Daniel Neutzsky-Wulff: Activity About Liked Images
Daniel Neutzsky-Wulff

Member Since:
January 30th 2013
42 Posts
Location:
Copenhagen, Denmark
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Copy/paste markers.
by Daniel Neutzsky-Wulff 3 years ago
I've done some googling and this seems like it's an issue, I just wanted to give it a try on here first. I usually work in MC and I'm doing a mini-documentary in Premiere Pro. I've been putting in mar
Re: Copy/paste markers.
by Alex Udell 3 years ago
Hi.... The way you are describing it.... you are taking the sequence as a source and cutting into another sequence... in this case, the markers become clip markers...adjust the height of the video tra
Editor/colorist showreel
by Daniel Neutzsky-Wulff 5 years ago
Hi, I'm doing a showreel showcasing my skills and the stuff I've done. I work as a colorist and an editor and I'd like to do a single showreel to share. My problem is, that some of the stuff that I've
Re: Editor/colorist showreel
by Daniel Neutzsky-Wulff 5 years ago
Okay, but I want to do a quick musical flashy showreel for commercial use. It shouldn't last more than one and a half minutes. I want to use it as a quick way to showcase my skills and versatility, wi
Export to ProRes on a PC
by Daniel Neutzsky-Wulff 6 years ago
My problem is as follows: I am editing and grading a commercial on a PC setup and the client wants a ProRes 4444 file as final delivery (old story). I am editing a commercial in Premiere Pro CS6. The
Re: Export to ProRes on a PC
by Daniel Neutzsky-Wulff 6 years ago
Thanks a bunch, I'll give it a whirl.
Workflow question
by Daniel Neutzsky-Wulff 6 years ago
My problem is as follows: I am editing and grading a commercial on a PC setup and the client wants a ProRes 4444 file as final delivery (old story). I am editing a commercial in Premiere Pro CS6. The
Re: Workflow question
by Daniel Neutzsky-Wulff 6 years ago
You can't render or export to ProRes on a PC running Windows.
Documentary
by Daniel Neutzsky-Wulff 6 years ago
Hi, I am about to begin editing a documentary shot on different types of cameras. The footage has been shot on iPhones, Sony EX1 and RED. What would be the best way to go about managing, importing, tr
Re: Documentary
by Keith Slavin 6 years ago
Hi Danil, It is more efficient if you first make all of your footage conform to a common frame-rate, scan-type and resolution, then edit them together. If you final output is 59.94i for example, we su
AMA link to ProRes 4444 shows up as Matte Key files?
by Daniel Neutzsky-Wulff 6 years ago
Hi, I'm very new to Media Composer 7 and I'm doing a switch from FCP Premiere Pro. I have a bunch of ProRes 4444 MOV files that I'm trying to AMA link to. The problem is, that once I link to the files
Re: AMA link to ProRes 4444 shows up as Matte Key files?
by Michael Phillips 6 years ago
You need to go to your Import settings (not AMA) and make sure you set alpha to none. This will be addressed in an update to at least be in the AMA settings, and not import... Michael
Dropped frames
by Daniel Neutzsky-Wulff 6 years ago
Can anyone take a look at this I've exported a film to ProRes 4444 and it seems to have dropped frames, but I can't figure out why. This information is taken from right-clicking and selecting properti
Re: Dropped frames
by Daniel Neutzsky-Wulff 6 years ago
skrmbillede2013-05-13kl.16.44.17.png
Uncompressed QuickTime RGB 10 bits
by Daniel Neutzsky-Wulff 7 years ago
Hi, I am on a PC running Windows 8. I finished editing a commercial in Premere Pro CS6 shot on ARRI Alexa in ProRes 422 (HQ). I then imported an XML to Resolve and finished the grade. On the deliver p
Re: Uncompressed QuickTime RGB 10 bits
by Rohit Gupta 7 years ago
Do you have the Blackmagic Desktop Video drivers installed You need that to use the 10-bit RGB codec.
+1
Daniel Neutzsky-Wulff liked this 7 years ago
ALEXA workflow
by Daniel Neutzsky-Wulff 7 years ago
Hi, I have a question regarding my workflow: The applications used: Avid Media Composer 6. After Effects CS6. DaVinci Resolve 9. Workflow: 1. AMA link to ProRes 4444 files from the ALEXA camera in AVI
Re: ALEXA workflow
by Daniel Neutzsky-Wulff 7 years ago
Okay, thanks a bunch! I'll come back to this thread when the job is done and do an evaluation. :)
5D MK III DaVinci Workflow
by Daniel Neutzsky-Wulff 7 years ago
Hi all, I just finished the edit on a TV documentary in Premiere Pro. I edited the files in their native H.264 format straight off the camera. I exported an XML from Premiere and imported it into Reso
Re: 5D MK III DaVinci Workflow
by Daniel Neutzsky-Wulff 7 years ago
I tried to render the files out with "QuickTime DNxHD 1080p 220 185 175 10 bits", but the grade looks different on the exported versions. They have less contrast for some reason and the XML file won't
Broadcast safe
by Daniel Neutzsky-Wulff 7 years ago
Hi, I got this from the client: Luminance and sub-blacks. Luminance should not exceed +0.7v or 700mv. Sub-blacks should not fall below 0v. Can someone translate this for me How does this relate to my
Re: Broadcast safe
by ninetto makavejev 7 years ago
Hmmm, there are several solutions, some people apply a LUT or use TRACK instead of CLIP correction. The dumb and lazy amongst us sends the finished outputed file thru another application in FCP or AE
+1
Daniel Neutzsky-Wulff liked this 7 years ago
Sending Premiere Pro project to DaVinci Resolve 9 Light
by Daniel Neutzsky-Wulff 7 years ago
Hi, I've just completed the edit on a documentary shot on 5D MKIII. I've edited the entire thing in the native H.264 files and now I am ready to grade! My question is: How do I go about sending my pro
+1
Daniel Neutzsky-Wulff liked this 7 years ago
Digital counter
by Daniel Neutzsky-Wulff 7 years ago
Hi, I need to make a digital counter. Something like this: HH:MM:SS 32:22:43 It's for a movie watching marathon and I need to show how long the contestants have been watching. I've tried different met
Re: Digital counter
by Daniel Neutzsky-Wulff 7 years ago
I'm fairly new to this. I simply added a solid and added the effect: Text Numbers I've been altering the look and so forth, but I still can't get full control of the timecode.
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