Chris Wright: Activity About Liked Popular Files Images
Chris Wright

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June 2nd 2008
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VLC Player and Windows 10 Movies and TV player Trim feature. Does it reduce quality?
by Bryce Douglass 3 days ago
Hello, I have been experimenting with trimming video files in both VLC player using the recording feature to record a segment of a .mp4 or .mts clip and it saves a new clip without it exporting anythi
Re: VLC Player and Windows 10 Movies and TV player Trim feature. Does it reduce quality?
by Chris Wright 1 day ago
its possible it can stream uncompressed. the best way to check difference mode is apply heavy contrast to both clips before difference mode as our eyes may not see 4:2:0 color recompression hidden in
What is the best export setting for 4K video?
by Benny Boo 3 days ago
Hello everybody. I shot a H.264, 4K video on Sony A7SII. I edited the video on Premiere Pro, matching the clip setting with the timeline setting. I cropped most of the clips %10. I thought this wouldn
Re: What is the best export setting for 4K video?
by Chris Wright 2 days ago
https: www.youtube.com watch v=OU9S2gjFyG8
EasyDCP
by Oliver Peters 6 days ago
Apparently they now offer integration direct from FCPX. https: www.easydcp.com publisher.php - Oliver Oliver Peters - oliverpeters.com
Re: EasyDCP
by Chris Wright 4 days ago
huh an old DCI white the christie projectors themselves are also calibrated D63 SMPTE-RP-431. Is there any old reference to this even if it used to be standard 10 years ago, i don't see how its useful
Rec. 709 vs sRGB (losing my mind!!!)
by Filip Stillerska 1 week ago
I've been trying for SOOO long to figure out when to use Rec. 709 and when to use sRGB and I'm close to giving up and pretending like these things don't exist in this world. However, I'll give it one
Re: Rec. 709 vs sRGB (losing my mind!!!)
by Chris Wright 6 days ago
rec. 709 doesn't have an official gamma. BT1886 made a new 2.4 standard for grading in a 2.4 environment for bluray some broadcast stuff. srgb embedding is safer in browsers for embedding. some may ta
Pixel Format Issue
by Nick Doyle 7 days ago
Hi there, Would really appreciate some advice on this problem. I'm producing an animation for a client and they've given me the spec they want said animation to be produced in. It all makes sense apar
Re: Pixel Format Issue
by Chris Wright 6 days ago
9 10 they also want 16-235 video levels when asking for yuv. but not necessarily. you'll need to ask that one too.
Unacceptable Gamma shift when uploading to Vimeo from Permiere
by Matt Hannon 7 days ago
Hey everyone, I am in need of bit of help if that's ok, I have a deadline approaching in 2 days and although I have finished the work and exported the file from Premiere Pro (CC 2018), when I upload i
Re: Unacceptable Gamma shift when uploading to Vimeo from Permiere
by Chris Wright 7 days ago
even the browser google chrome shifts my white point. try different browsers. also, try legal range 16-235 or my correction lut I made for youtube vimeo(export as lut in final ame) https: f1.creativec
Aspect Ratios...
by Roderick Salter 1 week ago
Hi, I am a beginner and my question may be completely dumb and sorry if that is the case. So I don't waste money buying the wrong editing package, I need help determining if I can import into Premiere
Re: Aspect Ratios...
by Chris Wright 1 week ago
resolve is free up to resolutions UHD. or hitfilm is free too.
Premiere Pro Feature Film Workflow
by Ted Bezaire 1 week ago
Hi All! I'm working on a feature film this summer and we're shooting on and Alexa Mini 4k and editing on Premiere Pro CC. We plan to finish 2k. I'm looking for a best practices workflow from on set, t
Re: Premiere Pro Feature Film Workflow
by Chris Wright 1 week ago
from Mr. Peter's post, my thoughts below: 1. AAF is the new format and contains more information than the OMF. OMF loses the volume automation and names of the tracks when exporting and importing from
Which color profile/space does Premiere use?
by Filip Stillerska 1 week ago
Which color profile space does Premiere use
Re: Which color profile/space does Premiere use?
by Chris Wright 1 week ago
sRGB 0-255 D65 gamma 2.2. it can't convert anything so you need to use luts to conform to its hard coded color engine.
