| | |
|  | Picture Mosaic with Apple Motionby Akeline Santos 8 years agoDoes anybody here knows how to make a Picture Mosaic with Motion 5 Like the one this guys http: www.youtube.com watch v=kC__hs7nGro do I want to use a bunch of pictures, move through them and at the e | Re: Picture Mosaic with Apple Motion
by Josh Paulson 8 years ago
I did a slideshow for a bar mitzvah using childhood photos to make up a larger image of the kid playing la crosse. I used a program called Shape collage that I bought fairly cheaply online to make the
+1 |
| |
| | |
| | |
|  | How to make Lines flowby Lucas Vollebergh 8 years agoHi, I would like to compose something like in this movie: http: www.youtube.com watch v=spUSCp3NV9g&feature=related watch the lines move at 00:15 How can you do this Thanks! Lucas | Re: How to make Lines flow
by Stephen Smith 8 years ago
Use a tool like the Bezier tool and create the line. Then add a Write On behavior and it will make the bezier line write onto the screen. To control the speed of the write on change the length of the
+1 |
| |
| | |
| | |
|  | Make some words BOLD in text layerby Chris Dixon 8 years agoIS it possible to make some words bold in a text layer while keeping the rest of the words normal When I try to embolden one or two words, Apple Motion changes all the words in the layer. The only way | Re: Make some words BOLD in text layer
by Stephen Smith 8 years ago
Select the text you want to alter in the Canvas NOT the inspector and then the changes will only effect the selected text. Hope this helps and best of luck. Stephen Smith Utah Video Productions Check
+1 |
| |
| | |
| | |
|  | Motion and Beveled Textby Manibot 14 years agoHi, I'm fairly new to Motion but have a pretty good grasp of the program. In Photoshop there is an option for beveled text and you just check the box and edit how you want it beveled. I've looked ever | Re: Motion and Beveled Text
by Jim Johnson 14 years ago
Heya, The Indent filter (found in the Stylize category) can do some pretty flexible beveling. Using the optional input for the Height Map, you can achieve simple bevels, embossed textures, etc. Good l
+1 |
| |
| | |
| | |
| | Stay in place.by Andrew Guddat 9 years agoI am a rookie. This is a really simple problem that I'm sure 90% of you can answer. all I want to do is have a image go across the screen. stop. and then continute moving... I can't get my head around | Re: Stay in place.
by Josh Paulson 9 years ago
I do this a LOT for logo loops. I start my image off screen to the left or right, then add a move behavior to the image to bring it to the center. After a moment, I add another move behavior and move
|
| |
| | |
| | |
|  | On/Off for rigging?by Leo Hans 9 years agoIs there any option to turn on off (enable disable) a layer or group using Rigs I am using 0% and 100% opacity as a workaround, but it would be simpler to turn on off the object instead. Any suggestio | Re: On/Off for rigging?
by Mark Spencer 9 years ago
Opacity is the best way. -- Mark Spencer Freelance Producer Editor Motion Graphics Artist Apple-certified Master Trainer Author, Motion 4 from Peachpit Press http: www.applemotion.net
+2 |
| |
| | |
| | |
| | Shockwave displacementby Josh Paulson 9 years agoI am trying to make a shockwave. I have the animation prebuilt, but can seem to make the effect stay the same shape as the original once I add the displacement filter. Once I add displacement to the o | Re: Shockwave displacement
by Josh Paulson 9 years ago
No I haven't, but I will right now! An editor's work is never complete. It is only abandoned when time has been exhausted. - paraphrase from Leo da Vinci
|
| |
| | |
| | |
| | Music issuesby Josh Paulson 9 years agoI made a commercial for my company using music from Killer Tracks. I know they license their music for around $200 a pop for most songs, and I thought this was reasonable. Cheaper than getting a recor | Re: Music issues
by Josh Paulson 9 years ago
So much great info to work with here Stephen. You are always so helpful! Thank you for being so active in the online community. An editor's work is never complete. It is only abandoned when time has b
|
| |
| | |
| | |
|  | organic transitions in 4:3by matt love 9 years agoJust wondering if anyone has any favorite transitions( organic or not) they use while broadcasting editing in 4:3 . I like using a few frames of camera pans and tight shots for transitions , but feel  | Re: organic transitions in 4:3
by Mark Suszko 9 years ago
The trick is in how an when you put the cut, so that it seems seamless. Walter Murch talks about cutting on eyeblinks. I think that's right. You can cut on an eyeblink, but also on the place in the sh
+1 |
| |
| | |
| | |
|  | remove a static logoby Gregory Lindsey 9 years agoI need to remove a logo from a part of the frame that is completely static. Unfortunately I have never used Motion before but I felt like I could learn how to do this because its simple. Next to the l | Re: remove a static logo
by Andrew Wilson 9 years ago
Take your main image layer and duplicate it. Draw a rectangle mask around the clean part of the building and apply a layer mask to the duplicated layer on top. Now use that shape layer as the mask sou
+1 |
| |
| | |
| | |
|  | confused!!!!by Michael Lavis 9 years agoI am still relatively new to the filming industry and am in the process of setting up a studio at my work. The company has just bought a new Apple mac pro 8 core, dont have all the specks on me right | Re: confused!!!!
by Josh Paulson 9 years ago
Everything Mark said is correct about the breakout boxes. I use the AJA Kona 3 and it's pretty sweet. I monitor on an SD Sony Trinitron and am waiting on the day I can rock an HD monitor, but that car
|
| |
| | |
