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Michael Gissing

Sound & picture post facility. Fairlight Xynergi for audio & Resolve for picture post.
Member Since:
February 19th 2008
5520 Posts
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Location:
Tasmania, Australia
Wile Apple was launching its saucer
by Oliver Peters 2 days ago
Dial envy anyone https: www.youtube.com watch v=TwWs2jIy4js I would imagine Andy will chime in with "I told you so". - Oliver Oliver Peters Post Production Services, LLC Orlando, FL www.oliverpeters.c
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David Lawrence liked this 4 hours ago
Re: While Apple was launching its saucer
by Michael Gissing 2 days ago
I wonder if i could install Linux Mint on it Obviously it would need to dual boot so I can use the pen and wheel based WIN software but I would to replace my Dell laptop and Nvidia Shield tablet at so
FCP X at the NAB Supermeet - Thomas Grove Carter live edit demo.
by Bill Davis 1 week ago
https: youtu.be iaeux3cGtQo Creator of XinTwo - http: www.xintwo.com The shortest path to FCP X mastery.
Re: FCP X at the NAB Supermeet - Thomas Grove Carter live edit demo.
by Michael Gissing 2 days ago
Steve Connor "Yes but Resolve still has those "turn of the century" tracks, with all the clip collisions and track patching problems that plagued us all for years......apparently" I said at the begin
Well, THIS should kickstart a few discussions soon...
by Bill Davis 4 days ago
Off the Tracks A Documentary about the FCP X Launch coming soon. https: www.youtube.com watch v=H7Wzxiefbig&feature=youtu.be ; ) Creator of XinTwo - http: www.xintwo.com The shortest path to FCP X mas
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David Mathis liked this 3 days ago
Re: Well, THIS should kickstart a few discussions soon...
by Michael Gissing 3 days ago
greg janza "Alex Gollner in the trailer: "If you're a storyteller, it doesn't matter what software you use." Alex kinda says it all. It's a non-issue. Actually that makes no sense because it is demon
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Article: Fairlight + Resolve, Part 1: The DAWn of a Resolved Era
by Marco Solorio 1 week ago
DaVinci Resolve Fairlight + Resolve, Part 1: The DAWn of a Resolved Era Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW)
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Simon Ubsdell liked this 6 days ago
Re: Article: Fairlight + Resolve, Part 1: The DAWn of a Resolved Era
by Michael Gissing 7 days ago
As a long time Fairlight user and Resolve color grader, this is the dream combo. For me the most remarkable thing is that an integrated audio and picture finishing tool means no more running between r
Audio transitions dont work
by Tom Jones 1 week ago
Help When I try putting the audio transitions over audio tracks they don't seem to have any effect. Ive tried all of them. I have 14.0.
Re: Audio transitions dont work
by Michael Gissing 1 week ago
It's probably better to hop over to the Blackmagic forum to check if this is one of the current bugs in this beta software. There are threads with lists of what is an isn't quite working. https: forum
Interview with Thomas Grove Carter
by Ronny Courtens 3 weeks ago
I have really enjoyed reading this: https: digitalfilms.wordpress.com 2017 05 06 a-conversation-with-thomas-grove-carter Thank you, Oliver. - Ronny
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Richard Herd liked this 2 weeks ago
Re: Interview with Thomas Grove Carter
by Michael Gissing 2 weeks ago
The tools to edit and completely finish have been available for a long time. I started grading in FCP4.5 and finishing for broadcast. This is over 12 years ago. All that has changed is the tools have
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DCP issues for a newbie
by Adriano Castaldini 2 weeks ago
Hi everyone, I'm in a big trouble: I've made a video with Davinci in Prores4444 1920*1080 @25fps (pal) using Rec.709 as color space. It was clearly video oriented. Now, the video has been selected for
Re: DCP issues for a newbie
by Michael Gissing 2 weeks ago
DCP can handle many frame rates including 25 but in my experience a lot of cinemas are a decade behind and many only safely handle 24fps. You might need to ask a lot of questions to determine if 25 is
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Provacative: Michael Cioni at NAB 2017 - "Do I have Stockholm Syndrome with Apple?"
by Bill Davis 3 weeks ago
Definitely worth the time to watch if you care about the future of Apple in video. https: youtu.be i117f6RUKos Creator of XinTwo - http: www.xintwo.com The shortest path to FCP X mastery.
