Marc Wielage: Activity About Liked Popular Images
Marc Wielage

Member Since:
April 21st 2011
859 Posts
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Joseph Owens
Importing Power Grades Resolve 14
by John Knapich 8 months ago
Cannot seem to import drx file to my Power Grade bin. I am right clicking in the bin and going to import. My .drx files are grayed out in the bin and I cannot select them. Any suggestions 2012 Mac Tow
Re: Importing Power Grades Resolve 14
by rob watt 2 days ago
hey John I just got around this issue by clicking option button in the bottom left corner when choosing while file to import. It will give you the option to highlight drx files and you can then import
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Marc Wielage liked this 2 days ago
Exporting problem
by Rob Dunford 4 days ago
I'm fairly new to Resolve, having migrated from FCP7 recently. I'm getting the hang of the interface but I have an exporting problem that defies my investigation! I'm exporting to a QT MOV file and in
Re: Exporting problem
by Marc Wielage 4 days ago
Rob Dunford "I'm fairly new to Resolve, having migrated from FCP7 recently. I'm getting the hang of the interface but I have an exporting problem that defies my investigation! I'm exporting to a QT M
Qualifier issue when using Output LUT
by Murray North 3 months ago
Hi there! I am using a pathway that involves working on LogC footage, and doing SDR and HDR grades on that footage using specific LogC- SDR and LogC- HDR 3D LUTs. This all works perfectly, but it can
Re: Qualifier issue when using Output LUT
by Marc Wielage 4 days ago
Michael Tiemann "I would like to know this, too! Could it be that the answer is "Use the $30,000 Panel" because that panel provides a level of picking precision that's impossible to achieve using the
Davinci Resolve Studio 15 - stable, freezed noise/grain?
by Ilona Konovalcika 6 days ago
Hello, I m wondering - is it possible somehow to freeze noise grain in Davinci I need it not quite for a film effect, more for prevent banding. I already tried "Film Grain" but it is not static (or I
Re: Davinci Resolve Studio 15 - stable, freezed noise/grain?
by Marc Wielage 6 days ago
Ilona Konovalcika "No, I m trying to prevent banding from 12 bit, surprisingly " I'm confused. How are you monitoring the image, and how are you sure the banding is not just in the monitor as opposed
Can't connect to Database using the project server software
by Thomas Beckers 1 week ago
I am new to Davinci Resolve 15 and i was trying to make a joined project server but every time i try to connect it fails and gives me this error message: 0x000008e8 DbCommon2 ERROR 2018-09-10 14:25:24
Re: Can't connect to Database using the project server software
by Marc Wielage 1 week ago
I believe Resolve 15 requires Windows 10 according to all the Configuration documents.
Recommended Laptops of DaVinci Resolve
by Isaac Skirton 2 weeks ago
Hi, Does anyone have any recommended laptops that for DaVinci Resolve 15 I'm from the UK and have a budget of 1500- 2000 ($2000-$2600) Thanks!
Re: Recommended Laptops of DaVinci Resolve
by Michael Gissing 2 weeks ago
I recommend reading the configuration guide on the Blackmagic support page. Depending on what you wish to use Resolve for you will need thunderbolt to run outboard I O and external GPU to get performa
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Marc Wielage liked this 2 weeks ago
Adjusting only luminance with the color wheels? Always a good idea?
by Richard Swearinger 3 weeks ago
While using the primaries wheels to adjust the scene brightness, how do you decide whether to change YRGB or only adjust the luminance channel * I was taught that changing only the luminance would hel
Re: Adjusting only luminance with the color wheels? Always a good idea?
by Marc Wielage 2 weeks ago
Chris Wright "use resolve's LAB mode" You might use this for special situations where you need some really precise, targeted adjustment, but in the real world, we rarely have the time to get that sup
Resolve 15 - Relinking Optimized Media?
by Gene Strocco 2 weeks ago
Hello all, New Resolve user here, and have a question about how to relink Optimized Media if Resolve can't "rediscover" them. Working with RED footage on an older iMac, so I optimized all my clips to
Re: Resolve 15 - Relinking Optimized Media?
by Tero Ahlfors 2 weeks ago
I haven't used the relinking optimized media feature a bunch but as a workflow thing: If you're making A LOT of optimized media that you want to move around it would probably be better to make proxies
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Marc Wielage liked this 2 weeks ago
30/60p into 24p timeline yielding choppy playback
by Duke Sweden 2 weeks ago
I've followed the proper steps, created a project with everything set to 24p, dropped, on two different timelines, a 30p and a 60p clip, and set "Retime" to Nearest, but the results are choppy. Is tha
Re: 30/60p into 24p timeline yielding choppy playback
by Tero Ahlfors 2 weeks ago
Putting an offspeed clip in a 24fps timeline doesn't make it look like it's been shot at 24fps although it is running in 24fps (frame drops or blending included).
