Liz Parham: Activity About Liked Images
Liz Parham

Member Since:
May 26th 2011
70 Posts
Still trying to figure out audio channel workflow in premiere
by Liz Parham 4 months ago
steps: -transcode 4K MXF files to 1080 Prores proxy with DaVinci. Retain same source audio so I have 4 mono channels on my original clip and 4 mono channels on my prores clip. -import prores file into
Re: Still trying to figure out audio channel workflow in premiere
by Liz Parham 4 months ago
thanks for helping me through this Brent! I tried both single one perchannel and neither worked. It's ok, I think I can just use the audio channels created from my proxy files and relink the video onl
Adobe Media Encoder Audio Settings / Premiere Audio Sequence settings
by Liz Parham 4 months ago
Setting up an offline online workflow and need to batch transcode 4k footage with 4 mono channels to 1080 proxy with the same amount of channels so when I relink back to my 4k footage the audio will m
Re: Adobe Media Encoder Audio Settings / Premiere Audio Sequence settings
by Liz Parham 4 months ago
Thanks Brent! If my clips are 4 channels (lavs and boom) all mono do I change my sequence settings to multichannel or mono Here I did multichannel. When I go to audio properties after creating my sequ
4K workflow for doc
by Tina Mascara 5 months ago
Hi All, I am about to start editing a documentary shot with Sony FS7(UHD), basically 4K. It is going to be a long form project. So far I have 4 TB of material but suspect by the end, I will have 10 to
Re: 4K workflow for doc
by Ken Barnes 4 months ago
Hi Liz, Yes, the sequence will be 4K and the clip will appear as 4K (and the size in the canvas will appear as if 4K, even when toggle proxy is 'on' (blue means you are in proxy). The proxy files exis
+1
Liz Parham liked this 4 months ago
Sony FS7 4K Avid Workflow
by Liz Parham 4 months ago
I've used Premiere + FCPX 7 but have managed to avoid Avid for my entire career...until now We have lots of TBs of footage shot on a Sony FS7 4K XAVC-L that I thought I could ingest directly into FCPX
Re: Sony FS7 4K Avid Workflow
by Shane Ross 4 months ago
You can AMA link and transcode, but you need to buy an AMA plugin to do that, as Sony doesn't develop one anymore. It's been handed off to Nablet... http: www.nablet.com ama-plugins So you'll need to
+1
Liz Parham liked this 4 months ago
Importing Sony FS7 footage
by Liz Parham 4 months ago
If I want to import 4k Sony FS7 footage + optimize the media the "leave in place" option is greyed out. I thought the recent update supported XAVC-L I don't want to copy + optimize again...I know ther
Re: Importing Sony FS7 footage
by Joe Marler 4 months ago
Jeff Kirkland "I thought it was the media format rather than anything of Apple's doing. Can any NLE edit AVCHD or XAVC without rewrapping it ..." FCPX itself can import these "in place" without rewra
Working with AVCHD, how to leave "files in place"
by Liz Parham 2 years ago
Still attempting to set up my project. We plan to optimize everything in ProRes from a Sony FS5. I've copied all of the footage from the SD card over to our external drive. I would like to optimize +
Re: Working with AVCHD, how to leave "files in place"
by Liz Parham 7 months ago
I don't have FS5 files in front of me but I think if you right click show package contents and go into the PRIVATE folder and XDROOT you'll see all the individual clips
Sony FS5 Duplicate file names
by Liz Parham 9 months ago
Starting a feature documentary and the footage we received already has many duplicate file names. I'd like to batch rename the raw MXF files before transcoding to ProRes for our offline, but understan
Proxy 4k Ingest Settings
by Liz Parham 1 year ago
New to the proxy workflow in 2015.3, but I'm editing an interview in 4k, created a proxy preset in adobe media encoder that was 1080p, ingested the footage, proxy says "attached"....toggle on proxy in
Re: Proxy 4k Ingest Settings
by Andy Edwards 1 year ago
Elizabeth, Take a look at these short tutorials and see if you are missing any steps: http: www.dylanosborn.com 2016 09 21 proxy-workflow-part-1 http: www.dylanosborn.com 2016 10 05 proxy-workflow-par
consolidate a project file + related media onto an external drive
by Liz Parham 1 year ago
