Premiere too slow by Duong Cam 3 months ago Hi, I'm using Premiere 14.3.1, It too laggy when preview (10bit - Quicktime from Davinci). My PC: Ryzen 9 3900X - 32Gb Ram 3200 - Nvidia 1080 - HDD Toshiba X300 Performance - 7200, 128mb cache When it
Re: Premiere too slow by Chris Wright 3 months ago He just needs to get it working first, then he can play around with making larger higher quality proxy files... and H.264 is just a container. you can create any compression quality that you want with
Twixtor in AE question by Karel Bata 3 months ago Hi, I've got a series of shots that are each a few frames too long. They are timelapses and need to fit a sequence. Is it possible to get twixtor to change (for example) a 208 frame sequence to 200 fr
Re: Twixtor in AE question by Chris Wright 3 months ago you used to use a precomp and or solid if you were slowing down footage or it clipped off the last third of the footage. i don't know if they fixed that but I used it extensively.
Audio EQ balance with pink noise? by Chris Wright 5 months ago What do you guys think about playing back pink noise on set to capture the ambient EQ response of both the room and the different mics so that you can use EQ match in Izotope RX 7 to match any room or
Re: Audio EQ balance with pink noise? by Chris Wright 3 months ago I did find a really amazing use for white noise, to find the harmonic distortion frequencies of mics. Record white noise with the mic, then use that sample to remove learned noise. it got rid of an ex
Premiere not detecting or attaching proxies by Ben Carter 3 months ago I have created a bunch of proxies for my project and they won't playback. Every time i load a clip or drop it into the timeline it seems to just play the original file back. I've been searching forums
recommended encoder settings by Rick Neely 4 months ago Hey all, converting some VHS to MP4 for a client and wanted some advice. My workflow is straight copy to DVD (via DVD recorder), then export DVD to Mp4 using Handbrake (use 1080p 30 settings). For fil
Re: recommended encoder settings by Chris Wright 4 months ago Wait, you're converting VHS directly to DVD mpeg-2 low quality, then compressing again to mp4 Then you edit the mp4 in Premiere and then export out again to H.264 That's like 3 generations of quality
Client audio volume dipping by holly amott 4 months ago Hi, I have a client that I edit interviews for, the volume of the interviewee is fine but the interviewer's mic keeps dipping out really quiet then growing back to normal volume and dipping out again.
Re: Client audio volume dipping by Chris Wright 4 months ago you could use an automated vocal plugin https: loudmax.blogspot.com or use Audition's built in speech volume leveler under effects,compression. you can clean up with a compressor to gradually respond.
AE CC 2020 - Logo Removal by Ryan Decker 4 months ago Hi there! Looking for some advice on how to remove a logo from a moving object. I've tried content aware fill and motion tracking a mask, but am having a tough time! My goal is to hide the logo on the
auto white balance by Chris Wright 10 years ago I made a fully automatic white balance after effects project. it uses part of rebel cc then finds the color cast and automatically removes it. it also fixes cameras with auto white balance on changing
Shopping for small recorder by Kevin Carlson 5 months ago Hi, This may have been a post years ago, and there are different options now. I'm shopping for a very small recorder--like an Olympus voice recorder--to use with a lav as a back up recorder for shooti
Re: Shopping for small recorder by Chris Wright 5 months ago from my understanding, Tram and Lectrosonics sometimes uses backwards wiring using pin 1(depending on the year it was made), so I would say in general, philips is wired like sony and is compatible wit
IPP2 / REDwideGamut RGB workflow by jonathan alenskas 6 months ago hello I am following (or trying to ) a IPP2 color workkflow for VFX inside AE. The red footage color profile is REDWideGamutRGB and has been exported in .exr format to me. assuming the correct workflo
Re: IPP2 / REDwideGamut RGB workflow by Chris Wright 5 months ago normally you always set your color management to the highest gamut you're working in or you're going to clip colors. If using opencolorio, disable all color management, use linear light as you will ne
DPX vs ProRes4444 for VFX by Jason Morehouse 5 months ago I asked a similar question in the Arri section since the film was shot in the Alexa Mini LF. But since this question pertains to whether ProRes4444 or DPX is better for VFX, I'll give it a try here. B
Re: DPX vs ProRes4444 for VFX by Chris Wright 5 months ago if you're doing effects, i'd go with at least prores 444 XQ. the higher bitrate will hold composites better than the regular 444. and who uses dpx anymore it got replaced by EXR like 10 years ago! no
Disinfecting a shotgun windshield by André Mascarenhas 6 months ago Hi there, Next week I'll be shooting a few interviews and it will be the first time since COVID started affecting our lives. For audio I'll be using a shotgun mic (not sure yet which one, but probably
Adding a "thump" or a "big bang" by Jonathan Reed 7 months ago I'm working on adding sound effects to a teleportation scene. I'm having trouble with the electric "zap" sound effect make a deep bass sound. I've looked up online and all i'm finding is how to add ba
Re: Adding a "thump" or a "big bang" by Chris Wright 7 months ago this isn't so much an audition thing as it is an effects process. i'd look at some 3rd party plugins unless you can record pure organic components from scratch and layer them.
