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Chris Conlee

Member Since:
September 7th 2003
419 Posts
100 posts
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Scott Sheriff
IATSE Contract Negotiations
by Chris Conlee 10 months ago
Local IATSE brothers and sisters, by now you may have heard that Local 700 (the editor's guild) organized an informational meeting yesterday to update membership on the status of ongoing contract neg
IATSE Contract Negotiations
by Chris Conlee 10 months ago
Local IATSE brothers and sisters, by now you may have heard that Local 700 (the editor's guild) organized an informational meeting yesterday to update membership on the status of ongoing contract neg
Lightworks 14
by Craig Seeman 2 years ago
LIGHTWORKS 14.0: A REINVENTED NLE https: www.provideocoalition.com lightworks-14-0-reinvented-nle Interesting to compare Free and Pro. https: www.lwks.com index.php option=com_content&view=article&id=
Re: Lightworks 14
by Chris Conlee 2 years ago
If there are any Lightworks editors here who have been hankering for a USB Edit Control Console, there is one available on eBay right now. They're few and far between, so it's newsworthy when one appe
MOTU UltraLite-mk4 Surround Monitoring
by Chris Conlee 3 years ago
Hello Everybody, I'm hoping somebody can help me with this. I just got a MOTO UltraLite-mk4 which I intend to use for 5.1 mixing from Pro Tools HD. The thing is, I cannot for the life of me figure out
Toggle source/record in the timeline like Avid?
by Chris Conlee 3 years ago
In Avid Media Composer I can easily swap the source monitor's contents to the timeline, and then back. This is useful when editing one sequence into another, as you can see your edit points, and you c
Re: Toggle source/record in the timeline like Avid?
by Chris Conlee 3 years ago
Yeah, if I'd set the project up myself, that's probably what I would have done; made synced sequences. Although somebody would have to explain to me the benefit of using nested containers, as that's n
Where's the Marker Window?
by Chris Conlee 3 years ago
I've just spent a couple hours adding markers in a long sequence so I can find particular lines of dialog very easily. Now I just need to find the marker window that lets me navigate the markers with
Re: Where's the Marker Window?
by Chris Conlee 3 years ago
Hi Wallace, The footage you're seeing in my video is an hour or so of "sports broadcasters" reading back random lines that the director is giving them, shot with two cameras. Therefore I synced them a
OS X 10.9.0 Installer?
by Chris Conlee 4 years ago
Hello All, Well worn path here, I'm sure, and sorry to be asking it again. Does anybody have a download link for Mavericks 10.9.0 I might also do 10.10.0 if somebody can confirm that FCP 7 will work o
Re: OS X 10.9.0 Installer?
by Chris Conlee 4 years ago
Honestly, I assumed there would be no client monitor output from FCP 7 given that it is no longer listed on the officially supported list, and users were reporting as much on various forums. I'll be r
MC 7.0.4.2 -- Does it work with OX X 10.7.5 (Lion)?
by Chris Conlee 4 years ago
I have a friend who's running MC7.0.3 on a Mac Pro 1,1 running OSX 10.7.5. I'd like to update him to MC 7.0.4.2 for the bug fixes, but I want to know if it will run under Lion. Anybody have experience
Re: MC 7.0.4.2 -- Does it work with OX X 10.7.5 (Lion)?
by JD Marlow 4 years ago
I can't speak to a Mac Pro 1,1....I'm on a Mac Pro 4,1 but I'm happily working on MC 7.0.4.2 with Lion 10.7.5. JD Marlow jd@jdmarlow.com www.jdmarlow.com
Blackmagic acquires Fusion
by Ronny Courtens 5 years ago
http: www.redsharknews.com post item 2015-blackmagic-s-purchase-of-eyeon-fusion-will-send-shockwaves-through-the-post-production-industry When testing the editing capabilities on R11 I was underwhelme
Re: Blackmagic acquires Fusion
by Walter Soyka 5 years ago
David Mathis "I would love to see how Adobe reacts as well. This could be the tip of the iceberg. Ya mean I don't need to subscribe to get high-end tools for my studio :-)" Indeed -- but I do think t
+6
Chris Conlee liked this 5 years ago
Would like an objective comparison of Adobe Premiere CC and Avid Media Composer 7
by Jay Soriano 6 years ago
Didn't want to post this in the Premiere or Media Composer forums hoping to get an objective opinion from users here who are currently using Premiere and or Media Composer...(regardless if it's a subs
Re: Would like an objective comparison of Adobe Premiere CC and Avid Media Composer 7
by Chris Conlee 5 years ago
Olive's spot on. If your students hope for work in the network episodic field or major Hollywood style feature films, the MC is the way to go as it's still dominant. Otherwise he's exactly correct, PP
+1
FCP 10.1.2 Where are you?
by David Mathis 5 years ago
It has been more than three months since we have seen an update. Slowly losing my mind, slowly going nuttier than a fruitcake and going to call a shrink to have my head examined.
