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Job ter Burg

Member Since:
July 10th 2008
1277 Posts
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Location:
Amsterdam, NL
Autosync to masters instead of subclips?
by Chris Farmer 1 month ago
Hi all. Assisting in Avid for an editor that has requested subclips of synced picture audio with the production audio to be reduced to 2 tracks (down from 6 total tracks). That subclip has to be able
Re: Autosync to masters instead of subclips?
by Job ter Burg 1 month ago
I would absolutely love it if this were possible, but I'm quite sure it can't be done _inside_ MC.
AUDIO SYNC SLIP WITH u-LAW files
by Jimmy Smith 2 months ago
I'm trying to sync phone call files which are u-Law 2:1 format audio files to my Avid project and coming across some weird sync issue. The audio is slipping throughout the timeline as it moves down. W
Re: AUDIO SYNC SLIP WITH u-LAW files
by Job ter Burg 2 months ago
MC only asks you for start time options of it finds a timecode stamp in the source file. That start time option bears no relevance to actual speed, since that is determined by the sample rate of the f
New monthly price of 19.-Euro not applied
by Sascha Engel 2 months ago
Dear AVID users, following issue: Our yearly Studio License renewed itself just prior to the announcement at the NAB that the month price would drop from 58.-Euro to 19.-Euro. When we wrote AVID, why
Re: New monthly price of 19.-Euro not applied
by Job ter Burg 2 months ago
marianna.montague@avid.com
+1
Adding Volume Keyframe on Multiple Clips
by Chih Steeple 2 months ago
Dear all, I tried to find the answer online but did not have any luck. Is there a way to add volume keyframe on multiple clips in timeline I know how to adjust all the keyframes at one time but have b
Re: Adding Volume Keyframe on Multiple Clips
by Job ter Burg 2 months ago
How about adding either the Gain plugin or a compressor from the Channel Strip plugin
Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Rachel Pearl 2 months ago
HI, I've been trying to find an answer to this question in the Archives but none of the answers quite address this problem. The video on this project was recorded on the RED at 23.98 with no camera so
Re: Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Michael Phillips 2 months ago
You can also open a copy of the files in Wave Agent and set sample rate to 47.952 and it will get pulled down upon import. See my spreadsheet for these types of modifications: http: 24p.com wordpress
+1
Job ter Burg liked this 2 months ago
How do I calculate my duration when I change from non drop frame to drop frame
by Reena Mang 1 year ago
I'm about to start an edit for a show and the network specs say that the lock time must be 42 minutes flat and delivered in a 1080i 59.94 format for broadcast. I'm getting confused by the rhetoric of
Re: How do I calculate my duration when I change from non drop frame to drop frame
by Shane Ross 1 year ago
You don't need ANY of that. This is very simple. Just change the timecode display in the source side to display 30DF code. Click on the top timecode, choose SEQUENCE Timecode 30DF Done Bonus picture o
+2
Job ter Burg liked this 9 months ago
Avid MC network workstation
by Andrea Bonomelli 1 year ago
Hello I have an avid media composer workstation (on windows) that will need assistant workstation to work with (Overlords requirements) Can I simply network two machines together with ethernet (1ge or
Re: Avid MC network workstation
by Bob Zelin 1 year ago
want to spend almost zero money on this - here is how you do it (I just did it in LA). 1) buy a QNAP TS-831x 2) buy 8 HGST SATA drives (you pick the size, and YES, you need EIGHT drives - I don't care
+1
Job ter Burg liked this 1 year ago
Avid DNxIO, Mojo DX and Nitris DX Comparision Table
by Michael Phillips 3 years ago
Some good information on supported features with each of the Avid I O devices but with a truly ugly color scheme going on making it a bit harder to read than it needs to be. http: avid.force.com pkb s
Re: Avid DNxIO, Mojo DX and Nitris DX Comparision Table
by Shane Ross 3 years ago
Great info, but man that chart is hard on the eyes. JOKER colors... Shane Little Frog Post Read my blog, Little Frog in High Def
+1
Job ter Burg liked this 3 years ago
Trouble renaming video tracks
by Danny Baron 4 years ago
I manually renamed some video tracks on my timeline. I have run into a problem that on some reels AVID continues to view the tracks according to its original name -- so although 10 is above 9 on the t
Re: Trouble renaming video tracks
by Glenn Sakatch 4 years ago
BTW Michael, that's just cruel....i'll have to try that sometime:) Glenn
+1
Job ter Burg liked this 4 years ago
Marianna Montague
by Chris Harlan 5 years ago
I feel a need to say this. When people are talking about a company's support, and who cares, and who doesn't, there is no better user advocate out there than Avid's Marianna Montague. Yup.
+1
Job ter Burg liked this 5 years ago
Re: Marianna Montague
by Michael Phillips 5 years ago
That's what my N, M, and H keys look like. You got me beat! Michael
60fps to 24fps (overcrank)
by Daniel Schultz 5 years ago
A couple questions for an old FCP editor: 1. I shot some footage at 720 60p and want to slow it down for a 23.97 timeline. What's the best way (I'm used to conforming in Film Tools in FCP). 2. I shot
Re: 60fps to 24fps (overcrank)
by Shane Ross 5 years ago
Sure...if you want to get ber geeky about it... :) Shane Little Frog Post Read my blog, Little Frog in High Def
+1
Job ter Burg liked this 5 years ago
Basic Editing Knowledge for TV?
by Michael Paul 5 years ago
So I am asking for things you need to be aware of if you are going to edit for TV. I was working at a company recently and there I've learned that I have to set the Default Pan under Autio Settings to
Re: Basic Editing Knowledge for TV?
by Scott Cole 5 years ago
The reality is, "editing for TV" is not just a simple set of rules. Quite frankly, every network has spec sheets that spell out proper audio and video levels, their desired video resolutions, audio tr
+1
Job ter Burg liked this 5 years ago
NAB NEWS: Avid offers Upgrade/Crossgrade to Symphony for $999
by Michael Hancock 6 years ago
Not be outdone by Autodesk, Avid's releases this: Avid Symphony Upgrade Crossgrade From the article: "The Symphony 6 crossgrade and upgrade offer is available now. Final Cut Pro (excluding Final Cut P
Re: NAB NEWS: Avid offers Upgrade/Crossgrade to Symphony for $999
by Job ter Burg 6 years ago
Symphony does not do 2K nor 3K, just broadcast sizes, max 1920x1070.
FCP Video Output
by Mike Diaz 8 years ago
I have FCS 3 and my system is a Mac Pro late 2006. I would like to use my 52" Samsung LCD for the viewing output from FCP. I can connect it using a DVI to HDMI connector from the second video port on
Re: FCP Video Output
by Job ter Burg 8 years ago
Probably a matter of DHCP compliance.
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