Chad Tingle: Activity About Liked Popular Images

Member Since:
November 5th 2008
160 Posts
100 posts
Location:
Miami, FL
footage shot on Varicam 3700 changed from 29.97 to 24p w/out warning
by Chad Tingle 8 years ago
I recently completed a project using three panasonic Varicam 3700s at 30 fps this past weekend. We used the AJHPM200 to download the p2 cards and everything seem fine as we were working our way throug
Converting Alexa log C 444 footage to AVID DNXHD
by Chad Tingle 8 years ago
I'm getting ready to shoot a job on ARRI Alexa and the client is asking if we can transcode the footage on set to Avid DNXHD on set. Are there any utilities available to handle that but still retain t
Re: Converting Alexa log C 444 footage to AVID DNXHD
by Chad Tingle 8 years ago
David, I was able to download the codec from Avid's website but I'm a bit lost on how to get compressor to recognize them. Chad Tingle Producer Editor
Converting Arri Alexa Log c footage to Avid DNXHD
by Chad Tingle 8 years ago
I'm getting ready to shoot a job on ARRI Alexa and the client is asking if we can transcode the footage on set to Avid DNXHD. Are there any utilities available to handle that but still retain the time
Re: Converting Arri Alexa Log c footage to Avid DNXHD
by Nicholas Bertram 6 years ago
Hi, I have a similar question. I will be shooting on an Alexa Plus, at 120fps to the internal SxS. You can only record pro res 422 at this frame rate. Will I be able to convert the pro res 422 files u
fonts for disclaimers
by Chad Tingle 8 years ago
can anyone recommend a good font for disclaimers Chad Tingle Producer Editor
Re: fonts for disclaimers
by Tom Matthies 8 years ago
I usually use Furura Bold Condensed. E=MC2+ -2db
disclaimer fonts
by Chad Tingle 8 years ago
can anyone recommend a good font for disclaimers Chad Tingle Producer Editor
Re: disclaimer fonts
by Angie Taylor 8 years ago
Helvetica is my favourite :-) cheers, Angie Angie Taylor animation & illustration for television, film, web and devices http: www.angietaylor.co.uk Twitter: theangietaylor Linkedin: theangietaylor htt
FCP-X: Case study for biz schools
by Mark Raudonis 8 years ago
Mark my words: Apple's handling of the release of FCP-X will be fodder for biz schools case studies long into the future. It's too early to know if they'll be studying it as a success story or as a sp
Re: FCP-X: Case study for biz schools
by Chad Tingle 8 years ago
Well said neil.. I agree 100%.. people are forgetting that a 1000.00 piece of software allowed a lot of them to be able to go into business for themselves. Chad Tingle Producer Editor
re: KONA LHI Outputting to Beta from NTSC Apple Pro Res Sequence
by Chad Tingle 8 years ago
I am having the hardest time mastering to Beta SP from my Kona LHI. I have an apple Pro Res 422 HQ sequence that I need dumped to beta SP so I went into easy setup and selected Format as NTSC and the
Re: re: KONA LHI Outputting to Beta from NTSC Apple Pro Res Sequence
by Chad Tingle 8 years ago
Brian DeViteri "Have you tried AJA TV to just see if the BetaSP deck can get a video signal in Have another SD source (or HD deck with downconvert) to just check to see if the deck doesn't have an is
out of sync LHi
by Jim Curtis 8 years ago
I'm having a hard time figuring this out. My A and V get out of sync, and stay 4-6 frames out of sync on this 25 min. short I'm cutting. Not sure what to blame. I have the latest AJA driver, super-fas
Re: out of sync LHi
by Chad Tingle 8 years ago
Jim Curtis "s there an offset setting in FCP to adjust for video delay There's a setting in System Preferences Playback Control Frame Offset. But, it doesn't appear to do anything. I can set it to 0
Adjusting your rate for older clients
by Jean-Fran├žois Robichaud 8 years ago
Three years ago I took the plunge and entered the video field full-time, quitting an unrelated career in the process. I already had extensive experience in editing, compositing and motion graphics, an
Re: Adjusting your rate for older clients
by Bill Davis 8 years ago
Having had a plumber out to the house within the past week, I can say with some authority that most of them they are NOT cutting their rates. The 1 hour visit with snaking two lines and re-setting a t
+2
Chad Tingle liked this 8 years ago
Post Production & Project Creep
by Richard Herd 8 years ago
The service agreement reads total running time = 5 minutes. Now, the client wants 8 minutes. I said, that's a 60% increase, therefore, it'll take more time and money, for an edited spot. But I can loo
Re: Post Production & Project Creep
by Chad Tingle 8 years ago
I agree with Craig, I think you have to evaluate how much more work it will take to add the extra three minutes and charge accordingly. You shouldn't have to compromise your time because of their shor
Where does EPK production fit in my resume?
