Bouke Vahl: Activity About Popular Images
Bouke Vahl

I'm a developer of small tools to make the life of a video pro easier.
Member Since:
October 16th 2016
147 Posts
100 posts
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1080p 25 F55 into a 1080i 50 workflow
by Jason Welkerk 1 week ago
Hi Guys So basically we work in 1080i50 for on air transmission. However this travel show is being shot in 1080p 25 with the F55 camera. Would the best workflow just be as simple as linking & transcod
Re: 1080p 25 F55 into a 1080i 50 workflow
by Bouke Vahl 6 days ago
Last time. READ WHAT I WRITE (and try to understand at least half of it, then you don't make these stupid posts.) I KNOW what it means, but it is A WRONG NOTATION. I work with 25i all day, for the las
Exporting 16 bit audio in Op1a
by Chris Coote 7 days ago
Hi there I am on a Mac running Symphony 8.6.3. Trying to deliver a 1080i HD XDCAMOp1a MXF file with 16 bit audio (that is the spec for the deliverable). There is a drop-down menu for audio bit depth,
Re: Exporting 16 bit audio in Op1a
by Bouke Vahl 6 days ago
Good you figured that one out. This is a known flaw (and not the only one) in the specs over here. All broadcast here (SD as well as HD) is XDcam style, but to annoy as many people as possible, some g
Codec and rate for display on domestic monitor in museum
by Mickey Power 2 weeks ago
We've been delivering most of our HD films in H.264 for the web at recommended Youtube Vimeo rates so all very uncomplicated there. But some films are destined for permanent display in museums and oth
Re: Codec and rate for display on domestic monitor in museum
by Bouke Vahl 2 weeks ago
Hi Jeff, Call me a stranger if you want, but some people here know I'm around the digital video stuff for some 25 years. And (as I stated, it was some time ago) I DID read the brightsigng manual, and
How to efficiently switch back and forth between 2 cameras?
by Robert Maric 3 weeks ago
I have a scene with multiple camera angles and I want to switch between them many times. Layers only have 1 in and 1 out point that I'm aware of so I don't know how to achieve this without adding a ne
Re: How to efficiently switch back and forth between 2 cameras?
by Bouke Vahl 3 weeks ago
AE is a compositing effect app. Switching (multicam editing) is for an NLE. Switch to ANY nle and do that part of the work there. Bouke www.videotoolshed.com
Sound editing for broadcast
by Lena Gregorian 1 month ago
Hello all, Ive been asked as an assistant editor to change the sound level due to distortion in the sound The only instruction was make the sound -18 Does anyone know what it means I think that the vo
Re: Sound editing for broadcast
by Bouke Vahl 4 weeks ago
I think they mean -18 LUFS And that is not so hard if that is the only demand. (Getting commercial now...) Export a Wave from your sequence, and put it in this: https: www.videotoolshed.com handcrafte
DF vs NDF
by Olivier Prudhomme 6 months ago
I work to a TV station. We used to deliver NDF and now we're asked to switch to NDF. My post supervisor mentioned he thinks this switch will mess up our workflow but he doesn't remember how specifical
Re: DF vs NDF
by Bouke Vahl 4 weeks ago
grinner hester "It's a math thing. It's why your 30 second spots are actually 29:20" Yo Grinner, Math is my middle name. Difference is 0.1 % So, a '30 sec' spot (In TC notation, if it does not roll o
Closed Caption Issues
by Rafael Parlatore 1 month ago
Hi, I use Maccaption and Caption to produce Closed Caption. When I import the .MCC file in premiere, there are some problems. Like: When I select 608 CC in premiere, some accents are lost, for example
Re: Closed Caption Issues
by Bouke Vahl 1 month ago
As the char did encode the first time, it should be properly supported. Now, only thing (besides stuff under the hood that is invisible) I can imagine, do you have enough loading time (Old captions ne
What is the best export setting for 4K video?
by Benny Boo 2 months ago
Hello everybody. I shot a H.264, 4K video on Sony A7SII. I edited the video on Premiere Pro, matching the clip setting with the timeline setting. I cropped most of the clips %10. I thought this wouldn
Re: What is the best export setting for 4K video?
