Marc Wielage: Activity About Liked Popular Images
Marc Wielage

Member Since:
April 21st 2011
786 Posts
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Joseph Owens
DaVinci Resolve 14.3 constantly crashing
by jason ryan 1 day ago
I started a project in DaVinci Resolve 14.3. The editor gave me a flattened master of a 22.5 minute show, so I did scene detection to split it up into multiple clips so I could grade them individually
Re: DaVinci Resolve 14.3 constantly crashing
by Marc Wielage 18 hours ago
What OS What specific hardware (CPU, GPU, RAM, I O) What type of camera source files It should be no problem using a scene-detected timeline, particularly for something as short as 22 minutes. I've do
Cannot link to image files on AAF import (updated)
by Bill Russell 4 days ago
Update to the update. Nope, I was wrong. All the clips simply linked to the same one tiff file. Nrg. ______ Update. Well, it sort of worked... and I'm not certain how. Once I figure out what was the m
Re: Cannot link to image files on AAF import (updated)
by Marc Wielage 2 days ago
Bill Russell "I assume by "separate file" you mean as a movie file. Ugh. Well, thanks for the info. Anyway, I manually force-conformed every image file. It took an annoyingly long time. Cheers - b" I
Media pool search -- really doesn't search all bins?
by Bill Russell 5 days ago
I must be nuts, but entering items in the Media Pool search bar seems to only search the selected bin. At the top level, "Master", it finds precisely nothing. Tell me this is not how DR 14.2 Media Poo
Re: Media pool search -- really doesn't search all bins?
by Marc Wielage 2 days ago
Bill Russell "So, the way I'm "searching" for clips in the timeline is to export and EDL, open that up in a text editor, search for the clip name, then reference its timecode in the timeline. " My wo
XML import In Premiere pro Failed
by Alexandre Hotton 3 days ago
Hello I have a serous problem to export from Davinci To premiere pro XML. I did the Premiere pro set up in Davinci. When I want to open the exported xml , Premiere start the job... and nothing is impo
Re: XML import In Premiere pro Failed
by Marc Wielage 2 days ago
Keep the R3D files and the proxy files on two different drives, and make sure the Premiere XML points to just the drive with the specific files you want. Spanned clips -- like A005_C005_051521_001, A0
Mac choice for Resolve 14
by Bob Cole 3 days ago
I've read the manual, which offers specific computer advice, but I'd like some independent advice from someone who has used Resolve with the iMac, iMac Pro, and MacBook Pro. I've given up trying to us
Re: Mac choice for Resolve 14
by Marc Wielage 2 days ago
A lot depends on what kind of performance you expect from Resolve. In my opinion, even the recent MacPro laptops and iMacs are just not fast enough or expandable enough to do much. The iMac Pro can de
tiff stills imported as sequence
by Damien Molineaux 2 years ago
Hi, I'm pulling out my hair. I have project with a lot of stills in it, and they are coming in as sequences, probably because they have similar names. Davinci Resolve will make sequences of 2 to 3 ima
Re: tiff stills imported as sequence
by Rohit Gupta 2 years ago
The option is in the 3 dots menu at top right of media storage section.
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Marc Wielage liked this 2 days ago
Resolve slowing to a crawl
by Duke Sweden 2 weeks ago
This is so aggravating. Resolve used to run like butter but now it's just ridiculously laggy. I'm using optimized video (DnXHD 720 SQ, for cryin' out loud!), set Render cache to "User", and checked "R
Re: Resolve slowing to a crawl
by Michael Gissing 1 week ago
So try deleting the render cache for that project (not your optimised media) and allow to re-render.
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Marc Wielage liked this 1 week ago
Still Page Refresh rate in DR 14
by ron smith 1 week ago
Is the refresh rate any better in DR 14 for the still pages The refresh rate for still pages when you have a lot of pages and stills is not that great in previous versions . Wondering if it is any bet
Re: Still Page Refresh rate in DR 14
by Marc Wielage 1 week ago
Tons of RAM and a super-fast CPU will help. I divide up my still pages into different groups, so it's rare I have to wait more than a few seconds for them to load. This is on a (relatively-crappy) 12-
Is the key framer for color correction only available in the studio Version?
by Richard Milner 2 weeks ago
I am very new the Resolve--trying to make up my mind to switch from Premiere. In the free version, the color corrector does not seem to have the key framing system. Is this true or is it something tha
Re: Is the key framer for color correction only available in the studio Version?
by Tero Ahlfors 2 weeks ago
Although there are some limitations for the free version, keyframing isn't one of those. Open the manual at page 939 and read on.