This was very easy with FCP7 but not sure how to do it in FCPX. I have a project, I want to consolidate only the media used in the project + not all my media or a specific event as the timeline uses f
Re: consolidate a project file + related media onto an external drive
by Bret Williams 1 year ago
Highlight the project(s). Choose file copy project to new library. Once you've created the new library (it'll only include the used media) open the library pane in the inspector and choose to consolid
Sony FS7 Banding in Premiere CC
by Liz Parham 1 year ago
Recently edited Sony FS7 footage natively in Premiere. I didn't notice it too much when editing because it's hard to see with Log footage, but when exporting ProRes files for the colorist, he noticed
Re: Sony FS7 Banding in Premiere CC
by Liz Parham 1 year ago
yes tried that + 444 + original source
4k editing workflow
by Liz Parham 2 years ago
We're considering shooting our doc feature all in 4k with the Sony FS5. I've never really worked with 4k files before other than dropping a few of them in a 1080 timeline. For a feature, would you imp
Re: 4k editing workflow
by Joe Marler 2 years ago
Elizabeth Perlman "I would probably have to edit in a 1080 timeline, but now sure how to output to 4k at the end of my edit. Just relink to my optimized media + export 4k " FCPX makes this incredibly
+3
Liz Parham liked this 2 years ago
exporting camera source audio with second sound?
by Liz Parham 2 years ago
Not sure if there's a way in the new plural eyes to finally export all audio channels rather than replace the camera source audio I work in doc film, so would prefer to have all audio sources embedded
No Audio when exporting clips
by Liz Parham 2 years ago
Importing Sony F55 XAVC footage with TC + audio with TC. I auto sync with TC + append tracks, create a timeline from the selected clips, add timeline to render queue as individual source clips with ex
Re: No Audio when exporting clips
by Joanne Lee 1 year ago
I had the same problem before. But it had been solved when I updated resolve to v12.5.1. I can now deliver prores files with original audio track from sony FS7 mxf. I thought it might be some kind bug
exporting an embedded quicktime file with 5.1 audio out of FCP7
by Liz Parham 2 years ago
the post house sent our master QT file with 5.1 embedded. I had to make some picture adjustments (no cutting) in fcp and now I want to export the file with the same 6 tracks embedded + untouched. When
Re: exporting an embedded quicktime file with 5.1 audio out of FCP7
by Nick Meyers 2 years ago
"the current audio device does not support the number of outputs set in the sequence settings audio outputs tab" that's just about the monitoring, it wont affect the exporting. you get an option to do
GH4 Workflow: 24p, h264, 4k
by Liz Parham 3 years ago
footage was shot in 24p, h264, 4k. for FCP7, If I transcode the footage to 23.976 + ProresHQ would that cause the audio to drift Is there a way to avoid the drift or should I just switch to FCPX premi
Re: GH4 Workflow: 24p, h264, 4k
by Al Bergstein 3 years ago
And your computer is which model RAM and year But yes, likely 4k will kill any older computers. Al
Hooks LUTS not showing up in Davinci 11
by Liz Parham 3 years ago
Installed Hooks LUTs, but when I right click "3D lut" I do not see them I've already checked to see if they're in the correct folder in my mac library. Maybe they're not compatible with 11
Re: Hooks LUTS not showing up in Davinci 11
by Liz Parham 3 years ago
great, thanks!
Export clips with multipe tracks?
by Brendan Macrae 4 years ago
Hey there, I am in the process of editing a documentary movie with considerable amount of AVCHD (.MTS) media (70+ hours). I have multiple sound sources (camera, boom, and up to 3 wireless mics) and wi
Re: Export clips with multipe tracks?
by Liz Parham 4 years ago
Did you ever figure this out I'm stuck in a similar situation + nobody seems to be responding.
How to Sync/create merged clip without copying video?
by Liz Parham 4 years ago
I want to create merged clips that retain the camera audio within plural eyes using BMCC prores files. I know you can create a copy of the video file in PE, but these blackmagic files are quite larger
Auto Sync based on Timecode vs Auto Sync based on Timecode and Append Tracks
by Liz Parham 4 years ago
anyone know the difference between these Can't seem to find the answer anywhere.