by Bouke Vahl 2 months ago
Benny Boo "But I don't think you read the question right. I am looking to export in 1920x1080" I did read the question right, but you did not state your delivery format was 1920x1080. If that is the
How to export captions I made in Premiere Pro CC?
by Mark Suszko 2 months ago
I created a caption file within Prem Pro, and I want to export the captions as an .SRT file. I'm new at Premiere so it's not immediately obvious to me how I export just the captions, not as a video fi
Re: How to export captions I made in Premiere Pro CC?
by Bouke Vahl 2 months ago
afaik, it's not possible. (But perhaps I'm overlooking something.) Did you not try to export one single line before putting in effort (way too much as PP is not a caption subtitle tool) Good news, if
Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Rachel Pearl 2 months ago
HI, I've been trying to find an answer to this question in the Archives but none of the answers quite address this problem. The video on this project was recorded on the RED at 23.98 with no camera so
Re: Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Bouke Vahl 2 months ago
Job ter Burg "When those 48.048 sound files are played back at 48 kHz, the 0.1% pull down" If this is the case, I stand corrected of course. Do you happen to have one of those files to study (Just fo
Corrupted .wav file
by michael weber 2 months ago
Hi all, I have received a file from a friend per USB Stick , but the audio file doesnt open in any program i've used. I have also used various programs to try to restore it but nothing worked. If i im
Re: Corrupted .wav file
by Bouke Vahl 2 months ago
The file is fine, it's just not a Wave file. Tell Philipp to send you a new file if you can't recover it with Audacity. (I can't, or it was very overmodulated to start with.) Bouke www.videotoolshed.c
What prores alternatives to use on PC?
by Karel Voners 2 months ago
Hi, I'm experimenting with a new PC workstation coming form a 5,1 mac pro. What codecs do people tend to use when exporting Is DNX the standard Or are things like cineform also used in grading etc Wha
Re: What prores alternatives to use on PC?
by Bouke Vahl 2 months ago
Differences between ProRes and DNxHD: (Not all, but first that comes to mind) Prores is VBR, DNxHD CBR Prores is ALWAYS (at least) 10 bits, DNxHD only on the 'x' flavours Prores is resolution independ
Windows, Quicktime and premiere
by Allison Willford 2 months ago
I was forced to a PC from a Mac by our IT department...I'm trying to open an old premiere project on my PC... which of course the mov files won't work because of the quicktime drama. My IT department
Re: Windows, Quicktime and premiere
by Bouke Vahl 2 months ago
So, what codecs do you have then I don't see it like you do. The only drama I see is that quicktime reference is no longer supported. But the codecs that are now 'missing' are so obsolete that it's no
Forcing timecode into a clip
by Johanns Martin 3 months ago
Hi guys im relinking a movie in and i have encountered with this problems The clips where recorder in 4k but de director made proxies of these clips to 1080 so he could able to edit the timeline on hi
Re: Forcing timecode into a clip
by Bouke Vahl 3 months ago
Not sure if I understand you correctly. Do you mean the clips are always two seconds early In that case, QTchange can shift the TC (in batch) Another option, if the clips are all 00:00:02:00, you migh
Basic question about a Zoom H6 I cannot find an answer to
by Noam Osband 3 months ago
I know this isn't a Zoom forum. But I can't find this answer anywhere and it's probably super simple and it's driving me nuts. How can I get the time code of my clips in my Zoom H6 to always start at
Re: Basic question about a Zoom H6 I cannot find an answer to
by Bouke Vahl 3 months ago
Make a copy to a new wav with a simple sound editor, that will strip off the TC or Use WaveAgent to reset the TC or tell the transcript house to work zero based hth Bouke www.videotoolshed.com
testing for dust on sensor; MBP as monitor
by Bob Cole 7 months ago
In film days, it was very common to check for "hair in the gate." Now, I want to verify that I have no dust specks on the sensor. No matter how careful you are when changing lenses, stuff happens. Do
Re: testing for dust on sensor; MBP as monitor
by Bouke Vahl 3 months ago
Bob Cole "software which enabled you to use a laptop as a field monitor and maybe even grab a still frame." Scopebox can do this, and display vectorscope waveform, and record video as well. Isn't tha
Can I replace audio in OP1a MXF without retranscoding the video?
by brad hebert 3 months ago
I want to import an MXF OP1a and replace the audio tracks without changing the video at all. Is there a way to do this without re-encoding the video
Re: Can I replace audio in OP1a MXF without retranscoding the video?
