Dmitry Kitsov: Activity About Liked Popular
Dmitry Kitsov

Technical support agent at Blackmagic Design
Member Since:
April 10th 2010
263 Posts
100 posts
Going frame by frame - no audio
by Sascha Engel 1 month ago
Hi, I would like to hear the audio when going with right & left cursor frame by frame on the timeline in the Editing Tab. How can I activate this Hopefully, possible. Thanx. Best, Sascha Sascha Engel
Re: Going frame by frame - no audio
by Dmitry Kitsov 1 month ago
Hello, Sascha. Try Shift-S Dmitry Kitsov, Blackmagic Design technical support agent
+1
how to see/open the sequence OF the source viewer in a timeline?
by Anastasya Stolyarov 4 months ago
As I edit in Avid or Premiere there is an option of opening seeing a timeline (tab) OF a sequence loaded into the source viewer monitor. For example I've put all the shots and takes of the first scene
Re: how to see/open the sequence OF the source viewer in a timeline?
by Dmitry Kitsov 4 months ago
Simply drag the Timeline from a clip list in the Media Pool to a Source Viewer Window on The Edit page. Dmitry Kitsov, Blackmagic Design technical support agent
Duplicate Timeline?
by Jim Sanderson 7 months ago
There must be a way to do this, I just can't find it. Resolve 15.2 right click on timeline in timeline bin timeline duplicate timeline is no longer an option. Tried right click on timeline create new
Re: Duplicate Timeline?
by Dmitry Kitsov 7 months ago
I believe it is now in the Edit menu. Dmitry Kitsov, Blackmagic Design technical support agent
LG OLED client monitor HDMI problem
by Richard Krall 1 year ago
I bought a new LG 55" OLED B7A TV (smart TV) to use as a client monitor for editing grading in Resolve. I also have a Flanders Scientific as the main reference monitor fed by SDI coming from my Blackm
Re: LG OLED client monitor HDMI problem
by Dmitry Kitsov 1 year ago
Hello, Richard could you contact us via https: www.blackmagicdesign.com support contact email (please refer to case QGM-663-74156 in a subject line) I would like to look into this case a bit further.
Resolve adds black bars when importing media
by Allard DePallerd 2 years ago
hi Guys, im using Resolve to convert my FS7 footage tot DNxHR, so it's easier to work with in Premiere. But when I import my source files in the media page.. it puts black bars on top and bottom of th
Re: Resolve adds black bars when importing media
by Tero Ahlfors 2 years ago
Are you using the free version of Resolve
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Dmitry Kitsov liked this 2 years ago
Resolve not rendering in full screen? resolve lite limitation?
by Ricky Milling 2 years ago
http: imgur.com a tfCp9 Trying to export DPX and this is what happens Clips is 3792x3160 Timeline is 1080p Need to output (for vfx purposes) at 3792x3160. Is this down to Resolve Lite limitations
Re: Resolve not rendering in full screen? resolve lite limitation?
by Dmitry Kitsov 2 years ago
Hello, Ricky, DaVinci Resolve is limited to 3840x2160 output raster. If you are attempting to Render at source resolution you will get a clip at source resolution but with the image scaled down to max
Import clips with timecode
by Alex Gat 2 years ago
Hello, I have shot clips with two 5d3s. On each cam, the timecode count up is in free run and originally set to the internal clock. As both internal clocks are very close to each other, I was thinking
Re: Import clips with timecode
by Dmitry Kitsov 2 years ago
Hello, Alex, to a degree you may achieve a partial result (having a timeline with two tracks, with clips positioned on the timelines based on their timecode) You may use Multicam creation, using TC as
Davinci and mini monitor - interlaced output only???
by Felix Frank 2 years ago
Hi, I am working on a project with was shot with the RedOne 24fps in 4K I have my Timeline resolution set to HD for playback reasons. The only options which work for me for video monitoring with the b
Re: Davinci and mini monitor - interlaced output only???
by Dmitry Kitsov 2 years ago
Hello, Felix, Most likely this indicates that the monitor you are outputting to is only capable of 1080i59.94, 60, 50. Both UltraStudio Mini Monitor and DeckLink Mini Monitor are capable of: SD Format
A direct method to export mattes to external applications, such as Fusion??? Possible???
