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Robert Due

Member Since:
October 24th 2008
160 Posts
100 posts
RED playback on client monitor
by Robert Due 10 months ago
I am a long time FCP editor transitioning over to PP. Liking it so far, but I have one question regarding RED footage. In FCP, I was able to display on my client monitor (not my computer monitor) foot
Re: RED playback on client monitor
by Robert Due 10 months ago
Never mind, I should have looked in the PP Playback preference pull down before responding to your post. That helped! Thanks! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 10.1.3 OSX 10.
Double Checking about Remote Grading
by Dane Cannon 5 years ago
I've never actually done any remote grading yet, though I have read up on it in the manual and several posts in this forum. The manual says, "The DaVinci Resolve version of software must be the same o
Re: Double Checking about Remote Grading
by Robert Due 3 years ago
I am also wondering how the remote grading works on the "client" side. In particular, if I am using my Cubix with 2 GTX 570s and the client is using a laptop hooked up to a firewire drive that contain
Backing resolve projects up
by adam jenns 3 years ago
Hi, Could anyone tell me if there is any way to back a Resolve project up including all the media used, much like media managing a project in FCP Thanks, adam Mainframe
Re: Backing resolve projects up
by Robert Due 3 years ago
This may be of some use for you... http: www.niwa.nu resolve-collect Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 10.1.1 OSX 10.8.4 MacPro 8-core 4,1 2.93 Ghz 24GB RAM Nvidia GT120 GUI
Color Trace - Using version 1
by Nat Jencks 3 years ago
So a question about ColorTrace The manual implies that ColorTrace always uses version 1 rather than the active grade. Is this true If so is there a way to make it use the active grade instead, of to g
Re: Color Trace - Using version 1
by Robert Due 3 years ago
In Resolve 10 there is no need to duplicate timelines anymore. Under the View menu you can select show current clip with handles. This allows you to track out shapes to your user selectable handle len
Another weird design decisions and more bugs in Resolve 10
by jake blackstone 3 years ago
So, despite many users asking for Bypass All nodes cross indicator, it's still not there. But, if the same command is invoked on MC Color by using LeftShiftF6, magically crosses re-appear. Unfortunate
Re: Another weird design decisions and more bugs in Resolve 10
by kim krause 3 years ago
i think you should go and work for them...you always seem to come up with bugs that no one else has even found yet.....the forensic detective of color grading...haha..hope you mailed them to let them
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Robert Due liked this 3 years ago
Instagram Looks...asks the client.
by andrew smith 3 years ago
I know this is a rather annoying topic so my apologies for posting what drives many of us crazy with clients wanting stuff to look like there instagram feed. I am wondering what powergrades I may be a
Re: Instagram Looks...asks the client.
by Robert Due 3 years ago
This may help your friend: http: cineblur.com instagram Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 24GB RAM Nvidia GT120 GUI Cubix Expander
DaVinci Resolve 10 Beta 3 released
by Peter Chamberlain 3 years ago
Hello, we are pleased to announce that we have posted DaVinci Resolve 10 Beta 3 on our support web site. There are new DaVinci Resolve 10 Mac, Mac Lite, Windows, Windows Lite and Linux installers at h
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prathvish hegde liked this 3 years ago
Re: DaVinci Resolve 10 Beta 3 released
by Robert Due 3 years ago
Great news. Thanks for the continuous updates. I have yet to pull the trigger because I am on Lion. (10.7.5) Do you know of anyone using Resolve 10 on Lion with any success Robert Due Editor Colorist
MacVidCards has Mac EFI Titan and GTX780 finished - makes them into native OSX cards
by David Pirinelli 3 years ago
Hey, just saw the news about Redcine-X and think this is great timing. We just yesterday finished EFI support for GTX Titan and GTX780. The 780 works fine using internal power, Titan may require a lit
Re: MacVidCards has Mac EFI Titan and GTX780 finished - makes them into native OSX cards
by Robert Due 3 years ago
Would the Titan work in a Cubix Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 24GB RAM Nvidia GT120 GUI Cubix Expander with 2 x GTX570 (CUDA 5
How do you manage versions between revisions?
