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Jamie Pickell

Editor/Producer
Member Since:
January 3rd 2005
106 Posts
100 posts
Location:
Washington, DC
Premiere Pro has lost it's spot in the clips, is there anything I can do?
by ryan elder 9 months ago
I opened up Premiere Pro, and it had forgotten where all my clips were in a movie project, so I had to relink all the media. However, none of the clips are in the same spots in the original media. The
Re: Premiere Pro has lost it's spot in the clips, is there anything I can do?
by Jamie Pickell 9 months ago
I had this happen once, but only on one reel. It was a ProRes HQ Quicktime file and I had used multiple shots from the reel in a documentary I was cutting. The post-house upgraded the Premiere softwar
How to edit 2 versions of a feature in parallel
by Drew Lahat 2 years ago
Editing a bilingual indie documentary feature, we're deep into the rough cut. We have a broadcaster in Israel who's the main customer and funder, but we're US-based and aim for a major north American
Re: How to edit 2 versions of a feature in parallel
by Jamie Pickell 2 years ago
I don't envy you and as David said, your concerns are legitimate. That being said, this is what I would do. 1. Determine that the Israeli cut is the master since they are the paying client and presuma
One project into multiple projects
by Michael Tesh 2 years ago
I don't know if you could always open multiple projects in Premiere at the same time or if this is a recent addition, but I just found out about it and have been using it and it's great. That said, I
Re: One project into multiple projects
by Jamie Pickell 2 years ago
Yes, you can export folders or sequences as their own Premiere Pro project files. Select the folder or sequence that you want to be its own project and then go File Export Selection as Premiere Projec
+1
Change colour for each audiotracks: possible?
by Dante Majorana 2 years ago
Hello: I'm using Premiere Pro CC2017 latest Version on a Imac Retina 27 with max ram and Sierra In my film I have 4 different audio tracks and each has a purpose Audio 1 is the Voice over track Audio
Re: Change colour for each audiotracks: possible?
by Jamie Pickell 2 years ago
My bad, I misread the original question. Correct, you can not color code tracks. However, you can rename them. If you expand the track and then right-click on the track name (A1 for example) you can s
Exporting 5.1 Audio for Broadcast
by James Whittington 2 years ago
I need to export a spot for broadcast with 5.1 surround. The audio engineer provided an interleaved mixed WAV that I've dropped into a 5.1 audio layer like this... For export, I changed the audio chan
Re: Exporting 5.1 Audio for Broadcast
by Jamie Pickell 2 years ago
Did you try making your sequence an 8 channel output instead of the 6 that's in the tutorial You can then put your stereo left and right tracks on channels 7 & 8. When you go to export your cut select
Exporting 5.1 Sound in Premiere
by Jason Morehouse 2 years ago
Does anyone know how to export a prores file with 5.1 sound I received a single file from my sound designer that's 5.1 sound. I usually hire a post house to do DCP, but the current festival is asking
Re: Exporting 5.1 Sound in Premiere
by Jamie Pickell 2 years ago
Jason, I haven't had to export a 5.1 Pro Res file before, but have done a 4 Ch output. I found this link online and it appears to be very similar to the way I've exported a 4 Ch output. Check this out
AAF export error: AAFRESULT_INSUFF_TRAN_MATERIAL
by Mike Gurfield 2 years ago
My AAF export consistently fails with the error AAFRESULT_INSUFF_TRAN_MATERIAL. I'm exporting full clips, and not rendering effects, so this has nothing to do with handles. Anyone having similar issue
Re: AAF export error: AAFRESULT_INSUFF_TRAN_MATERIAL
by Jamie Pickell 2 years ago
It's a bug in Premiere 2018 12.0. I discovered it when exporting an AAF for mix. The mixer told me the audio was messed up after the 3 minute mark. I went through and deleted all my audio dissolves wh
Importing Large Documentary Project From 2014.2 To 2015.3
by Jona Taylor 2 years ago
Hello Folks, I could really use a hand here. I'm been working (5 years) on a long hall documentary film in PPro 2014.2 on OSX 10.8.5. Early 2013 Macbook Pro (16GB RAM). Lacie TB JBOD Enclosure. The pr
Re: Importing Large Documentary Project From 2014.2 To 2015.3
by Jamie Pickell 2 years ago
Jona, The short answer to your question is you need more RAM, but since you're on a MacBook Pro, you can't get more than what you already have so you'll need a newer computer (iMac or MacPro) that can
Premiere Pro CC (7.2) and Premiere Pro CC 2014 on same machine?
by Jamie Pickell 6 years ago
I'm in the process of setting up a new system drive for my MacBook Pro running OS 10.9.4 Mavericks. I downloaded the Creative Cloud install app and loaded the 2014 versions of the various programs. I
Re: Premiere Pro CC (7.2) and Premiere Pro CC 2014 on same machine?
