Chris Wright: Activity About Liked Popular Files Images
Chris Wright

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June 2nd 2008
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here's how to make a premiere grade from log curve with accurate scopes in 60 seconds
by Chris Wright 5 hours ago
here's how to make a premiere look from pure scopes in 60 seconds. my first video! create scoped lut in 60 seconds - YouTube https: www.youtube.com watch v=FqIQmwMOP04&feature=youtu.be steps: 1. set b
File: gamma 18 percent 41 IRE rec 709 curve
by Chris Wright 6 hours ago
prfpset file gamma 18 percent 41 IRE rec 709 curve for getting precisely 18% grey from exclusion transfer solid for proper gamma exposure in premiere used in video: https: youtu.be FqIQmwMOP04 https:
Best codec to render to when sending to Premiere Pro
by Duke Sweden 2 days ago
If I do my color grading in Resolve, which lossless codec wrapper should I deliver to so I can edit in Premiere pro I checked, Tero, it's not in the manual. Dell XPS 8920 Intel i7 core 7700 build GeFo
Re: Best codec to render to when sending to Premiere Pro
by Chris Wright 2 days ago
are you using an XML to retain edit points yea, cineform level 4 5 or dnxhr are really, really high quality, close to lossless.
Tutorial: Cinematic Look Using Lumetri Color in Adobe Premiere Pro
by Tobias Gleissenberger 4 days ago
Adobe Premiere Pro Cinematic Look Using Lumetri Color in Adobe Premiere Pro Want to give your video that elusive cinematic look Visual effects guru Tobias Gleissenberger will show you the secrets of
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Tim Wilson liked this 3 days ago
Re: Cinematic Look Using Lumetri Color in Adobe Premiere Pro
by Chris Wright 3 days ago
i'd rename the tutorial to 'introduction to lumetri and secondary color correction'. sure there's a film fade slider in lumetri, but that doesn't make the whole tutorial about hollywood cinematic oran
70's and 80's film emulation
by James Harries 4 days ago
Any idea on how to emulate this kind of vintage effect in AE: https: www.youtube.com watch v=qFLhGq0060w or this one (forget about the black film scratches, I'm interested in what's behind that): http
Re: 70's and 80's film emulation
by Chris Wright 3 days ago
hmm, I wouldn't say they were film per say. I would say shot on high end phototube camera (for that time) and then graded magenta into shadows or red channel in curves. you can tell that the highlight
Random pops during playback
by Tony Trabucco 4 days ago
I am using 3 "Shure SM7B" mics that are connected to a Behringer USB mixer that is then connected to a MacBook pro to record podcasts via Audacity. In playback only in Audacity, we hear random "pops"
Re: Random pops during playback
by Chris Wright 4 days ago
bad cable
LOG color workflow with effects in PPRO
by Weston Jones 2 weeks ago
Hello, I'm working with ARRI LOG footage with intention sending the footage to a colorist to apply color adjustments. I'm not finishing in Premiere. I've been working with an input LUT applied as a ma
Re: LOG color workflow with effects in PPRO
by Chris Wright 4 days ago
nothing is destructive if its a guide layer. you don't have to use luts for things, they are simply luma and chroma changes you can do by hand. you can make your own technical luts that work even bett
Using Low Res Historical Photos/Videos on HD Documentary Film
by Juan David Romero 4 days ago
Not sure if this is the place to ask, but I'm having an issue with my documentary film. I am using photos and videos taken by my interview subject to tell his story (besides the video I shot). For exa
Re: Using Low Res Historical Photos/Videos on HD Documentary Film
by Chris Wright 4 days ago
i'd dynamic link to AE's distort preserve upscale. its a combination of bicubic, reduce noise, and detail. makes very nice resizing. also, I'd use its Camera-Shake Deblur effect which helps you recove
Grading 5D Mark IV C-log
by Markus Stone 4 days ago
I feel like I'm missing something here. I've never really worked with alternative colour spaces before or played much with LUTs, but now I've gone and upgraded my Mark iv to C-Log, I figure there shou
Re: Grading 5D Mark IV C-log
by Chris Wright 4 days ago
abel converted the canon luts so they're compatible with premiere by remarking the #size line lut in notepad https: abelcinesalesforce2.s3.amazonaws.com article canon-luts-for-the-c100-c300-and-c500 c
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Single, White, Complete Idiot Looking For Motion Effects Panel in Resolve 14. Willing to relocate
by Duke Sweden 5 days ago
Seriously, where the hell is the motion effects panel where you can denoise your clips Did they remove it from version 14 All youtube vids deal with 12.5. Dell XPS 8920 Intel i7 core 7700 build GeForc
Re: Single, White, Complete Idiot Looking For Motion Effects Panel in Resolve 14. Willing to relocate
by Chris Wright 5 days ago
do you have studio the free version doesn't have it.
