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Chris Wright

Member Since:
June 2nd 2008
1837 Posts
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Time lapse sequence - colors messed up by Premiere
by Morten Ross 14 hours ago
Hi, I have processed RAW images in ACR and saved to JPG for a time lapse. When I import to Premiere, the colors are changed to a bland interpretation I am unable to find a way to disable. The messed u
Re: Time lapse sequence - colors messed up by Premiere
by Chris Wright 12 hours ago
https: forums.adobe.com thread 1508203
Digitizing VHS Tapes - The Right Way
by Johan Barnard 6 days ago
I've seen a lot of really poor tutorials and explanations for digitizing VHS tapes. I'd like to gather some information from professionals regarding how they would handle such a project, and how they
Re: Digitizing VHS Tapes - The Right Way
by Chris Wright 6 days ago
1. short answer, buy a panasonic 4 head vhs that outputs component and Blackmagic Design Intensity Pro 4k(support capture and playback output and its mjpeg codec) 2. long answer(for when you have free
Direct Link colour space/bit depth problem
by Patrick D'Arcy 4 weeks ago
I record footage in ProRes 4:2:2 and H.264 simultaneously at the moment. This is so I can have backup footage in case of an emergency, but just to check I put two identical clips in premiere pro and l
Re: Direct Link colour space/bit depth problem
by Chris Wright 1 week ago
using DL disables all color management https: forums.adobe.com thread 1508203
Finished MP4 has too much red
by Lee Klein 1 week ago
I edited a clip and adjusted the color. The program windows looks just right. But when I export in H264 and play it with Windows Media, the clip looks too pink. I change the clip effects and still too
Re: Finished MP4 has too much red
by Chris Wright 1 week ago
is your monitor color managed try importing it in AE with color management. It should look perfect. if not, import into AE and use an adjustment layer, utility-color profile converter that burns in th
What colour calibration settings should I use for colour grading
by Patrick D'Arcy 5 months ago
I bought a Spyder4Pro a few months back, calibrated my monitor to the default settings and got on with video work. Since then, while colour grading footage, I've noticed myself turning the calibration
Re: What colour calibration settings should I use for colour grading
by Chris Wright 2 weeks ago
if you want perfection, D65, or in kelvins: 6504K for HD rec709. D65 has a CCT of 6500K which is 4 less. Then again, the tolerance for a spyder is probably 3% anyways. sRGB is gamma 2.2 with D65 white
Looking For Assistance - Dialogue Sound - Adobe Audition
by Gabriel Moore 2 weeks ago
I'm creating a short funny film and am really trying to nail the dialogue down and saturate the film with Foley and music. I have a general understanding of compression and have been floating towards
Re: Looking For Assistance - Dialogue Sound - Adobe Audition
by Chris Wright 2 weeks ago
Tinny sound https: forums.creativecow.net thread 30 874168#874190 ADR location atmosphere https: forums.creativecow.net thread 168 858838#858839 Remove silabence https: forums.creativecow.net thread 1
Hiding a dead pixel (with AE)?
by Janne Laiho 2 weeks ago
Hello, a film I'm color grading has footage where the camera had a dead pixel. The pixel shows as pure white. The editor has moved clips vertically, so that the dead pixel is seldom in the same place.
Re: Hiding a dead pixel (with AE)?
by Chris Wright 2 weeks ago
dead pixel 6 will remove up to 3 specks with thickness, remove speck and visible boundry box. Ae6 https: f1.creativecow.net 6195 dead-pixel-6
DPX sequence color depth
by Tobias Sundberg 3 weeks ago
Hi! This will be my first post in this amazing forum and I have two short questions regarding After effects DPX sequence color depth output. I've animated a short commercial that's going to run in the
Re: DPX sequence color depth
by Chris Wright 2 weeks ago
Is this a log dpx Interpret and render logarithmic if required. Log stores overbright values similar to 32 bpc. This is required to work in linear while editing. Also, you can use cineon converter log
Normalizing an entire film's soundtrack
by Zack Hosseini 2 weeks ago
Just finished a feature film and my sound guy mixed it for the purpose of playing it in the theater at the premiere. So when you listen to it on a computer, the loud scenes are much louder than the qu
Re: Normalizing an entire film's soundtrack
by Chris Wright 2 weeks ago
try multiband compression for small differences of loud and soft and then follow with rms normalizer for overall volume.
