Jorn Bergmans: Activity About Popular Images
Jorn Bergmans

Online editor, media manager, video technician medior and junior colourist.
Member Since:
November 3rd 2011
51 Posts
Location:
Utrecht
At which loudness level does a spot get flagged as 'Low Loudness' - and what do broadcast stations do with them?
by Jorn Bergmans 3 months ago
Hi there, I'm a video tech at a post house, and we deal a lot with delivering to different TV stations, mostly across Europe. Almost all of the countries in Europe adhere to the R128 audio standard fo
Re: At which loudness level does a spot get flagged as 'Low Loudness' - and what do broadcast stations do with them?
by Bouke Vahl 3 months ago
No major broadcaster will make any major adjustments without telling you. (Except a few that use software I made, but that is set to only do + - 3dB changes.) Low level is anything lower than the targ
Rendering Ultrawide Composition
by Matt Platt 1 year ago
Hey All, I'm trying to render a composition in H.264 that is 12,480 W x 1920 H for a projection mapping design but in the render cue AE will not let me render anything wider than 4,096. Is there a way
Re: Rendering Ultrawide Composition
by Jorn Bergmans 1 year ago
I will echo the information provided in this thread already, of exporting to another (intermedia mastering) codec, and creating the deliverable from that master file. However, rendering an h.264 encod
Best way to export to VP9?
by Jerry Smith 2 years ago
I downloaded the VP9 plugin for Adobe, but my AME crashed each time a few percent of the way into the encoding process. I read somewhere that there were some problems with the plugin. But lots of stal
Re: Best way to export to VP9?
by Jorn Bergmans 2 years ago
Is this the Fnord VP9 plugin Afaik there is no official vp9 support for AME in the latest CC version. Third party plugins aren't supported, and as such I don't think there's much help available online
Timecode opacity
by matthew addiss 2 years ago
I'm using Adobe Media Encoder 2015 on OSX 10.9.5. When I adjust the TC opacity, it only adjusts the black background. Does anyone know of a way to adjust the opacity of the numbers
Re: Timecode opacity
by Jorn Bergmans 2 years ago
the (AME) timecode effect just does not have that option. You can do it in Premiere, by making an adjustment layer, adding the Video - Timecode effect and changing the opacity of the adjustment layer.
XML From Davinci import nothing.
by Alexandre Hotton 2 years ago
Hello I have a serous problem to export from Davinci To premiere pro XML. I did the Premiere pro set up in Davinci. When I want to open the exported xml , Premiere start the job... and nothing is impo
Re: XML From Davinci import nothing.
by Jorn Bergmans 2 years ago
so, the _001 in the RED file links to only a part of that RED file, which break up into parts after they hit the 3,7GB mark. They do this because RED cards are formatted in the FAT32 format which will
Play In - Out
by Abe Froman 2 years ago
Our shop is transitioning from Avid to Premiere Pro, and there is a function for which I'm trying to find the equivalent. On Avid, you can mark IN and OUT on your sequence, and a mark on your b-roll (
Re: Play In - Out
by Jorn Bergmans 2 years ago
There is an option in Premiere called 'Play In to Out'. There's also an option to play around in-out with a two second preroll postroll. The default shortcut for Premiere keybindings is ALT+K and play
Bringing in mpeg4 into Preimere CS6
by Suzin Daly 2 years ago
I have to bring in an mpeg 4 onto the timeline.. can someone recommend the settings I would need to do this Never done that before....it was recommended to bring into media...but I have to add 1 sec o
Re: Bringing in mpeg4 into Preimere CS6
by Jorn Bergmans 2 years ago
My advice to you would be to always create a MASTER file of the finished film, as ProRes (HQ, or 4444), and make your deliverables from that Master. That way, even if all the footage gets lost, you wi
Lumetri + Dynamic Link Color Shift
by malcolm DeSoto 2 years ago
Hey all, So I've been using Lumetri quite a bit within Premiere. I also use Dynamic Link a lot to interface between After Effects. I've noticed that when I send a clip to AE after applying Lumetri, th
Re: Lumetri + Dynamic Link Color Shift
by Jorn Bergmans 2 years ago
What footage are you applying the lumetri color on What color space and bit depth is this footage using AE is still a bit awkward with the interpretation of color spaces. It will display the correct c
Stuttering in FFMPEG output video
by Jillian Morrow 2 years ago
I've been trying to encode a video and with every result I end up with a slow, stuttering video. I'm limited to 30 FPS and 30 Mbits, but I figured the interpolation filter would solve the stuttering.