Re: NLE Numbers - Once Again
by Chris Conlee 5 years ago
Craig Seeman "Granted Avid doesn't seem to support 4K sources yet as I understand it." Small correction here: Avid supports 4k sources, it simply downconverts everything to 1080 or 720 for output. So
One sided trim RARELY works
by Dan Brother 8 years ago
Hi all. We upgraded to Media Composer 5.0 last February and suddenly one-sided trims only worked about 40% of the time. It's such a basic editing maneuver which I use ALL THE TIME so it's been driving
Re: One sided trim no RARELY works
by Chris Conlee 5 years ago
At the risk of being obvious, are you running into a situation where a clip on another track is colliding with another clip In Avid, unlike in say FCP X, clips won't move out of the way, so every coll
Is FCP X part of your five year business plan?
by TImothy Auld 5 years ago
Or does anyone have a five year business plan Jeez. Avid (I guess this is my bet) Premiere CC (I don't know about you but i'd really like to see these bastards fall right on their collective face.) Ve
Re: Is FCP X part of your five year business plan?
by Chris Conlee 5 years ago
+1000 for Marianne. I too put Avid at the top of the heap with regards to customer service because of her. Chris
+1
FCP X and Premiere Pro CS
by David Mathis 5 years ago
Just the other day as my mind was going around in circles I was thinking does it make sense to have both installed on the same system In some aspects X does have its advantages but sometimes I feel Pr
Re: FCP X and Premiere Pro CS
by Chris Conlee 5 years ago
Ahhhh, it just never grows stale around here. :) Chris
New App To Auto-Name VFX Locators on Timeline
by Chris Conlee 5 years ago
Hello Everybody: On the network episodic show I'm currently working on, we name our VFX something like this: ONC308_001_001, indicating the show title episode, the scene, and finally the VFX number. B
Re: New App To Auto-Name VFX Locators on Timeline
by Chris Conlee 5 years ago
Hello everybody. I've rewritten the app from the ground up to be more efficient and hopefully more stable. I've just posted the new build to my site. Someday I'll figure out how to properly version id
Trim to blue line?
by Lee Denham 5 years ago
Hi, I'm new to Avid from FCP 7. How can I 'trim to the blue line' like I can with FCP Thanks! Lee
Re: Trim to blue line?
by Chris Conlee 5 years ago
Sure thing, Lee. Glad it was useful. Chris
Steinberg UR28M and Nuendo for Basic Surround Mixing
by Chris Conlee 8 years ago
Has anybody used the UR28M for basic surround mixing to picture with Nuendo 5.5 I'm very interested in replacing my older Fast Track Ultra and SPL 2830 surround monitor controller with a single piece
Re: Steinberg UR28M and Nuendo for Basic Surround Mixing
by Chris Conlee 5 years ago
Great! Thanks for posting back, I'm sure others can benefit from your experience too. Chris
The most important audio-related question in the world!
by Shane Copland 5 years ago
If you have to choose between clear audio that has low volume, and average quality audio but with normal volume levels... which do you choose, and why
Re: The most important audio-related question in the world!
by Chris Conlee 5 years ago
Craig Alan "So bottom line: is there anything wrong with the practice of recording as high as possible without clipping as opposed to recording safely lower levels and boosting in post when needed. M
Nomad Factory Plugin Dev in Dire Health--Raising Money
by Chris Conlee 5 years ago
I already posted this in the "Audio Professionals" forum, so I apologize if posting again here is redundant, but I thought some Adobe folks might benefit, and it's also for a good cause: The good folk
Nomad Factory Plugin Dev in Dire Health--Raising Money
by Chris Conlee 5 years ago
Hello Everybody, The good folks at Don't Crack are raising money to help Bernie Torelli, Grammy Nominated engineer and plugin developer, who has been diagnosed with cancer. They're offering his excell
Matchmoving After Effects CC vs PFtrack
by stig olsen 6 years ago
Hi, Im looking for a more affordable 3D tracking software than PFtrack to build a matchmove for Houdini. How is After Effects CCs new 3D camera solver compared to PFtrack Stig
Re: Matchmoving After Effects CC vs PFtrack
by Chris Conlee 5 years ago
If you've got AE, then you can upgrade your copy of Mocha AE bundled to Mocha Pro this weekend (at least in the U.S.) for a very reasonable cost. The Mocha tracker is exceptional, and the remove featu
So where are we in the game?