by Dave Brekart 8 years ago
Greetings, I've been freelance shooting editing in Chicago for almost a year, and have gotten a fair amount of work for starters. In the process, I've produced EPK-style videos for several bands as (b
Re: Where does EPK production fit in my resume?
by Mark Suszko 8 years ago
EPK, or VNR's are really a kind of documentary, if you think about it.
+1
Chad Tingle liked this 8 years ago
marketing my vfx company
by David Bowman 8 years ago
Hello, My business partner and I launched our company about a year ago and have primarily worked on fx and graphics for independent film. Now we would like to move more toward the commercial industry.
Re: marketing my vfx company
by Chad Tingle 8 years ago
David, I'd say all of the above.Directors and Producers generally have a huge say but in todays world where you have agencies that have their own in producers. Not all agencies have an in house produc
Screening from MBPRO
by William Carr 8 years ago
Advice needed for my client needing to play back his currently native DVCPROHD720p 23.98 movie (my edit) from a MacBook Pro's internal drive into a theater's projector via HDMI. The idea is he will pl
Re: Screening from MBPRO
by Chad Tingle 8 years ago
avoid MP4... especially if your projecting it. Chad Tingle Producer Editor
Final Cut Pro Exporting Incorrectly
by Matthew David Ridley 8 years ago
I'm in a bit of a jam here with a Final Cut Pro problem. Wondered if anyone had any advice. I'm shooting with a Sony HVR-A1 set to DV SP, then importing to Final Cut Pro HD 4.5 (old school) as DV PAL
Re: Final Cut Pro Exporting Incorrectly
by Chad Tingle 8 years ago
Matthew David Ridley "I'm shooting with a Sony HVR-A1 set to DV SP, then importing to Final Cut Pro HD 4.5 (old school) as DV PAL 48 kHz Anamorphic." you're capturing anamorphic, is your timeline als
Cross Converting 1080ix60 DVCPROHD Video to 720px24p
by Nick Stantzos 8 years ago
I will be loading 1080i DVCPROHD footage for a project to be cut in FCP Studio that will consist of mostly 720px24p footage. I will be using a Panasonic 1200A HD deck connected to my mac pro via firew
Re: Cross Converting 1080ix60 DVCPROHD Video to 720px24p
by Chad Tingle 8 years ago
Nick Stantzos "I will be loading 1080i DVCPROHD footage for a project to be cut in FCP Studio that will consist of mostly 720px24p footage" Nick, in what format will you be delivering your final mast
Canon 550d pro res file size
by Josh Bamber 8 years ago
Hi everyone, Just a quick one i shot a short film on a canon 550d (T2I) and the original footage was about 25gb. I transcoded it using compressor into Apple pro res 422 lt and the file is now over 250
Re: Canon 550d pro res file size
by Chad Tingle 8 years ago
Josh Bamber "I transcoded it using compressor into Apple pro res 422 lt and the file is now over 250gb" If you're using final cut pro 7.0 you can use the log and transfer setting to convert to Apple
23.98 HD to 29.97 SD
by Rich Rubasch 8 years ago
We have a 23.976 ProRes 1920 x 1080 sequence. We want to output a 29.97 720 x 486 to Betacam. We have an SDI to Component convertor on the betacam so we are sending the output of the Kona SDI to the B
Re: 23.98 HD to 29.97 SD
by Chad Tingle 8 years ago
Rich, Set your Frame buffer to 1080sf23.98 that becomes your primary format as well as your video playback setting. Then set your secondary format to 525i29.97. The pull down to 29.97 will happen on t
re: Red Text aliases after converting from 1080 23.98 to DVCPROHD 72060
by Chad Tingle 8 years ago
I am using apple compressor to convert a spot that is in an apple pro res 1920 x 1080 23.98 sequence to a DVCPROHD 72060 quicktime file for a local station. The video and most of the text look perfect
Re: re: Red Text aliases after converting from 1080 23.98 to DVCPROHD 72060
by Chad Tingle 8 years ago
Craig, thanks fo the quick response. The station will not accept MPEG 2 but I do have other stations that will. I have a station that wants a 35 mbit mpeg 2 file and I get the same results. Is there s
Kona 2 - DVCPRO 720 capture settings in Final Cut
by Eric Robel 8 years ago
Hello all- Been searching through the forums to find info on this topic and found a couple of answers, however not sure of them all. I was wondering if anyone would give me some advice on this issue:
Re: Kona 2 - DVCPRO 720 capture settings in Final Cut
by Chad Tingle 8 years ago
I stand corrected Gary!! thanks for the info. Chad Tingle Producer Editor
External Monitoring Setup
by Don Unverrich 8 years ago
I am in the process of updating my external reference and client monitors. I am currently using two PVM 14-L5 (one for reference, and one for client) and the Blackmagic HDlink connected to a 23" Apple
Re: External Monitoring Setup
by Chad Tingle 8 years ago
Bob, I know the FS1 is great bang for the buck but how does it stack up against the Panasonics. Chad Tingle Producer Editor
Day rates. How do they work?