by Bouke Vahl 3 months ago
I don't know if it's possible with Premiere, but it is definitly possible. If you think you have found a way, just see how fast it is. If it's lightning fast, the video is copied instead of transcoded
Which text generator in FCP X builds titles from the bottom upwards and centers left-aligned titles according to the longest line?
by Leonore Verster 3 months ago
We have searched through all possibilities in FCP X to find a title generator that allows for the following: 1. Titles that are bottom-aligned AND that build from the bottom up. First line sits at the
Re: Which text generator in FCP X builds titles from the bottom upwards and centers left-aligned titles according to the longest line?
by Bouke Vahl 3 months ago
Ah, now I understand what you mean. This is really ugly IMHO, and I've never seen it... I would not bother and convince the rest that all centered is the 'normal' way of doing stuff. Bouke www.videoto
Sending subtitles from FCP 7 to FCP X
by Leonore Verster 3 months ago
Hi, Our subtitles are done on FCP 7, but the editor uses FCP X. We've had no success exporting XML from FCP7 and opening them in FCP X. Which converter tool or software would you recommend
Re: Sending subtitles from FCP 7 to FCP X
by Bouke Vahl 3 months ago
You did not say what generator plugin was used in FCP 7 Then you talk about a screenshot that I can't find. But, you suggest all titles are centered, except when two people are talking in on title (Th
+1
Alpha Chanel JPG
by Nathan Kendall 4 months ago
I have a design for t shirt. I am assuming it should be in CMYK for print. However when I designed it I had the document set to RGB with a cmyk proof. the save as panel says all the formats and below
Re: Alpha Chanel JPG
by Bouke Vahl 4 months ago
Jpeg DOES support an alpha channel. Just lots of software does not allow for it. After Effects can do this. (although not the tool for this job though.) Bouke www.videotoolshed.com
4444 XQ to DCP gamma issues!
by Sean Sartori 4 months ago
Hi I've just graded a film shot CinemaDNG and rendered it out 4444 XQ, video levels, gamma 2.4, rec 709 for a DCP. Viewing the DCP in a theater, it was washed out. The house making the DCP didn't set
Re: 4444 XQ to DCP gamma issues!
by Bouke Vahl 4 months ago
DCP does not use video levels. I think your problem lies there. Try full scale (or whatever it is called in your grading software.) Gamma issues (2.2 vs 2.4) is hard to detect, but elevated black (as
GH5 auto focus hack works! Now, about conforming 29.976 to 24p in Resolve. Possible?
by Duke Sweden 4 months ago
As the title suggests, I tried the autofocus "hack" which fixes the GH5's horrible autofocus problem. The only thing is you have to shoot in 30p (29.976) or 60p. It doesn't work in 23.blah or proper 2
Re: GH5 auto focus hack works! Now, about conforming 29.976 to 24p in Resolve. Possible?
by Bouke Vahl 4 months ago
Duke Sweden " Because I, sir, am an artiste!!! ;-)" 24 fps was choosen as a framerate that was a comprimise between smooth motion and low cost. (Higher framerates costed more film, which was highly e
Are FCP subtitles good enough for theatre?
by Christopher McDonell 4 months ago
..is the question I m being asked by my post-supervisor. She has no experience with FCP. We re doing a DCP for festivals. A feature doc. Subtitles are Outline text and they look fine to me... on my 27
Re: Are FCP subtitles good enough for theatre?
by Bouke Vahl 4 months ago
Don't forget, subtitles are bottom aligned. and IIRC, the default text generator isn't smart enough for that. Meaning, you have to start with a return on every single line sub. Then, If it's a feature
Unable to retain changes to SRT formatting in Caption tab
by Zach Prewitt 4 months ago
I recently ripped a bluray movie from my library, converted the sub file to SRT and imported the srt and the video into Premiere. I set up my sequence and dragged the newly created caption file onto t
Re: Unable to retain changes to SRT formatting in Caption tab
by Bouke Vahl 4 months ago
I very much doubt there are 'official' specifications. SRT is SubRip, the Rip sorta kinda gives it away, it started out as a hackers format. Now, 'some' software will accept more metadata than other.