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Marc Wielage liked this 2 weeks ago
Export Alpha?
by Duke Sweden 2 weeks ago
Googling tells me nothing. The reference manual says I can by turning on the "Export Alpha" checkbox. Needless to say, there is no such checkbox. Sooo...... I have my greenscreen clip with the green k
Re: Export Alpha?
by Marc Wielage 2 weeks ago
ProRes 444 and ProRes 444XQ can also both support Alpha channels, but only on Mac OS and on the Linux Advanced Version of Resolve.
Legal chroma levels for going out to broadcast
by Ingo Schulten 6 years ago
Hi, my first post in this forum. I understand that when going out to broadcast video you should activate the button that says "normally scalled legal video". It is supposed to legalize the video level
Re: Legal chroma levels for going out to broadcast
by Marc Wielage 2 weeks ago
Chris Clementson "Can you give an example of this using 8-bit values " No, this is strictly going by the (rare) rejections I get from QC people. In some cases, I can BARELY see a bit of chroma hittin
replacing footage
by Bruce Gaber 3 weeks ago
I'd like to replace footage I've been working on in DR with an update version I've modified in AE and rendered out. Is this possible in DR I understand we can "relink" media, but that does not seem to
Re: replacing footage
by Glenn Sakatch 3 weeks ago
If your new clips are the same length as the originals, with the same timecode, then it is easy...even easier if you make them the same name, but put them in a "revised" folder. (Tell Resolve to look
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Marc Wielage liked this 2 weeks ago
Source timecode in resolve
by andy tolbert 3 weeks ago
Is there a way to go to a particular clip on the Resolve timeline by using the source timecode i.e. a client gives me a list of clips he wants graded and he gives me the source TC's for the clips...bu
Re: Source timecode in resolve
by Joseph Owens 3 weeks ago
If you are not grading in context, just on a "here, grade this clip" basis... next, next... I'd consider an edit page strategy... or a new timeline based on a C-sort (ascending source code) and a Mast
+1
Marc Wielage liked this 2 weeks ago
Importing Power Grades Resolve 14
by John Knapich 4 weeks ago
Cannot seem to import drx file to my Power Grade bin. I am right clicking in the bin and going to import. My .drx files are grayed out in the bin and I cannot select them. Any suggestions 2012 Mac Tow
Re: Importing Power Grades Resolve 14
by Marc Wielage 3 weeks ago
To import PowerGrades, you have to export both a DPX still and the corresponding DRX grade that goes with it. Once you're in a new install of Resolve, you then create a new PowerGrades bin, then right
H265 into DaVinci Resolve
by Michael Lewis 3 weeks ago
So I understand that it does not natively work so what I did was convert the video into another format so the format that I did convert it to works however it's painful to edit with with the choppy vi
Re: H265 into DaVinci Resolve
by Michael Gissing 3 weeks ago
H264 is a difficult codec for some computers so that's why I asked what machine. If it is a laptop or an old PC the CPU might not be coping. Also when you say internal HD, is that your system drive as
+1
Marc Wielage liked this 3 weeks ago
Davinci Keying without noise
by sean ross 6 years ago
Hi all, I am struggling to get the noise out of my keys using Davinci. They seem exceptionally noisy relative to the keys that I am used to in Autodesk Flame and Lustre. Noisy to the point that they d
Re: Davinci Keying without noise
by Tero Ahlfors 4 weeks ago
This is a six year old thread. 3D keyer wasn't even a thing back then.
+1
Marc Wielage liked this 4 weeks ago
How is grading in Resolve better?
by Mike Thomas 1 month ago
My grading experience is limited to using the basic tools found in most NLE's. I'm looking for reasons that Resolve is better in this department than say Sony Vegas which has a lot if not all the same
Re: How is grading in Resolve better?
by Michael Gissing 1 month ago
As the Edit and Fairlight sound pages develop, Resolve will be a viable alternative edit tool to Vegas but a better grade tool. Potentially a better sound tool as well but I am a Fairlight user so I k
+1
Marc Wielage liked this 4 weeks ago
MacBook pro retina disply 2013
by Matta Roushdy 2 months ago
Dear all, I need your opinion about MacBook pro 15inch cor i7 2013 I am a film editor and Colorist so is it worth it to buy it Used with a very good condition. I forgot to tell you my wife is a 3d and
Re: MacBook pro retina disply 2013
by Shane Ross 2 months ago
I wouldn't. It'll barely be able to deal with 1080p...no way will it handle 4K or UHD. Shane Little Frog Post Read my blog, Little Frog in High Def
+2
Marc Wielage liked this 1 month ago
nudging IO
by alex gat 1 month ago
Hello, Sorry if the question is a bit dumb but, I have those clips where I already have set input and output. Now I need to move the io respectively by an exact amount of frame. Don't ask why... what
Re: nudging IO
by Glenn Sakatch 1 month ago
I'm assuming you haven't built your timeline yet Otherwise, you would have to re-edit every shot again, if all you do is move the In and Out point. If that is what you want to do, it would be a pretty
+1
Marc Wielage liked this 1 month ago
Syncing audio - Resolve 14
by Edan Cohen 6 months ago
Hello! I'm a longtime Premiere using attempting to cut a project in Resolve 14. I shot my project with the audio recorded directly into the A camera. The B camera had its internal mic on to capture th
Re: Syncing audio - Resolve 14
by Brendan Feely 1 month ago
Hi Simon, thanks so much for the prompt reply. Haha trust me it has been! But just after I posted on the thread I actually made a bit of a discovery. If you sync manually on the timeline ie. bringing
+1
Marc Wielage liked this 1 month ago
So many ways to color correct...
