Bouke Vahl: Activity About Popular Images
Bouke Vahl

I'm a developer of small tools to make the life of a video pro easier.
Member Since:
October 16th 2016
182 Posts
100 posts
Friends:

Strat Theo
What is your favorite and recommended MKV to MP4 converter for Sony Vegas?
by Selena Leblanc 6 days ago
Hello editors! Since Sony Vegas still doesn't allow MKV files onto their program, I was curious to know which MKV to MP4 files you would recommend I'm looking for something that keeps the original qua
Re: What is your favorite and recommended MKV to MP4 converter for Sony Vegas?
by Bouke Vahl 6 days ago
ffmpeg will do it fast and for free. Bouke www.videotoolshed.com
Using Timecode Audio Data to sync in Premier Pro
by Luke Price 2 weeks ago
Hi, I'm cutting a programme that features some in-car presenter pieces to camera and has been shot with separate mixer audio for syncing in post. Unfortunately the camera and audio tracks have been re
Re: Using Timecode Audio Data to sync in Premier Pro
by Bouke Vahl 2 weeks ago
Hi Ricky, Please, do tell me what the Tentacle software does that mine does not. (Really, last time I've looked it had close to no options, and was hardware locked to a physical product.) Bouke www.vi
Working with. srt file and caption tool
by Nick Ravich 2 weeks ago
Need some help with the captioning tool, I think. Have imported a .srt file into Premiere, cut into timeline, and all the text comes in nicely. All text is also readable and editable in the caption to
Re: Working with. srt file and caption tool
by Bouke Vahl 2 weeks ago
Captions are not subtitles. It is just metadata in the file containing text, color and position. SRT does NOT hold postition and color in most instances. (Although it 'is' sorta kinda possible.) IOW,
Moving Subject Jitters Across Computer Screen but Not on a TV
by Kevin Camin 3 weeks ago
Hello everyone, In the attachment below, you can see that the subject jitters when it moves across the screen. I understand why it jitters, it's the same thing when trying to move a photo or some text
Re: Moving Subject Jitters Across Computer Screen but Not on a TV
by Bouke Vahl 2 weeks ago
There is motion blur on the controls but not on the skateboard. Turn it on. I don't care if the subject needs to be sharp, it's either one or the other. Pick your poison. Bouke www.videotoolshed.com
60i footage to 30p output?
by Spencer Honda 4 weeks ago
Shot some interviews that I'm sending over to a news station to use. I think they shoot 60i but my camera is sorta broken so that's the only option I have right now anyways. How do I work with this in
Re: 60i footage to 30p output?
by Bouke Vahl 3 weeks ago
Sam Lee "Is 60i is another way to express it as 59.94 fields (29.97 frames * 2 fields = 59.94 fields, established back in '53 by NTSC), which is essentially 29.97 interlaced frames for US broadcast "
Basic question about a Zoom H6 I cannot find an answer to
by Noam Osband 6 months ago
I know this isn't a Zoom forum. But I can't find this answer anywhere and it's probably super simple and it's driving me nuts. How can I get the time code of my clips in my Zoom H6 to always start at
Re: Basic question about a Zoom H6 I cannot find an answer to
by Bouke Vahl 4 weeks ago
Of course there is. Put LTC on one of the channels. Not the most logical way, but hey, you want a cheap recorder, you get a cheap recorder. Bouke www.videotoolshed.com
How did the filmmakers get this shot back then?
by ryan elder 2 months ago
My DP said I should get the steadicam for a lot of the shots I want, but I kind of want to save money if I can and not sure if I need it, but will get it, if it's a must for certain shots. However, in
Enough is enough
by Bouke Vahl 1 month ago
ryan elder "I was told it was because a wheelchair is just not meant for smooth camera movement." Oh really Who told you that Someone on this forum You did not know that before you were told What did
Recorded a WAV file in Vegas fine, but playback (VLC, Win Media, etc) is way too fast
by John Romein 2 months ago
Recorded thousands of WAV files using Vegas. Two weeks ago everything was fine. Now, Vegas records the WAV file fine. Even plays back on the timeline fine. I close Vegas on my capture computer. Then I
Re: Recorded a WAV file in Vegas fine, but playback (VLC, Win Media, etc) is way too fast
by Bouke Vahl 1 month ago
But, did you indeed record at 96000 Hz (the only ones who do so are very snobby extremely expensive studios, and technical people who do research. Human hearing goes up to 20Khz tops, and that is for
Export I-frame only MPEG2 in Apple Compressor.