going crazy with large files from varicam 35 in ppro cc 2014
by Raul Zeummes 4 weeks ago
I'm at my wit's end here trying to edit some varicam 35 footage I have to turn in soon. If anybody can help me figure out what's going on here I would greatly appreciate it. The footage is in avc-intr
Re: going crazy with large files from varicam 35 in ppro cc 2014
by Chris Wright 4 weeks ago
try random read write uncompressed tests, and blackmagic tests video over a longer time, not just a short burst giving a true mb sec. for example, a 840 evo says at least 400mb sec but in actual real
Giving footage a "Star Wars look"
by Karen Avizur 1 month ago
I wanted to create a video and adjust the tone color scheme of the footage, maybe add some film grain, to make it look like footage from the Star Wars films. Any ideas on how to do that in Premiere I
Re: Giving footage a "Star Wars look"
by Chris Wright 1 month ago
https: f1.creativecow.net 8358 free-star-wars-5-look-for-after-effects5
+1
Parts for VFX / 4K Editing Computer
by Josh Frackleton 1 month ago
Hey guys, I'm buying parts for a 4k editing and VFX computer. I work mostly in After Effects and Premiere. I dabble in 3D, but it's not my priority. Ideally I want something that can handle 4k video f
Re: Parts for VFX / 4K Editing Computer
by Chris Wright 1 month ago
if you have the fastest computer on the planet(10ghz) and a slow media cache system, you'll never get realtime playback. 4k requires 1200mb sec not even including multiple layers and color management.
Render entire project for small corrections in the video?
by Rishikesh Shendkar 1 month ago
It takes a lot of time to render a video with many effects and layers on a frame. I rendered a video which almost took 18 hours to render. After viewing the video i found some small corrections in it
Re: Render entire project for small corrections in the video?
by Chris Wright 1 month ago
everyone should render in an image sequence, for a 4 day render, who wants to redo all that Also, if you rendered out in a high end video codec, you can edit them together or even mux them(index frame
After Effects CC2015 external monitor not working
by Jim Arco 1 month ago
When I upgraded to CC2015, my external monitor quit working just for After Effects. It still works for Premiere. The monitor is a broadcast monitor with video inputs, connected via a firewire converte
Re: After Effects CC2015 external monitor not working
by Chris Wright 1 month ago
Download the latest drivers and Mercury Transmit plug-ins for your device. While After Effects uses the same Mercury Transmit plug-ins as Premiere Pro, the plug-ins need to be updated for compatibilit
Removing 'tinny' sound after using noise reduction in Audition CS 6
by Michael West 2 months ago
Good morning: I followed a tutorial about using the Noise Reduction filter in Audition CS 6 to remove background noise from an interview. It worked wonderfully, except, even after playing with the set
Re: Removing 'tinny' sound after using noise reduction in Audition CS 6
by Chris Wright 1 month ago
try effect-studio reverb with low settings and set the filter to 150hz. that should add studio reverb to just the bass.
Rolling Shutter Repair/Warp Stabilizer
by Daniel Madoff 1 month ago
I have been trying to smooth out a shot of lower Manhattan in which I used a 7D to pan from the tip of of the island to the middle of the Brooklyn Bridge. Anyone who has used a DSLR knows this is a bi
Re: Rolling Shutter Repair/Warp Stabilizer
by Chris Wright 1 month ago
to fix: place a guide ruler in ae, then hand keyframe like Blaise Douros said. but any transformation will soften the image slightly. if the pan itself is jerky, you can use warp stabilizer on the pre
Pixar UP balloons
by Ben Lewis 1 month ago
Hello everyone, Im trying to achieve a balloon rising effect like the one seen in Disney's Up. Its for a title sequence for a wedding and I want it to be a 2D effect as opposed to 3D balloons. I want
Re: Pixar UP balloons
by Chris Wright 1 month ago
there might be a more exact example on here but this is what I found. http: www.motionscript.com design-guide elastic.html https: forums.creativecow.net thread 227 16780#16782 https: forums.creativeco
unistalled and lost my premiere project file
by Parminder Singh 1 month ago
Hi i installed premiere pro cc 2015 on my windows machine . But i did'nt removed the old cs6 version . but after the uninstall of cs6 my premiere pro project files did'nt found . i think it was delete
Re: unistalled and lost my premiere project file
by Chris Wright 1 month ago
search the whole hard drive for the file extension. if it's not found, immediately stop using the disk and do easeus data recovery. should be 100% successful if you stop writing data. I use it and it
Best Video Codec for AE
by Scott Witthaus 1 month ago
Hey all. Is there any "flavor" that AE likes best. Thanks in advance. sw Scott Witthaus Senior Editor Post Production Supervisor 1708 Inc. Editorial Professor, VCU Brandcenter
Re: Best Video Codec for AE
by Dave LaRonde 1 month ago
I'm with Michael on this one -- don't use codecs with inTERframe compression. Use codecs with inTRAframe compression. And because you're almost always compositing with AE, lossless codecs give you the
+1
Chris Wright liked this 1 month ago
Ultimate After Effects CPU?
