Matteo Ferreccio: Activity About
Matteo Ferreccio

spots, commercials, concept arts, storyboarding, comic arts, video editing, compositing, motion graphics, color grading, VFX, title design
Member Since:
June 13th 2011
30 Posts
Location:
TORINO
After Effects - Camera [layer] Settings
by Matteo Ferreccio 5 months ago
Hello everyone. I'm doing preliminary research for my university thesis, and I am looking for material about simulating cameras, i.e. simulating a virtual combination of sensor and lens (given their g
Re: After Effects - Camera [layer] Settings
by Richard Garabedain 5 months ago
People who use cameras in 3d enviroments often complain about after effects camera. It is hard to navigate when you are inside of it...easier to animate from a perspective view
RENDER FORMAT for professional delivery - AE - Windows Machine
by Matteo Ferreccio 11 months ago
Hi everyone, I'd like to seek professional advice regarding delivery format of a RENDER. I just finished compositing & color grading a short film. It was shot on a DSLR, so .mov h264 is the shooting f
Re: RENDER FORMAT for professional delivery - AE - Windows Machine
by Adam Lewen 11 months ago
My 2 cents, from my experience with TV and film productions, is that you wand to preserve as much as you can and meet postproduction standards - DPX sequence. Verify with the crew that you deliver to,
HOW TO CHOOSE GRADING MONITOR - EIZO CG2730 or Similar
by Matteo Ferreccio 12 months ago
Hello all. I'm a BMPCC user (I usually shoot and post-produce RAW) and I'd like to invest in a accurate grading monitor. The majority of my work is video post that ends up on the internet, so surely 1
Connecting Grading Monitor to a Laptop (ASUS ROG)
by Matteo Ferreccio 1 year ago
Hi everyone. I'd love to seek some advice from this community about the possibility to use a grading monitor connected to a laptop, in my case an ASUS ROG, nvidia GTX 1050 (it does have the display po
nvidia settings problem - HDMI 10bit - wide gamut monitor
by Matteo Ferreccio 3 years ago
Hi, I work on grading projects from an Asus notebook equipped with the Intel HD Graphics 530 (integrated) and the GeForce GTX 960M, 4GB (System: 16GB RAM). Both Windows 10 and the GeForce drivers are
Quality Black & White in Post-production - AE
by Matteo Ferreccio 4 years ago
Hello all! I am grading HD color footage in AE CC2015. I need to achieve a quality black and white, and footage was shot accordingly. The easiest thing would be setting the saturation to zero and twea
Re: Quality Black & White in Post-production - AE
by Chris Wright 4 years ago
here's some ways off the top of my head... 1. you can set contrast on separate channels with effect - shift duplicate footage 3 times, set transfer modes to screen in layer1, set red to full on, blue
Best web encoding for animation video
by Matteo Ferreccio 4 years ago
Hello all. I just finished a 1 minute commercial entirely animated in AE. My master copy is a PNG sequence, plus an audio track of course. So, which is the best way to feed a version to youtube vimeo
Re: Best web encoding for animation video
by Walter Soyka 4 years ago
One note, before the web compression bit: Matteo Ferreccio "I just finished a 1 minute commercial entirely animated in AE. My master copy is a PNG sequence, plus an audio track of course." PNG is rela
Compositing Breakdown for showreel
by Matteo Ferreccio 4 years ago
Hello everyone. I'd like to build a showreel from some compositing work I done over a couple of years. Breaking down in cool ways looks to be a little time consuming. I was wondering: does it exists s
Color Space Managment/Linear Workspace Settings for .R3D Raw Grading in AECS6
by Matteo Ferreccio 5 years ago
Hi everyone. I am new to RAW workflow, so I can't get some things to work properly. Issues about footage interpretation and color space managment. _____________________________________________________
Re: Color Space Managment/Linear Workspace Settings for .R3D Raw Grading in AECS6
by Matteo Ferreccio 5 years ago
Many thanks for the explanations. "Your footage interpretation should match the footage." Ok, I'll do further research on the .R3D color space then. "Why not just do this in REDCINE-X " Because I don'
Wiggler "Y" and Slider Control
by Matteo Ferreccio 7 years ago
Hello all. Is it possible to apply a "Slider Control" on a wiggle that moves only the "Y" values Slider Control can be parented on a wiggle expression that moves equally X and Y. I need to move only Y
Re: Wiggler "Y" and Slider Control
by Matteo Ferreccio 7 years ago
Thank you very much. It works fine. May I ask, just to know it, what does mean the "value 0 " and " 1 " part Matt
Rendering Issue on deadline
by Matteo Ferreccio 7 years ago
Hola all. I am on deadline for a work and I have a big problem. To work fast, I didn't converted the .MTS video files native from the camera, and I did a lot of post-production on them. It is a 1-minu
Re: Rendering Issue on deadline
by Matteo Ferreccio 7 years ago
Already tried but didnt have any luck. Footage always ends up deteriorated. Maybe I found a solution using Adobe ME to convert every shot in a TIFF sequence, then replacing one by one the .MTS clip in
Best "proxy" format for fluid editing (PC, Pr CS4)
by Matteo Ferreccio 8 years ago
Which one are the best settings to export proxies for fluid editing in Pr CS4, having extensive HD .mov source files (not suitable fo editing) I've read somewhere Quicktime DNxHD or similar does the t
Re: Best "proxy" format for fluid editing (PC, Pr CS4)
by Kevin Monahan 8 years ago
Most use Cineform: http: www.cineform.com Kevin Monahan Sr. Content and Community Lead Adobe After Effects Adobe Premiere Pro Adobe Systems, Inc. Follow Me on Twitter!
Best "proxy" format for fluid editing (PC, Pr CS4)
by Matteo Ferreccio 8 years ago
Having uncompressed .mov original clips, "proxy" mode is needed for editing. So what's the best format for doing proxies of the originals, in a windows based Pr CS4 I've heard one of the best and flui
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