Penelope Wylder: Activity About Images
Penelope Wylder

Member Since:
July 12th 2005
58 Posts
Phantom .cine workflow for Resolve
by Penelope Wylder 4 years ago
Hello, I was hoping for some advice regarding working with .cine files in Resolve 10 (full version). I'll be grading a 2 minute promo commercial from about 500gb of Phantom .cine rushes. As yet, I hav
Re: Phantom .cine workflow for Resolve
by Penelope Wylder 4 years ago
PS - I have a slight concern about some of the .cine files which are particularly large (around 18gb). Has anyone experienced problems working with such large .cine files in Davinci
Importing DPX into Resolve / workflow for music video
by Penelope Wylder 5 years ago
I haven't as yet worked with DPX files in Resolve and so wanted some advice as to the set-up of my project. The client are supplying me with a DPX sequence of a music video to grade. How do I import a
Re: Importing DPX into Resolve / workflow for music video
by Penelope Wylder 5 years ago
Hi Rob, Thanks so much for your speedy reply...in answer to your questions: I'm not entirely sure as I didn't do the conform, but I assume that this is what they did - they edited the music video in P
Onlining media of diverse origin
by Penelope Wylder 8 years ago
Hello all, I am looking for some advice about doing an online of a project using a wide range of media of differing formats. It is a 30 second commercial for American TV created using archive footage.
Re: Onlining media of diverse origin
by Penelope Wylder 8 years ago
Hey Quintis, That's really helpful, thanks very much. Can you tell me what filter you put on the interlaced material in AE Was it just a standard de-interlace filter Cheers, P
Film look for HD
by Penelope Wylder 8 years ago
Has anyone had any success using the Nattress 'film look' plug-ins I am grading a low-bugdet feature at the moment, shot HDcam and I'm looking for a stylisation technique to make the images look a lit
Re: Film look for HD
by Peter Litwinowicz 8 years ago
You might also try adding our ReelSmart Motion Blur. It simulates a longer shutter speed by tracking each pixel from frame to frame and adding motion blur based on the movement between frames. Often w
AVID to FCP workflow
by Penelope Wylder 9 years ago
Hi all, I am hoping to get some advice on devising a work-flow between Avid and FCP. Here is what we are trying to do: We have a feature which is being assembly cut by many assistants, mostly working
Re: AVID to FCP workflow
by Job ter Burg 9 years ago
Are you using double system sound (meaning: recording and importing sound separately, then syncing in the editing application) If so: do yourself a favor and forget about it, or be prepared to manuall
Workflow for RED - transcoding etc. ADVICE NEEDED!
by Penelope Wylder 9 years ago
Hi all, I'm seeking advice for a good, workable post workflow for a low-budget feature shot on RED at 4K. Our first big hurdle is trying to work out the best method for encoding the rushes to Pro-res.
Re: Workflow for RED - transcoding etc. ADVICE NEEDED!
by Penelope Wylder 9 years ago
Thanks Kevin. Does the same thing apply when editing with Proxies This is one route we are considering taking...Any pros or cons to editing with proxies Does the conform grade workflow work the same w
Post workflow for feature - ADVICE NEEDED
by Penelope Wylder 9 years ago
Hi all, I'm seeking advice for a good, workable post workflow for a low-budget feature shot on RED at 4K. Our first big hurdle is trying to work out the best method for encoding the rushes to Pro-res.
Re: Post workflow for feature - ADVICE NEEDED
by Penelope Wylder 9 years ago
Thanks for that - I will look at these packages. The other information I guess I would need would be with regards to doing the conform. We were planning on doing the offline edit at PAL resolution, as
100% colour bars?
by Penelope Wylder 9 years ago
I've been asked to use 100% colour bars on the front of a PAL program - can anyone tell me which of the colour bars that FCP offers are the 100% bars Many thanks in advance. Peta Editor Colorist www.p
Re: 100% colour bars?
by Rafael Amador 9 years ago
No. Rafael www.nagavideo.com
Broadcast safe not working on render
by Penelope Wylder 9 years ago
I know this has been covered in other posts, but I am looking for the best solution to my problem and would really like to know what other people use as a fail-safe method... I am applying the Broadca
Re: Broadcast safe not working on render
by Ernie Santella 9 years ago
It's been posted before that a fix to that issue is to export the entire timeline out as a single file and then re-import, then export. Ernie Santella Santella Productions Inc. www.santellaproductions
Broadcast safe - filter, levels, RGB limiting and Color
by Penelope Wylder 9 years ago
Hello there, I have been reading a lot of the archive threads in relation to use of the Broadcast safe filter, RGB limit and Levels and it has answered a lot of my questions in relation to broadcast s
Re: Broadcast safe - filter, levels, RGB limiting and Color
by Penelope Wylder 9 years ago
Walter, I am following your method, and it's all working fine. But after I render, the clips appear to be exceeding 100% whites still - any ideas Have I not done something in the render setting which
RGB or YUV?
by Penelope Wylder 9 years ago
Hello, Can anyone tell me the best setting to use when working with a DV Pal anamorphic project in relation to the "Always Render in" settings Should this be set to RGB or YUV (this is for a project t
Re: RGB or YUV?
by Penelope Wylder 9 years ago
Thanks Rafael. And should that be 8-bit YUV or high precision YUV This is for a broadcast delivery. And would you keep the Quicktime Setting Compressor as DV-PAL or change it to uncompressed Thanks fo
Proposed step-by-step edit workflow: Any tips?
by Penelope Wylder 11 years ago
I am embarking my first project shot on Red next week and have been doing a lot of research as to the best workflow to use. The project is a series of short (2 minute) films for a high profile client,
Re: Proposed step-by-step edit workflow: Any tips?
by Russell Lasson 11 years ago
I would strongly suggest that you download some R3D files from redrelay.net and try to simulate the workflow with just a couple of clips. Peta Ridley "(a) Is this the best workflow for a project of th
Transcoding time to ProRes
by Christopher Tay -- account bounces requested notifications, account frozen 11 years ago
Hi, On a dual 3Ghz Quadcore Mac Pro, how long does it take to transcode a minute of RED HD QT proxies to ProRes I just need an estimate to work out how long it'll take to transcode the raw materials t
Re: Transcoding time to ProRes
by Penelope Wylder 11 years ago
Cheers Russell, One part of this workflow is a little un-clear to me and if you could clarify why I would want to take these steps that would be great: "3a. If you want the footage letterboxed in a 16
Red camera - FCP workflow for idiots
by Penelope Wylder 11 years ago
I have been reading the different forums for info on the best workflow for Red cameras to FCP, and I'm still confused as to what will be the best scenario for me to use on an upcoming job. Its a serie
Re: Red camera - FCP workflow for idiots
by Penelope Wylder 11 years ago
Hi guys, thanks for your response. From the reading I have done, it looks like the simplest workflow is going to be working with Pro-res. Can you tell me the step by step approach to converting files
Workflow with HDcam on Avid Media Composer
by Penelope Wylder 11 years ago
Please excuse the lack of info I have about certain things here as I am at the mercy of the production company and their bad communication. I am working on a project in the next week on Avid Media Com
Re: Workflow with HDcam on Avid Media Composer
by MichaelP 11 years ago
Then match project type to the format shot... 1080i50 is 1920 x 1080 25fps interlace (50 fields) 1080p 25 is 1920 x 1080 25fps progressive 1080i 59.94 is 1920 x 1080 at 29.97fps (59.94 fields) etc. Mi
© 2018 CreativeCOW.net All Rights Reserved
[TOP]