Achieving a Moody, Cinematic Look on RED
by Andrew Gallego 2 weeks ago
Hello everyone! I was a Videographer for a few years, and now I'm looking to make the leap to high end digital cinema work. After saving up for a while, I'm looking to purchase a RED Scarlet-W or RED
Re: Achieving a Moody, Cinematic Look on RED
by Chris Wright 2 weeks ago
just looks like warm white balance with a 7% brown tint in post. nothing special. sometimes less is more.
Question about skin tones and Vectorscope reading
by Duke Sweden 3 weeks ago
I've recently gotten to the point where my skin tones are pretty much spot on. I've had the waveform open in Resolve and have forgotten to check the vectorscope until the other day. I noticed that eve
Re: self calibration
by Chris Wright 2 weeks ago
lol, you can't calibrate your screen based off of another's person's memory color or what they think it should look like. my tree is a little yellow because on the right side, I wanted the sunny yello
File: munsel color self calibration
by Chris Wright 2 weeks ago
png file I made a perceptual image chart to see if I could match gamma, white output, and lms rod, cone eye response, all with the same image by creating a color profile on the fly without using an ex
Best approach to progressive clips (no effects) in interlaced timeline? Still unclear.
by Kell Smith 3 weeks ago
Slightly different question than last thread, so I'll give it its own thread Hey can anyone out there confirm the best way to approach progressive clips, without effects like time remap, on an interla
Re: Best approach to progressive clips (no effects) in interlaced timeline? Still unclear.
by Chris Wright 3 weeks ago
if you could get the original footage before it was deinterlaced, it would be slightly higher quality as the dvd will pass-through the interlacing as a bob-weave in the playback device. if you right c
free color chart plugin for premiere
by Chris Wright 3 weeks ago
8bpc free, 10bpc $77 http: www.mattroberts.org MBR_Color_Corrector
color grading purposeful white points quick tip
by Chris Wright 4 weeks ago
If you'd like to give your film an old D55 white point from the older theater's bulb technology, you can apply levels-set to color transfer mode and leave red unchanged, change green's white output to
Generating Panasonic V LUT (.vlt) in Resolve. GH5 doesn't recognize file NEVERMIND
by Duke Sweden 4 weeks ago
Once again I stumble upon the solution after posting my question. Don't know why but it works now which is great! So much easier than using LUTCalc. ***************************************************
Re: Generating Panasonic V LUT (.vlt) in Resolve.
by Chris Wright 4 weeks ago
great job on the tonal contrast and skin tone! musta spent some time on this one for sure.
Recording Sound Into Panasonic DV Camera
by Gareth Williams 3 months ago
Hi, I am using a Panasonic mini-Dv camera, and it has a 1 4 inch jack mic input. Can you record sound at a line level into that input Such as the output from a PA, 4 track recorder, or stereo What I a
Re: Recording Sound Into Panasonic DV Camera
by Chris Wright 4 weeks ago
you need a good line to mic attenuator as line is much stronger. at least 50db should be good.
force Adobe Media encoder’s *.m2v format video bitrate
by Chris Johnston 4 weeks ago
Is there any way to force Adobe Media encoder s *.m2v format video bitrate setting lower than 1.5 I want to experiment with getting more video on a DVD. I am using Media Encoder CC 2018, but if I need
Re: force Adobe Media encoder’s *.m2v format video bitrate
by Chris Wright 4 weeks ago
you can use a dvd-9 disk double sided that will hold 8Gb instead of only 4.
