Super slow mo by Ceri Allen 8 years ago Hi I will be creating super slow-mo effect from footage shot at 60fps on a canon 5D. It will be of a BMX rider. First I will conform it in cinema tools to 24p. However following this there seems to be
Cool time lapse by zeke meginsky 8 years ago I want to do a short time lapse. The camera was really still looking down at a far away town with moving cars, etc. I'm wondering what I might do to make it look interesting (obviously other than up t
Re: Cool time lapse by Chris Wiggles 8 years ago Things like motion trails might be neat, etc. Lots of things to play around with. I've had really neat effects with sunsets doing chunks of footage with fades to create a time-lapse without speeding u
How to tap the power of the cluster? by Mark Suszko 8 years ago My situation is that I am rendering DVCPro HD 720 30p out from the timeline into anamorphic SD DVCPro25, using quicktime conversion, and it is slow going. I have an octo-core mac tower to edit on, FCS
Re: How to tap the power of the cluster? by Chris Wiggles 8 years ago Various step-by-step guides via googling, if you're not into the whole brevity thing: http: provideocoalition.com index.php apple story compressor_3_a_virtual_cluster_makes_an_impressive_speed_boost h
Fine editing in FCP by James Hester 8 years ago Hi there - I'm utterly new to FCP and I'm making videos with drummers, often filmed on various cameras and with separate audio mixes from the studio desk. the problem I'm having it getting the audio a
Timelapse in post by Matt Hannon 8 years ago Hey guys, I couldn't find the answer to this query in the forums, and so apologies if it has been answered in previous posts. I am wondering how to go about turning one long continuous shot of HDV int
Re: Timelapse in post by Chris Wiggles 8 years ago I've done this in the past with really nice results by simply taking portions of the longer clip and fading them into each other. You can try this in addition to speeding it up. Depends also what you'
Changing the resolution in Motion? by Chris Wiggles 9 years ago Beginner's question: I wasn't thinking, and used my default project settings of 1080i60 to lay out a whole animated logo thing in motion. (I usually am shooting in 1080i60 with my camera, but this is
Re: Changing the resolution in Motion? by Chris Wiggles 9 years ago Think I answered my own question with the Export settings, just changed it to 720p and voila! Duh. : I wonder though, if this causes any degradation compared to doing everything 720p to begin with...
ATSC Broadcast Color Spec by Angelo Lorenzo 9 years ago Out of curiosity, since the switch to digital broadcasting, is the broadcast community still recommending Rec.709 with 16-235 levels or since the picture itself isn't part of additional data transfer,
Re: ATSC Broadcast Color Spec by Chris Wiggles 9 years ago It appears to me, at least I have always assumed, that FCP displays much as QT displays video on playback: it expands the range to 0-255. But that the actual video is 16-235. So for instance if you ju
Apple Qmaster and 2 Mac Pros by Rusty Shackleford 9 years ago We have 2 Mac Pro's (one Quad-core 2010 and one Quad-core 2008, both with Final Cut Studio 3 and Snow Leopard). We want to setup 2 ways to use Compressor. One way so it's Qmaster just for one computer
Re: Apple Qmaster and 2 Mac Pros by Chris Wiggles 9 years ago You just need to connect them to the same network, hopefully on a fast switch. You could connect them via the 2-port switch on the mac if you want, but then I am pretty sure you have to have the mac o