Re: Stuttering in FFMPEG output video
by Jorn Bergmans 2 years ago
When I see your output specs, I can't help but wonder if the stutter you are seeing is an encoding problem, or a playback problem. What sort of stutter are you experiencing If there's a stutter in the
Slate before a music video
by Elliot Roberts 2 years ago
Hello, I'm doing the closed captioning for a music video and the artist asked me to add the five seconds of slate at the beginning of the video. Could someone tell me what information would need to be
Re: Slate before a music video
by Jorn Bergmans 2 years ago
A slate usually includes some credits, and some technical specs. It can be just a text block on a black background with a big number counting down the seconds. Generally, a 10-second slate will count
Amira to Adobe Premiere Post Workflow
by Scott Warren 2 years ago
Hello Good People! In a couple weeks I'll be handling a project where we'll be shooting with an Arri Amira cam package. I've never dealt with this particular package before, and I am hoping some of th
Re: Amira to Adobe Premiere Post Workflow
by Jorn Bergmans 2 years ago
It's been a while since I worked with an AMIRA - that is, since the Alexa Mini came out a lot of my shoots have been with the newer ARRI body - but from what I know, the AMIRA records in ProRes (HQ or
DPX to prores 4444
by Seth Olson 2 years ago
I'm trying to convert a DPX sequence to ProRes 4444. The alpha works well, but the color shifts, and I don't know why. Here is the command line I am using: ffmpeg -start_number 0000 -f image2 -r 23.98
Re: DPX to prores 4444
by Jorn Bergmans 2 years ago
as an aside, ffmpeg will display the supported pixel formats when you input: ffmpeg -pix_fmts You can pipe the output and grep to 'filter' strict rgb formats. Note that pixel ordening will mean they'r
exporting my timeline without compression
by Walter Wallace 2 years ago
Is there any way to export my workflow timeline in a lossless way I dont want to have double compression when exporting to youtube. Thanks!
Re: exporting my timeline without compression
by Jorn Bergmans 2 years ago
Exporting your timeline to a codec that is truly uncompressed is very inefficient in most cases. (They produce giant files) Depending on your source footage, and the way you handled these files during
Premiere pro EXR/DPX Online workflow
by Anton Robsahm 3 years ago
Hello. This might be in the wrong section, but we are going through many softwares. We are currently looking into switching our workflow at our post-production house. We want to have a smooth workflow
Re: Premiere pro EXR/DPX Online workflow
by Jorn Bergmans 3 years ago
Hello Anton, As I said, I haven't loaded for Avid in a long time. I believed, with AMA files, the EDL manager could embed the source path into the EDL. An AAF should do the trick - the difference ther
Field Rendering - option for field ordering?
by Jorn Bergmans 4 years ago
I work as a media manager for a company specializing in commercial content. Our deliveries are split between web content and delivery to broadcast stations. I recently switched sets, and upgraded to a
Re: Field Rendering - option for field ordering?
by Jorn Bergmans 4 years ago
Hah, allright, thanks for the feedback. Im tempted to click the 'like' button on this, since that was exactly my assumption. I will file a bug report. Any ideas on checks within Resolve are still welc
FCP7 Clip settings don't match easy setup
by Lucy Mal 5 years ago
Hi - apologies if this is a basic Final Cut questions. I am cutting a short film. It was shot on Canon XF305, i've ingested these rushes using XF utility and the plugin to get it into FCP7.0. I've had
Re: FCP7 Clip settings don't match easy setup
by Jorn Bergmans 5 years ago
Hello Lucy, Not all the settings all video can have are covered in the Easy Setup for fcp 7. You can, however, adjust your timeline to match the settings of your video. The Easy Setup is only a preset
resetting workspace to fit different monitors
by Scott Hancock 5 years ago
Using PProCC2014 on my MacBook Pro (retina), as I move from office to office, I use different external monitors of varying resolutions. Even if I purposely put the workspace back on the MBP screen bef
Re: resetting workspace to fit different monitors
by Jorn Bergmans 5 years ago
Hi Scott, Under the Window - Workspace tab there is an option called 'Reset Current Workspace'. This will reset the window layout you currently have selected to it's original position and setup as whe
inserting clips in a looong sequence?
by Gabi Bucataru 5 years ago
Hi Gang! I am curious to know if you have an elegant way of inserting clips in a loong sequence that contains several layer of video audio, and what not. I find it pretty cumbersome to zoom out to be
Re: inserting clips in a looong sequence?
by Jorn Bergmans 5 years ago
As the link Tero posted reads, holding the Command key while dragging a clip onto your timeline will insert that clip and move all clips over to the end of your newly inserted clip. You will see a vis
Is de-interlacing a interlace timeline a one or two step process?
by Paul Dougherty 5 years ago
I've been asking around - is de-interlacing a interlace timeline for a progressive deliverable a one or two step process Is it enough to edit together the interlace footage and merely export as Progre
Re: Is de-interlacing a interlace timeline a one or two step process?