by Michael McCune 2 years ago
We know that Resolve can, as a product of its wonderful color filter tools, create mattes for use within Resolve itself. But while an alpha channel of these mattes are presented as options to the node
Re: A direct method to export mattes to external applications, such as Fusion??? Possible???
by Dmitry Kitsov 2 years ago
You should have the option to turn on the Export Alpha checkbox in the Video panel of the render settings whenever you render individual source clips starting with version 12.5. When you do so, DaVinc
Video Scopes in Davinci
by Jordan Mena 6 years ago
Can anyone tell me if my scopes look accurate in Davinci based on the image below. The Top image are the Color Bars I'm using. Thanks, J
Re: Video Scopes in Davinci
by Joseph Owens 6 years ago
The square waves will look different depending on whether you are looking at RGB or color difference Y'Cb Cr. jPo "I always pass on free advice -- its never of any use to me" Oscar Wilde.
+1
Dmitry Kitsov liked this 4 years ago
Highlight tool does not work Resolve 10
by Jeremy Deneau 5 years ago
All of a sudden I no longer see the areas grey out in the viewer window when I make adjustment. I click on the highlight tool but nothing. It was working a few days ago then when I started a new proje
Re: Highlight tool does not work Resolve 10
by Dmitry Kitsov 5 years ago
Make sure that your luminance mix is at 100
+1
Dmitry Kitsov liked this 5 years ago
GoPro through Resolve into Avid - Bad quality
by Michael Maxwell 5 years ago
So we've been using Resolve to transcode GoPro through resolve to DNxHD36 Avid Media as it does this a lot faster than Avid. The quality looked perfect during this process, but once played back on a g
Re: GoPro through Resolve into Avid - Bad quality
by Juan Salvo 5 years ago
Isn't DNxHD36 in fact a proxy file When you're transcoding direct in Avid are you doing to 36 or 185 Just to add, data rate is not an absolute measure of quality, 36Mbps of DNxHD and 36Mbps of H264 ar
+1
Dmitry Kitsov liked this 5 years ago
AE CS6 11.0.1 CUDA BENCHMARK PROJECT - test your graphics cards!
by Teddy Gage 7 years ago
Hey guys trying to get some data on fastest graphics cards for AE - I came up with a benchmarking project that stresses the GPU to 100% and already got surprising results: on win 7 core i7 3930K @4.7
+3
Hong Ze Liew liked this 3 years ago
Re: AE CS6 11.0.1 CUDA BENCHMARK PROJECT - test your graphics cards!
by Dmitry Kitsov 6 years ago
Yes, though one is EVGA factory "Superclocked" at 875. Other two are at 836. I am also running them at PCIE2 not 3 (no mobo support for PCIE 3)
confused over arri alexa log c behavior
by andrew sableton 6 years ago
I generally deal with rec 709 HD video but am currently grading ARRI ALEXA log C (Pro Res 444) 1080p footage. In my node tree I have the last node at the Arri log C to rec 709 LUT I am monitoring on a
Re: confused over arri alexa log c behavior
by Joakim Ziegler 6 years ago
While the Arri LUTs are a good baseline, you're most likely monitoring in rec.709 on set, so if your final grade is to P3, which it often is, it's not going to match anyway (an exact match between P3
+1
Dmitry Kitsov liked this 6 years ago
Who's going to NAB?
by Paul Provost 6 years ago
See you there.... www.4Kfinish.com owner-colorist Hollywood, CA www.facebook.com 4kFinish
+1
Dmitry Kitsov liked this 6 years ago
Re: Who's going to NAB?
by Eric Hansen 6 years ago
I'll be there. LOTs of meetings scheduled! Can't wait to see old friends and meet new ones. I'll be at the Colorist's mixer on Sunday, Supermeet, Media Motion Ball, etc. Asking way too many questions.
Nun's knickers
by Dylan Hargreaves 9 years ago
Hi, I recently bought a 2nd hand Letus Extreme (with Letus to FD adaptor) and a set of Canon FD lenses for an absolute bargain price on ebay. I'm loving what's now coming out of my EX3 but I can see I
Re: Nun's knickers
by Dmitry Kitsov 6 years ago
Super extra funny. I thought I came up with the Chewbacca's P***s thing on my own.
