Job ter Burg: Activity About Liked Popular Images
Job ter Burg

Member Since:
July 10th 2008
1265 Posts
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Location:
Amsterdam, NL
ProRes exports are really dark.
by Adam Harper 4 weeks ago
Hi all, As you can probably tell by the topic name, I'm trying to export a ProRes file but it always seems to come out much darker than what I'm seeing in Avid. I've tried both RGB and 601 709, even "
Re: ProRes exports are really dark.
by Job ter Burg 4 weeks ago
It's because the ProRes QT codec has a built-in flag that tells QT player that the source is Rec709 legal, and then expands luminance levels when you play it back on the computer screen. Try and play
+1
Colour levels confusion when exporting TIFF image
by Juan Juig 1 month ago
Hello, I have exported a still TIFF image from Avid Media Composer. Outside of avid, the image seemingly has different gamma than the original video, even though when I reimport it back into avid, the
Re: Colour levels confusion when exporting TIFF image
by Job ter Burg 1 month ago
This makes perfect sense, the video is Rec709 legal, so blacks at 16, whites at 235, whereas your computer monitor (and graphics software) expects blacks to be between 0 and 255. Hence the option to m
Media Composer mxf op1a 5.1 surround issue
by Sumit Makwana 3 years ago
Hello CC, I have a music video which one of the television channels has selected to broadcast. The tech specs provided to us was for either pro ress format or mxf. Since, we dont have a mac system, we
Re: Media Composer mxf op1a 5.1 surround issue
by Job ter Burg 3 months ago
With the specs you have been given, I would not go for an AMA File export, but do a 'regular' File- Export, choose Op1A MXF there, and you will get a standard XDCAM Op1A MXF export. I'm pretty sure th
Turnover to sound-multiplne ISO tracks
by Alice Ingeli 3 months ago
Hello, I'm working on a project which delivers dailies as DNX36 from resolve and separate sound with multiple tracks. A1 is the mix and that's the only track the editor normally wants to work with, so
Re: Turnover to sound-multiplne ISO tracks
by Job ter Burg 3 months ago
That is a very common workflow. Usually, this means sound editorial will do a conform. Pro Tools has an 'expand tracks' option which can do a multichannel conform from single channel cuts in a timelin
Is AVID's YCrCb 709 color space the same as Rec 709?
by Sherry Daniel 4 months ago
We're editing in the YCrCb 709 color space. Is this the same as REC 709 We've been asked to specify the color space for accurate DCP creation and YCrCB is not on the list. We need help translating AVI
Re: Is AVID's YCrCb 709 color space the same as Rec 709?
by Job ter Burg 4 months ago
That's not so much a question of an Avid spec, but a monitoring spec. So did you color grade using a monitor calibrated to a 2.2 or a 2.4 gamma To the best of my knowledge, it is all a bit of a grey a
Pale colors in source and record monitor
by Tom Knight 4 months ago
Both monitors of the program show pale colors. What can I do Windows 10, i7, 32 GB RAM
Re: Pale colors in source and record monitor
by Job ter Burg 4 months ago
Right-click them and choose Rec709 Full Range as Display mode.
How do I calculate my duration when I change from non drop frame to drop frame
by Reena Mang 9 months ago
I'm about to start an edit for a show and the network specs say that the lock time must be 42 minutes flat and delivered in a 1080i 59.94 format for broadcast. I'm getting confused by the rhetoric of
Re: How do I calculate my duration when I change from non drop frame to drop frame
by Shane Ross 9 months ago
You don't need ANY of that. This is very simple. Just change the timecode display in the source side to display 30DF code. Click on the top timecode, choose SEQUENCE Timecode 30DF Done Bonus picture o
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Job ter Burg liked this 5 months ago
Unable to modify Sound TC column
by Alex Winker 6 months ago
Hello, I'm having an issue populating the Sound TC column with timecode from another column, namely Aux TC 1. When I enter the timecode into the Sound TC column, I get an error that says " Select Soun
Re: Unable to modify Sound TC column
by Job ter Burg 6 months ago
Have you specified SoundRoll as well I don't think you can get Sound TC without SoundRoll.