by Drew Lahat 4 years ago
I have to use versions in Resolve, and I have to deal with revised edits (EDL XML AAF 's). Besides being obviously convenient, versions are a required when the same take requires separate grades (whic
Re: How do you manage versions between revisions?
by jake blackstone 4 years ago
You didn't mention the camera used. If it's Red, good luck with that. Colotrace doesn't copy the metadata. It's a bug, that I reported a short while ago. So, back to the original dilemma. How to manag
+1
Robert Due liked this 4 years ago
Media not showing up in timeline
by Alan Rencher 4 years ago
I'm running Davinci 9 Lite, and I have a problem where one of the clips in the timeline is showing as if it's not connected (red). The media is in the media pool, and it shows up fine. Is there a way
Re: Media not showing up in timeline
by Robert Due 4 years ago
Also, make sure your timeline is unlocked. If it is not, "Force conform" will not be available (greyed out). Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core
DaVinci Resolve 10
by Peter Chamberlain 4 years ago
We are pleased to announce DaVinci Resolve 10. For those of you unable to visit us at the south hall of NAB here is a list of new features. This is a no charge upgrade for existing customers and will
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Ronen Pestes liked this 4 years ago
Re: DaVinci Resolve 10
by Robert Due 4 years ago
BMD, Thanks for listening to your customers! Looking forward to the new version! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 8GB RAM Nvidia
This is basic. Send 23.98 sequence from Fcpxml, Resolve sends 24.0 XML to fcp7.
by Jeremy Garchow 4 years ago
Bug, or my own idiocy
Re: This is basic. Send 23.98 sequence from Fcpxml, Resolve sends 24.0 XML to fcp7.
by Robert Due 4 years ago
I found this solution that worked for me. Look at the last post on the thread. http: forum.blackmagicdesign.com viewtopic.php f=3&t=6147 Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1
Force Eject and General Lag
by Robert Due 4 years ago
Not sure if anyone else is having this issue, but when quitting Resolve, there seems to be this unnecessarily long delay until I can go to my desktop or choose any other application to run. The image
Re: Force Eject and General Lag
by Dwaine Maggart 4 years ago
Hi Robert, I would PM you this, but I don't see a way how. I've sent a reply twice to your davincihelp message, and it says your email address is not valid. Basically, I suggested you update to 9.1.1,
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Robert Due liked this 4 years ago
Feather one side plugin
by Elliot Beach 4 years ago
I need to feather one side while having that side move and crop across at times. I cant seem to get the desired effect using the mask shape feather filter as that seems to only do top bottom or left r
Re: Feather one side plugin
by Robert Due 4 years ago
Try searching for Alex 4D Crop. Free plug-in that allows you to do crops with feathering on 1 to 4 sides independently Robert Due Editor Colorist INDEPENDENT EDIT DaVinci 8.2 OSX 10.6.8 MacPro 8-core
ProRes 4444 Alpha Problems
by Robert Due 5 years ago
I am having an issue when trying to use a ProRes 4444 QT in FCP. The QT is animated text (generated in AE) that will be keyed over footage. What happens is this: I insert the QT into my sequence and t
Re: ProRes 4444 Alpha Problems
by Robert Due 5 years ago
It was intermittent. It displays fine most times, but every so often I have to render and it solves the issue. Robert Due Editor Colorist INDEPENDENT EDIT
Video: Reel of Colors
by Teo Rižnar 6 years ago
Reel of Colors Reel of Colors is color grading showreel of NuFrame postproduction, colorist Teo Ri nar (teo@nuframe.si). Works from 2007-2010. watch demo reel
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Robert Due liked this 5 years ago
Re: Reel of Colors
by Teo Rižnar 5 years ago
Thank you! It took me 2 months of finnisihg the edit ;) but I enjoy doing cuts like this Will try to look for the name of track, it was a while ago. Cheers, Teo Color grade reel: http: vimeo.com 15480
OMF Export Not at Timeline Framerate!!