Easy way to protect blacks and whites in Resolve 9
by Stewart Read 6 years ago
Hi I would like to know if there is an easy way to protect blacks and whites in Resolve I have used the Chroma dark and light but it does not seem to do what I want to achieve which is to keep the bla
Re: Easy way to protect blacks and whites in Resolve 9
by Toby Tomkins 6 years ago
Lum vs Sat curves
+1
Dmitry Kitsov liked this 6 years ago
GUI LUT Any Chance?
by Toby Risk 6 years ago
Hi It would be really nice to be able to have a 3D LUT applied to the GUI display only. Currently, as far as I can see all the LUT's affect all the outputs, which is limiting in terms of achieving acc
Re: GUI LUT Any Chance?
by Juan Salvo 6 years ago
Only GUI LUT I'd like is one to make it b w to keep ppl from looking at it. Colorist Online Editor Post Super VFX Artist BD Author http: JuanSalvo.com
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Dmitry Kitsov liked this 6 years ago
rendering to true 24 from 23.98
by Charles Haine 6 years ago
Generally when working in a 24 frame project, I have a choice for "set frame rate" in the delivery room to either 23.976 or 24. However, with my current project (mostly RED media) I only have the opti
Re: rendering to true 24 from 23.98
by Juan Salvo 6 years ago
What Robert said. In addition there is an app called qt change, which is not expensive, and allows you to do that and much more to QuickTime files. Colorist Online Editor Post Super VFX Artist BD Auth
+1
Dmitry Kitsov liked this 6 years ago
C300 = Fail
by Perry Trest 6 years ago
Graded my first C300 job. Working with the MXF media. Noisy shadows. Banding. Very disappointing. Not impressed. Have any of you guys or gals worked with footage from this camera Am I missing somethin
Re: C300 = Fail
by Al Arnold 6 years ago
I'm gonna chime in kinda late here. I was actually pretty happy with the material I've worked with. A DP friend of mine owns a C300. We went out in the evening and shot some golden hour footage exteri
+1
Dmitry Kitsov liked this 6 years ago
Different node, different result??
by Danny Duchesneau 6 years ago
Hi, I'm actually learning DaVinci Resolve Lite 9.0.4 and just found out a strange behaviour. Please have a look at the small video I did and let me know if this is a normal behaviour for Resolve... ht
Re: Different node, different result??
by Juan Salvo 6 years ago
No, the math is not the same. The first node is still performing a gamma lift. That sets the midpoint to the image. The next node in the pulling down the gamma lifted image. This changes. Each node is
+1
Dmitry Kitsov liked this 6 years ago
Time Code Extents
by Joseph Owens 7 years ago
Don't Match. I see this has been touched upon a couple of times, but "Force Conform" isn't working for me. I honestly don't know where an extents issue could be coming from in this particular project.
+1
Dmitry Kitsov liked this 7 years ago
Question about the plural eyes stand alone workflow (possible naming issue)
by Dmitry Kitsov 7 years ago
Hello, I am trying to run a standalone pluraleyes 3 workflow where the video files would get synced but keep the original sound track with the result being original video files be kept intact with the
Resolve External Monitor
by Jeff walsh 7 years ago
I am trying to set up a Panasonic BT-LH1700W monitor to use with resolve. I purchased the AJA T-tap system. I am running a Thunderbolt cable to the T-tap, then a SDI out to the monitor. I can't seem t
Re: Resolve External Monitor
by Robert Houllahan 7 years ago
This should be in the Basics and Configuration forum and Resolve does not support AJA hardware, which is in the configuration guide. -Rob- Robert Houllahan Director Colorist Cinelab Inc. www.cinelab.c
+1
Dmitry Kitsov liked this 7 years ago
Feature request for pre-grading purpose
by Jimmy Christensen 7 years ago
I have a feature request which I will send to Blackmagick but wanted to hear your ideas. Where I am, we do alot of grading on top of VFX work which is challenging when coming to colorspaces and neutra
Re: Feature request for pre-grading purpose
by Teo Ri┼żnar 7 years ago
Very good idea, to get CDL in Resolve9! But your workflow could have some problems. When going reverse with log-vid-lin you can get bad results. from r709- logC you can not get the original latitude o
+1
Dmitry Kitsov liked this 7 years ago
Adjusting mask softness without effecting key-frames.
