Sarah Furie: Activity About Liked Images
Sarah Furie

Member Since:
March 26th 2013
58 Posts
Converting 23.976 to 29.97 drop frame
by Sarah Furie 3 years ago
Hello, I am needing to export from my 23.976 sequence to 29.97. There is a drop down in an Avid export setting that allows me to do this. However, I don't see a button for drop or non drop frame. How
Re: Converting 23.976 to 29.97 drop frame
by Shane Ross 3 years ago
Your best bet for doing this is to do a VIDEO MIXDOWN at 23.98, and bring that into a 29.97 project, cut it into a 29.97 DF sequence, and then output that. Are you working with audio stems from a mixe
EDL Error: Exception: EDL_OPT_NO_EDITS
by Sarah Furie 3 years ago
EDL Error: Exception: EDL_OPT_NO_EDITS If I select video tracks separately, no problems whatsoever. If I select "V all" this comes up and won't let me create any EDL.
Exception: AMPI subsystem error
by Sarah Furie 3 years ago
I am getting this error when trying to play a clip. Any suggestions
The export shrinks my image
by Sarah Furie 3 years ago
I am working in Final Cut Pro 7 on a project where my timeline is 1080 x 1920 so that I can add vertical pictures and export the same (9:16). However, the image is compressed shrunken every time I exp
Re: The export shrinks my image
by Dave LaRonde 3 years ago
What's the display device An HD monitor or TV set Those things don't naturally display vertical video. You have to turn them on their side, right So how should you make your video ON ITS SIDE. You jus
Importing an AAF
by Sarah Furie 3 years ago
Hello, I just got an AAF from a protools user with the attached media files (wavs) and a msmFMID.pmr file. When I import the AAF all of the small files are imported as well as the sequence (not sure i
Re: Importing an AAF
by Job ter Burg 3 years ago
You need to put those WAV files in the right folder structure for MC to see them. X: OMFI MediaFiles 12345xyz.wav Note that this OMFI MediaFiles needs to be on the root of your media drive in order fo
Cannot view an AAF with more than 24 tracks of audio
by Sarah Furie 3 years ago
Hello, I got an AAF with ADR from my producer and it gives me this error message: "You cannot load this clip into this monitor because it would exceed the maximum number of 24 allowable audio tracks.
Re: Cannot view an AAF with more than 24 tracks of audio
by Sarah Furie 3 years ago
I am on Avid 7, so probably not. I guess I will ask the audio guy to resend with fewer tracks.
Avid EDL Mono and Stereo
by Sarah Furie 3 years ago
I am having some trouble creating a CMX 3600 EDL from a sequence with mono and stereo tracks. Firstly, the EDL only creates an EDL through minute 10 of 22. Secondly, we troubleshooted by rendering and
Re: Avid EDL Mono and Stereo
by Michael Phillips 3 years ago
You should be able to, but there is a limit to the number of tracks supported. I brought this up in beta to match the 64 now available, but it is on the backlog. If you want to send me a bin to try on
Keep monitor at top of the sequence at all times
by Sarah Furie 3 years ago
Is there a setting to keep the monitor at the top of the sequence at all times My editor has a sequence where the monitor was on the first track and she duped the sequence. The monitor stays on the bo
Re: Keep monitor at top of the sequence at all times
by Sarah Furie 3 years ago
Thanks for your responses. You are right. Our editor wanted to be able to have the monitor icon on the lower track, duplicate the timeline and have the monitor automatically jump to the top track, but
59.94 vs. 29.97
by Ian Liuzzi-Fedun 8 years ago
I am recording real time from a switcher into FCP. the switcher is a for-a and the For-a is set to 1080i 59.94. I have heard there is no real difference between 59.94 an 29.97. How should FCP be set t
Re: 59.94 vs. 29.97
by walter biscardi 8 years ago
Ian Liuzzi-Fedun "I am recording real time from a switcher into FCP. the switcher is a for-a and the For-a is set to 1080i 59.94. I have heard there is no real difference between 59.94 an 29.97. How
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Sarah Furie liked this 3 years ago
properly ingesting 60 fps footage from Sony FS-100 into Media Composer
by John Brune 6 years ago
I'm trying to ingest import MTS files from my FS-100 footage into AVID media composer and I can't get the clips to play back in slow motion as they do in the camera when checking footage. I'm not talk
Re: properly ingesting 60 fps footage from Sony FS-100 into Media Composer
by Shane Ross 6 years ago
GOT IT! ClipWrap2 from divergentmedia.com will convert your AVCHD to DNxHD, and conform the speed as well...in one step! Do that, then bring the footage into your project and CONSOLIDATE to wrap it as
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Sarah Furie liked this 3 years ago
Drop Frame Non Drop Frame
by David Woods 9 years ago
Recently moved to MC 5. I don't understand how sometimes the sequence will be in (;)non dropframe and sometimes it will be in (:)dropframe. And how do I control which one I want I get an error that wo
Re: Drop Frame Non Drop Frame
by Scott Cole 9 years ago
Any sequence can be either drop or non-drop frame. To change the mode of the sequence you simply need to change the starting timecode of the sequence. First either find or create a bin-view with "STAR
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Sarah Furie liked this 3 years ago
Using Davini to convert 23.976 to 29.97 fps
by Andrew Franklin 5 years ago
Hello, This is my first post with creative cow. Looking forward to the experience with this community. Im looking to use DaVinci resolve to process some footage into Avid MXF files. I'm hoping Resolve
Re: Using Davinci Resolve Lite to convert 23.976 to 29.97 fps
by Sarah Furie 3 years ago
Hi Jef, I just converted 23.976 footage to 30 DF in Davinci Resolve 12 and am bringing it into Avid now. What do I need to do in Avid What is the 2:3 pulldown Thanks.