by Steve Connor 6 years ago
As much fun as the Larry Jordan thread is, I was wondering what people thought the state of the game was after Adobe fumbled the ball with the CC release. Do people think that Apple now have a chance
Re: So where are we in the game?
by Herb Sevush 6 years ago
Ronny Courtens "and then you blame FCPX for not being able to re-import media that you have screwed up with XMP ID Okay..." Can other NLE's handle this situation - yes. Can FCPX handle this situation
+4
Chris Conlee liked this 6 years ago
Best AVID Media Composer 6 workflow with RED R3D without transcoding.
by Michal Shipman 6 years ago
I'm not sure if this has been asked, but I've Googled this question and I'm getting results regarding a popular workflow found in Media Composer 5. I'm fairly new to AVID and have been using Premiere
Re: Best AVID Media Composer 6 workflow with RED R3D without transcoding.
by Chris Conlee 6 years ago
Yeah, I've done a LOT of Red shows in Avid now, and I've resigned myself to transcoding to DNx36. At first I was bummed, but ultimately I've come to appreciate it. Far easier to scroll thru, easier to
LUFS and Lex(m)
by Grzegorz Kwiatkowski 6 years ago
Do you know if there is any VST plugin that measures LUFS and Lex(m) There is The Waves WLM Loudness Meter plugin but it costs 400$.
Re: LUFS and Lex(m)
by Chris Conlee 6 years ago
Did this ever get answered I too am curious whether VisLM does Leq(m) metering. Also, does LM-Correct do Leq(m) corrections Chris
TASA Leq(m) Guidance for Trailer Submission
by Chris Conlee 6 years ago
Hello Everybody, I'm a picture editor who has just, thru circumstances beyond my control, been given the task of mixing a theatrical trailer for a small indie film I've cut. I've been reading the TASA
For the love of God, can this be fixed...
by Chris Conlee 6 years ago
I've just taken over somebody else's FCP 7.0.3 feature film edit, and his tracks are completely filled with audio of different sample rates and formats. Nearly every move I make I have to rerender all
Re: For the love of God, can this be fixed...
by Chris Conlee 6 years ago
Nick Meyers "but here's one more thought: as well as the format mis-match, you may be having ANOTHER ISSUE . in FCP User Prefs, set your real time mixing to a LOT higher than the default of 8 tracks.
Changing source footage in AVID
by Kate Chappell 6 years ago
I've searched all over for an answer to this to no avail, so I am consulting the avid gurus of this forum: It's pretty basic, which is why its driving me crazy, but how do I change the source of a vid
Re: Changing source footage in AVID
by Chris Conlee 6 years ago
Yes, they should line up cut for cut. But the QT reference will have continuous timecode from the beginning to the end, and the original clips from which the QT reference was made each have individual
Recording Passing Cars... Advice
by Chris Conlee 7 years ago
Is it advisable to pan with the car, or to leave the microphone static and let the car pass I might also make some stereo recordings with my BP4025 stereo mic Same advice with this mic Thanks in advan
Re: Recording Passing Cars... Advice
by Chris Conlee 7 years ago
Thank you for the great information, Brian. Much appreciated. Lots to learn in the sound recording world. Chris
Premiere Pro CS6 and Red with Intensity Pro?
by Chris Conlee 7 years ago
Hello Everybody, I'm primarily an Avid editor and have been using a Matrox MXO2 Mini Max since Media Composer 5 was released and have generally been very happy with it. Unfortunately, with the release
Re: Premiere Pro CS6 and Red with Intensity Pro?
by Chris Conlee 7 years ago
Not the way I'd like it to. I'm being led to believe that since the Intensity line doesn't have any hardware scaling capabilities( ) it won't play back anything other than video resolutions in Premier
BMD Cinema Camera!
by Paolo Castellano 7 years ago
Elegant, sophisticated and jam packed with the latest digital cinema technology, Blackmagic Cinema Camera gives your work that timeless feature film look! Blackmagic Cinema Camera features an amazing
Re: BMD Cinema Camera!
by Chris Conlee 7 years ago
Does anybody have any info on what technology they're using for the sensor Looking at the sample footage, I'm not noticing any wobble or jello footage, and the lights are flaring. Could it be they're
Does it make sense to shoot in 60i if i dont know my final output format?
