Christian Stoehr: Activity About Liked Popular
Christian Stoehr

Member Since:
September 4th 2008
37 Posts
Location:
Detroit, MI
Friends:

Marc Weber
Odyssey 7Q+ mixing 16 Channel input via SDI
by Christian Stoehr 4 years ago
I wanted to see if anyone is doing this. Since I have an Odyssey 7q+ I would like to also send the digital or analog output from my field mixer with at least 4-8 separated channels to my Odyssey to be
+1
Christian Stoehr liked this 4 years ago
Preview Monitor not showing on my BlackMagic Output with 4K footage
by Christian Stoehr 6 years ago
I am having trouble figuring out how to playback Red 4K footage thru my DeckLink HD Extreme 3D card. When I make a 1080 sequence it plays back fine, but from a 4K or thru the Adobe Preview Monitor (on
Re: Preview Monitor not showing on my BlackMagic Output with 4K footage
by Christian Stoehr 6 years ago
I am doing it via a 1080 sequence now. but I have to manually rescale every clip to match the sequence size. Even after selecting "Default scale to frame size" in the Generals Preference menu. Kind of
Shooting 1080 24p for 1080 60i drop frame conversion
by Christian Stoehr 6 years ago
Got a quick question that might be a old rehash. We have do deliver a project or broadcast at 1080 60i Drop Frame, and are shooting on Scarlet. The workflow that the team is using right now is to shoo
Re: Shooting 1080 24p for 1080 60i drop frame conversion
by Christian Stoehr 6 years ago
Here is what I found in the forum from Dave LaRonde: Make sure the footage is interpreted as 23.976, and NOT 23.98 Put the footage into a 1920x1080 comp at 59.94 frames sec, which automatically spread
getting 108024p to 108060i
by Brad Hodgson 10 years ago
Hi all, What is the best way to accomplish getting 24p footage to 60i using only After Effects I took my 108024p file, rendered with upper fields and added pulldown with unsatisfactory results... the
Re: getting 108024p to 108060i
by Brad Hodgson 10 years ago
Yea that's awesome. I actually do have a Kona card and I edit in FCP. I can't downconvert to our dbeta yet for an SD master as I don't have the right sync generator yet... though the tech guy is comin
Christian Stoehr liked this 6 years ago
Flanders Scientific 2461w for sale, like new, only bought 2 month ago
by Christian Stoehr 7 years ago
I am selling my brand new Flanders Scientific 2461w because I got a full time gig and have to move. I just got it about 2 month ago, but only used it for about 2 weeks. The monitor is great, and fresh
Pro Res 444 Luma shift when importing from DaVinci into FCP
by Christian Stoehr 7 years ago
I am sure this has been answered before, but I could only come up with old threads that hadn t been answered yet. When exporting Pro Res422HQ as a roundtrip with FCP everything looks as in DaVinci, bu
Re: Pro Res 444 Luma shift when importing from DaVinci into FCP
by Christian Stoehr 7 years ago
Source clips are Red RAW R3D files. I have tried just importing a clip straight into FCP, or also by using the roundtrip XML that DaVinci created. Both ways are the same result. Images comes out much
Final Cut Speed Ramp Question
by Dave Williams 7 years ago
Doing FCP7 Round Trip on 48min shows. During viewing I see the speed ramps. Most ramps are in the second part of clips. Resolve sees two clips linked. On Render both clips go out at correct source spe
Re: Final Cut Speed Ramp Question
by Christian Stoehr 7 years ago
I ha d a lot of speed change issues in this last film also. Some shots I had to try to change the speed back to 100% and then render it out, so the editor could reput his original speed change back in
Clip sizing NOT independent with multiple remote versions ?
by Christian Stoehr 7 years ago
I just realized that when I try to resize using "Input resizing or Output resizing" it gets applied to the whole Master Clip, even if I have 2 separate remote or local versions for two parts of the sh
Re: Clip sizing NOT independent with multiple remote versions ?
by Christian Stoehr 7 years ago
So I just figured out that if you use the "Sizing Preset" it will affect the clip global, and you can see that the sizing parameters don t change with it. If you want to change clips based on remote v
+1
Christian Stoehr liked this 7 years ago
XML uses Reel-name instead of clip names - is there a metadata option
by Christian Stoehr 7 years ago
I have a bunch of clips that a client brought in an XML, that don t have any reel names embeded, but rather just have clip names. So in the EDL list of Resolve there is no name at all. Is there a way
Re: XML uses Reel-name instead of clip names - is there a metadata option
by Christian Stoehr 7 years ago
Thanks, I tried deselecting the "assist using reel names" but that didn t help. I haven t seen the format of an XML, but I would assume that FCP would include Reel name, but also a clip file name. Of
Will "render with unique filename" update XML clip names to match ?
by Christian Stoehr 7 years ago
I want to output my clips as individuals, and am thinking they need to be with unique filenames, so they don t overwrite each other, since I have multiple versions per master clip. Will the export XML
Turning off selection and power window display in Output Monitor
by Christian Stoehr 7 years ago
Is there a way to turn off the power window display UI in my output monitor I'd like to see what the edges are doing while fine tuning it. I don't have the rotary part of my tangent yet, so am restric
Re: Turning off selection and power window display in Output Monitor
by Christian Stoehr 7 years ago
Thanks Peter, couldn t find that for some reason. Works great now.
Limiter
by Lee Niederkofler 8 years ago
Hi, I want to make a master file with legal values after grading is finished. Is there a way to limit the rendering output in DaVinci Resolve to legal values for HD files Or do I have to limit the val
Re: Limiter
by Lee Niederkofler 8 years ago
Thanks for the help. I've tried making a soft Lut with 'scaling' on, but Blackmagic's Ultrascope shows me some gamut errors. The clipping is happening but it looks like that it doesn't clip everything
+1
Christian Stoehr liked this 7 years ago
Final Cut Requires Quartz Video Card error with GTX570
by Christian Stoehr 7 years ago
After finally loading a second system drive with 10.6.5 so I could install my Final Cut again, I now get the Error on boot that it needs a Quarts enabled Video Card. I recently added a Nvidia GTX570 i
Legalizing Chroma for Broadcast
by Christian Stoehr 7 years ago
I figured out how to setup a LUT to keep the White and Black levels within legal specs automatically. Is there such a way to setup a limiter for chroma too, so I have a backup. And also, what are the
Re: Legalizing Chroma for Broadcast
by Christian Stoehr 7 years ago
Thanks guys, so without running out and buying a Hardware scope right now, are there any options software only, or do I have to play the (75% Vectorscope) crude game I guess. I am confused that a soft
+2
Christian Stoehr liked this 7 years ago
Color Correcting P2 cards on set
by Christian Stoehr 8 years ago
What are DIT s using to color correct P2 footage on set They are shooting on a Panasonic AF100 I assume loading it into FCP takes to long
Re: Color Correcting P2 cards on set
by John Fishback 8 years ago
FCP will ingest P2 relatively quickly on its own and Calibrated's MXF Import allows instant access to P2 in any QT program. Color grading could then happen in FCP with various plugins or in Color. Tha
Compression for Blu-ray
by keith brooke 11 years ago
I have successfully burned HD footage to a DVDR and played it backi n HD using a Sony Bu-Ray player. I used Toast 9 with HD BD plugin. My footage came directly off my Canon HF11 camcorder, which was a
Re: Compression for Blu-ray
by Christian Stoehr 11 years ago
I have the same problem, I get a error saying file "00001.m2ts could not be accessed. Data fork -39 Is that what you are getting
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