If I have something rendering in AME can I render in After Effects something else at the same time?
by Glen Jennings 1 month ago
I've got a comp sent to Adobe Media Encoder that is rendering currently. I opened a different project in After Effects and need to render something else directly in After Effects while the AME render
Re: If I have something rendering in AME can I render in After Effects something else at the same time?
by Chris Wright 1 month ago
a few people on adobe.com have reported slightly faster exports when doing half and half image sequence renders. I don't have exact percentage though. a long time ago render simultaneous frames worked
24p to 29.97i. Standards Conversion for TV?
by Matt Campbell 1 month ago
I have some TV spots built in AE, as they're full animation. COMPs were built to 23.976p. Which we do almost always. We have TV delivery for AIR and our normal delivery method accepts 24p ProRes files
Re: 24p to 29.97i. Standards Conversion for TV?
by Chris Wright 1 month ago
i think wiki is a little vague. they say to slowdown. all dvd's are 23.976 with a pulldown to 29.97.
How to get maximum background bokeh for large subjects?
by Santanu Bhattacharjee 2 months ago
I have a container about 60" x 60" x 60" kept in a lage factory. I wanted to blur out the messy factory for my video shoot on my 5D. I tried Canon 50 f 1.8, Samyung cine 35 f1.5, Sigma 90mm 2.8 Macro
Re: How to get maximum background bokeh for large subjects?
by Chris Wright 2 months ago
i see your point. as an addendum; "a particular desired look can be further magnified or 'exaggerated' by a longer lens, not directly de-focused by it." I just didn't want the OP to get confused by te
Sony A7iii is coming!
by Chris Wright 2 months ago
Sony A7iii is coming! $2,000 full frame, new sensor, excellent low light(close to a7sii), better color science, in body stabilization 5 axis, dual memory card slots, mic headphone input, 15 -stops dyn
Best plugin to "relight" flat or bad existing light footage in documentary
by keith mann 2 months ago
I have a ton of complete amateur, existing light, iPhone 4k that we want to use in a documentary. Talking heads. Its often either under or over exposed, flat, or exposed for the background (talent is
Re: Best plugin to "relight" flat or bad existing light footage in documentary
by Chris Wright 2 months ago
12224_light.png.zip
4k 8 bit 4:2:0 (100mbps) vs HD 10 bit 4:2:2 (50mbps)
by CG Coffyn 2 months ago
We are looking at a low profile Sony XDCAM (PXW-Z90V) and considering shooting in one of these two formats: 4k 8 bit 4:2:0 (100mbps) OR HD 10 bit 4:2:2 (50mbps) I've been searching to get more info on
Re: 4k 8 bit 4:2:0 (100mbps) vs HD 10 bit 4:2:2 (50mbps)
by Chris Wright 2 months ago
another thing, 4k 4:2:0 will key better than 1080 10bit 4:2:2. resolution does win out with chromakey even if the colour information is a bit lacking as with 4:2:0. https: www.youtube.com watch time_c
Introducing the Auto Grader 3000***
by Chris Wright 3 months ago
The future is here! Introducing the Auto Grader 3000*** It will automatically grade all your video for you! It will set black point, white point, gamma, saturation, white balance, all frame by tedious
Re: Introducing the Auto Grader 3000***
by Chris Wright 2 months ago
nothing in premiere fixes every frame, only per clip. only AE templates fix every frame for white balance and flicker. The .aep I think is called auto balance.aep for deflicker. I don't know why the e
Rec 709 issues with AE / Premiere / REsolve
by Nicholas Bateman 3 months ago
Hey there- I know there's a multitude of color change export questions on here- but this isn't really about normal hue shifts between players on exports. We've recently started compositing some final
Re: Rec 709 issues with AE / Premiere / REsolve
by Chris Wright 3 months ago
this is better than adobe's help files.^
Compositing S-log footage round trip back to Premiere: do i lose anything?
by Rhys Sherring 3 months ago
So I've got an edited short film in Premiere. The footage was shot in s-log2 from an a7s ii. So far my method has been to dynamic link Premiere sequences whilst in AE, then export the finished file as
Re: Compositing S-log footage round trip back to Premiere: do i lose anything?
by Chris Wright 3 months ago
tiff is just an image format. slog is just a gamma curve. anything lossless compressed should be fine. even 8 bit as your camera is only 8 bit. the thing is, if you do any de-grain denoise, you'll nee
+1
Sony A7S II vs. Panasonic GH5S
by Brenden Villalobos 3 months ago
Hey all, I know these aren t DSLRs, but there wasn t a Mirrorless topic. I am a videographer looking to upgrade my entry level Canon DSLR. I am torn between these 2 cameras! I love the GH5 s specs but
Re: Sony A7S II vs. Panasonic GH5S
by Chris Wright 3 months ago
true, you have to nail white balance in camera. there is no perfect camera, only perfect DP's.