by Jorn Bergmans 5 years ago
Hi Paul, Editing together a timeline with Interlaced footage and exporting as Progressive will not always do the trick - you are merely telling the program to output a Progressive video this way. This
Export too dark
by Henry Cox 5 years ago
I'm editing a music video for a band, it all exported fine, uploaded and we were all happy with it. However, three weeks later they had the track altered slightly and wanted me to put the new version
Re: Export too dark
by Jorn Bergmans 5 years ago
Hi Henry, This must be a Gamma setting, if you're not transcoding anything there shouldn't be any color or gamma shifts occuring. You should try exporting with Gamma not set to Automatic, but the sett
ProRes 422 LT Easy Setup Option?
by Alok Agrawal 5 years ago
Hello Everyone, I have a bunch of ProRes 422 LT files and I was wondering which option in Easy Setup would be best for these files. I am trying to edit these files in Final Cut Pro 7 and can't seem to
Re: ProRes 422 LT Easy Setup Option?
by Jorn Bergmans 5 years ago
Hello Alok, It might be there's an Easy Setup listed for Apple ProRes 422 - this setting defaults your sequence to ProRes 422 HQ which is the same codec used for ProRes LT files. The HQ and LT only re
TIFF with Alpha creates gamma shift when rendering Uncompressed 10-bit
by Jorn Bergmans 8 years ago
Hello Creative Cows, I am currently working on a project where I'm importing a TIFF sequence with a masked-out background into a FCP project. (i.e. the TIFF does have a background, but it is masked ou
Re: TIFF with Alpha creates gamma shift when rendering Uncompressed 10-bit
by Jorn Bergmans 8 years ago
Hey, thanks for the suggestions. I know TIFF isn't a very nicely supported file, but that is what the animator sent us. Apparently a TIFF sequence is the best lossless output they can get out of Nuke
Ripping YouTube videos
by zeke meginsky 8 years ago
I'm ripping a YouTube video using this program called Youtube by Click. I think it makes it an MP4. I'm then using it in a DV timeline. Is there a better way of doing this Zeke
Re: Ripping YouTube videos
by Jorn Bergmans 8 years ago
Actually, Safari can download those .flv videos from youtube directly without having to convert it! Which is a nifty trick not a lot of people know about... (Of course then you are left with an FLV, b
NEED ASSISTANCE!!!!!!!!!!! FCP 6 to AE 4
by Hawk Vaccaro 8 years ago
Howdy all, Needing help on getting my FCP 6 sequence into AE 4 and then back to FCP 6. I've tried a Red Giant script but it seems to not be working for me or only gives me a few clips Does anyone have
Re: NEED ASSISTANCE!!!!!!!!!!! FCP 6 to AE 4
by Jorn Bergmans 8 years ago
Another free to use script is http: www.popcornisland.com 2009 03 final-cut-2-after-effects Basically it allows you to import .xml files of your fcp timelines, although it can be a bit wonky when you'
Really Weird Quality problem!
by sara petrai 8 years ago
HI, I'm getting crazy with a video I export from FCP7. Raw Footage: .h264 from Canon 5D Converted on AppleProRess (LD) Edited in FCP7 1 Export: Quicktime self contained = quality ok 2 Export: Quicktim
Re: Really Weird Quality problem!
by Jorn Bergmans 8 years ago
Yes the shocks that occur may well be because it is HD footage; a video will start stuttering when the bitrate it requires is higher than the drive can support. ie if your video is 30Mbit s and your D
aspect ratio for sequence of still photos
by Arani Roy 8 years ago
Hi, I am quite new to FCP and have a fairly basic question. I have a bunch of still photos that I am trying to put into a sequence. The stills have been taken using a simple DSLR but have been cropped
Re: aspect ratio for sequence of still photos
by Jorn Bergmans 8 years ago
Also, your pixel aspect ratio should be "square pixels". DSLR cameras (or actually all new digital devices that create images) almost always use square pixels. As for your composition's aspect ratio,
Final Cut Pro 7 - YouTube 720p Export Settings
by Dylann Bobei 8 years ago
Greetings, I know this question gets asked a lot and I have scoured the webs for all different sorts of answers, but I'm hoping to get some sort of definitive method when it comes to exporting videos
Re: Final Cut Pro 7 - YouTube 720p Export Settings
by Jorn Bergmans 8 years ago
Hello Dylann, Personally, I find rendering h.264 a horrific process out of FCP itself; as you said the results will more often than not be less than optimal. Then again, the HDV codec is not quite the
Is this a Quicktime version problem - getting desperate here.
by Harry Bromley-Davenport 8 years ago
Hi there, You see before you a pathetic wreck. This is my problem: I have two boot disks - one Snow Leopard and the other is Old Leopard. I'm running FCP 6.0.6 and OS 10.5.8. Normally I run Snow Leopa
Re: Is this a Quicktime version problem - getting desperate here.
by Jorn Bergmans 8 years ago
From what I'm reading it does indeed seem to be a codec problem. Just moving the QT program won't move all the components with it. I would guess that HDV Firestore is a different component than your r
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