by David Gruwier 1 month ago
What would be the best CPU possible for After Effects rendering, if you have the budget Currently my workstation has a 2.6ghz 12 core Intel Xeon CPU, which was used for 3D rendering. The 3D has moved
Re: Ultimate After Effects CPU?
by Chris Wright 1 month ago
"The Render Multiple Frames Simultaneously feature has been superseded by the new architecture in After Effects CC 2015 (13.5). The new architecture will allow a future version of After Effects to uti
Graphics card
by Steve Ford 2 months ago
Greetings, I am a mac user with a computer that was purchased in mid 2010. It has a 2 x 2.66 GHz 6-core intel xeon processor and 24 gigs of ram. I currently have an NVIDIA Quadro 4000 graphics card wi
Re: Graphics card
by Chris Wright 2 months ago
you can view resources by percentages with 3rd party tools such as openhardwaremonitor. they will tell you if you're taxing your video card or just need fast disk or cpu speed. a huge money saver, and
Frame flicker
by Stephen Patience 3 months ago
Dear all, My first post to this forum and hoping I may get a solution to my problem. I shot a 500 frame (approx) time lapse of an aurora not long ago. Each frame was for 20 seconds. The shoot went wel
Re: Frame flicker
by Chris Wright 3 months ago
its an artificial light problem, so a bit tricky, does it pulsate If it doesn't pulsate, Color finesse has a grey point eye dropper that will find the white balance, plus it looks like there's a ffx p
+1
CANON XA10 AND RODE SVM MICRAPHONE... Sound blown out... need assistance please.
by Josh Parten 3 months ago
Please Help..... Im using a rode svm mic on my canon xa10 and recording loud live alternative music performances... seems i cant get it dialed in and all sound is blown out. i have tried lowering the
Re: CANON XA10 AND RODE SVM MICRAPHONE... Sound blown out... need assistance please.
by Chris Wright 3 months ago
a dynamic mic is designed for loud sounds. Good ones are expensive because they can handle loud db range(check the specs page on them, they'll say like up to 120db). All you have to do is either hook
mesh warp pixelation
by Rick van den Berg 3 months ago
Hi, quick question, im making an animation with some lines flying trough the image. when i use the mesh warp to give them some curves, it gets pretty ugly. i added some pictures to make it somewhat mo
Re: mesh warp pixelation
by Chris Wright 3 months ago
smart blur or cc vector blur might help, but it wouldn't be perfect like antialiasing anistropic filtering in a 3d program.
shapes falling into place?
by Stephen Roberts 3 months ago
Hello! I'm trying to figure out a way of animating a bunch of simple shapes falling into place. In this case a cityscape (see attached). Without key framing each shape. images.creativecow.net 281010 s
Re: shapes falling into place?
by Chris Wright 3 months ago
I was thinking a reverse timeremap after you apply newton's explosion collision detection program. http: www.motionboutique.com newton
Can I edit down mic bleed in Audition?
by Edward Holpfer 3 months ago
I'm new to using Audition to edit my podcasts and am running into an issue with mic bleed. We have 4 people sitting around a 6' table, each with their own Heil PR 40 in a fairly dead room. I apply the
Re: Can I edit down mic bleed in Audition?
by Chris Wright 3 months ago
a noise gate should work. it will automatically cutoff lower db sounds. If the db is just as loud in all mics, you'll have to manually select what you want to hear. you may want to invest in a hardwar
Shooting music video at 60fps to convert to 24fps?
