Editing Codecs -- H.264 vs. ProRes LT by Daniel Clark 7 years ago My DP Director shot a documentary film on the Canon 50D, and I'm going to edit it. The camera shoots on an H.264 codec, and we have about 4.5 TB of data. Because I'm an editor, I want to convert to Pr
Re: Editing Codecs -- H.264 vs. ProRes LT by Shane Ross 7 years ago Daniel Clark "Someone told the DP Director that ProRes (LT) is actually a LOWER resolution than the H.264 codec." Those people are horribly misinformed. ProRes LT is 10-bit 422. H.264 is 8-bit 4:2:0.
FCP Workflow XDCAM vs PRORES by Benjamin Hirsch 7 years ago Hi All. Need some advice for an edit we are going to be doing. Shooting on Sony PMW-500s and Canon XF-305s and we will be using footage from both in the same FCP project. My question is, is there any
Re: FCP Workflow XDCAM vs PRORES by Daniel Clark 7 years ago I've had issues with XDCAM. I worked on a feature doc, and we shot on the Sony EX1. When we started, we obviously converted to XDCAM, but during the edit, we started adding tons of motion graphics, ar