync them on FCP timeline. Still we need to tweak them manually, but at least we hav
We're in the middle of filming documentary, have a big sync problem
by Seth Thy 5 years ago
Hi, It's really urgent, so I posted this also to Audio Professionals. I really need your advice with this audio recording sync problem. We are filming documentary on a busy market. We are using Canon
Re: We're in the middle of filming documentary, have a big sync problem
by Seth Thy 5 years ago
That's sounds great Michael, I'll check which sound recorder we use, I think it records TC.
Can't find an answer to this: HDV returned from DaVinci as progressive...
by Seth Thy 7 years ago
I can't find solution for this... HDV 1080i50 1440x1080 upper field edited in FCP, sent to DaVinci, returned as Apple ProRes HQ 1980 x 1080 none field. Picture in both projects looks ok on broadcast m
Decklink Studio analog out monitoring blurred
by Seth Thy 8 years ago
I'm working on a XDCAM EX 1080p25 project, color grading in Color and rendering as ProRes HQ. At the end it will be downconverted to Digital Betacam PAL. Since Decklink Studio doesn't have 25p playbac
masking and motion tracking a dancer, Color, Motion, DaVinci...
by Seth Thy 9 years ago
Hi guys, I'm trying to solve this for 2 weeks now and getting nowhere... :- I have few short clips (10-20 sec each) of a guy dancing in room, it was edited in Apple Pro Res (HQ). In background there a
Re: masking and motion tracking a dancer, Color, Motion, DaVinci...
by Seth Thy 9 years ago
Yes, that was my first question to them, but unfortunately, there is no footage of background without a dancer. I honestly don't know why. PowerMac 2x2.66 GHz Dual-Core Intel Xeon 5GB 667 MHz DDR2 FB-
DVCPRO 720p 23.98 fps sync problem
by Seth Thy 9 years ago
I don't understand this... I'm editing a concert and I got footage from 3 cameras. First 2 are DVCPRO 720p60 23.98 fps, and third is Apple Pro Res 1080 25 fps (don't ask why different formats, I didn'
Re: DVCPRO 720p 23.98 fps sync problem
by Seth Thy 9 years ago
Yeah, well the director messed up... He told me that NTSC cams are main ones so I've first converted 25fps footage to 23.98. I made multiclip and than I got audio that was out of sync. Now I probably
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