Michael Buday: Activity About Images
Michael Buday

Member Since:
September 21st 2015
19 Posts
Depth of field / focus with Photos?
by Michael Buday 9 months ago
I know I can do this in After Effects, but I'd love to avoid going back and forth between AE and AVID given the number of photos I need to manipulate as follows: I want to rotate photos and animate th
Re: Depth of field / focus with Photos?
by Michael Buday 9 months ago
It looks like a "squeeze" because you can't see the edges of the photo, but in fact it's simply a rotation in "X", which changes the position of the L R sides in Z space. Yes, most likely you can mimi
Replace clip w/o affecting Symphony Color Correction
by Michael Buday 10 months ago
Is there a way to replace a clip on the timeline without removing Symphony color correction applied to it I know with nested effects I can drill down and replace the underlying native clip w o removin
Re: Replace clip w/o affecting Symphony Color Correction
by Shane Ross 10 months ago
Yes, that you can do Shane Little Frog Post Read my blog, Little Frog in High Def
The Definitive Way to Import/Resize a High-Res .jpg?
by Sam Caino 11 months ago
Hi Folks, Long time editor, first time Avid'er. I have a .jpg that's 3271x2450. I want to import it into Avid, retaining the highest resolution possible without Avid stretching it to 16x9, then I want
Re: The Definitive Way to Import/Resize a High-Res .jpg?
by Michael Buday 11 months ago
I went thru hell re: bringing images into the AVID on a huge project. The assistant editor said the BEST way to ingest images was to create a separate project at the highest possible resolution, trans
Time Warp (Motion Effect Editor) with over-cranked clips
by Michael Buday 11 months ago
Offline Project: 1080P, 23.98fps Online Project: UHD, 23.98fps Maybe I was led astray a long time ago, but I was told to ALWAYS ingest clips that are over-cranked (in my case, 1080P, 60fps, or 120fps)
Re: Time Warp (Motion Effect Editor) with over-cranked clips
by Michael Phillips 11 months ago
There was a version when source side playback was added combined that things got easier and one can mostly stay in the same project now. I have always hated having to create a project per frame rate,
Applying FRAMFLEX and LUT source settings to clips already in a SEQ
by Michael Buday 11 months ago
I'm running the latest AVID Media Composer software, 2018.5. We're using Sony, SLOG 3 LUTS and FRAMEFLEX adjustments on AMA linked clips. The FRAMEFLEX adjustment is need to make sure camera material,
Re: Applying FRAMFLEX and LUT source settings to clips already in a SEQ
by Pat Horridge 11 months ago
Easy. Use show reference clips from the bin display or match frame from the seq to get the source clip. Set frame flex and LUT. Then use refresh seq and choose the appropriate options to update. Pat H
Sony FS7 and XAVC-I Codec in Premiere
by Michael Buday 4 years ago
I'm going to be shooting a large amount of material at 4K, most likely using the Sony FS7 and the XAVC-I codec @23.98fps. I'm wondering if anyone has worked natively in this format with Premiere Pro.
Re: Sony FS7 and XAVC-I Codec in Premiere
by Michael Buday 4 years ago
Well, Adobe released the latest versions of CC 2015 today, and I'm pleased to say that Premiere on El Capitan is now is as fast as FCP-X - lightening fast with 4K and native Sony XAVCI MXF media. A li
How to add Log files to FCP X?
by Michael Buday 4 years ago
In latest version of FCP X, via the CLIP INFO tab, you can add a LOG LUT profile to source clips PRIOR to dropping them on to a timeline. The drop-down selector provides a few basic LUT's from Arri, C
Re: How to add Log files to FCP X?
by Michael Buday 4 years ago
Thanks Oliver - that's what I thought. Gotta tell you, I'm evaluating AVID, Premiere, Resolve-12 and FCP-X for this trailer I'm cutting for the Docu-Series pilot I discussed with you, and w o a shadow
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