Re: Provacative: Michael Cioni at NAB 2017 - "Do I have Stockholm Syndrome with Apple?"
by Michael Gissing 3 weeks ago
Tim Wilson "In that sense, it's quite realistic indeed. It would be lovely world if we were the ones in charge of specifying what the client received as deliverables. But that ain't THIS world." Broa
Recommended video card for me?
by Kaitlyn McLachlan 3 weeks ago
I'm looking to upgrade my video card so I can functionally do some video editing. Have a bunch of 4k clips, although I can use the "optimized media" in davinci resolve. Right now I only have a GT 620
Re: Recommended video card for me?
by Michael Gissing 3 weeks ago
If 4k matters, the extra GPU memory makes a big difference to real time performance. The other ting to consider is Resolve 14 has a new playback engine which gives much better performance so maybe you
OT Resolve 14
by Steve Connor 1 month ago
BMD press conference will be on shortly but a number of pictures have been appearing on forums showing that it now has a "Fairlight" tab!
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Chris Harlan liked this 4 weeks ago
Re: OT Resolve 14
by Michael Gissing 3 weeks ago
Andrew Kimery "Now you just need most of your client editors to decide Resolve is the best NLE for them and you'll have it made in the shade. ;)" Less important these days with fairly reliable xml tr
Markers or Metadata - The Debate!
by David Lawrence 4 weeks ago
One of FCPX's great strengths is its metadata-driven organizing tools. They're so good I've built logging workflows around them, even though I like cutting in Premiere Pro. But depending on your work
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Chris Harlan liked this 3 weeks ago
Re: Markers or Metadata - The Debate!
by Michael Gissing 3 weeks ago
Shawn Miller "Are you still shooting with the 4.6k Ursa Mini Michael If so, what format are you tending to capture in " Yes plus I also have my older Blackmagic 4k brick. Mostly I am shooting UHD Pro
Looking for DaVinci Resolve 14 training
by Svetlana Katsnelson 4 weeks ago
Just got back from NAB and eager to learn the new version. Can anyone recommend a good class or a tutorial
Re: Looking for DaVinci Resolve 14 training
by Michael Gissing 3 weeks ago
As a Fairlight user I can confirm that most of the Fairlight manual is not in the Resolve manual. It is an overview only with some Resolve specific things but almost all of the edit, patch and automat
Color/Compositing Workflow
by Matt Dunne 4 weeks ago
Hi guys, hoping to have someone with more experience than I help me out with something. We are working through a video that requires a ton of compositing work, marrying camera moves together, set clea
Re: Color/Compositing Workflow
by Michael Gissing 4 weeks ago
On a recent job the issue of grading post composition was highlighted. These days most cameras shoot flat or log images. I had a sequence of shots behind a generated graphic that had movement. Parts o
Don't run Resolve 14 Lite on Windows 10
by leaning less 4 weeks ago
One of the files this plug-in needs cannot be found, please reinstall or contact technical support for assistance 0xC1 (attempting to load iZInsight.dll or C:Program FilesSteinbergVstPluginsiZInsight.
Re: Don't run Resolve 14 Lite on Windows 10
by Michael Gissing 4 weeks ago
Is the .dll in the folder Perhaps the plugins are not in the default folder. You can change or add VST folders in Resolve if plugins are missing. But why do you say not to install resolve 14 on Win 10
Premiere pro XML to Resolve
by Vinod Raja 1 month ago
I have just completed editing a long project involving lots of footage filmed over two years on an Premiere pro, Mac version. I exported an XML and imported it into Resolve 12.5. All the clips are in
Re: Premiere pro XML to Resolve
by Michael Gissing 1 month ago
Are the subtitles actual files like png or tiff Otherwise there is nothing to reconnect. If you used the text generator in Pr then Resolve will try to approximate using its text generator. If it was a
protools free
by Ricardo Marty 2 months ago
Does this intergrate with resolve like the regular protool R Marty
Re: protools free
by Michael Gissing 1 month ago