by Noam Osband 7 years ago
I'm doing some shooting for someone who doesnt know what frame rate he wants the final piece in. My logic then is to shoot in 1080 60i so i can easily change to either one Does that logic make sense
Re: Does it make sense to shoot in 60i if i dont know my final output format?
by Chris Conlee 7 years ago
I agree. The 24p footage can easily be converted to just about any standard framerate via the optically familiar 3:2 pulldown. A lot of folks call a 24p master the "univeral master" for just that reas
AF100 or HVX200 for Green Screen?
by Grant Gomm 7 years ago
Hi everyone. I posted this in the HVX forum a couple days ago, but haven't had any responses so I thought I'd try here. I have a music video shoot coming up soon, and a good chunk of it will be shot i
Re: AF100 or HVX200 for Green Screen?
by Chris Conlee 7 years ago
Honestly, I think you'll technically be better off with the HVX. It records in 4:2:2, whereas the AF100 records is 4:2:0, thus making a proper key that much harder to achieve, all else being equal. Ch
Any new 3CCD cameras on the horizon?
by Chris Conlee 7 years ago
I'm possibly in the market for a sub-$10,000 camera in the next 6 months to do some narrative work with, and I'm partial to CCD imagers because I simply CANNOT STAND rolling shutter issues. I'm even s
FCP 7 for sale again
by Will Griffith 8 years ago
http: www.macrumors.com 2011 09 01 apple-puts-legacy-final-cut-pro-studio-back-on-sale
Re: FCP 7 for sale again
by Chris Conlee 8 years ago
Yeah, I get that a lot...
warning: do not open your media files in another program
by John Pale 8 years ago
Since FCP X does not have the ability, as far as I can tell, to export stills from the timeline, I loaded the media file into FCP 7 and did it from there. When I returned to FCP X, the media file now
Re: warning: do not open your media files in another program
by Chris Conlee 8 years ago
Craig Seeman "Programmers deal with hard realities we editors don't. Your expectations doesn't mean they can meet their deadlines . . . no matter how badly you "expect" something. Programmers face al
+2
Anybody Find Pro Tools Workaround?
by Robert Ober 8 years ago
Hey Folks, We can extract audio in X and separately I can export audio. Are folks saying that if I bring corrected audio (same timing) back in that I cannot reconnect it to the storyline How about syn
Re: Anybody Find Pro Tools Workaround?
by Chris Conlee 8 years ago
It "works" except the mixer gets no handles. It's really not a great solution. Has anybody played with Automatic Duck's plugin Chris
Match frame: where is it?
by Benjamin Reichman 8 years ago
Shift-F shows you where the whole clip is in the Browser (or whatever it's called now). But how do you do a simple match frame
Re: Match frame: where is it?
by Chris Conlee 8 years ago
Hmmm. I haven't taken the FCP X plunge yet, but this caught my eye. I've been having issues with Firefox lately too, which is a bummer, because it's my favorite browser. Lots of force quits, and froze
Serial Capture with MXO2 Mini Max Crashes FCP 7.0.3
by Chris Conlee 8 years ago
Hello Everybody, I'm primarily an Avid guy, so I'm hoping that I'm just screwing up my settings in FCP or something. If I set my system to non-controllable device, I can capture thru the MXO2 mini Max
Re: Serial Capture with MXO2 Mini Max Crashes FCP 7.0.3
by Chris Conlee 8 years ago
Hey Everybody, Sorry, I was at Universal Studios Hollywood theme park with my family today, so didn't get a chance to do any tests. Will try again tomorrow morning. What I can say is that the system d
AC3 Channel Viewer?
by Chris Conlee 9 years ago
Hello everybody, So I'm making my first foray into 5.1 encoding. It's a personal project, and I received the 6 discreet stems from my sound vendor. I purchased the AC3 encoder license for Adobe CS5 an
Re: AC3 Channel Viewer?
by Dave Lozinski 9 years ago
I would try doing a search on the net. I have an old version of "Gold Wave" which allows for a lot of sound files to be imported and manipulated. Also, any of your video editors like Sony Vegas will s
AC3 Channel Viewer?
by Chris Conlee 9 years ago
Hello everybody, So I'm making my first foray into 5.1 encoding. It's a personal project, and I received the 6 discreet stems from my sound vendor. I purchased the AC3 encoder license for Adobe CS5 an
Re: AC3 Channel Viewer?
by Daniel Ludwig 9 years ago
hi chris, you could buy it from dolby. there you can use the dolby media decoder. cheers danny
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