Mark Erickson: Activity About Popular
Mark Erickson

Member Since:
September 14th 2006
22 Posts
Location:
Los Angeles
Which DSLR camera is best for FCP workflow: Canon60D /Panasonic DMC-GH2
by Mark Erickson 10 years ago
My job: Industrial video production, usually shot on Sony HDV tape video cameras and digitized to FCP using AJA KONA LH. Old SChool. My problem: work wants me to choose a new camera for my job. A DLSR
+1
Isaac Brillant liked this 10 years ago
Re: Which DSLR camera is best for FCP workflow: Canon60D /Panasonic DMC-GH2
by Thomas Morter-Laing 10 years ago
I dont think autofocus on a DSLR should ever be used in a professional capacity, and on DSLRs i especially dont think it should be a deciding factor about the camera, until they improve on this. Peopl
Sequence Settings to export 720x640 H.264 Broadcast B-Roll
by Mark Erickson 11 years ago
Howdy, I'm making B-Roll files of an event in the field for local broadcasters in SD: QT H264 720 x 480. Their specs. So I'm bringing my CPU FCP etc.. and importing HDV via firewire. OK so far. I need
After the promises, will I still love the EX3?
by Mark Erickson 11 years ago
Hi everyone, I would like some advice from the (EX-1 3) Masters. I work in a government video unit making, what else, video for internal and external government communications. Our assets include olde
Re: After the promises, will I still love the EX3?
by Mark Erickson 11 years ago
Hmmm..... I'll look into the BPAV folder information and the Sony clip browser. More to investigate. That's OK, I like to learn. Thanks! "Cognito Ergo Es"
Total HDV Newbie Seeks Advice
by Mark Erickson 12 years ago
Hello All, Videographer Editor at government agency (Old Dog) seeks help digitizing and editing first HD footage project (new Tricks). For years I ve shot and edited SD 4:3 (Dvcam) due to budget const
Re: Total HDV Newbie Seeks Advice
by Mark Erickson 12 years ago
Thanks- I've printed your advice and the trying different workflows. I have a non-intel G5, will ProRes still work "Cognito Ergo Es"
First HD project: Total Newbie Needs Settings Help.
by Mark Erickson 12 years ago
Hello All, Videographer Editor at government agency (Old Dog) seeks help digitizing and editing first HD footage project (new Tricks). For years I ve shot and edited SD 4:3 (Dvcam) due to budget const
Moving a single audio track without effecting video/linked tracks
by Mark Erickson 13 years ago
My usual situation: Interview clip with video track 1 Audio tracks 1 & 2 (linked stereo) Move second audio to track 4 without affecting video and remaining audio track on 1. I could unlink but I might
Re: Moving a single audio track without effecting video/linked tracks
by Shirlyn Wong 13 years ago
I wouldn't worry about it unsyncing. Final cut will warn you when your A V are no longer sync by telling you how much the off sync is on the clip in red. But if you just want 1 & 4 tracks being used,
Project/hard-drive from other FCP plays back 4:3, not 16x9
by Mark Erickson 13 years ago
Project edited outside on FCP 6 using DVCpro50 footage. They ran out of money and gave it to me. Whole project media etc
Help: Aja Kona LH with no 16:9 analog out??
by Mark Erickson 13 years ago
Situation: Analog shop with a new Kona LH betacam RGB in out. Full screen 4:3 is great. 16:9 curveball. DV footage from analog source shot 16:9. Played from VTR the image is stretched vertical. OK, th
Re: Help: Aja Kona LH with no 16:9 analog out??
by Mark Erickson 13 years ago
10-4. I was hoping for a renderless timneline but I can make do. Thanks for the reply. I saw that AJA has a anamorphic coverter, but I think that's only SDI, correct
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