desqueeze anamorphic footage
by Matthew Charof 6 days ago
Hi there, I just shot Alexa anamorphic at 2944x2160 and I'm trying to figure out how to make proxies and desqueeze for editing in premiere pro. Could anyone tell me how I can find out what my aspect r
Re: desqueeze anamorphic footage
by Chris Wright 5 days ago
Select them in the bin, right click and choose Modify Interpret footage. quote is from arri rep. 2944x2160 is a ProRes format with black padding left right, the active image is 2880x2160. Did you shoo
gh5 vlog to rec 709 lut test
by Chris Wright 2 weeks ago
hi everyone! I was doing a gh5 vlog to rec709 test lut I made from photoshop ACR camera mode and iwltap lut creator. It keeps skins tones on skin tone line while making a unique carribean look at the
Re: gh5 vlog to rec 709 lut test
by Chris Wright 6 days ago
awesome! now that you're in an actual professional program, hehe no more premiere, you can learn about ACES color management. It's pretty neat. Let me know if you need any thing else. you're gonna lov
Getting Actors for my fun / non-professional short film.
by Jon Metallo 1 week ago
I was wondering the best way to get actors for my short film project It is nothing professional but just some fun ideas that I have. Some people write stories or draw pictures or take photos for hobbi
Re: Getting Actors for my fun / non-professional short film.
by Chris Wright 7 days ago
non budget would be craigslist. there are ways to get professional actors on non-sag wages 0-low but you still need to buy them food.
Amira to Adobe Premiere Post Workflow
by Scott Warren 5 months ago
Hello Good People! In a couple weeks I'll be handling a project where we'll be shooting with an Arri Amira cam package. I've never dealt with this particular package before, and I am hoping some of th
Re: Amira to Adobe Premiere Post Workflow
by Chris Wright 1 week ago
keep in mind, premiere doesn't support arri wide gamut directly. once you import your graded footage from resolve back into premiere, it will lose any work you did if you graded higher than rec. 709 i
Setting up for web delivery - so much confusion
by Dan Coffey 2 weeks ago
Dear all, I am looking for good resources on getting setting up a calibrated monitor and a workflow that goes: 1) Edit in Premiere Pro CC 2) Color in Davinci Resolve 3) Export luts from Resolve 4) Fin
Re: Setting up for web delivery - so much confusion
by Chris Wright 2 weeks ago
calibrate monitor to srgb gamma 2.2. it will then match premiere, vlc(opengl output), ipad's, youtube etc. some web browsers are crazy, can't be helped. you can use xml's from premiere to resolve roun
I-Frame only on XDCAMHD
by James Ronan 2 weeks ago
Hey guys Hoping I'm posting in the right forum... I'm trying to export an advert for UK TV. They're specifications are: Codec: MPEG-2 Container: OP1a Profile Level: MPEG-2 4:2:2 High Video: 100Mb s Au
Re: I-Frame only on XDCAMHD
by Chris Wright 2 weeks ago
gop length is from I frame to I frame so if that is 1. it should be all i frames (fastest editing) closed is not using adjacent b frames.(somewhat fast editing) i would select both and then test with
Poor quality GoPro footage
by Brian Vegeberg 2 weeks ago
Hi, I m getting poor quality footage from my GoPro Hero 5, and since I see videos on youtube where the images are crispy sharp, so I am thinking it s me who does something wrong. It s mainly noticeabl
Re: Poor quality GoPro footage
by Chris Wright 2 weeks ago
just edit in premiere, export xml to resolve. grade in resolve, export 10 bit graded resolve clips with xml back to premiere, ,import resolve xml into premiere, paste clips into AE with 16bpc at nativ
Export Settings
by Mark Krueger 2 weeks ago
I just completed my first sequence with Adobe Premier. ( I have used Sony Vegas for many years... I might go back if I can't figure this thing out!) My sequence was made up of UHD 3840x2160 clips. (ta
Re: Export Settings
by Chris Wright 2 weeks ago
export a master at largest resolution needed and shrink down later for other devices. some may need black borders or stretch or scale or just punch in either set to frame size or scale to frame size.
Editing Suite Audio Delay on External Monitor - will BMD Intensity Shuttle fix it?
by Steven DiCasa 2 weeks ago
Hey all, I am the co-owner of a video production company. We just got a small office and are having clients come in for supervised edits and or color grading. We have a powerful iMac 27" going out to
Re: Editing Suite Audio Delay on External Monitor - will BMD Intensity Shuttle fix it?