Avid MC network workstation
by Andrea Bonomelli 9 months ago
Hello I have an avid media composer workstation (on windows) that will need assistant workstation to work with (Overlords requirements) Can I simply network two machines together with ethernet (1ge or
Re: Avid MC network workstation
by Bob Zelin 9 months ago
want to spend almost zero money on this - here is how you do it (I just did it in LA). 1) buy a QNAP TS-831x 2) buy 8 HGST SATA drives (you pick the size, and YES, you need EIGHT drives - I don't care
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Job ter Burg liked this 9 months ago
Symphony v5.0.x Installers (PC)
by Neal McCarthy 9 months ago
Hi, Does anyone have a copy of Symphony v5.0.x installers (preferably 5.0.4) that they can share with me (dropbox or similar). I lost mine in an office move and Avid won't give them to me (despite the
Re: Symphony v5.0.x Installers (PC)
by Job ter Burg 9 months ago
Hi Neal, I also replied on the Avid Community Forums. Tried to email you, but emails bounce. Contact me and I can send you 5.0.3 with patches. J
Multi-track Quicktime from Avid
by Drew Delany 9 months ago
Hi Everyone, I've been scouring around for a solution for this but to no avail: For a broadcaster I need to supply a split track DVCProHD Quicktime file with 8 audio tracks (Stereo 1+2, Sync 3+4, Musi
Re: Multi-track Quicktime from Avid
by Job ter Burg 9 months ago
Does the following not work Create a sequence that has stereo L on A1 stereo R on A2 Sync L on A3 Sync R on A4 Mus L on A5 Mus R on A6 VO L on A7 VO R on A8 Export Same as Source, with Direct Out sele
Avid DNxIO, Mojo DX and Nitris DX Comparision Table
by Michael Phillips 2 years ago
Some good information on supported features with each of the Avid I O devices but with a truly ugly color scheme going on making it a bit harder to read than it needs to be. http: avid.force.com pkb s
Re: Avid DNxIO, Mojo DX and Nitris DX Comparision Table
by Shane Ross 2 years ago
Great info, but man that chart is hard on the eyes. JOKER colors... Shane Little Frog Post Read my blog, Little Frog in High Def
+1
Job ter Burg liked this 2 years ago
Trouble renaming video tracks
by Danny Baron 4 years ago
I manually renamed some video tracks on my timeline. I have run into a problem that on some reels AVID continues to view the tracks according to its original name -- so although 10 is above 9 on the t
Re: Trouble renaming video tracks
by Glenn Sakatch 4 years ago
BTW Michael, that's just cruel....i'll have to try that sometime:) Glenn
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Job ter Burg liked this 4 years ago
Marianna Montague
by Chris Harlan 5 years ago
I feel a need to say this. When people are talking about a company's support, and who cares, and who doesn't, there is no better user advocate out there than Avid's Marianna Montague. Yup.
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Job ter Burg liked this 5 years ago
Re: Marianna Montague
by Michael Phillips 5 years ago
That's what my N, M, and H keys look like. You got me beat! Michael
60fps to 24fps (overcrank)
by Daniel Schultz 5 years ago
A couple questions for an old FCP editor: 1. I shot some footage at 720 60p and want to slow it down for a 23.97 timeline. What's the best way (I'm used to conforming in Film Tools in FCP). 2. I shot
Re: 60fps to 24fps (overcrank)
by Shane Ross 5 years ago
Sure...if you want to get ber geeky about it... :) Shane Little Frog Post Read my blog, Little Frog in High Def
+1
Job ter Burg liked this 5 years ago
Basic Editing Knowledge for TV?
by Michael Paul 5 years ago
So I am asking for things you need to be aware of if you are going to edit for TV. I was working at a company recently and there I've learned that I have to set the Default Pan under Autio Settings to
Re: Basic Editing Knowledge for TV?
by Scott Cole 5 years ago
The reality is, "editing for TV" is not just a simple set of rules. Quite frankly, every network has spec sheets that spell out proper audio and video levels, their desired video resolutions, audio tr
+1
Job ter Burg liked this 5 years ago
NAB NEWS: Avid offers Upgrade/Crossgrade to Symphony for $999
by Michael Hancock 6 years ago
Not be outdone by Autodesk, Avid's releases this: Avid Symphony Upgrade Crossgrade From the article: "The Symphony 6 crossgrade and upgrade offer is available now. Final Cut Pro (excluding Final Cut P
Re: NAB NEWS: Avid offers Upgrade/Crossgrade to Symphony for $999
by Job ter Burg 6 years ago
Symphony does not do 2K nor 3K, just broadcast sizes, max 1920x1070.
FCP Video Output
by Mike Diaz 7 years ago
I have FCS 3 and my system is a Mac Pro late 2006. I would like to use my 52" Samsung LCD for the viewing output from FCP. I can connect it using a DVI to HDMI connector from the second video port on
Re: FCP Video Output
by Job ter Burg 7 years ago
Probably a matter of DHCP compliance.
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