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Marc Wielage liked this 2 weeks ago
Audio not importing in davinci timeline
by Rakshith Cpapu 4 weeks ago
Hi all, I was syncing sound in davinci by importing clips from media pool, but i have no idea what happened suddenly the timeline wouldn't import the audio(not just new audio even the previously impor
Re: Audio not importing in davinci timeline
by Marc Wielage 3 weeks ago
What format is the sound, and what format are the video tracks Which version of Resolve, what operating system, and what hardware (CPU, GPU, i o) are you using
Make Davinci work like Sony Vegas?
by William Terrio 3 weeks ago
I know this sounds silly, but sometimes these programs can be very customizable, and it appears Davinci can. I really like some of the features on Davinci(the text maker is awesome), but I extremely h
Re: Make Davinci work like Sony Vegas?
by Marc Wielage 3 weeks ago
William Terrio "I absolutely love how Sony vegas functions and works, has anyone found a way to make Davinci control similarly to Vegas " I think there's a point with any software where you have to h
Output Gain Changes Seem to Effect All Nodes
by Merek Alam 3 weeks ago
Hi, I'm a newbie when it comes to Resolve, but from what I understand, if one wants to turn down the strength of a LUT, all you have to do is reduce the Key Output Gain. However, when I do this, it se
Re: Output Gain Changes Seem to Effect All Nodes
by Marc Wielage 3 weeks ago
I just tried it, and I don't get a gray screen. Is it possible you have the HIGHLIGHT mode on Another way to selectively bypass a correction is to use a power window, have the window cover the entire
subtitle workflow -> feature request
by Andi Winter 4 weeks ago
dear bm! i am beginning to use the new subtitle feature on an actual job, and so far it works quite well. it is most def simpler than my old import belle nuit, render tiffs, export edl, import tiffs w
Re: subtitle workflow -> feature request
by Joseph Owens 3 weeks ago
I expect their word processing will improve, given that this is Subtitle0.1... As a free add-on, no... it certainly doesn't do what MacCaption or CaptionMaker are capable of, Which is exactly what you
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Marc Wielage liked this 3 weeks ago
That same old question...
by Eric Santiago 4 weeks ago
It seems to pop up every so often here and other apps. How do you folks deal with projectors and media players I get to see my work maybe once or twice a year in public venues so experience is lacking
Re: That same old question...
by Michael Gissing 4 weeks ago
The answer is to not go to screening in uncontrolled spaces. I have found so much atrociousness in commercial cinemas let alone convention halls. I honestly just can't attend many screening because of
+1
Marc Wielage liked this 3 weeks ago
LUTs LUTs LUTs!!!
by Kevin Camin 3 months ago
Hi Everyone, I have a few color grading questions surrounding LUTs. Preface: I fully understand what they are. And in full disclosure, I work in a small internal team where I am the post-production su
Re: LUTs LUTs LUTs!!!
by Marc Wielage 1 month ago
I saw no answer to your question, so I'll pitch in. A "temp LUT" is fine to get through the edit if it helps the creative team see a meaningful picture. And that includes on the set as well. It's up t
The shape of employment ads to come?
by Bill Davis 3 months ago
https: www.facebook.com 293902117302206 posts 2643670622325332 Creator of XinTwo - http: www.xintwo.com The shortest path to FCP X mastery.
Re: The shape of employment ads to come?
by Shane Ross 3 months ago
Bill Davis "Someday, maybe it won't matter where an editor is physically located but today, it definitely still does. : )" Not really. Over the last 5 years I've been cutting a broadcast show where t
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Marc Wielage liked this 1 month ago
LACPUG - Randy Ubillos
by Oliver Peters 3 months ago
Learning about the beginnings http: www.fcp.co final-cut-pro articles 2095-randy-ubillos-back-to-the-beginnings-of-final-cut-pro-at-the-18th-anniversary-lacpug YouTube Pt 1 https: www.youtube.com watc
Re: Lightworks
by Shane Ross 2 months ago
Joe Marler "Scott may have been thinking exclusively about multiple editors working on the same timeline vs the FCPX approach where much of the work is of an organizational nature in the Event Browse
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Marc Wielage liked this 1 month ago
Why doesn't my videographer color balance with white card before shoot?
by chris pike 2 months ago
I'm new to video production. I occasionally hire people more experienced than myself to assist, and I learn by watching. I always ask these pros if they color balance with a white card before a shoot.
