70's and 80's film emulation by James Harries 4 days ago Any idea on how to emulate this kind of vintage effect in AE: https: www.youtube.com watch v=qFLhGq0060w or this one (forget about the black film scratches, I'm interested in what's behind that): http
Re: 70's and 80's film emulation by Chris Wright 3 days ago hmm, I wouldn't say they were film per say. I would say shot on high end phototube camera (for that time) and then graded magenta into shadows or red channel in curves. you can tell that the highlight
Random pops during playback by Tony Trabucco 4 days ago I am using 3 "Shure SM7B" mics that are connected to a Behringer USB mixer that is then connected to a MacBook pro to record podcasts via Audacity. In playback only in Audacity, we hear random "pops"
LOG color workflow with effects in PPRO by Weston Jones 2 weeks ago Hello, I'm working with ARRI LOG footage with intention sending the footage to a colorist to apply color adjustments. I'm not finishing in Premiere. I've been working with an input LUT applied as a ma
Grading 5D Mark IV C-log by Markus Stone 4 days ago I feel like I'm missing something here. I've never really worked with alternative colour spaces before or played much with LUTs, but now I've gone and upgraded my Mark iv to C-Log, I figure there shou
Re: Grading 5D Mark IV C-log by Chris Wright 4 days ago abel converted the canon luts so they're compatible with premiere by remarking the #size line lut in notepad https: abelcinesalesforce2.s3.amazonaws.com article canon-luts-for-the-c100-c300-and-c500 c
desqueeze anamorphic footage by Matthew Charof 6 days ago Hi there, I just shot Alexa anamorphic at 2944x2160 and I'm trying to figure out how to make proxies and desqueeze for editing in premiere pro. Could anyone tell me how I can find out what my aspect r
Re: desqueeze anamorphic footage by Chris Wright 5 days ago Select them in the bin, right click and choose Modify Interpret footage. quote is from arri rep. 2944x2160 is a ProRes format with black padding left right, the active image is 2880x2160. Did you shoo
gh5 vlog to rec 709 lut test by Chris Wright 2 weeks ago hi everyone! I was doing a gh5 vlog to rec709 test lut I made from photoshop ACR camera mode and iwltap lut creator. It keeps skins tones on skin tone line while making a unique carribean look at the
Re: gh5 vlog to rec 709 lut test by Chris Wright 6 days ago awesome! now that you're in an actual professional program, hehe no more premiere, you can learn about ACES color management. It's pretty neat. Let me know if you need any thing else. you're gonna lov
Amira to Adobe Premiere Post Workflow by Scott Warren 5 months ago Hello Good People! In a couple weeks I'll be handling a project where we'll be shooting with an Arri Amira cam package. I've never dealt with this particular package before, and I am hoping some of th
Re: Amira to Adobe Premiere Post Workflow by Chris Wright 1 week ago keep in mind, premiere doesn't support arri wide gamut directly. once you import your graded footage from resolve back into premiere, it will lose any work you did if you graded higher than rec. 709 i
I-Frame only on XDCAMHD by James Ronan 2 weeks ago Hey guys Hoping I'm posting in the right forum... I'm trying to export an advert for UK TV. They're specifications are: Codec: MPEG-2 Container: OP1a Profile Level: MPEG-2 4:2:2 High Video: 100Mb s Au
Re: I-Frame only on XDCAMHD by Chris Wright 2 weeks ago gop length is from I frame to I frame so if that is 1. it should be all i frames (fastest editing) closed is not using adjacent b frames.(somewhat fast editing) i would select both and then test with
Poor quality GoPro footage by Brian Vegeberg 2 weeks ago Hi, I m getting poor quality footage from my GoPro Hero 5, and since I see videos on youtube where the images are crispy sharp, so I am thinking it s me who does something wrong. It s mainly noticeabl
Re: Poor quality GoPro footage by Chris Wright 2 weeks ago just edit in premiere, export xml to resolve. grade in resolve, export 10 bit graded resolve clips with xml back to premiere, ,import resolve xml into premiere, paste clips into AE with 16bpc at nativ
Export Settings by Mark Krueger 2 weeks ago I just completed my first sequence with Adobe Premier. ( I have used Sony Vegas for many years... I might go back if I can't figure this thing out!) My sequence was made up of UHD 3840x2160 clips. (ta
Re: Export Settings by Chris Wright 2 weeks ago export a master at largest resolution needed and shrink down later for other devices. some may need black borders or stretch or scale or just punch in either set to frame size or scale to frame size.
