Phil Hawes: Activity About Popular
Phil Hawes

Member Since:
March 10th 2010
49 Posts
Relinking using metadata
by Phil Hawes 7 years ago
By and large I'm enjoying my experience with Premiere CS6. I don't miss Final Cut at all but the relinking in Premiere does leave a lot to be desired. Once a clip is offline it prompts you to relink u
Panasonic HMC 150 custom file names
by Phil Hawes 7 years ago
Is there any way to custom name video clips in the HMC 150 This is a long project and I hate duplicate file names. The manual hints at it, but gives little in the way of practical information.
Premiere Pro CS6 loses ability to play clips
by David Geary 7 years ago
Editing RED 4k and 5k footage in Premiere Pro CS6.02 on a Mac Pro Quad Core with 16gb of RAM and a Quadro fX4800 CUDA card. Premiere froze while trying to render out a file recently. Finally it crashe
Re: Premiere Pro CS6 loses ability to play clips
by Phil Hawes 7 years ago
I have solved this problem several times by cleaning out the cache from the Preferences Media window.
Black Magic Deck Link card and CS6
by Phil Hawes 7 years ago
Hello, Is anyone out there using a BMD Deck Link card with Premiere CS6 How is it working out I need a basic HD-SDI output for color correction to replace my Kona LHe that AJA has dropped support for.
Re: Black Magic Deck Link card and CS6
by Phil Hawes 7 years ago
Thanks, that's good to hear. I don't have a Tri-Level sync. Do you know if the Deck Link can generate sync without an external reference This is how I output a signal from my AJA card to the Sony PVM
Quadro 4000 and ATI 5770 on a Mac Pro
by Phil Hawes 8 years ago
Hello to all, Is there any advantage or are there any known problems with putting the ATI HD 5770 graphics card in slot 1 and the NVIDIA Quadro 4000 in slot 2 of the Mac Pro 5,1 My thinking is to maxi
Re: Quadro 4000 and ATI 5770 on a Mac Pro
by Phil Hawes 8 years ago
I have several Mac Pros where I had both graphics cards installed. Some of them have the exact configuration you have, same OS, same CUDA driver, minus Resolve and the Black Magic Card. I'm surprised
CUDA 5.0.24 and LION 7.4
by Phil Hawes 8 years ago
Hello to all, Is anyone using the CUDA 5.0.24 driver with Lion 10.7.4 I have the Quadro 4000. The Adobe page specifies support for 10.8 with this driver. Just wondering if Lion is supported as well.
AJA Kona LHe, FCP 7 and Lion
by Phil Hawes 8 years ago
Hello to all, Is anyone using the Kona LHe, AJA Control Panel 9.1 (the last update they made for the LHe) with FCP 7 on Lion Does it work Right now, I'm still running on 10.6.8, and it works fine. I c
Re: AJA Kona LHe, FCP 7 and Lion
by Scott Robert 7 years ago
I'm running 10.7.5 on Mac Pro 1,1 3.0 Dual Core (Pre-2008) FCP 7 Kona LHe The video out lags about 1-4 frames. But it all works.
importing Pro Res into AVID 5.0.3
by Phil Hawes 8 years ago
Hello, A quick question. Can anyone tell me if I can import a Pro Res HQ file into Media Composer 5.0.3 using AMA. I know this works in Media Composer 5.5 but I have no experience with version 5.0.3.
Re: importing Pro Res into AVID 5.0.3
by Phil Hawes 8 years ago
Thank you very much for the informative reply!
color finesse and CS 5
by Phil Hawes 9 years ago
I will be buying a volume license of Adobe Production Premium (making the switch from FCP) and I'm wondering how the Synthetic Aperture plug-in Color Finesse is now working with After Effects CS 5.5.
Re: color finesse and CS 5
by Phil Hawes 9 years ago
Thank you! Much appreciated! I'm a fan of Color Finesse and look forward to teaching it.
FCPX Motion5 compared with Premiere Pro/After Effects
by Ed Boasso 9 years ago
I am looking for advise to help me decide on which direction I should go with either FCPX Motion5 or Adobe Production Premium (PP AE). I am looking to do lots of green screen work and really want to k
Re: FCPX Motion5 compared with Premiere Pro/After Effects
by Phil Hawes 9 years ago
I tried to like Motion, but every time I wanted to complete a project in Motion 4 something was missing. In the middle of a composite project for example I might want to color correct one layer but th
FCP-X timeline
by Eric Jurgenson 9 years ago
Trying to get my head around the new "trackless grouping" paradigm. Does anyone else think that what is designed to simplify is actually going to make things much more confusing I'm freaked out that o
Re: FCP-X timeline
by Phil Hawes 9 years ago
I'm just commenting on how the product has been marketed. Obviously I don't know what the final product is and perhaps neither does Apple. I'm also making sure they know what I think. As a professiona
black line on SD Uncompressed QT
by Phil Hawes 9 years ago
I notice a black line on the very bottom edge of the frame on some SD uncompressed QT files from archival sources. The files are made from Betacam or pre-Betacam sources and some from 16mm. The black
Re: black line on SD Uncompressed QT
by Phil Hawes 9 years ago
I'll be pillar boxing (is that a verb ) not cropping. Yes, I had thought that it was just the overscan area. Thanks for the confirmation.
Pro Res online speed
by Phil Hawes 9 years ago
I have a question concerning an online in Final Cut Pro. The director wishes to create an online sequence of almost two hours. The offline sequence was DV NTSC anamorphic, the online will be Pro Res 4
Re: Pro Res online speed
by Phil Hawes 9 years ago
Thank you for all your advice. Sorry that I am jumping back into this thread so late. Yes, the regular Pro Res 422 will be fine and save space! The best video source is HDCAM (not SR) and all the film
mixing drop and non drop frame
by Phil Hawes 10 years ago
This concerns a documentary where the majority of the footage was shot on DVCAM and HDV but there will be additional archival footage from a variety of sources. The project is currently in offline cut
Re: mixing drop and non drop frame
by Phil Hawes 10 years ago
Thank you, that answers my question. So I will have no problems mixing 60i DF and 60i NDF in a 60i DF sequence. Yes, it is quite possible that my render file problems were caused by something else. Th
cinema tools 24 p standard and DVX100
by Phil Hawes 10 years ago
Has anyone here successfully done a batch reverse telecine on 24 fps footage from the Panasonic DVX100 camera using Cinema Tools These clips were shot with the standard not advanced 24p mode so with t
Re: cinema tools 24 p standard and DVX100
by Phil Hawes 10 years ago
Hi Gabriele, Follow MacGregor's advice if you have an edited sequence.It seems like he is on to something. Reversing the pulldown on individual clips edited in a sequence is not recommended. The timec
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