error ( 23 :: 0 ) illegal XML Character ""
by Wilko Morsink 4 months ago
Could someone help me with this error Regards Willy
Re: error ( 23 :: 0 ) illegal XML Character ""
by Bouke Vahl 4 months ago
It means that there is are illegal xml charachters in the xml. And those are double quotes. the error message is quite helpfull! Replace the quotes (inside the quotes) with " and you should be fi
H264 Color space exports
by Dan Powers 4 months ago
Steps to recreate. Love to hear of your results. Export H264 preset from the pulldown and match source, CBR 18Mbps from the sequence using Media Encoder. Open in Quicktime 7, Color is muted. (Sat down
Re: H264 Color space exports
by Bouke Vahl 4 months ago
VLC on Windows has a wrong black level by default, you have to correct it yourself in the settings. (And I forgot where, sorry...) Bouke www.videotoolshed.com
Documentary film audio mix
by Frank Baumann 5 months ago
Recently I've seen some documentaries where the music was on the right channel only, while the dialog was in the right and left channel. Does it have to do with specific broadcast requirements I've al
Re: Documentary film audio mix
by Bouke Vahl 5 months ago
Rob Neidig "I suspect it probably was an accident." Totally agree, but very strange QC at the broadcasters side (or is it site ) did not rejected it. Bouke www.videotoolshed.com
Wildlife videography camera and lens combination decision
by Amin Zargar 5 months ago
Hi All, I have been a wildlife (mostly birds) photographer and videographer hobbyist for a few years. I'm not happy with the quality of the videos I produce and as such, I would like to upgrade to a b
Re: Wildlife videography camera and lens combination decision
by Bouke Vahl 5 months ago
What do you need 10 bits for Advanced color correction Not for publishing, as all intenet television delivery is 8 bits, and you have to be lucky if your end user has an 8 bit capable monitor. The the
+1
ProRes to XDCAM422
by Elia Navarro 5 months ago
Hi everybody I have a beginner question.... I need to deliver a XDCAM HD422 mxf file to a TV channel. As I do not really know how the transcoding from ProRes works here, I wanted to ask if somebody ha
Re: ProRes to XDCAM422
by Bouke Vahl 5 months ago
How about you test for yourself and trust your eyes Bouke www.videotoolshed.com
DV/D1 Pal 720x576 export (a little explanation needed)
by Vaggelis Valassopoulos 6 months ago
Hi to the forum, and merry Christmas, This is my third post here and i am so glad that always i got all the info i was looking for. To just dive right in, I decided to capture VHS tapes, with virtuald
Re: DV/D1 Pal 720x576 export (a little explanation needed)
by Bouke Vahl 6 months ago
SD pal is upper field frst for all codecs, except DV (and on that is an exception too, Avid DV is upper as well) And I miss cropping in this whole story, as SD is an overscanned format. Bouke www.vide
Timecode Time-Of-Day Drift?
by David C Jones 8 months ago
Greetings, I have a question regrading timecode. I cannot remember what piece of gear I was using when I saw this (ether the Sounddevices 633 or the Canon EOS C300 camera) but, as I was setting it up
Re: Timecode Time-Of-Day Drift?
by Bouke Vahl 6 months ago
23.976 fps has a framerate of Now, that is displayed as 24, as there are no fractional numbers in frames. So, after one second, the TC says 24, where in fact it should say 23.976. Here is the source o
Problem with brand new Canon XA 30
by Jaime Espinoza 6 months ago
Hello everybody: I purchased a Canon XA 30 HD Camcorder around 20 days ago, and today i did my first demo recordings. I transferred the files using the data import utility downloaded from the Canon we
Re: Problem with brand new Canon XA 30
by Bouke Vahl 6 months ago
I think you mean compression artifacts. Did you try shooting AVCHD Bouke www.videotoolshed.com
FCPX v10.4 - Best way to create .srt files
by Gary Brightman 6 months ago
to post a video to Amazon I'm required to create an .srt file of the dialogue. What do people recommend as the best method tool to achieve this Many thanks for your help
Re: FCPX v10.4 - Best way to create .srt files
by Bouke Vahl 6 months ago
As always, define 'best'. It highly depends on the amount you have to do, the quality you're after, the time you want to spend on learning (as subtitling is an art by itself). Of course I recommend th
Add timecode to audio tracks???