by Jamie Pickell 5 years ago
Thank you everyone. I found the following on Adobe's site written by Kevin: http: blogs.adobe.com kevinmonahan 2014 01 29 revert-to-a-previous-version-of-premiere-pro-cc-or-any-creative-cloud-applicat
+1
Jamie Pickell liked this 5 years ago
How do I use transitions on layers of video without affecting bottom layer?
by Jamie Pickell 6 years ago
Long-time FCP user currently cutting a program in Media Composer 5.5. So in FCP or Premiere I can stack multiple layers of video and transition off these various elements or between them without affec
Re: How do I use transitions on layers of video without affecting bottom layer?
by Jamie Pickell 6 years ago
John, Thanks for the reply. I've actually done the collapse feature on this already. Collapsed all the elements except for my background and then stepped in to do the transitions, but it still transit
Best workflow for replacing low res, watermarked stock footage with purchased clip
by Chris Shaw 7 years ago
Hi I know there have been similar posts but not quite from this angle. I'm working on a 5 minute video which uses lots of stock footage from various new reports etc and the timeline is pretty hectic.
Re: Best workflow for replacing low res, watermarked stock footage with purchased clip
by Jamie Pickell 7 years ago
I highly recommend that you DO NOT DELETE your clips. My experience with stock footage is that the low-rez versions have garbage timecode and the high-rez either have the timecode that was burned into
+1
Looking for Thunderbolt equipped Expresscard for Macbook Pro
by Jamie Pickell 8 years ago
Hey all, I'm hoping I can tap into the vast Creative Cow knowledge base. I've got a mid-2010 17" Macbook Pro i7 2.66Ghz with 4GB of RAM. I've got FCS 3, Adobe CS 5.5 and AVID MC 5.5. I'm doing some re
Re: Looking for Thunderbolt equipped Expresscard for Macbook Pro
by Jamie Pickell 8 years ago
Ben, thanks for your reply. You're preaching to the choir regarding ProRes HQ :-) The only problem is when the audience refuses to listen to said choir. I sometimes receive ProRes HQ files without any
Workflow ideas, documentary, timecode, online/offline
by Taku Suzuki 8 years ago
Hi everyone, I'm looking for feedback and advise on my workflow. Please try not to choke on your coffee while you read this. Project: Documentary Footage: 170hrs of 1440x1080i 25fps (HDV) - plenty of
Re: Workflow ideas, documentary, timecode, online/offline
by Jamie Pickell 8 years ago
Another idea regarding your multiple clips is what I do when I have footage shot on cards. I take all the clips from a particular card and drop them into a new sequence naming the sequence to match th
Quick Render Watermark
by Martin Nelson 9 years ago
I'd like to put a watermark over my entire 70 minute show before I send copies out for review on DVD. In a perfect world, I'd create a unique watermark for each recipient. But rendering a text overlay
Re: Quick Render Watermark
by Jamie Pickell 9 years ago
It should work with a reference file. If you need a different watermark for different DVD deliverables, just add another DVD compression setting to the reference file in Compressor and check the water
After Effects to Final Cut Pro Workflow
by Chris Tarroza 9 years ago
Like many I assume, I work between FCP and AE a lot: edit in FCP, create the graphic in AE, then import that graphic into FCP. As with any client work however, changes and revisions are just as certai
Re: After Effects to Final Cut Pro Workflow
by Jamie Pickell 9 years ago
I use a free script from Popcorn Island that you drop in your AE scripts folder. You can find it here: http: www.popcornisland.com 2009 03 final-cut-2-after-effects I drop the shots I want to send to
Using After Effects on FCP clips
by John Clancy 9 years ago
Hey, I'm working on a video in FCP 7 and I need to edit a few of the clips. How would I take a single shot that I have cut up in my sequence and work on it in AE Is there an easier way then exporting
Re: Using After Effects on FCP clips
by Jamie Pickell 9 years ago
You can use this free script from Popcorn Island http: www.popcornisland.com 2009 03 final-cut-2-after-effects Take the shots you want to effect in AE, drop them in a new timeline, export the timeline
Timecode out of Kona 3
by Jamie Pickell 10 years ago
I use the Kona 3 Timecode Burn-in option in the control panel and take the composite and analog outs to make a real-time DVD of my sequence. This is fantastic and has saved me tons of time avoiding Co
Re: Timecode out of Kona 3
by Jamie Pickell 10 years ago
Thanks for responding to my post. The TC Burn-in has been a lifesaver. Right now I'm burning out to DVD recorder for a screening an hour from now. If you could add the flexibility of positioning the T
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