Paul Guarri: Activity About Images
Paul Guarri

Member Since:
March 3rd 2017
15 Posts
A difficult client.
by Paul Guarri 3 months ago
Hi, I was asked to work as a finishing editor on some projects. I will work at the client's place. I must be available for about two or three days per project but they don't have a schedule. They told
Re: A difficult client.
by Tom Sefton 2 weeks ago
Drop them like the stinking turd they are. Co-owner at Pollen Studio www.pollenstudio.co.uk
Audio levels and Premiere-After Effects synamic link.
by Paul Guarri 1 year ago
Hi, I have a sequence with some clips using dynamic links between premiere and after effects. The clips use both audio and video from after effects. My problem is, whatever setting I use, my audio is
Re: Audio levels and Premiere-After Effects Dynamic Link.
by Paul Guarri 1 year ago
Thanks Dave and Jan. I've managed it sending the video only to AE and relying on the original audio from the clip.
crushed blacks in QuickTime
by Paul Guarri 1 year ago
Hi, I graded a video in Resolve 12.5. All clips are ProRess 422HQ from a Blackmagic cinema camera. Clips are set to video levels, export is set to video levels (tried auto auto as well). "Use mac disp
Re: crushed blacks in QuickTime
by Paul Guarri 1 year ago
Hi Robert. Thanks for your input. In the meanwhile, I discovered there's a bug in Color Sync and if you use a custom CSS profile created with some third-party software, quicktime, final cut pro x and
Mono vs discrete multichannel audio for archiving purposes
by Paul Guarri 1 year ago
Hi, I'm exporting a video from Premiere. I already delivered the single versions with their proper mix and I want to create a master file with all the mixes for archiving purposes. I created a multich
Re: Mono vs discrete multichannel audio for archiving purposes
by Paul Guarri 1 year ago
In fact, I tested them on different editing systems and they behave the same. The only difference I see is in the metadata of the file. If I look at the file info in QuickTime for the audio I see: Dis
Aspect ratios, pillarbox and letterbox
by Paul Guarri 2 years ago
Hi, I work for a post facility and I deal with different formats and aspect ratios, mostly for digital cinema delivery. Sometimes I'm asked to deliver to broadcasters. In their specs, I don't find any
Re: Aspect ratios, pillarbox and letterbox
by Paul Guarri 2 years ago
Thank you very much for you answer...
from full HD to Flat DCP in Premiere
by Paul Guarri 2 years ago
Hi, I edited a 1920 x 1080 project for TV in Premiere with 1.85:1 footage, then I have a minor letterbox. Now I need to export to DCP 1998x1080 1.85:1) and I want to upscale my footage to perfectly fi
Re: from full HD to Flat DCP in Premiere
by Paul Guarri 2 years ago
Thanks for you hint. I'd like to avoid a double export. Is nesting the edit and scale in a new sequence a viable option
Premiere 5.1 monitoring
by Paul Guarri 2 years ago
I'm working on a movie tha has 5.1 audio. My timeline has mono channels mapped L R C Lfe Ls Rs and my master fader is 5.1... When I monitor the timeline in the 5.1 editing room I have no problems (obv
Re: Premiere 5.1 monitoring
by Paul Guarri 2 years ago
Thanks for your reply. I looked for the video you mentioned on adobe's forum but I didn't find it. My audio channels in the sequence are correctly set up for 5.1 and I don't want to change it... My pr
Estimate time to edit
by Paul Guarri 2 years ago
Hi, I have experience in editing cultural tv shows with interviews and b-rolls and documentaries but I was asked to cut a 15 minute scripted film for television. I have no idea of how much time a scri
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