by Michael McCune 7 months ago
Frame sequence codecs do not of course include audio tracks. But frame sequences are sometimes desirable and can easily be created in the Delivery page in various flavors. But of course the audio is l
Re: Add timecode to audio tracks???
by Bouke Vahl 6 months ago
Dude, You do NOT provide any info we've asked, and you seem to be lost. If you work on image sequences, that indicates a high end workflow. You seem to be totally clueless. We can help, but not this w
iMac Pro or next year's Mac Pro?
by Steve Connor 7 months ago
So the new iMac Pro should be available in the next couple of weeks, is anyone thinking of getting one I'm very interested but also intrigued by next year's Mac Pro as well "Traditional NLEs have time
Re: iMac Pro or next year's Mac Pro?
by Bouke Vahl 7 months ago
ProRes CAN be made on PC. If you use Adobe stuff, it's a simple plugin that catches the uncompressed video down the pipeline, and uses FFmpeg to output ProRes. If you use Avid, you can render to an in
50p to 50i conversion
by Brian Cutts 7 months ago
Next summer we will be working on projects which are shot and edited in 1080 50p and need to be delivered in both 1080 50p and 1080 50i. I understand that most transcoders will take 2 adjacent frames
Re: 50p to 50i conversion
by Bouke Vahl 7 months ago
First, please name 25i not 50i. It's Frames and Progressive or Interlaced. (I know you're not the only one doing this....) For two fields from different shots in one frame, that's how VHS worked, reme
Timecode Time-Of-Day Drift?
by David C Jones 8 months ago
Greetings, I have a question regrading timecode. I cannot remember what piece of gear I was using when I saw this (ether the Sounddevices 633 or possibly the Canon EOS C300 camera) but, as I was setti
Re: Timecode Time-Of-Day Drift?
by Bouke Vahl 8 months ago
23.976 is a non-drop TC format. Thus, 24 hours worth of TC is NOT 24 hours on the wall clock. I think that's what the messages are about. Bouke www.videotoolshed.com
Does any one know a MPEG Streamclip software that can convert a 10000px by 96px .mov to .mp4?
by vicky lu 8 months ago
Hi, guys: Newbie here. I've been working on some LED ribbon animation for stadiums. These ribbon animation is usually a long narrow strip. Since After Effects can only render these into .mov format, I
Re: Does any one know a MPEG Streamclip software that can convert a 10000px by 96px .mov to .mp4?
by Bouke Vahl 8 months ago
afaik, Mp4 is a container format that can hold a lot of different codecs, including really good ones. Next, it's limited to 4K (Enough pixels, but not in your aspect) I second the 'get the specs!' sta
Live Closed Captioning
by Tom Wildgen 8 months ago
I am getting requests to provide closed captioning for selected live events for our company. Our CDN can accommodate us, but only with the dual browser style of live CC. That style is an extra browser
Re: Live Closed Captioning
by Bouke Vahl 8 months ago
Key in with a vision mixer Bouke www.videotoolshed.com
On-Camera Recorders
by Todd Terry 8 months ago
Hey gang... So, anyone know if there are any of the current batch of small recorders that accept DV (firewire) in I'm trying to get some more life out of a previously-retired Canon XLH1 (a great camer
Re: On-Camera Recorders
by Bouke Vahl 8 months ago
Ok 24 FPS is ONLY used in high end Hollywood productions. The rest of the world uses 23.976, 25 or 29.97 If you want to be in the 24 world, you would have the cam to work with. Now, did you do your ho
Turning 30fps audio into 29.97 audio
by Dan McGuire 8 months ago
I have a timeline that is 29.97 fps and I just got back a .WAV file of a mix that I believe was created with a framerate of 30fps. (it might be that I outputted the AMF files at a 30 frame rate.) That
Re: Turning 30fps audio into 29.97 audio
by Bouke Vahl 8 months ago
It's not an incorrect timecode stamp, it's incorrect settings in FCP. (And not the sequence settings, but some other setting somewhere, I forgot.) BWF contains a timestamp that can be calculated to TC
DVD program
by Bryce Douglass 8 months ago
Not sure where to post this but I will be ditching Adobe premiere and all if it's cc apps and switching to resolve full time. I am looking for a DVD authoring program for Windows that has custom menus
Re: DVD program
by Bouke Vahl 8 months ago