Breathy interviewees by mark thompson 7 months ago Are there any good techniques to help people that make breathing sounds when being interviewed I tend to have breathing sounds when I speak. For me it is very easy to fix that in Audition but it is te
Re: Breathy interviewees by Chris Wright 7 months ago mic type and placement can help. some mics are more sensitive (less impedance) so will pick up lip smacking, light breathing a lot more. also pointing underneath and up will be a lot more transparent
Ambient noise affected the interview by Mariusz Potyralski 8 months ago Dear colleagues, Hope you are all keeping well. Could you please express your opinion on below video in terms of the sound of the interview. https: youtu.be JJA5blVUycY I've almost finished creating m
Re: Ambient noise affected the interview by Chris Wright 8 months ago videolink is gone, but I'm guessing there's a lot of wind. I'd first try de-clipping before or after the instructions below in isotop rx with auto on, then: if you run dialogue isolate with a very low
Paint my Office please :) by Eric Santiago 8 months ago I finally got my office ready for painting. It's a small 12 x14 very low ceiling (stupid basement). Brand newly built room with soundproof walls and ceiling (drywall channels too). I have one window (
Converting Colorspace by Klaus Müller 9 months ago Hi, i have a problem: I have some clips BT709, but for other clips i have set my Resolve Settings to Rec2020 and ST2084 1000Nits. The problem is: Resolve doesnt convert the clips from one colorspace t
Movie dubbing by David Troy 9 months ago Hello my name is David and I would like to start dubbing some movies in different languages as I m a multilingual person and I thought I d use Adobe Audition. So I want to only replace the character s
Re: Movie dubbing by Chris Wright 9 months ago If you're going professional, I'd use Pro-tools. If you want to do small indie stuff, look into multi-track recording in audition with buses, stems etc. https: helpx.adobe.com audition how-to multicha
Film lab, anyone? by Todd Terry 9 months ago Been a while since there's been a post about real film in here... but I have one. This is a long-shot question, but does anyone here (still) have a film lab or post transfer house that they really lov
Re: Film lab, anyone? by Chris Wright 9 months ago If you have deep pockets, you can visit https: www.fotokem.com. They have big clients(think Lucas, Quentin etc.). I've used them before. They are worth it if you can afford them.
70d color correction by Richard Martz 10 months ago Search: I have a color correction project coming up for a movie shot on a 70D. I m trying to find info on color space and bit depth so I know what we will have to work with. Any help out there Sincere
Advice on shooting fluorescent-lit room by Cale Stelken 1 year ago I have a cooking event to film next month, and I m concerned about the ugly kitchen fluorescent lights. Any suggestions on filming, or post production (i.e. grading), that would make this visually app
Web Video Codecs by Melisa Bala 1 year ago Hello, I am searching for an optimal codec for exporting AE animations for web. They are without backgrounds, and they have to be smaller than 500 KB. I tried some of the Media Encoder's codecs but I
Re: Web Video Codecs by Chris Wright 1 year ago just use the official standard for html5 with built in alpha channel support, VP9. it also does pixel interpolation for low framerates and a thousand other things you can tweak to get that small size
4k or 1080 bitrate by Derek Charles 1 year ago My computer lags when editing my 4k footage, so I just edit on a 1080 timeline and render out 1080 file to work with before the editing even takes place...- I do this because shooting in 4k to 1080 is
Re: 4k or 1080 bitrate by Chris Wright 1 year ago i'm not going to say immediately you're wrong. in fact, if you're pixel peeping and don't see much changing, I can't really argue with that as there are some forms of h.264 that can do 4:2:2, 10 bit,
How to See Moire (Moiré) While Shooting? by Rob Youngberg 1 year ago Hi, I have two questions on dealing moire during a shoot (not in post). Our in-house corporate studio recently upgraded from the Panasonic AF100 to the Ursa Mini Pro 4.6K. We love it but we get a lot
Footage on Canon EOS RP looks awful by Edward Groves 1 year ago Hello all, Looking for some advice. Just moved on to a Canon EOS RP to do small video projects. I've used Panasonic GH5s previously and hated the colour science. The footage looks awful. I shot in 108
Re: Footage on Canon EOS RP looks awful by Chris Wright 1 year ago there is no log, its 8 bit, low dynamic range, bad iso performance(grain, banding). low bitrate IPB 120Mbps, Full HD (59.94p 50.00p) IPB Approx. 60 Mbps. I think the real question is, why were you exp
Re: Anyone seen this issue before by Chris Wright 1 year ago you can remove color casts with channel mixer set to color transfer only, lens blur the highlight artifacts together, but there is no information left to recover. all you can do is make it less ugly.
90's ntsc pulldown film-to-video look? by Ike Hanson 2 years ago I'm trying to emulate the look that 90's music videos and tv shows that were converted from film to video for editing had: https: www.youtube.com watch v=jjBFbQ5oCS0 https: www.youtube.com watch v=FMr