Matching Sony fs7 to Sony a7s ii
by Henry Hogan 3 months ago
Hello community, I am having a bit of a struggle matching my a7s ii with my fs7. Have you found success If so, what camera settings do you use when matching your a7s with your fs7 Please let me know y
Re: Matching Sony fs7 to Sony a7s ii
by Chris Wright 3 months ago
shoot with a color chart. you'll thank me later.
c300mkII Too Sharp
by Matt Campbell 3 months ago
Does anyone have any suggestions on how to dial back the sharpness "in camera" We generally shoot c-log 3 with Cinema Gamut, however, often times skin tones still appear way too sharp. Even with our s
Re: c300mkII Too Sharp
by Chris Wright 3 months ago
in AE, find edges as alpha matte for smart fast blur works really good for blurring sharpness. can you test the filters and compare some aren't that strong.
Chris Wright 3 months ago
introducing auto grader 3000
https://forums.creativecow.net/docs/forums/post.php?forumid=394&postid=271
Why worry about color wheels...
by Scott Witthaus 3 months ago
when Nvidia will have AI doing all that anyway. Color correction will be simple compared to composing orchestral music: https: blogs.nvidia.com blog 2017 12 07 titan-v-launch Scott Witthaus Senior Edi
Re: Why worry about color wheels...
by Chris Wright 3 months ago
here it is. The future is here! Introducing the Auto Grader 3000*** It will automatically grade all your video for you! It will set black point, white point, gamma, saturation, white balance, all fram
updated auto flicker and smart frame blend for cc 2017
by Chris Wright 3 months ago
updated auto white balance and flicker removal for ae cc 2017 and minor bug fix division by zero. 1440x1080 1.0 framerate 16 fps comp. https: f1.creativecow.net 12087 auto-white-and-flicker-ae-cc2017-
auto white balance
by Chris Wright 7 years ago
I made a fully automatic white balance after effects project. it uses part of rebel cc then finds the color cast and automatically removes it. it also fixes cameras with auto white balance on changing
Re: auto white balance
by Chris Wright 3 months ago
here's a new link for auto white balance template: 12067_6154autowhitebalanceshadow2011.aep.zip
restrict film chroma via compression of color values
by Chris Wright 3 months ago
from: https: mixinglight.com color-tutorial color-restoring-classic-films i figured out his 'secret sauce' that he might post in the future. It restricts max chroma color to 128 rgb so that you can ra
Jumanji: Welcome to the Jungle
by Stephen Smith 4 months ago
I really liked Jumanji: Welcome to the Jungle. I loved the Rock and Kevin Hart in Central Intelligence and thought they played off of each other really well again. I had to laugh at a stupid comment f
Re: Jumanji: Welcome to the Jungle
by Chris Wright 4 months ago
music is great, everyone looked like they had fun, it shows. shot in oahu.
Star Wars The Last Jedi
by Mark Suszko 4 months ago
Spoiler-free review: Better than the last one, it does a decent job at its main task of wrapping up the plotlines of the original cast leads and setting - or re-setting - the stage to continue forward
Re: Star Wars The Last Jedi
by Chris Wright 4 months ago
in rogue one, they did a little guerrilla fighting, a little terroristic style if I remember correctly. I don't think rebels have any better morality than empire. If they had a deathstar, they would b
Best Practices for rendering 24 fps footage
by Jaeson Jrakman 4 months ago
So with my Cannon T6 Rebel DSLR, I'm shooting video footage at 24 fps to get that film look. But what is the best practice for rendering this footage out for: YouTube & Social Media DVD BluRay Streami
Re: Best Practices for rendering 24 fps footage
by Chris Wright 4 months ago
afaik, they should all take it natively. youtube doesn't allow interlaced. dvd authoring will add 3:2 pulldown flag on the fly, bluray will go native, amazon needs progressive too. I don't see a probl
Dpx or tiff?
