Double Checking about Remote Grading by Dane Cannon 8 years ago I've never actually done any remote grading yet, though I have read up on it in the manual and several posts in this forum. The manual says, "The DaVinci Resolve version of software must be the same o
Re: Double Checking about Remote Grading by Pepijn Klijs 5 years ago It will be sluggish in that case. Resolve only sends a play clue, not a media stream or whatever. After the colorist hits stop the timeline of the client will sync up to the position of the colorists'
batch unlink by Maarten Groen 7 years ago CC's! Stuck in the new Davinci Resolve. In order to have a decent workflow from CS6 to Davinci. I flattende the sequence into one export. Chopped that export up and XML-ed it to Davinci. Works but...
Re: batch unlink by Pepijn Klijs 6 years ago This whole thing is explained in detail in the manual in case you want to know exactly how it works. But to put it simple, just rightclick any shot on the timeline and choose 'use local' or 'copy remo
Time indicator missing in export by Pepijn Klijs 6 years ago Hi, I'm working with v7 and it seems to be missing a estimated time calculation in its export window. In other words; when I export something or make a video mixdown, the little window with the render
Multiple "power windows" by Ryan Hansen 6 years ago Hey everyone! I'm fairly new to Resolve 9 and I have a question concern about the power windows tool. I understand completely how to use it and I have no trouble with the tool itself. My concern is ha
Re: Multiple "power windows" by Pepijn Klijs 6 years ago If the first window tracks well on her face you can just use keyframing to change the grade within that window. You can even manipulate how fast the change is being applied. Editor Colorist, Amsterdam
Hurkman at v10 demo. by Margus Voll 6 years ago http: www.youtube.com watch v=KkCAqdtmkxA&feature=player_embedded -- Margus http: iconstudios.eu https: vimeo.com iconstudioseu videos DaVinci 9, OSX 10.7.4 MacPro 5.1 2x2,93 24GB GTX 470 Quadro 4000
Re: Hurkman at v10 demo. by Pepijn Klijs 6 years ago Thanks for the share Margus. Did you notice the change to the 3-way color wheel window It now has a contrast and pivot control, something that I've been using a lot lately from the log control window.
AVID / SonyF3 XDCAM EX workflow? by Morten Balling 6 years ago Hi all, I'm going to grade a TV series, shot on SonyF3 XDCAM EX. The camera uses a mp4 wrap, and loading the raw mp4 files into Resolve gives black frames (kind of useless). The series is going to be
Re: AVID / SonyF3 XDCAM EX workflow? by Pepijn Klijs 6 years ago I recently bought an Avid license as well. Here in Holland no one uses Premiere and FCP is slowly dying. But I don't see a lot of difference in workflow between fcp7 and avid when dealing with xdcam e
Titan and GTX 690. by Rick Turners 6 years ago Where can I get a 690 and or Titan for Mac Do you just use the regular pc version If so, does it need to be flashed or something Does it work with 10.6.8 or do I need to upgrade Thanks!
Re: Titan and GTX 690. by Pepijn Klijs 6 years ago Custom osx workstation... Sounds better then Hackintosh! Editor Colorist, Amsterdam, The Netherlands www.pepijnklijs.nl
Animatte question by Pepijn Klijs 6 years ago Hi, I hope I can explain this well, but here we go: I want to cut out mask somebody's head with an oval shape and place it on top of the picture (background). I do this by using the animatte effect. I
Re: Animatte question by Pepijn Klijs 6 years ago Thanks Juris! Another good solution! But reading it also makes me think how badly Avid lacks the ability to do these simple things. It's a good workaround, but it's a workaround for soemthing that sho
File based workflow by Pepijn Klijs 6 years ago Hello, I sometimes wonder how other editors manage their files and bins now that we are more and more in a tapeless world. My approach is to create sequences from every disk or card I'll receive. I do
Re: File based workflow by Pepijn Klijs 6 years ago Job ter Burg "This is precisely why there is a longstanding feature request" Hoi Job! I actually just posted this as a feature request on the avid feature request forum as well. Hope it helps. Kinda
Remove motion effect and ripple sequence by James Brill 7 years ago So I need to take a sequence and remove a lot of motion effects. I haven't gotten a look at the timeline yet but I believe they used the motion effects button and not time warp. Is there a simple way
Re: move motion effect and ripple sequence by Pepijn Klijs 7 years ago I don't think there's a 'fast' way to deal with this. What I would do is hit matchframe on the last frame of the speed up clip and put a locater on the source clip position. Go back to first frame of
AMA Linked Final Version Now What? by Brian Bruhn 7 years ago Hello Folks, Against all odds I have been editing via AMA linked volumes for the life of my current project. The project is a feature documentary and was all shot on Panasonic HVX-200 in 720PN 23.976
Re: AMA Linked Final Version Now What? by Pepijn Klijs 7 years ago No, actually you can continue with your transcoded sequence, edit again with ama media. When you're finished you can transcode again and avid will only transcode the ama media. I do this all the time.