I've always used DVD SP in the past, but nowadays for the incidental DVD job I use tmpgenc authoring works. Cheap and good, brings it's own transcoder. Sadly, input file format is limited (no MXF) Bou
Clearcom or other intercom questions
by Justin Toney 9 months ago
I own several Clear Com and equivalent intercom beltpacks but I don't own a main or base station for all of those to tie into. My question is that I need to do an event and I need to get these headset
Re: Clearcom or other intercom questions
by Bouke Vahl 9 months ago
You don't need a base unit, you need a power supply only. Then you can daisy chain run parallel. hth Bouke www.videotoolshed.com
+1
Subtitles for online vs TV vs Theatre
by Dan McGuire 9 months ago
Folks, I am going to be screening my documentary about Balinese healers in late October. The titles I have designed seem to look right as I edit on FCP7, but I assume that when they are projected in a
Re: Subtitles for online vs TV vs Theatre
by Bouke Vahl 9 months ago
I disagree. For projection, they could be smaller, and a bit lower. Also, I would drop the drop shadow, just stick with a (small) outline. To batch change them, what plugin did you use, and how did yo
Video playlist playback
by Todd Perchert 10 months ago
This forum seemed the best to place this question... but before I get to the question. I am looking for software options to play back video in a playlist that is easy to edit - and can loop. This is t
Re: Video playlist playback
by Bouke Vahl 10 months ago
VLC is your friend. You can make simple playlists and save them. Bouke www.videotoolshed.com
Meetings in 4 Rooms must be recorded & live streamed with DSK on EACH with ONE operator
by John Ferguson 11 months ago
I am needing to develop a system that will record 4 rooms (one camera each), record & live stream, and downstream key each output. The trick is, I can only have one operator. I am thinking of getting
Re: Meetings in 4 Rooms must be recorded & live streamed with DSK on EACH with ONE operator
by Bouke Vahl 11 months ago
Hi John, How about one computer with a decklink quad, and some software This thing could do it: https: www.videotoolshed.com product recorder It's an FFmpeg front end. I can adjust it to add the DSK,
Color depth vs. Color sub sampling for green screen
by clyde villegas 12 months ago
When chroma keying in post, is it such a big deal if the footage is just 8 bit 422 and not 10 bit 422 I've read before that having a 422 footage is ok, not mentioning color depth. ut in omnibus glorif
Re: Color depth vs. Color sub sampling for green screen
by Bouke Vahl 12 months ago
Kevin, it's not 25%, it's 400% the bits come before the previous values, each bit extra doubles the amount of storage. 8 bits is 256 max in decimal 10 bits is 1024 in decimal... (that's 4 times as muc
+1
Blu Ray decode in-house
by Mark Suszko 12 months ago
Sorry for cross-posting, but anyway: I have a 2-hour BluRay we made on our FCPX system that now needs to be "ripped"; i.e. converted back into stand-alone mpeg 4 files I can put on a portable drive fo
Re: Blu Ray decode in-house
by Bouke Vahl 12 months ago
Very easy. Use FFmpeg. (Drag FFmpeg and the files into your terminal window) ffmpeg -i input.m2ts -codec copy output.mp4 Bouke www.videotoolshed.com
RE exporting subtitles as .SRT files?
by james henson 4 years ago
Hello, I have a alot of project files with subtitles...i need to convert the subtitles to an .SRT file. I was reading someone that is is possible to do this, perhaps by exporting chapters or something
Re: RE exporting subtitles as .SRT files?
by Bouke Vahl 12 months ago
Hi Aaron, C'mon, lighten up. It was a joke, not intended to hurt you. And if you know me a little, you know that I try to help others whenever I can, and definitely not only to sell my stuff. Bouke ww
Aspect ratios, pillarbox and letterbox
by Paul Guarri 1 year ago
Hi, I work for a post facility and I deal with different formats and aspect ratios, mostly for digital cinema delivery. Sometimes I'm asked to deliver to broadcasters. In their specs, I don't find any
Re: Aspect ratios, pillarbox and letterbox
by Bouke Vahl 1 year ago
There is no answer. Some broadcasters have specs, some don't Then their is your the directors taste. Then there is the concern that 'some' TV sets do 'smart scaling', detecting letterbox pillarbox and
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