Relinking using metadata by Phil Hawes 7 years ago By and large I'm enjoying my experience with Premiere CS6. I don't miss Final Cut at all but the relinking in Premiere does leave a lot to be desired. Once a clip is offline it prompts you to relink u
Panasonic HMC 150 custom file names by Phil Hawes 7 years ago Is there any way to custom name video clips in the HMC 150 This is a long project and I hate duplicate file names. The manual hints at it, but gives little in the way of practical information.
Black Magic Deck Link card and CS6 by Phil Hawes 7 years ago Hello, Is anyone out there using a BMD Deck Link card with Premiere CS6 How is it working out I need a basic HD-SDI output for color correction to replace my Kona LHe that AJA has dropped support for.
Re: Black Magic Deck Link card and CS6 by Phil Hawes 7 years ago Thanks, that's good to hear. I don't have a Tri-Level sync. Do you know if the Deck Link can generate sync without an external reference This is how I output a signal from my AJA card to the Sony PVM
Quadro 4000 and ATI 5770 on a Mac Pro by Phil Hawes 8 years ago Hello to all, Is there any advantage or are there any known problems with putting the ATI HD 5770 graphics card in slot 1 and the NVIDIA Quadro 4000 in slot 2 of the Mac Pro 5,1 My thinking is to maxi
Re: Quadro 4000 and ATI 5770 on a Mac Pro by Phil Hawes 8 years ago I have several Mac Pros where I had both graphics cards installed. Some of them have the exact configuration you have, same OS, same CUDA driver, minus Resolve and the Black Magic Card. I'm surprised
CUDA 5.0.24 and LION 7.4 by Phil Hawes 8 years ago Hello to all, Is anyone using the CUDA 5.0.24 driver with Lion 10.7.4 I have the Quadro 4000. The Adobe page specifies support for 10.8 with this driver. Just wondering if Lion is supported as well.
AJA Kona LHe, FCP 7 and Lion by Phil Hawes 8 years ago Hello to all, Is anyone using the Kona LHe, AJA Control Panel 9.1 (the last update they made for the LHe) with FCP 7 on Lion Does it work Right now, I'm still running on 10.6.8, and it works fine. I c
importing Pro Res into AVID 5.0.3 by Phil Hawes 8 years ago Hello, A quick question. Can anyone tell me if I can import a Pro Res HQ file into Media Composer 5.0.3 using AMA. I know this works in Media Composer 5.5 but I have no experience with version 5.0.3.
color finesse and CS 5 by Phil Hawes 9 years ago I will be buying a volume license of Adobe Production Premium (making the switch from FCP) and I'm wondering how the Synthetic Aperture plug-in Color Finesse is now working with After Effects CS 5.5.
FCP-X timeline by Eric Jurgenson 9 years ago Trying to get my head around the new "trackless grouping" paradigm. Does anyone else think that what is designed to simplify is actually going to make things much more confusing I'm freaked out that o
Re: FCP-X timeline by Phil Hawes 9 years ago I'm just commenting on how the product has been marketed. Obviously I don't know what the final product is and perhaps neither does Apple. I'm also making sure they know what I think. As a professiona
black line on SD Uncompressed QT by Phil Hawes 9 years ago I notice a black line on the very bottom edge of the frame on some SD uncompressed QT files from archival sources. The files are made from Betacam or pre-Betacam sources and some from 16mm. The black
Pro Res online speed by Phil Hawes 9 years ago I have a question concerning an online in Final Cut Pro. The director wishes to create an online sequence of almost two hours. The offline sequence was DV NTSC anamorphic, the online will be Pro Res 4
Re: Pro Res online speed by Phil Hawes 9 years ago Thank you for all your advice. Sorry that I am jumping back into this thread so late. Yes, the regular Pro Res 422 will be fine and save space! The best video source is HDCAM (not SR) and all the film
mixing drop and non drop frame by Phil Hawes 10 years ago This concerns a documentary where the majority of the footage was shot on DVCAM and HDV but there will be additional archival footage from a variety of sources. The project is currently in offline cut
Re: mixing drop and non drop frame by Phil Hawes 10 years ago Thank you, that answers my question. So I will have no problems mixing 60i DF and 60i NDF in a 60i DF sequence. Yes, it is quite possible that my render file problems were caused by something else. Th
cinema tools 24 p standard and DVX100 by Phil Hawes 10 years ago Has anyone here successfully done a batch reverse telecine on 24 fps footage from the Panasonic DVX100 camera using Cinema Tools These clips were shot with the standard not advanced 24p mode so with t
Re: cinema tools 24 p standard and DVX100 by Phil Hawes 10 years ago Hi Gabriele, Follow MacGregor's advice if you have an edited sequence.It seems like he is on to something. Reversing the pulldown on individual clips edited in a sequence is not recommended. The timec