by Ti Jak 4 months ago
So I plan on shooting a music video in 60fps to later convert(what I usually do) in Sony Vegas to 24fps since I don't know which parts I would want to go back and put in slow motion. Since I am shooti
Re: Shooting music video at 60fps to convert to 24fps?
by Chris Wright 4 months ago
sure, there's inverse telecine but that is 23.976 encapsulated in a reverse pulldown from 29.976. The actual framerate would still be still 23.976 in that case. I believe he's actually 60fps whole fra
Ideas on how to remove this Mic Shadow?
by Anthony Sneed 4 months ago
https: vimeo.com 125734293 The mic appears on the board at a certain point and I need to remove it. The director won't let me blow up the image. I'm posting because there's a few approaches and I'm tr
Re: Ideas on how to remove this Mic Shadow?
by Chris Wright 4 months ago
looks like any easy fix. just use effect-extract key with a garbage matte, do a simple color correction and feather it out, and viola!
only recorded one audio track
by Bill Hash 5 months ago
I was out of video editing since 2009. I had sold my sony z1's then. recently I decided to make a video for a friend and make a dvd to sell on amazon's create space Have done several in past. The edit
Re: only recorded one audio track
by Chris Wright 4 months ago
you should be able to copy and paste the mono channel so it comes out both L,R. as stereo. Then again, if what they want is true dolby stereo, you would have had to record with a stereo mic in the fir
Clean audio file using another audio file
by Eduardo Alcantara 5 months ago
Hi, I'm new in this forum. I have a voice recording that has a song in the background, and I just want to delete that song and keep the voice. Also I have a file with that song. Is it posible in Adobe
Re: Clean audio file using another audio file
by Chris Wright 4 months ago
you need two mono sources, then combine them into a stereo track, effects-invert one, then stereo to mono conversion. although... its sounds like you have a song that is similar but isn't exact. it ha
Apply EQ to a selection, but soften the transitions?
by Dustin Bowser 5 months ago
I've got an impact sound effect that I like the sound of, except I'm looking to soften the sharpness on the actual transient of the impact moment. What I would like to do, is just select that little s
Re: Apply EQ to a selection, but soften the transitions?
by Chris Wright 5 months ago
Start with a 10 point parametric eq to isolate the freq. keep the curve smooth like a gradual curve. Any kind of distortion or reverb with just the selection should be no problem. I'd recommend studio
Input-Output Sample Rates Out of Sync
by Ron Moore 5 months ago
I'm running Audition CC 2014 on an AMD 64bit, Quad-core machine with 8GB of RAM and just received an error message stating: "The sample rates of the audio input and output devices do not match. Audio
Re: Input-Output Sample Rates Out of Sync
by Chris Wright 5 months ago
are you on windows Catalyst Control Center is your AMD radeon graphics software. try uninstalling and installing the latest from AMD. Speaker properties and recording properties, advanced has the play
Can Audition *subtract* the audio of one track from another?
by Atiq Zabinski 5 months ago
I have an interview recorded in a highly noisy environment, and worse, one with very variable and intermittent noise -- music, speeches. I have the audio from two different cameras, one stationed clos
Re: Can Audition *subtract* the audio of one track from another?
by Chris Wright 5 months ago
i've done exactly this before in audition and depending on the audio quality, its pretty amazing. if i remember correctly, you need two mono sources, then combine them into a stereo track, effects-inv
Examples / Tutorials to embed ADR form Studiomic into on location atmosphere audio
by Felix Gorbach 6 months ago
Hi audition masters, When I search the net for tutorials there are plenty of them that shows how to master, multitrack etc. audio. But the issue I very often come around is that I have a certain locat
Re: Examples / Tutorials to embed ADR form Studiomic into on location atmosphere audio
by Chris Wright 5 months ago
https: forums.creativecow.net thread 30 873530 This post is about far away sound but the principle is the same. ADR is always warmer, ,different mic, bass more boomy, slyabents more poppy, because the
normal size waveform but still extremely quite playback?
by Ludwig Reuter 7 months ago
Dear Creative Cow Community, I have a mystical problem with a voice over file. The artist was recorded with reasonable volume, the waveform of the clip has resonable size and the levels are jump up an
Re: normal size waveform but still extremely quite playback?