by Steve Davies 7 years ago
Hi, I'm still stuck on this problem and can find no help in the manual. Just to reiterate: I have an animated window and I want to adjust the window feathering. The problem is that any changes to the
Re: Adjusting mask softness without effecting key-frames.
by brandon thomas 7 years ago
Steve, I think you're sort of out of luck. If it's a curve, you're even more out of luck. The only real option I'm aware of is to go to each keyframe and make the adjustment on a keyframe by keyframe
+1
Dmitry Kitsov liked this 7 years ago
Import Fcp7 / Resolve 9...
by bernard james 7 years ago
Hi everyone I'm working on a french production, for a few reasons ( like no metadata in the rushs ) we have to make a "data consolidate" in Fcp. Strangely Fcp g n rates sometimes (in the french versio
Re: Import Fcp7 / Resolve 9...
by Joseph Mastantuono 7 years ago
I really like the name mangler app for these tasks. Name mangler + find & replace in an XML. Joseph Mastantuono www.goodpost.net Color Grading & Post Production Consulting
+1
Dmitry Kitsov liked this 7 years ago
Batch Unlink
by stig olsen 7 years ago
Hi, I have tried to read about this in the manual, but cant see how to control this. I have a 3 min short on the timeline. Some clips seem to be linked as default. 1. What if I need to loosen unlink o
Re: Batch Unlink
by Paul Provost 7 years ago
remote: all the clips from the same source media are adjusted at the same time (you adjust one clip and the rest get the same grade.) - this is the default operation of Resolve. new remote version: th
+2
Dmitry Kitsov liked this 7 years ago
List of annoying (mostly timeline related) UI behaviours in the Resolve 9 Beta 1,2,3 (Windows)
by Dmitry Kitsov 7 years ago
1. Keyframes tab. 1.1 Keyframes timeline display of the marks: when you have more then one marks in your clip and you look at your keyframes tab timeline it is almost impossible to have a sense of the
Re: List of annoying (mostly timeline related) UI behaviours in the Resolve 9 Beta 1,2,3 (Windows)
by Rohit Gupta 7 years ago
Hi Dmitry, We're looking at these issues with the Keyframes widget. We will have a fix for these before we release V9. Regards, Rohit
+1
Dmitry Kitsov liked this 7 years ago
Blackmagic DeckLink SDI lag
by Rinny Wilson 7 years ago
Hi guys, thanks so much in advance for any help. I just updated to Mac Snow Leopard 10.6.8, installed Adobe CS6 and installed the Decklink SDI card all at the same time. Which probably wasn't the smar
Re: Blackmagic DeckLink SDI lag
by Dmitry Kitsov 7 years ago
You must output your audio using BlackMagic Design card as well. You must connect your monitoring solution (deck, receiver, amplifier)to your Decklink card outs. You cannot monitor your audio using th
Proper configuration for the Decklink HD Xtreme 3d+ and Premiere Pro for surround sound monitoring.
by Dmitry Kitsov 7 years ago
I ran into a problem configuring the Decklink HD Xtreme 3d+ in Premiere Pro for surround sound monitoring. An intuitive thing seemed to use Blackmagic Playback in the Audio Device drop Down menu as an
Re: Proper configuration for the Decklink HD Xtreme 3d+ and Premiere Pro for surround sound monitoring.
by Dmitry Kitsov 7 years ago
BMD people please explain
Where has the red gamut gone on ULTRASCOPE?!
by Peter Corbett 8 years ago
Just got my Ultrascope system going again having it out of action since the start of the year. Upon installing 1.5 software, the red gamut on the B&W waveform is gone. This was probably the best featu
Re: Where has the red gamut gone on ULTRASCOPE?!
by Dmitry Kitsov 7 years ago
I also have now gamut display in Waveform. Running 1.5.9
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