by Rick Turners 9 years ago
Concerning a freelancer on a day rate. Day rate is based on 10 hour day. If the freelancer completes the days task (creating and getting approval on a project) in 4-5 hours. Is it right for the freela
Re: Day rates. How do they work?
by Chad Tingle 9 years ago
Half days set a bad precedence.. because the clients will begin to expect it. It didn't take you a half day to acquire the skills that set you apart to obtain business from a client so why would anyon
+1
Backup advice please
by Thomas Morter-Laing 9 years ago
OK, so working in a company that have an 8TB RAID which we all connect to via SMB. We shoot a lot of HDV but also a lot of XDCAM for the bigger projects. We have lots or external hard drives, but use
+1
Jeremy Garchow liked this 9 years ago
Re: Backup advice please
by Chad Tingle 9 years ago
what kind of money are taking for the LTO Chad Tingle Producer Editor
Final Cut Pro Log and Transfer Problem
by ben smallzman 9 years ago
When i connect my Nikon S8100 to Final Cut Pro and open the Log and Transfer window, the camera doesnt get recognized. So, I imported the clips into iPhoto, and then dragged them into the Log and Tran
Re: Final Cut Pro Log and Transfer Problem
by Chad Tingle 9 years ago
You might want to check the Nikkon Site and see if there's a plug in for FCP that allows you to import clips via log and transfer. The reason why log and transfer work with Canon's because there is a
Audio Shift Low Resolution Limit
by Gabe Krause 9 years ago
We have a poor quality reference audio track synced to our video (from the built-in camera mic). We have imported our high quality audio and are now trying to sync it perfectly to the reference. It ap
Re: Audio Shift Low Resolution Limit
by Chad Tingle 9 years ago
hit N to toggle the snapping on and off. Chad Tingle Producer Editor
Using Kona LHe for DVCPro HD
by Thomas Miller 9 years ago
Greetings, We have been asked by a client to digitize a few dozen HD tapes that were shot with Varicams onto DVCPRO HD stock. We have a 1400 deck, and a Kona LHe with BOB. They asked us specifically t
Re: Using Kona LHe for DVCPro HD
by Chad Tingle 9 years ago
Thomas Miller " On a side note, which is better quality The 8 or 10-bit uncompressed or the DVCPRO " uncompressed is higher quality than DVCPROHD and requires a lot faster raid and through put. The h
problems Capturing DVCPROHD Firewire 800
by Chad Tingle 9 years ago
I have used this procedure a million times yet I seem to be having a lot of problems I've never encountered before. My project was shot on the Panasonic HDX 900, I usually use the firewire 800 connect
Re: problems Capturing DVCPROHD Firewire 800
by Chad Tingle 9 years ago
Chad Brewer "Hey Chad, (I've never said that to anyone except myself :))" Chad.. it's not something I'm proud of LOL.. but it gets the job done. I have a Kona LHI card and it's great but my raid is n
NAB 2011 Party/Gathering
by Bob Zelin 9 years ago
Hi - I am pleased to announce that Maxx Digital, Hitachi, and ATTO Technology will sponsor the annual "drink for free" party at the Hard Rock Hotel in Las Vegas on Monday 4 11 2011 after 8pm. Trade yo
Re: NAB 2011 Party/Gathering
by Chad Tingle 9 years ago
always providing the helpful information Bob.. much appreciated Chad Tingle Producer Editor
24/1080p & 60p/720 timelime
by Jeremy Donaldson 9 years ago
I just shot a music video w a 7D. Some footage was shot in 24 1080p and some footage was shot at 60p 720(Conformed to 24fps for slow motion) What timeline settings would be best for working with both
Re: 24/1080p & 60p/720 timelime
by Chad Tingle 9 years ago
Jeremy Donaldson " What timeline settings would be best for working with both types of footage " Whenever I've used the combo of 720 and 1080 with Canon footage. I work at 1080. Once all the native f
RE:lighting effects in CS5
by Chad Tingle 9 years ago
Does anyone know where I can find the lighting effects panel in CS5. It used to be located under filter Render drop down menus. Any help is always appreciated. Chad Tingle Producer Editor
red text for broadcast
by Chad Tingle 9 years ago
I have a client who insits that I use Red Text for Broadcast. I've tried getting out of it but it's not going to happen. I was wondering if anyone had an trade secrets they can pass on to keep red fro