by Duke Sweden 1 month ago
Every time I go on Youtube these videos pop up on how to Color Correct in DaVinci Resolve. They all involve different methods. Curves, color wheels, etc. I was wondering, is it a matter of whatever yo
Re: So many ways to color correct...
by Tero Ahlfors 1 month ago
Unless something really bad happened in the transcode I actually would prefer Prores or DNxHD HR files.
+1
Marc Wielage liked this 1 month ago
Accidentally unsync'd original audio, can't realign
by Duke Sweden 2 months ago
I've googled this but everything comes back how to sync an external or secondary audio source to video. You know when you have video and audio unlinked and you move the video, you get that red square
Re: Accidentally unsync'd original audio, can't realign
by Tero Ahlfors 2 months ago
I want you to spread your wings and fly!
+1
Marc Wielage liked this 2 months ago
Ultimate discussion about gamma shift issue from Resolve 14 into Quicktime / Youtube / Vimeo
by Kamil Iwanowicz 2 months ago
Hi Guys, Here's the problem: when exporting a file from Resolve 14 into any other format (H264, Prores, DNx or MP4), the image looks brighter and color looks different when watching the video in Quick
Re: Ultimate discussion about gamma shift issue from Resolve 14 into Quicktime / Youtube / Vimeo
by Tero Ahlfors 2 months ago
Ole Kristiansen "Look at the Davinci Resolve 14 manual page ... Just kidding!" Oh you... Page 660-661 in the manual.
+1
Marc Wielage liked this 2 months ago
iMac Pro 2017 recommended configuration
by Travis Marshall 2 months ago
We are adding another seat to our post production setup (currently 3 seats on a 10gbE NAS courtesy of Bob Zelin). Our post is a mix of cameras for broadcast but usually involves GH5, XAVC footage from
Re: iMac Pro 2017 recommended configuration
by Alan Okey 2 months ago
After the 2013 Mac Pro D700 Resolve render glitch debacle, I would be very cautious about jumping into any iMac Pro purchase before there has been sufficient time for others to evaluate its reliabilit
+1
Marc Wielage liked this 2 months ago
DaVinci Resolve 14.2 Update
by Rohit Gupta 2 months ago
Hello, we are pleased to report the release of DaVinci Resolve 14.2 This is a no charge update for existing customers and the Studio and free version is available on the BMD support web site. https: w
+1
Marc Wielage liked this 2 months ago
Re: DaVinci Resolve 14.2 Update
by Duke Sweden 2 months ago
On the edit page when I right click on the timeline the menu goes down instead of up, meaning it spills off screen making it impossible to render cache output. Nice. EDIT: A reboot solved the problem.
Tracking problems
by Duke Sweden 4 months ago
No matter which tracking tool I use, match move, face tracking, regular tracking, and no matter how simple the video clip is, it always loses tracking at some point. Why Why! ! ! Dell XPS 8920 Intel i
Re: Tracking problems
by Tero Ahlfors 4 months ago
What Marc said. Also tracks in grading don't usually have to be super tight. Faces can work with a soft power window with a close enough track or roto.
+1
Marc Wielage liked this 2 months ago
Stuck with the RAW workflow..... !!!
by Nikhil Bhagat 6 months ago
Hey guys.. I really need some help regarding the 4k edit since this is my first time editing raw. I have shot a film on BM URSA mini 4.6k pro RAW @ 4k, 4:1 compression. I have a confusion between 2 ap
Re: Stuck with the RAW workflow..... !!!
by Marc Wielage 6 months ago
Well, you could conceivably do your entire edit, color-correction, and finish in Resolve. Simple VFX can work fine. If you had a shot here or there that needed complex effects, you could always export
Getting the 'ARRI' look (xpost from colour grading)
by josef brett 2 years ago
Hi all I've been trying to get the kind of look used in tv shows such as HBO's 'Girls' and Netflix's 'Flaked' for the past few months and I'm struggling. I'm not sure if i have the right kit if I'm ho
Re: Getting the 'ARRI' look (xpost from colour grading)
by Marc Wielage 2 years ago
They may also be using a bit of filtration on GIRLS, like a 1 4 Black ProMist or something to soften the look and glamorize it a bit. You can do some of this to a point with OFX filters in Resolve (or
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