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Francis Martin liked this 2 months ago
Re: Why doesn't my videographer color balance with white card before shoot?
by Robert Olding 2 months ago
We white balance. We also include a DSC Lab's OneShot Plus right before we slate the first take of a scene. Most of the time we shoot using a camera's RAW codec, so white balancing isn't as big of a d
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Marc Wielage liked this 1 month ago
Animation Grading
by veronika koubova 2 months ago
Hi there, does anyone here have any experience grading animation I am grading a baby animation which is exposed from 3DsMax and everything is very exposed and some colours are oversaturated. everythin
Re: Animation Grading
by Joseph Owens 2 months ago
veronika koubova "Gamma is Input: 2.2 and Output: 1.0." ... might be one of the only useable pieces of information here... (and invalid for cinema production anyway, as the television industry has al
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Marc Wielage liked this 2 months ago
The DaVinci -> Avid -> DaVinci proxies roundtrip that's been driving me crazy for years
by Noe Dodson 3 months ago
Dear all, This is my first time writing on this forum. I've found many great posts on here and so I hope that someone can help me elucidate this 2 year standing problem. Every time I have to edit usin
Re: The DaVinci -> Avid -> DaVinci proxies roundtrip that's been driving me crazy for years
by Mike Most 2 months ago
I suspect your main problem is that you have never worked with anything but file names. In Avid, file names mean nothing unless you force them to, but that's not how the Avid workflow normally works i
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Marc Wielage liked this 2 months ago
Best method for lowering red saturation
by Duke Sweden 2 months ago
90% of the time that I spend on post is dealing with oversaturated reds. I shoot in V Log. When I bring the clips into Resolve, I will do color correction, adjust contrast and color saturation. By the
Re: Best method for lowering red saturation
by Tero Ahlfors 2 months ago
There are a lot of techniques for doing one thing in Resolve. You might need to use multiple tools techniques to get the result you want.
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Marc Wielage liked this 2 months ago
Stabilizing with point tracker?
by Sabri Liefert 2 months ago
Hi, how can i stabilize footage with the point trackers (not with the cloud stabilizing method) I found out how to track points but don t know how to then stabilize the results thank you DR 14 and 15.
Re: Stabilizing with point tracker?
by Joseph Owens 2 months ago
Sabri Liefert "Kind of confusing why it s named "Classic Stabilizer" seems more like an advanced stabilizer menu." Because the newer "refined" version of any application is generally more automated -
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Marc Wielage liked this 2 months ago
Two excellent tutorials using Resolve 15 Fusion for masking and mattes
by Michael McCune 2 months ago
One challenge is to use the power of Fusion for masking and mattes and then use the power of Resolve to modify color in the color tab. But how to create the alpha mask in Fusion and stack it on the ti
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Marc Wielage liked this 2 months ago
Stuck with the RAW workflow..... !!!
by Nikhil Bhagat 1 year ago
Hey guys.. I really need some help regarding the 4k edit since this is my first time editing raw. I have shot a film on BM URSA mini 4.6k pro RAW @ 4k, 4:1 compression. I have a confusion between 2 ap
Re: Stuck with the RAW workflow..... !!!
by Marc Wielage 1 year ago
Well, you could conceivably do your entire edit, color-correction, and finish in Resolve. Simple VFX can work fine. If you had a shot here or there that needed complex effects, you could always export
Getting the 'ARRI' look (xpost from colour grading)
by josef brett 2 years ago
Hi all I've been trying to get the kind of look used in tv shows such as HBO's 'Girls' and Netflix's 'Flaked' for the past few months and I'm struggling. I'm not sure if i have the right kit if I'm ho
Re: Getting the 'ARRI' look (xpost from colour grading)
by Marc Wielage 2 years ago
They may also be using a bit of filtration on GIRLS, like a 1 4 Black ProMist or something to soften the look and glamorize it a bit. You can do some of this to a point with OFX filters in Resolve (or
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