by Paul Rijkaard 4 months ago
Hi I am making a film which includes a mix of cgi material and video. The video is shot on canon c300 in 4k s log 2 The final output of the film will be 2k (2048x1080 @25p) As qt 422 HQ and DCP I will
Re: Dpx or tiff?
by Chris Wright 4 months ago
dpx usually is set in log. EXR is less confusing and supports more metadata. not to mention, staying in linear land where cgi is. cgi is always rendered linear light exr half float(16 bit) in full APO
+1
free psuedo star wars force awakens film lut
by Chris Wright 4 months ago
I pulled a KODAK VISION3 500T 5219(same print as star wars-force awakens) with my colorchecker and compared it against a bmcc. I then made a 64 cube lut. Is it densitized no. does it look good, heck y
Matching a6500 to the GH5 colors
by clyde villegas 4 months ago
What settings do I have to change to make an a6500 (b cam) match the look colors of my GH5 (a cam) I might use Standard picture profile on my GH5. Thanks! God bless! ut in omnibus glorificetur Deus
Re: Matching a6500 to the GH5 colors
by Chris Wright 4 months ago
are you going the slog2 and vlog route or standard neutral profile route just remember that you will have to grade to the worst dynamic range camera so if the 6500 is slog2 and the gh5 is standard, th
budget used dSLR that in-body stabilizes & compatible with most manual lenses
by Rachael Busher 4 months ago
So i'm hunting for a dSLR... I am a relative newbie, having mostly used ENG style cameras before (such as the Panasonic AC130U) so far I have used almost nothing recent and have not been up on technol
Re: budget used dSLR that in-body stabilizes & compatible with most manual lenses
by Chris Wright 4 months ago
sony a6500 APS-C around $1200 has ibis. panasonic gx85 m4 3 is around $500 and has ibis. with cheap adaptor you can use other mounts. both cameras won't do low light like a7sii.
Crackly/static audio from bad mic connection, best way to reduce?
by Deborah Sovierzoski 4 months ago
Hi guys, So I filmed an interview recently where half of the audio is almost ruined with static from a bad microphone connection. This is a sample - https: vimeo.com 246740484 4c14d17d0a I've tried us
Re: Crackly/static audio from bad mic connection, best way to reduce?
by Chris Wright 4 months ago
i'd first run declip, then declick, then adaptive noise reduction. enable its 'noise output only' checkbox so that if you hear voices, then you have the wrong settings. also, change its frequency sele
Color grading video shot with default camera settings
by stan welks 5 months ago
Prior to learning to use the settings on my cameras to get out of the default linear curve, everything I have shot for years was based on the default settings of my cameras. Is there anything that I c
Re: Color grading video shot with default camera settings
by Chris Wright 5 months ago
it all pretty much matters on one thing, the dynamic range of the light and the sensor. if you shot soft light and properly exposed and no clipping then they will all be theoretically able to match ea
+1
Struggling to fix poor quality audio
by Neil Anderson 5 months ago
I'd really appreciate some help with the audio quality in my videos, it sounds synthetic. I've been trying to fix it and it's driving me nuts. I'm really struggling because I'm a beginner. I'm using:
Re: Struggling to fix poor quality audio
by Chris Wright 5 months ago
that one doesn't sound too bad. its not rumbly as much. i think now your missing some high freqs, its all super low end. but you seem to have a much cleaner signal so you can probably fix the eq in po
Best DSLR or Mirrorless for video/stills?
by Bob Mark 5 months ago
Hello everyone. I am considering buying a DSLR or mirrorless camera for video and stills. Up until now, I have only owned camcorders for video and DSLR for stills. Do you think any of today's DSLR cam
Re: Best DSLR or Mirrorless for video/stills?
by Chris Wright 5 months ago
aw, ok yea, the a7riii is the same sensor as the a7rii too anyway, kinda waste of money. and the a7sii has 12 stop dynamic range over the 10 on the gh5 making the a7sii way better for film. I saw a vi
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