File: gh5 vlog to rec709 carribean test 1 by Chris Wright 2 weeks ago cube file gh5 vlog to rec709 carribean test 1 designed for exposing for highlights keeps skin at skin tone line throughout gives carribean feel https: f1.creativecow.net 11659 gh5-vlog-to-rec709-carri
Render Time vs. Editing and Billing by Chip Hess 3 weeks ago How does everyone here deal with time spent rendering It's not part of the creative process really, but does eat up computer time. Do you set an hourly rate which reflects a percentage of what you cha
Re: Render Time vs. Editing and Billing by Chris Wright 3 weeks ago it depends on your client base. if you have a whole bunch of small clients who can't afford to be nickel and dimed or a few big clients who can. it goes back to the old argument, per job or per hour.
AME only exporting LOG footage by Steven Pine 3 weeks ago I am using AME to export several (individual) clips of a timeline that have had some Lumetri color correction added to it. AME is only exporting the video as it looks in its original Log state. No col
repairing a corrupted wav file by david payne 4 weeks ago Hi all. I have a wav file recorded on a tascam DR-10 that I think i might have corrupted by turning the device off too soon after pushing stop. The file plays in VLC but not in adobe premiere or windo
limiting rotations by Matt Howarth 1 month ago hi all I'm attempting to make an automated pie chart, where you have as many segments as you like and the final segment fits into the remaining space perfectly. I have it working apart from the final
deinterlace originally film footage. by therman mermehn 1 month ago I have a very old television show I'm working on deinterlacing. I do know the show was originally filmed and not taped at 24fps. However , at the time it was changed to a 29.97fps interlaced file whic
Re: deinterlace originally film footage. by Jody Bruchon 1 month ago What happens if you just copy the VIDEO_TS folder from the DVD to the computer and then try to open the first large VTS_xx_x.VOB file within using an MPEG-2 capable media player You should get video.
Exporting/Playing 16-bit [dreaded banding!] by Jeff Merkel 1 month ago Hey everyone! Just wanted to thank everyone for the invaluable contributions on this forum, as it's helped me out of countless jams. I know there's a ton of info out there already on working 8-bit vs
Fast RAID recommendation by Jim Cunningham 1 month ago More and more I'm editing multi-streams of 4k. Typically, I'm using Drobo RAIDs Thunderbolt 2, which work not bad, and at RAID 5 they are safe. But as I start adding layers and plug-in things get a bi
Re: Fast RAID recommendation by greg janza 1 month ago One question is which flavor of 4k are you dealing with I'm working primarily with 4k footage shot on a Sony FS7 xvac at 240mbps and I can edit and play back in full resolution on my system without is
Arri Log-C workflow by Jon Mitchell 1 month ago Hello, I am working w some Arri LOG-C footage. I normally work on it after color, but not this time around. I was wondering what the best workflow is. I've tried a few things but can't seem to get wha
Re: Arri Log-C workflow by Chris Wright 1 month ago steve is spot on. in a big budget environment, you wouldn't even burn in a lut as color management changes and lut burns slightly reduce quality. the changes are made to normalize into a log to linear
Post Fix For High Shutter Speed by Jennifer Adams 1 month ago Hi, I will soon be doing a few screen replacements in a video clip, where some of the screens will be moving pretty quickly in the frame. I thought I'd ask the production to shoot these parts using a
Re: Post Fix For High Shutter Speed by Chris Wright 1 month ago reelsmart motion blur and ae's built timewarp 100% with just shutter angle are two optical motion plugins. the other two are frame blending plugins more akin to shutter samples for animation.