by Chris Wright 7 months ago
i get -3 db to 0db with clipping here. very loud even with my speakers turned way down. it must be your speaker playback settings. if you have the original, I would suggest not louder than -10db and y
Color Profile Question
by Adam Davies 7 months ago
To be very brief, This is not exactly an AE question...but bear with me I am in post-production on a 15-minute stop-motion animation. lots of issues and bad decisions along the way, but I'd love some
Re: Color Profile Question
by Walter Soyka 7 months ago
Adam Davies "This makes me think that AE is only superficially changing the footage from Adobe RGB (1998) to sRGB, whereas PS converts the footage... " I'm still unclear on what you think the differe
+1
Chris Wright liked this 7 months ago
how to merge 2 colors to emerge a different color?
by Manohar Stramzik 7 months ago
Hey folks an animation in my video requires 2 different colored solid which are round in shape and when they both merge together i want the color to emerge as a different color(not the one which gives
Re: how to merge 2 colors to emerge a different color?
by Chris Wright 7 months ago
did you want them to create a secondary color effect so that they blend into a mixed color only where they overlap, like gels I only say this because then you can drive the true color with a linear bl
Dealing with Color Shifts: AE comps brought into Premiere Pro
by M. Bernard 7 months ago
Any suggestions on how to bypass, or properly set, the color space in After Effects, for AE comps I bring back into Premiere Pro, that appear to have a color shift I finished and color graded a projec
Re: Dealing with Color Shifts: AE comps brought into Premiere Pro
by Chris Wright 7 months ago
the Color Profile Converter won't work unless you precomp it. also view-simulate might be on there's 16-235 and 0-255 rec.709.
25fps conversion to 24fps - then speed back up picture? Clever or stupid idea?
by Phil Hawkins 7 months ago
Hello all, I've read a bunch of posts about the 24fps 25fps conversion routes but I couldn't find the answer to an idea I had. We have a feature film shot at 25fps that we need to convert to 24fps for
Re: 25fps conversion to 24fps - then speed back up picture? Clever or stupid idea?
by Chris Wright 7 months ago
maybe frame blending is turned on a check mark by the appropriate Frame Blending command and Enable Frame Blending button at the top of the Timeline panel. if both are off, then perhaps you just don't
Source: 1080i m2ts 29.97fps --> Destination: PAL DVD
by Alberto Bedin 7 months ago
Ok, this is quite odd but I have to do this: My input is: m2ts 1080i 29.97 fps stream. I have to output it on a PAL DVD (25 fps). My idea is: edit in Premiere, add chapter markers and then Export with
Re: Source: 1080i m2ts 29.97fps --> Destination: PAL DVD
by Chris Wright 7 months ago
1. is it true 1080i. That is 29.97i or 59.94 fields. You interpret top field and get a 29.97fps comp. See (3). 2. is it 3:2 interlaced pulldown or 29.97fps whole frames that makes a big difference in
Color management/output profile when outputting master?
by Kristin Maling 7 months ago
Hello. I'm just wondering if anyone could lend some advice with regards to color management when outputting your master I'll be outputting my master as Apple ProRes 422 (HQ), but I'm not really sure w
Re: Color management/output profile when outputting master?
by Walter Soyka 7 months ago
Your working space doesn't really matter, provided it's large enough to contain all the colors you intend to use. ProRes 422 should probably be Rec. 709. Walter Soyka Designer & Mad Scientist at Keen
+1
Chris Wright liked this 7 months ago
Wireless Microphone System w/ GoPro!
by Aaqib Usman 7 months ago
I have been using a GoPro to shoot mobile walking architecture tours with a guide. All of this is one long shot, no edits, no cuts. For the moment, I am using the Audio-Technica ATR288W VHF Battery-Po
+1
Aaqib Usman liked this 7 months ago
Re: Wireless Microphone System w/ GoPro!
by Chris Wright 7 months ago
I haven't personally used it but you can always split the difference and get the ME2 Lavalier Microphone from the G3 for $140 if your existing wireless device functions adequately. or $229 Tram TR-50
Best iso for bright sunlight filming.... 400 iso???
by Ali Quintana 7 months ago
What would be the best iso for bright sunlight filming with BMCC I have a great matbox and ND filter. I normally always shoot at 800 iso but maybe with the last update its safe and even better to go l
Re: Best iso for bright sunlight filming.... 400 iso???
by Chris Wright 7 months ago
If you're not shooting raw, native 800 iso will give the largest latitude which is required in contrasty images. You are basically trading grain for latitude and visa versa when moving away from 800.
