Dave Presley: Activity About
Dave Presley

Member Since:
October 6th 2008
18 Posts
Paid Final Cut Editing work
by Daniel Kalish 10 years ago
I need paid help from a student level person to edit a series of educational videos that need names blocked out. Please let me know your hourly rate and experience level. contact Daniel Kalish at dr@d
Re: Paid Final Cut Editing work
by Dave Presley 10 years ago
Hi, I have been editing for over 6 years on FCP now and would love to help you out. I have been working Freelance and also at a couple of different production companies. I have a website with some old
P2 AVC100 to DVD
by Dave Presley 11 years ago
Just a quick question that I hope someone can help us with: We are shooting a corporate video using the HPX2000, 720P HD with the AVC100 codec, what is the recommended workflow using FCP to eventually
Re: P2 AVC100 to DVD
by Jeremy Garchow 11 years ago
You will log and transfer your footage to ProRes or ProResHQ (selected in the log and transfer prefrences). Edit. Use Compressor or BitVice to make SD mpeg 2s. Jeremy
HPX2000 and AVC100 in FCP
by Dave Presley 11 years ago
I have been shooting with a new HPX2000 and have conducted several different tests to smooth out our P2 Workflow. After testing several different options on the camera, and different ways to import an
Re: HPX2000 and AVC100 in FCP
by Steve Eisen 11 years ago
http: www.macworld.com article 138995 2009 02 owc.html lsrc=mwweekSteve Eisen Eisen Video Productions Board of Directors Chicago Final Cut Pro Users Group
DVC PRO HD vs DVC HD (N)
by Dave Presley 11 years ago
Why would one shoot in DVC PRO HD when you can get double the amount of time recording in DVC HD (N) WHat are the advantages and disadvantages of both
Re: DVC PRO HD vs DVC HD (N)
by Dave Presley 11 years ago
Can you take the native footage and inter cut this footage with the 29.97
Kona to External Monitor
by Dave Presley 11 years ago
I just got a new Kona Card installed into our editing system and we are having a couple of problems. I try to bring a 720 30p P2 media into FCP and it plays on the timeline fine, it does not play out
Re: Kona to External Monitor
by Dave Presley 11 years ago
I cannot see an SDI connector, we do have composite. why
HD Media FCP to External Monitor
by Dave Presley 11 years ago
I recently installed a Kona Card into our editing system,it is used for many different things but one of these is to access the external monitor connected to our system (via component). I have tried t
Re: HD Media FCP to External Monitor
by Dave Presley 11 years ago
Yea I am still having problems even when I change my settings, I am running a Sony LCD monitor, the manual says LMD - 2050W, LMD 2450
P vs PN
by Murat Pak 11 years ago
wnats the difference between 25P mode and 25PN mode which one is better for post-production and 3d tracking
Re: P vs PN
by Dave Presley 11 years ago
why would one choose to shoot in the 24P mode if you get longer record times AND superior quality shooting 24PN
Aspect problems while printing to tape
by Dave Presley 11 years ago
I have a client that supplied their own footage, they asure me that it was shot in 16:9 and when seen on the FCP screen it seems that this is so. The project is finished and we are trying to print to
Re: Aspect problems while printing to tape
by Shane Ross 11 years ago
YOur 16:9 footage is anamorphic....that means squeezed into a 4:3 space..stretched. FCP will unsqueeze this for you in the Viewer and Canvas, but if you had an external monitor connected for a client
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