Of course the purchase of Fairlight a while back will obviously mean big improvement to Resolve's audio but Fairlight are also experienced in interchange formats for audio so I expect resolve to handl
Making my intro with davinci 12.5 cant figure this out
by Zachary Dodson 2 months ago
I am pretty new to editing and have been using davinci for a lil over 2 months. I want to make my intro using it and I know my terminology will be wrong but I hope someone can help me out. I want to s
Re: Making my intro with davinci 12.5 cant figure this out
by Michael Gissing 2 months ago
It can be done in Da Vinci but of course better done in a proper compositing program like Fusion or After Effects. There may even be a template for AE for this. Or Motion if you have Apple software. F
Logo Animation Looks Soft on Export
by Jenn Belleville 2 months ago
Hi There & Thanks In Advance!!! I'm working in FCP 7.0.3 and a 640 x 480 NTSC SD sequence. My footage is a 640 x 480 QT file. I also need to use an animated logo that is a 1920 x 1080 MPEG-4 file. Thi
Re: Logo Animation Looks Soft on Export
by Michael Gissing 2 months ago
I'll bet your sequence settings have defaulted to DV codec. If so then change the sequence codec settings to ProRes 422 and it will render better. DV is a horrible old legacy codec that turns graphics
PC video to HDCAM HD
by Andre Anthonio 2 months ago
Sorry if I'm in the wrong place but I'm a TV editor who desperately needs a solution. I'm editing a TV show in Sony Vegas. I love my Sony Vegas and have no plans to change. That's not the problem. Rat
Re: PC video to HDCAM HD
by Michael Gissing 2 months ago
The free version of da Vinci Resolve should be able to encode this from an Uncompressed codec or something like DNxHD codecs from Vegas. The only issue is 1440 x 1080. This 4:3 non square pixels which
Frame Rate When Ripping DVDs?
by Bobby Hall 3 months ago
I'm editing a reel consisting of movie scenes from DVDs and I have some questions about frame rates. As I understand it, when a 24 fps film is put on DVD, it's first slowed down to 23.976 fps and then
Re: Frame Rate When Ripping DVDs?
by Michael Gissing 3 months ago
The speed difference is .1%, far too small to have any pitch consequences. My understanding of the need to shift frame rates from 30 to 29.97 was that the color subcarrier was being modulated by the l
Using Nvidia gtx680 to output final cut pro 7 on HDMI port
by Daniel Hess 6 months ago
I have anolder Mac Pro (early 2008) running an NvidiaGeForce GTX 680 graphics card. I'm running Finalcut Pro 7. Does anyone know if it's possible to route the timeline output that normally runs on the
Re: Using Nvidia gtx680 to output final cut pro 7 on HDMI port
by Michael Gissing 5 months ago
Blackmagic or AJA make PCIe cards that are designed to feed a clean TV signal to a TV. A graphics card will not do this. You might be able to get it working but Blackmagic cards are pretty cheap and t
Transcoding 50fps to 25fps without making clips slow motion
by Romina Rey 7 months ago
Hi I need to transcode raw footage shot at 50fps for a project that will be entirely at 25 fps and the editor wants all the footage to run at regular 25fps and not slow motion. What is the best and fa
Re: Transcoding 50fps to 25fps without making clips slow motion
by Michael Gissing 7 months ago
The Alexa and Ursa Mini both shoot slow mo within a 25 fps wrapper. You only shoot that way when you are shooting slo mo so the camera person either doesn't know how to shoot 50p or it was intended to
Can't playback .mov files smoothly
by Cynthia Stepien 7 months ago
I have received .mov files from my wedding videographer that was shot on a Nikon with a 1920x1080 and 25 frame rate. Originally I had tested his clip and it was viewable on my mac osx 10.8.4 I tried t
Re: Can't playback .mov files smoothly
by Michael Gissing 7 months ago
Also it is a nightmare to mix frame rates like this. If the 59.94 shots are meant to be slow mo then that is OK. You use Cinema Tools to change the frame rate to 25. If they are not slo mo then you wi
Problem with Color form final cut studio - Playback flickering
by Miguel Faro 8 months ago
Hello I am having some problems with Color from final cut studio . Every sequence I send from final cut (i've tried from different projects - SD, HD, PRORES, DV - and using different hard drives) play