Typewriter Effect
by Jody Powers 10 years ago
Currently, I am using Avid Media Composer V 3.5 and I'm having trouble getting a typewriter effect. I've used the Marquee Tool and can't find anything like a "type-on" effect. I don't have anything u
Re: Typewriter Effect
by Ra-ey Saleh 10 years ago
Select your Text in Marquee (arrow tool), then go to the Scripts Library (on the bottom left by default). Navigate to the Scripts Tab Avid Scripts Text, and there you'll find Type-On and a few others.
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Sarah Furie liked this 3 years ago
AJA, Black Magic or Matrox
by Sarah Furie 4 years ago
I am trying to set up an Avid system. I am using Media Composer 7 and the new mac trash can. I need the audio to go out of the Avid and in to my speakers and video to my external TV monitor. I have be
Re: AJA, Black Magic or Matrox
by Shane Ross 4 years ago
External box vs card: You cannot have a card in the new MacPro trash can. Thunderbolt options are your only options...rather, your BETTER options. Otherwise you'll have to get the card, and a Thunderb
Black Magic vs Matrox vs AJA
by Sarah Furie 4 years ago
I am trying to set up an Avid system. I am using Media Composer 7 and the new mac trash can. I need the audio to go out of the Avid and in to my speakers and video to my external TV monitor. I have be
Re: Black Magic vs Matrox vs AJA
by Kevin Rag 4 years ago
Hi Sarah, I've been using the Blackmagic Ultrastudio express with my retina MacBook Pro for a long time now. I don't use the MC though. With PrPro CC, FCP 7 and FCP X the BM performs as it should with
Plug in Q - Bad TV and STATIC
by Matthew Rundell 7 years ago
Can anyone recommend a good plugin or series of plugins for AVID that are like FCP stylize filters Specifically looking for Bad TV or the like for a "found footage" feature. Want to keep the effects i
Re: Plug in Q - Bad TV and STATIC
by Jeff Greenberg 7 years ago
I think either part of BCC or FEC from boris has a damaged tv plugin... Best, Jeff G Certified Master Trainer Adobe, Apple, Avid ------------ You should follow me (filmgeek) on twitter. I promise to b
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Sarah Furie liked this 4 years ago
Nesting Effects In a Bin
by Sarah Furie 5 years ago
I know how to nest effects in the timeline but if you have 2-3 effects that you have on one clip and you want to copy the effects into the bin to save for later, so that you can put them on another cl
Re: Nesting Effects In a Bin
by Michael Hancock 5 years ago
There is a trick you can use to save a nest of effects to a bin. 1. Put all of the effects for your clip on a blank track above that clip. Nest them in the order you want them. 2. When your effect nes
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Sarah Furie liked this 5 years ago
Create Tape Names Easily
by Sarah Furie 5 years ago
Hi, I am an Avid Assistant Editor and it takes a very tedious job to give each clip, an individual tape name. I thought there was a way in Davinci Resolve for the D.I.T. to give clips individual tape
Re: Create Tape Names Easily
by Marc Wielage 5 years ago
Yes, in the Media page of Resolve, you can group select as many clips as you want, bring up the Metadata editor, and then change a field and have it apply to all the clips. I just tried it and it work
So much rendering
by Sarah Furie 6 years ago
Hello, I am in a situation where I received footage from someone off of their hard drive and have no idea what camera was used to make the video. I imported the video into a DV NTSC 48khz sequence. I
Re: So much rendering
by Sarah Furie 6 years ago
You have no idea how much you have just helped me. Thank you soooo much for getting back to me on a timely manner so that I could fix this problem. -SF
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