by Chris Wright 2 weeks ago
I don't think it can. https: www.markertek.com product rol-vc-1-dl roland-vc-1-dl-bi-directional-sdi-hdmi-with-delay-and-frame-sync
File: low light gh5 log to rec709 indoors with window 64 cube
by Chris Wright 2 weeks ago
zip file low light gh5 log to rec709 indoors with window 64 cube https: f1.creativecow.net 11675 low-light-gh5-log-to-rec709-indoors-with-window-64-cube
File: indoors raised blacks 2 percent and gh5 neutral raised blacks 2 percent luts and xmp
by Chris Wright 2 weeks ago
zip file indoors raised blacks 2 percent and gh5 neutral raised blacks 2 percent luts and xmp both 64 cube trillions of colors https: f1.creativecow.net 11669 indoors-raised-blacks-2-percent-and-gh5-n
Matching Canon 7d footage with Black magic Pocket cinema camera
by Arnold Korir 2 weeks ago
Hi guys.I'm an editor but i also do a bit of color work when required.currently i have a show that i need to color too,but the big challenge is that its shot on a Canon 7d and a blackmagic pocket cine
Re: Matching Canon 7d footage with Black magic Pocket cinema camera
by Chris Wright 2 weeks ago
ahh! I don't know why you didn't post two shots with the same actor in focus and facing the camera. I had to make some guesses. see if this gets you in the right direction. using the crop tool helps y
File: 7d to blackmj premiere lumetri and fast color corrector preset
by Chris Wright 2 weeks ago
prfpset file 7d to blackmj premiere lumetri and fast color corrector preset https: f1.creativecow.net 11668 7d-to-blackmj-premiere-lumetri-and-fast-color-corrector-preset
File: blackmagic lut to 7d
by Chris Wright 2 weeks ago
zip file blackmagic lut to 7d https: f1.creativecow.net 11667 blackmagic-lut-to-7d
File: go pro ocean
by Chris Wright 2 weeks ago
zip file go pro ocean lut and xmp https: f1.creativecow.net 11665 go-pro-ocean
File: gh5 indoors lut
by Chris Wright 2 weeks ago
zip file gh5 indoors lut vlog-rec709 64 cube and .xmp https: f1.creativecow.net 11663 gh5-indoors-lut
Noob comprehending accurate exposure and a7s ii s-log2 recording
by Rhys Sherring 2 weeks ago
I'm a Canon user and I'm shooting a short film with two a7s ii's next month. It's not a massively formal occasion, but I want to step up my game, so I've been doing a lot of homework to produce the be
Re: Noob comprehending accurate exposure and a7s ii s-log2 recording
by Chris Wright 2 weeks ago
just set zebra slog2 for 70 ire for skin either off talent or from 18% grey card, then back off a little. skin should fall between 50-80 ire with no noise as it slightly overexposes 2-3 stops to match
Color display during editing (Premiere, AE, PS etc.) off
by Samuel Triplett 2 weeks ago
Been using Premiere and AE on my ASUS laptop for about a month and a half now, and a problem I have yet to find any way to fix has just been getting too annoying. I'm not using an external display, ju
Re: Color display during editing (Premiere, AE, PS etc.) off
by Chris Wright 2 weeks ago
your monitor should be calibrated srgb with a spyder. premiere and ipad are srgb, there's a iPad Pro 9.7 that can do dci p3 with embedded color management profiles with colorsync support. AE should be
File: gh5 standard vlog to rec 709 and carrabean luts with assoc. xmp
by Chris Wright 2 weeks ago
zip file gh5 standard vlog to rec 709 and carrabean luts with assoc. xmp all 64 cube https: f1.creativecow.net 11662 gh5-standard-vlog-to-rec-709-and-carrabean-luts-with-assoc-xmp
File: gh5 vlog to rec709 carribean test 1
by Chris Wright 2 weeks ago
cube file gh5 vlog to rec709 carribean test 1 designed for exposing for highlights keeps skin at skin tone line throughout gives carribean feel https: f1.creativecow.net 11659 gh5-vlog-to-rec709-carri
Green screen --> set the Kelvin (WB) , so the green matches the color-bar (vector-scope) green. Good or Bad??
by Lennart Holterman 3 weeks ago
Hello there, I am looking for a second opinion: A local guy, who has his own professional green screen studio, advised me to adjust my Kelvin (WB) in the camera, so that the green from my green screen
Re: Green screen --> set the Kelvin (WB) , so the green matches the color-bar (vector-scope) green. Good or Bad??
by Chris Wright 3 weeks ago
oh, btw, the studio guy has white balance and hue angle confused. If he was trying to do what I think, the correct way to fix this problem(if he bought the wrong key color and gels) would be to rotate
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File: osmo preset
by Chris Wright 3 weeks ago
prfpset file osmo preset fast color corrector rgb curves https: f1.creativecow.net 11652 11652
Render Time vs. Editing and Billing
by Chip Hess 3 weeks ago
How does everyone here deal with time spent rendering It's not part of the creative process really, but does eat up computer time. Do you set an hourly rate which reflects a percentage of what you cha
Re: Render Time vs. Editing and Billing
by Chris Wright 3 weeks ago
it depends on your client base. if you have a whole bunch of small clients who can't afford to be nickel and dimed or a few big clients who can. it goes back to the old argument, per job or per hour.