Re: Problem with Color form final cut studio - Playback flickering
by Michael Gissing 8 months ago
Color was designed to work with AMD graphics and older OS as Shane has mentioned. I have heard that it could work but accurate onscreen display was a problem with NVIDIA cards. But once you go to Colo
encoded pixels 720 x 576 to display at 1025 x 576
by garry rigby 8 months ago
Hi. I need to encod pixels 720 x 576 to display at 1025 x 576. I can do this in QuickTime Pro 7 but I need to use Final Cut to add the timecode. How do I do this using Final Cut Pro 7 The movie proper
Re: encoded pixels 720 x 576 to display at 1025 x 576
by Michael Gissing 8 months ago
SD PAL 16:9 is done within a 4:3 frame with squeeze (non square pixels). You can export as a self contained movie with current settings and take that into Compressor and output a 1024 x 576 25fps quic
Slowed down DV footage jumpy and jittery in FCP7
by Dennis Brant 8 months ago
Hi, I still work on FCP7 because I don't like the changes made since then in the software. I have a .dv clip that I have imported into FCP7 and I have reduced the speed to 25% with frame blending. In
Re: Slowed down DV footage jumpy and jittery in FCP7
by Michael Gissing 8 months ago
A big problem with DV in the PAL world is that DV is lower field and everything else is Upper (or progressive). To make the slow mo work if you are using a timeline with Upper like HD ProRes is to bak
Log & Transfer keeps crashing when I want to import multiple clips
by Ryan MacDonald 8 months ago
I have the latest version of El Capitan OSX. I still use Final Cut 7 and it's never been a problem until today. I went to log and transfer to import some footage from my sandisk sd card. I couldn't ma
Re: Log & Transfer keeps crashing when I want to import multiple clips
by Michael Gissing 8 months ago
If you have done the usually trash & restore preferences (hopefully with Digital Rebellions tool) then it may well be an OS issue. It is only a matter of time so unless you have a need to upgrade the
News: Boris FX and GenArts Announce Significant Merger of Industry-Leading Visual Effects Software Companies
by Cow News Droid 9 months ago
Plug-in leader Boris FX acquires Sapphire tools and team to become the powerhouse in post-production software industry (Boston, MA--September 9, 2016) Boris FX , the leader in integrated VFX and workf
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Ronald Lindeboom liked this 8 months ago
Re: News: Boris FX and GenArts Announce Significant Merger of Industry-Leading Visual Effects Software Companies
by Michael Gissing 8 months ago
I'm liking the current merger season. I've opted for Boris CC10 OFX for Resolve and I agree with Walter that they are not overpriced. I also have Red Giant Universe and hope that GenArts will start to
Offline // Online workflow for FCPX
by Liz Parham 2 years ago
Before we make the switch from FCP7, I just want to make sure an offline online Proxy workflow is doable for a feature length documentary with over 10tb of footage. Ideally, we would want to transcode
Re: Offline // Online workflow for FCPX
by Michael Gissing 2 years ago
The most important people to talk to are the people that will have to grade and online the final. As that is the job I do I am constantly dismayed by ignorance of finishing workflow by many editors an
Issue with fcpx multicam editing!
by Guillaume Gauthier 2 years ago
I'm trying to edit a 8 cam tv show with multiclip on fcpx. My problem is when I switch cam it made an edit slice on video AND audio. I don't mean that audio is switched to, I know how to only switch v
Re: Issue with fcpx multicam editing!
by Michael Gissing 2 years ago
Bill Davis "Just as anyone AVID or Premier certified can as well. Period." Bill, Dennis R will hunt you down if you don't stop spelling Premiere wrong. Try just the abbreviated form - Pr.
Moire.......i think?
by Martin Stanesby 2 years ago
Hi, Can anyone tell me first off how I got jagged lines on a still object straight edge, with no camera movement against a white background I've managed to upload a still snapshot of it. It's the hori
Re: Moire.......i think?