Re: Auto Sync based on Timecode vs Auto Sync based on Timecode and Append Tracks
by Benjamin McGuire 3 years ago
Append keeps the tracks from the camera if it has any, and adds the synced ones. -- Benjamin
Applying a LUT to C300 dailies
by Liz Parham 4 years ago
Very new to LUTs, have done some research, but I want to make sure I'm not misusing them as many are prone to do these days. I'm creating auto-synced dailies in Resolve and exporting 422 HQ files for
Re: Applying a LUT to C300 dailies
by Liz Parham 4 years ago
Thanks for clarifying!
Metadata files? Or copied files after dumping footage.
by Liz Parham 4 years ago
One of the cameras duplicated the video files after I exported onto the drives. Any idea what this is the files above are unplayable while the rest are fine. http: images.creativecow.net 204347 screen
Re: Metadata files? Or copied files after dumping footage.
by Peter J. DeCrescenzo 4 years ago
As recommended, did you use a computer to format the SSD or SD media before the camera recorded on it (Simply deleting files instead of formatting can result in unexpected results.) Is the SSD or SD m
BlackMagic Cinema Camera to DNXHD Slow Playback
by Liz Parham 4 years ago
Trying to figure out a post workflow for the Black Magic Camera. I've imported a few clips (24p 1080) in DNXHD from a 7200RPM external through a 800 firewire. Editing on a mac mini, 8gig ram, i7. I'm
Re: BlackMagic Cinema Camera to DNXHD Slow Playback
by Michael Phillips 4 years ago
Wen you imported, what DNxHD data rate did you choose I would try an AMA link (QuickTime AMA plug-in) to see if you get any difference in performance. I will say that FW800 @7200RPM is cutting it clos
Onlining 5D Footage to ProResHQ without using Log + Transfer
by Liz Parham 4 years ago
I've been reading forums, specifically Shane Ross's offline online tutorial. We're about ready to online our ProRes422 Proxy footage to HQ in order to prepare for a festival release. However, we origi
Re: Onlining 5D Footage to ProResHQ without using Log + Transfer
by Liz Parham 4 years ago
DId a test sequence and most of the clips matched up with the same timecode except for one...kind of strange. We have about 1,000 clips in the timeline oye! Thanks for the help. Nick's response seemed
Strange alias files on CF card
by Liz Parham 4 years ago
Saw this after attempting to dump files off of a SanDisk16GB captured on my Canon7D. Is this considered a corrupt file Basically about 6 files only contain ".moe" instead of MOV and say "TH^" instead
Re: Strange alias files on CF card
by Liz Parham 4 years ago
I figured SanDisk would be the best but maybe I should switch to Lexar No guarantee really with any if these cards despite stellar reviews. My camera does tend to overheat more than usual but it didn'
After Effects Before Professional Color Correction?
by Liz Parham 4 years ago
I'm editing a feature-length documentary pretty new to After Effects but I've figured out how to blur out the faces of multiple people who we weren't able to get releases from. I was wondering if I we
Re: After Effects Before Professional Color Correction?
by Liz Parham 4 years ago
Thanks, Todd! Your videos were really helpful.
Question About Timecode Display
by Liz Parham 5 years ago
I've noticed that some of my individual clips are displaying the timecode file information at the bottom of the clip (pictured below). Just wondering how to get rid of it or it's associated with RED c
Re: Question About Timecode Display
by Liz Parham 5 years ago
I'm not the original editor, so I'm not sure why they are different and especially if it was filmed with the same camera throughout the production. I compared clip log sequence settings and all of the
Zoom h4n + Rode Video Mic
by Liz Parham 6 years ago
I've read a few threads about this, but as I am in the dark when it comes to audio, I was just wondering how the set up works for connecting a zoom h4n with a rode video mic on a boom, and then all sy
Re: Zoom h4n + Rode Video Mic
by Liz Parham 6 years ago
okay, thanks for your help. Everything worked fine with the Zoom Rode, but when listening to the audio on Final Cut I have to raise the level up to 12 db in the timeline to hear it loud enough on my c
© 2017 CreativeCOW.net All Rights Reserved
[TOP]