AME only exporting LOG footage
by Steven Pine 3 weeks ago
I am using AME to export several (individual) clips of a timeline that have had some Lumetri color correction added to it. AME is only exporting the video as it looks in its original Log state. No col
Re: AME only exporting LOG footage
by Chris Wright 3 weeks ago
is import sequences natively unchecked in ame
repairing a corrupted wav file
by david payne 4 weeks ago
Hi all. I have a wav file recorded on a tascam DR-10 that I think i might have corrupted by turning the device off too soon after pushing stop. The file plays in VLC but not in adobe premiere or windo
Re: repairing a corrupted wav file
by Chris Wright 4 weeks ago
Open VLC. Go to Media Convert Save. wav
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limiting rotations
by Matt Howarth 1 month ago
hi all I'm attempting to make an automated pie chart, where you have as many segments as you like and the final segment fits into the remaining space perfectly. I have it working apart from the final
Re: limiting rotations
by Chris Wright 1 month ago
the good 'ol trig expression pie chart i made a billion years ago https: forums.creativecow.net thread 227 17128#17144
deinterlace originally film footage.
by therman mermehn 1 month ago
I have a very old television show I'm working on deinterlacing. I do know the show was originally filmed and not taped at 24fps. However , at the time it was changed to a 29.97fps interlaced file whic
Re: deinterlace originally film footage.
by Jody Bruchon 1 month ago
What happens if you just copy the VIDEO_TS folder from the DVD to the computer and then try to open the first large VTS_xx_x.VOB file within using an MPEG-2 capable media player You should get video.
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Chris Wright liked this 1 month ago
Exporting/Playing 16-bit [dreaded banding!]
by Jeff Merkel 1 month ago
Hey everyone! Just wanted to thank everyone for the invaluable contributions on this forum, as it's helped me out of countless jams. I know there's a ton of info out there already on working 8-bit vs
Re: Exporting/Playing 16-bit [dreaded banding!]
by Chris Wright 1 month ago
I'm going to give away a huge hollywood secret. the secret sauce for removing banding for web is to create a digital intermediate by exporting down to a lossless 8 bit codec like animation or quicktim
Fast RAID recommendation
by Jim Cunningham 1 month ago
More and more I'm editing multi-streams of 4k. Typically, I'm using Drobo RAIDs Thunderbolt 2, which work not bad, and at RAID 5 they are safe. But as I start adding layers and plug-in things get a bi
Re: Fast RAID recommendation
by greg janza 1 month ago
One question is which flavor of 4k are you dealing with I'm working primarily with 4k footage shot on a Sony FS7 xvac at 240mbps and I can edit and play back in full resolution on my system without is
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Chris Wright liked this 1 month ago
Arri Log-C workflow
by Jon Mitchell 1 month ago
Hello, I am working w some Arri LOG-C footage. I normally work on it after color, but not this time around. I was wondering what the best workflow is. I've tried a few things but can't seem to get wha
Re: Arri Log-C workflow
by Chris Wright 1 month ago
steve is spot on. in a big budget environment, you wouldn't even burn in a lut as color management changes and lut burns slightly reduce quality. the changes are made to normalize into a log to linear
Post Fix For High Shutter Speed
by Jennifer Adams 1 month ago
Hi, I will soon be doing a few screen replacements in a video clip, where some of the screens will be moving pretty quickly in the frame. I thought I'd ask the production to shoot these parts using a
Re: Post Fix For High Shutter Speed
by Chris Wright 1 month ago
reelsmart motion blur and ae's built timewarp 100% with just shutter angle are two optical motion plugins. the other two are frame blending plugins more akin to shutter samples for animation.
confused on log, exposure and final image
by clyde villegas 3 months ago
I'm just starting to learn about exposure and log. I've read that while filming in log, you should already be decided on the final image. Either you over expose or under expose to protect either the s
Re: confused on log, exposure and final image
by Chris Wright 1 month ago
its not so simple. dynamic range is from the luma logarithmic curve that steals bits from blacks or whites to increase dynamic range. that is why 8 bit log doesn't work well because it creates banding
+1
After Effects TWO HUNDRED HOURS render time...Ridiculous!
by Adrian Chircu 1 month ago
I have a 2 and a half minute long music video that I WORKED MY BUTT OFF! It has close to 100 clips in it, but only 2 scenes so I precomposed the background, then the camera footage, then the web foota
Re: After Effects TWO HUNDRED HOURS render time...Ridiculous!
by Chris Wright 1 month ago
sometimes rendering precomps is faster. if you layer a key, then a precomp, then another precomp, and another precomp, ae isn't always additive, it sometimes is geometrically slow. if possible, render
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