Re: red text for broadcast
by Chad Tingle 9 years ago
Dave, I appreciate you passing on the knowledge, I'll give it a shot... Chad Tingle Producer Editor
RED TEXT in BROADCAST
by Chad Tingle 9 years ago
I usually try to avoid Red Text when finishing work for broadcast but I have a client who insists on using it in their graphics. I've read a countless number of books and seen many posts on the cow re
Re: RED TEXT in BROADCAST
by Chad Tingle 9 years ago
Joseph W. Bourke "I would also warn my client up front that, no matter how much they like it, there are no promises that it won't look like something the cow left behind when it hits the air. Base it
what are YOU doing with your G5 computers
by jason levy 9 years ago
I've got a pile of dual processor G5 computers that are gathering dust because they don't run FCP any more (though the iPhone 5 probably will). Trying to think of something useful to do with them. Wha
Re: what are YOU doing with your G5 computers
by Shane Ross 9 years ago
jason levy "I've got a pile of dual processor G5 computers that are gathering dust because they don't run FCP any more " They don't FCP 6 no longer works On NONE of them :) Office machines Older soft
+1
Chad Tingle liked this 9 years ago
log and transfer issues in FCP 7.0 with 5D footage
by Chad Tingle 9 years ago
I was recently transcoding some 5D footage from my hard drive using the log and transfer window I FCP 7. It all seemed to be working fine but I had to force quit to attend to something else that came
Re: log and transfer issues in FCP 7.0 with 5D footage
by Caspian Brand 9 years ago
Are you importing the footage from a disk image of the original CF Card you shot on or Did you copy it's .MOV and .THM files to another hard drive I've found that FCP and the EOS Plug-In prefer to loo
log and Transfer issues in FCP 7
by Chad Tingle 9 years ago
I was recently transcoding some 5D footage from my hard drive using the log and transfer window I FCP 7. It all seemed to be working fine but I had to force quit to attend to something else that came
Cannot change default frame rate hvx 200
by Paul jilbert 9 years ago
Okay folks yes there are many helpful tips to change frame rate in HVX Panasonic 200 cam so I set camera menu to "Film Cam" in 720pn but cannot change the DEFAULT speed as there are no other options u
Re: Cannot change default frame rate hvx 200
by Chad Tingle 9 years ago
Paul jilbert "set camera menu to "Film Cam" in 720pn but cannot change the DEFAULT speed as there are no other options under the DEFAULT mode" I believe you can only shoot at 24 frames with the 720p
video.. turns blue and pink in comp and project window
by Chad Tingle 9 years ago
a href='http: i1.creativecow.net u 121747 screenshot2010-10-09at4.49.42pm.jpg' Has any one ever seen this before. I've been working fine in AE all day. I did a ram preview and this occurred.The video
Re: video.. turns blue and pink in comp and project window
by Chad Tingle 9 years ago
Thanks Todd.. I was starting to lose mind there for a second... It started when I tried to preview via my AJA LHI out to my HD monitor.. Chad Tingle Producer Editor
higher education
by James Carroccio 9 years ago
hey guys, I am a local camera op Studio Tech for a TV station. As conventional media production goes automated, robotic, and even Virtual, i find myself in need of returning to school and becoming way
Re: higher education
by Chad Tingle 9 years ago
Going back to school is never a bad thing but you have experience so you might want to take the video knowledge you have and try to find a position in a post house or production company that uses thes
second preview monitor
by jason zaloga 9 years ago
any recommendations for a second monitor for previewing and a video capture card. budget minded. I'm getting lost in the monitor selection part.
Re: second preview monitor
by Chad Tingle 9 years ago
are you looking for a broacast Monitor or a second computer monitor. I don't know if you're working SD or HD but there are a lot of fishes in the sea that are reasonable. it all depends on your indivi
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