by Robert Due 8 years ago
I am editing a project at 23.98 fps. When I export an OMF for my audio engineers to use, they say it imports at 24 fps. Furthermore, I export a QT of my sequence (using the same ins and outs as the OM
Re: OMF Export Not at Timeline Framerate!!
by Robert Due 5 years ago
Again, sorry and good luck. Robert Due Editor Colorist INDEPENDENT EDIT
Offline won't display
by Robert Due 5 years ago
I have added a clip into the media pool as an offline clip. I make sure that it is referenced in the Timeline Management window as the offline clip. Problem is that it won't display in the offline win
Re: Offline won't display
by Sascha Haber 5 years ago
Probably a timecode issue. Go to your online Conform, navigate to the first cut. Remember that timecode. Now go back to Browse ,select the offline and play to the exact same frame you just had in the
+1
Robert Due liked this 5 years ago
Alexa LUT Applied Wrong?
by Robert Due 5 years ago
I am working with some Alexa Log C footage. I think I may have made a mistake when I applied the LUT. Instead of on a node, I applied it on the Config page under the Display Lookup Table pulldown. Whe
Re: Alexa LUT Applied Wrong?
by Dan Moran 5 years ago
Hey Robert, We can figure this out. A display LUT applies the LUT to the viewer output so you can grade with the LUT turned on but it's not applied to your Render. Not the best for your situation but
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Robert Due liked this 5 years ago
Matching the Offline
by Robert Due 5 years ago
I know how to add a clip into the media pool as an offline. I am wondering if there is a way to superimpose the offline in the color tab so that I can match the resize that was done to the offline edi
Re: Matching the Offline
by Vladimir Kucherov 5 years ago
Yep, on the color page, first play a still from your gallery. Any still, it just needs the still playback on. Then you can select "reference mode" from the menu until it's in "offline" mode, and set t
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Robert Due liked this 5 years ago
RTFCP - Back to Final Cut EDL Converter tool
by Vladimir Kucherov 6 years ago
I am releasing a tool that will (hopefully) allow for easier roundtripping from a Resolve render back to FCP timeline. I am calling it RTFCP (Resolve to FCP) - very original I know! The gist of the pr
+1
Robert Due liked this 6 years ago
Re: RTFCP - Back to Final Cut EDL Converter tool
by Yohance Brown 6 years ago
looks interesting. thanks for developing this much needed tool. Looking forward testing soon. yohance brown colorist http: www.yohancebrown.com
How is your grading room / suite arranged?
by Ola Haldor Voll 6 years ago
I just re-arranged my office. Take a look at the attached drawings.. What does your room look like What's your experience with clients in that arrangement I've been sick and tired of having the monito
Re: How is your grading room / suite arranged?
by Robert Due 6 years ago
I am about to rearrange to your new setup. Currently, I have the client sitting directly behind me. I wonder how the communication will be when they are in front of me. Especially when we start discus
+1
Robert Due liked this 6 years ago
Really simple - determining total # of clips in a bin?
by Nick Ravich 6 years ago
Running FCP 7.0.3 on 2.93 GHZ dual quad core Mac Pro, 10.6.5 OS. Hopefully really easy question - best way to determine total # of clips in an individual bin Is there something equivalent to Avid's "G
Re: Really simple - determining total # of clips in a bin?
by Robert Due 6 years ago
Make sure you are not counting the .thm file at the finder level as one of your total. Robert Due Editor Colorist INDEPENDENT EDIT
Clip Duration Difference
by Robert Due 6 years ago
I had posted this in the Color Forum, but perhaps it should have been here: I graded a series of shots and noticed that the renders were all one frame shorter than the original source. My source foota
Re: Clip Duration Difference
by Robert Due 6 years ago
The files were exported out of the AVID as ProRes HQ 1080i @ 29.97. (Avid can play and create ProRes files now) I created a new Color project and imported them individually. This is where the one fram
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