Avid workflow question... by Tom Laughlin 7 years ago Please understand, this email is to seek any advice on this workflow. SCENERIO: Right now, yes, apologies are in order, though learning Avid as much as I can, I'm still doing quite a bit of editing in
Re: Avid workflow question... by Pepijn Klijs 7 years ago Michael Hancock "Even faster - map Subclip to your keyboard and you can do it with a keystroke. When you Subclip a sequence it makes a subsequence." Definetily faster, but if you are organizng into s
Timeline to Timeline Editing by Erin McConnell 7 years ago Hello community, I'm running into a time-slog wall in a project I'm editing. I'm working with two synced lines of video and 8+ lines of audio. The only current way to keep all the audio available for
Re: Timeline to Timeline Editing by Pepijn Klijs 7 years ago How I would do it. Have both timelines open and switch between them. Select your pieces using in and out point with all tracks selected. Hit copy, go to other sequence and hit paste. Now take out the
Copy from TRACK to CLIP by Francois Driessen 7 years ago Hi there, guys Might have missed something along the way, but hope someone could help. My workflow has been to do primary and corrective secondaries in CLIP nodes - and then use the TRACK to rough in
Re: Copy from TRACK to CLIP by Francois Driessen 7 years ago Yiy! That does it! Thnx I got stuck before not realizing you can grab a still and access its TRACK node graph if you are in TRACK mode when you grab it - thought you could only access it's CLIP node t
DNxHD by Pepijn Klijs 7 years ago Hello, I want to export transcode to DNxHD, but it simply doesnt show up in any way in media encoder as an option. Im on mountain lion 10.8.2 and yes, i did install the Avid codec package. Anybody got
Re: DNxHD by Pepijn Klijs 7 years ago Okay, I solved my issues. Apparently I had installed version 2.3.7 of the Avid codecs, however version 2.3.8 made them show up in Adobe Media Encoder and also Mpegstreamclip. Seems like one needs vers
Benchmarks wanted, please participate! by Pepijn Klijs 7 years ago As I just build my new Resolve system, I'm wondering how it's doing compared to other configurations. Therefore I created a very simple benchmark test that probably isn't scientifically correct, but w
White balance / remove color cast by Eric Mc Guire 7 years ago Hi, is there a way to remove a color cast (in shadows or highlight) in DaVinci Resolve with the color picker, just like I do in Avid Media Composer I know I can export my cc from AVID, but I just can'
Re: White balance / remove color cast by John Michaels 7 years ago Save for the "Auto Color," you'll need to balance your image "manually" using the lift gamma gain controls and referencing the waveforms. This could be a great way to learn Davinci anyway!
Resolve work station and gaming by sergio reynoso 8 years ago Hello, I am building a Windows workstation per BMD Davinci Resolve manual to do all of my design and video work. Since this will be my only computer, I was hoping I can use it to play some games too.
Re: Resolve work station and gaming by sergio reynoso 8 years ago Yes, it goes without saying... While I do appreciate the suggestion, recommending a PS3 absolutely has nothing to do with answering my specific question. And yes I wont be doing any professional work
sony pdw-f3 50 vs 60fps for slomo's by Pepijn Klijs 8 years ago Hi, If I want to record some slomo's with the F3, what would the best framerate, 50 or 60fps I'm going to record the rest of the footage 1080 25 fps, edit in FCP, in Europe, so in a 25 fps timeline. I
SONY PDW-F3 50 or 60 fps? by Pepijn Klijs 8 years ago Hi, If I want to record some slomo's with the F3, what would the best framerate, 50 or 60fps I'm going to record the rest of the footage 1080 25 fps, edit in FCP, in Europe, so in a 25 fps timeline. I
Re: SONY PDW-F3 50 or 60 fps? by Marvin Holdman 8 years ago In progressive mode, I don't think it much matters. Interlaced I'd go with 50fps. Easier conversion assuming your final deliverable is PAL. Marvin Holdman Production Manager Tourist Network 8317 Front
export problem by Pepijn Klijs 9 years ago I am having a very strange problem. I am working on a project in FCP and Color, all canon footage converted to pro res 422. Everything is running smooth untill I want to export to quicktime. When revi
Re: export problem by Pepijn Klijs 9 years ago It's strange. Most the people talk about washed out contrast, while my problem is the opposite, my exports have too much contrast and too much saturation. I tried it, but it didn't work. Thanks for yo
Export Mystery by Pepijn Klijs 9 years ago I have the following weird thing happening on my FCP system: As I finish my edit and export to quicktime, the quicktime movie exported scales down a few percent just before almost every cut. When I se
Re: Export Mystery by Pepijn Klijs 9 years ago Yep, John is right. I did fully render the timeline. It plays very well in quicktime 7. Quicktime X is the issue here. Bad product! Avid FCP Editor, Amsterdam, The Netherlands www.pepijnklijs.nl