Matching Up Fs7, A7s and 60D
by Sascha Engel 7 months ago
Hi Everybody, I will shoot in two days an item for the German TV. I have to match up my main Camera a SONY FS7 with two B-Rolls: a SONY A7s and a CANON 60D. What are the best settings on each camera t
Re: Matching Up Fs7, A7s and 60D
by Chris Wright 7 months ago
A quick chip color chart recorded in front of the focus point will save you hundreds of post time hours.
Mocha tracking data on layer larger than 100%?
by Jean Carey 7 months ago
I'm trying use tracking data from Mocha, but I need to scale the layer I'm applying it to larger than 100% so it won't get cut off as it moves. But this messes up the Mocha corner pin. Is there a simp
Re: Mocha tracking data on layer larger than 100%?
by Dave LaRonde 7 months ago
The limiting factor is that you can't use Mocha on a scaled layer, correct So how do you overcome this You use Mocha on an UN-scaled layer. Then you take all the layers you just made, nest them in a c
+1
Chris Wright liked this 7 months ago
AE / Mac Pro speed issue for Stop Motion Project with large images
by Stephen Ong 8 months ago
Hi I'm new here but have been lurking around for a long time. Just been reading a few posts about machines for AE but looking for any suggestions as to what i might need to invest in. Recently I've be
Re: AE / Mac Pro speed issue for Stop Motion Project with large images
by Walter Soyka 8 months ago
What else is on the disk with the cache How much space is free Do you have any caches from previous versions of After Effects Separating the project from the media won't make much difference, but sepa
+1
Chris Wright liked this 8 months ago
Hiding single frames within video footage with high frame rates
by Tom Holmes 8 months ago
Hi Guys!! This may not necessarily be an after effects query, but I'm working in AE so here goes... I have 240fps video. I want to be able to "Hide" a single frame within the video so it can only been
Re: Hiding single frames within video footage with high frame rates
by Dave LaRonde 8 months ago
Nice idea, but not correct. There isn't any interlacing at 59.94 (aka 60) frames sec. Using a normal playback & display device, the video would be 1280x720, 59.94 FRAMES. The interlacing comes into pl
+1
Chris Wright liked this 8 months ago
Correcting Cinemascope Without Fully Stretching the Format
by Hayden Martin 10 months ago
Hi Is there any way to take 2:35:1 footage into after effects and warp it so it fits a regular 16:9 aspect ratio The problem I am facing is that there is quite a spherical object that I can't have war
Re: Correcting Cinemascope Without Fully Stretching the Format
by Walter Soyka 10 months ago
I published an AEP to do a non-linear stretch from 4:3 to 16:9 a while ago, which you may be able to adapt to your needs: http: www.keenlive.com renderbreak 2013 06 non-linear-stretch-43-to-169-in-aft
+1
Chris Wright liked this 8 months ago
Audio Solution for shooting outside on a budget
by Benjamin GS 10 months ago
Hi, I am doing video semi professional. Sometimes I do fun projects, sometimes I do paid gigs. I am trying to find a good audio solution for shooting outside with actors. Here is my current situation:
Re: Audio Solution for shooting outside on a budget
by Chris Wright 8 months ago
woah, you said nothing about sound quality when there is no cloth noise. Professionals use hidden mics too. One trick is to create two triangles of tape made inside out that sandwich the mic and isola
Making dialogue recorded at close range sound like it is from a distance.
by Jake Reeves 8 months ago
I have a scene where two men are talking at a distance, exterior, in the woods. Not yelling. Just normal speaking voices. The audio was all recorded at close range and there is no re-record option. Th
Re: Making dialogue recorded at close range sound like it is from a distance.
by Chris Wright 8 months ago
in parametric eq 10 band, lower 100hz-500hz geometrically less the higher freqs, and add subtle reverb, which naturally comes from trees and hills echoing. Also, you can add noise from wind in leaves


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