by Michael Gissing 2 years ago
Looks like line skipping causing aliasing. Can't see any chromatic aberration. The in camera filters that help this are basically blurring the picture. The sharper the lens the more obvious this can b
New to FCPX and stuck
by Onekea Ohana 3 years ago
Been a long time since I've been here, glad to see CC still thriving!! Recently upgraded to FCPX against my better judgement, but I figured I needed to do it at some point. So far I'm liking it, getti
Re: New to FCPX and stuck
by Michael Gissing 3 years ago
http: forums.creativecow.net fcpxtechnique Use this forum for FCPX. No many regulars here use FCPX
Premiere CS6 - Much to love... but the performance is killing me
by Mike Jackson 4 years ago
I'm trying to make the transition from FCP to Premiere, and it's not going well. There's a lot to love, but my basic performance on a MacPro tower is just abysmal. I've scoured the web, spent two hour
Re: Premiere CS6 - Much to love... but the performance is killing me
by Michael Gissing 4 years ago
Is SL running in 64 bit or 32
Fixing echoey audio
by Adam Kitter 4 years ago
Hey so this might be futile but I have been surprised from some of the guru's on here in the past so heres my issue. long story short I shot an interview, had the subject mic'ed up, somewhere along th
Re: Fixing echoey audio
by Michael Gissing 4 years ago
There are some VST plugins that might help. The idea of deconvolving reverb hash been around for a while. I recently tested the demo version of this and was impressed. It isn't cheap but it is good. h
FCPX crashed today
by Steve Connor 5 years ago
Only the second time it has since 10.05 came out, I didn't lose any edits. Steve Connor 'It's just my opinion, with an occasional fact thrown in for good measure"
Re: FCPX crashed today
by Dominic Deacon 5 years ago
Not saying this to be snarky or to compare to X at all (which is obviously a young program) but I've just found this remarkable and wanted to note it: I've been using Edius daily since X was released
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Michael Gissing liked this 5 years ago
The SuperApp? A current Smoke user's take...
by David Jahns 5 years ago
As a long time FCP user, and now currently a recent Smoke-Mac user, I've been swamped with discussion about the new version. I started to write a post here during NAB, then it became a longer article,
Re: The SuperApp? A current Smoke user's take...
by Michael Gissing 5 years ago
Thanks for the thoughts and insight. Exciting times indeed.
Smoke is changing- into Final Cut Extreme
by Derek Andonian 5 years ago
So I went to the legacy FCP forum to see if anything was being said over there about the CS6 update, and while I was there I found an interesting thread by Walter Biscardi about the smoke transformati
Re: Smoke is changing- into Final Cut Extreme- New Features Page?
by Michael Gissing 5 years ago
Robert Brown "My condolences to those who paid the $17K." Surely the first test of how Autodesk treats customers will be how they deal with this inequity. Obviously a free upgrade for anyone who boug
FCP X Project does not import into Automatic Duck
by Matt DeGennaro 5 years ago
Trying to import a project into Automatic Duck Pro Export FCP to export out OMF files for a sound mix, but it ain't happening. The weird thing is that other projects import just fine - I drag them int
Re: FCP X Project does not import into Automatic Duck
by Michael Gissing 5 years ago
An OMF can have separate or embedded media that will be either wav or aif. So your sound guy probably wanted an OMF with wav formatted media. If you can export the OMF with media non embedded the 2 gi
aspiring video editor
by Andrew Marasco 6 years ago
Hi I am currently a college sophomore at a local community college in california with a few questions. I have a love and passion for film and film editing and wanna get into the professional world. I
Re: aspiring video editor
by Michael Gissing 6 years ago
Sean Thomas "Avid, Adobe, Apple - who cares." I do as should any post facility that has to take an editors cut and finish it for broadcast or cinema release. If, as an editor, you don't care about wo
Roles: got 'em to work.
by Mark Morache 6 years ago
Alright, I think I get it. Select clips -- assign role. I can use the minimize button to shrink the tracks that I've already assigned, and then assign (or re-assign) the remaining tracks. Makes sense.
Re: Roles: got 'em to work.
by Michael Gissing 6 years ago
Craig Seeman "It also means Apple will focus on core functions." That's the core of my comment. I can't see OMF export as a non core function. If FCPX couldn't export a quicktime everyone would have
5d prores transcode glitch
by dan smith 7 years ago
Hi There I have a weird issue with some pro-res 422 (HQ) files i have created using log and transfer (in final cut 7 using the canon plugin for log and transfer) from our Canon 5D mkII. The camera is
Re: 5d prores transcode glitch
by Michael Gissing 7 years ago
Not much point in using HQ. Normal ProRes422 is fine for footage coming from a DSLR. Have a search on the Final Cut Pro forum for advice from Gary Adcock about avoiding HQ except for 2k up frame sizes
Canon 5D Mark II Audio Question
by Rory ORear 7 years ago
Hi, I'm currently trying to decide on a good audio set up for my Canon 5D2. What I want is something AGC elimination with two XLR inputs that isn't too unwieldy for both tripod and handheld recording.
Re: Canon 5D Mark II Audio Question
by Michael Gissing 7 years ago
The 5dmk2 firmware upgrade a few months ago got rid of AGC. So using a device that puts noise on track two is no longer necessary. If you need mic powering, then best advice is a small sound devices f
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