by Tangier Clarke 2 months ago
Does anyone have ideas advice on how to achieve I-frame only compression in Apple Compressor There's no setting for this. Perhaps there's a workaround with the other settings. I can't set the GOP to 1
Re: Export I-frame only MPEG2 in Apple Compressor.
by Bouke Vahl 2 months ago
No clue as I never use Compressor. (I did look at it years ago and decided it was not good enough, even with the bit 'A' stamped on it.) XDcam in SD is I frame only. and Compressor 'should' support th
What aspect ratio should I shoot with, when mixing historical footage?
by ryan elder 2 months ago
I am directing a documentary film project and have to decide on an aspect ratio. I will be shooting interviews intercut with historical footage. I already have a lot of the historical footage chosen w
Re: What aspect ratio should I shoot with, when mixing historical footage?
by Bouke Vahl 2 months ago
ryan elder ". So it makes me think that it's normal, as I cannot find documentaries that keep the original aspect ratio of the archival footage." So, you never saw my work. Who cares what others do.
Frame rate conversion
by Grzegorz Kwiatkowski 3 months ago
I produced a 4K documentary in 59,94fps. I am looking for the best software solution to downconvert it to 50, 25 and 24 fps. This is for broadcast, so I can't accept any repeated frames, video stutter
Re: Frame rate conversion
by Bouke Vahl 2 months ago
You're welcome. But you've seem to have missed the essence of my writing. (Apologies in advance if I'm wrong on this one.) Google will find this. And the exact meaning of my post was to do research an
Feature film mixing 24p and 25p footages
by Robin Nicollet 2 months ago
Hello everyone, I am now assistant on a feature film. We are planning to edit and deliver in 24p. Most of our footages have been shot in 24p using a blackmagic URSA camera. However, the team used a So
Re: Feature film mixing 24p and 25p footages
by Bouke Vahl 2 months ago
some of us actually live in Europe, where EVERY movie is speeded up from 24 to 25. The whole (and sole) reason for video being able to be 24 was to deliver 24 for cinema (obsolete, cinema can have any
720x576 dv anamorphic or 720x576 anamorphic
by Thanos Papadopoulos 2 months ago
When I modify my project to pal sd I have two options. What's the difference between these two 720x576 dv anamorphic or 720x576 anamorphic Fix it in Pre.
Re: 720x576 dv anamorphic or 720x576 anamorphic
by Bouke Vahl 2 months ago
Jeremy is right, but still the question remains if that is indeed the meaning. Bouke www.videotoolshed.com
Trouble getting FCPX and/or Compressor to produce true stereo mix in resulting MXF file
by Bob Szuter 2 months ago
Hello folks, Using FCPX and the customizable MXF settings in Compressor, I can't seem to figure out how to get my stereo mix out to the MXF file with having the two channels playing back straight up t
Re: Trouble getting FCPX and/or Compressor to produce true stereo mix in resulting MXF file
by Bouke Vahl 2 months ago
Note, if you have a P timeline, and export to I, all will look (and be) P, but the container is I. Nothing will change to the footage. This is totally acceptable! (Remember, in the old days all commer
Trim video
by jo tan 2 months ago
Hi, how do i trim off the part of footage at specific timing I do not want to cut off the footage at wrong timing...I have been looking for the part where I can just enter the timing and then cut off.
Re: Trim video
by Bouke Vahl 2 months ago
You do so by setting your markpoints at the correct position. Note and warning, do NOT set them at the wrong position, as this does not give you the desired result. For the rest, read the manual. Bouk
On-prem file transcoding software options
by Adam Grayson 2 months ago
We are a boutique movie distribution company, and we do a fair amount of general and broadcast video transcoding here, mostly using Adobe Media Encoder and a legacy version of Harmonic Carbon. We are
Re: On-prem file transcoding software options
by Bouke Vahl 2 months ago
Well, you could hire me to do some custom coding based on open source stuff. That would be affordable, and no cure no pay. Contact me direct at bouke at videotoolshed dot com Bouke www.videotoolshed.c
XLR cable - best 'sound proof' one
by Chris Newberry 2 months ago
Hi I'm do a lot of camera work (not a sound op!) and when using an XLR cable with my boom mic etc if it slightly moves or is accidentally knocked then I hear that on the final recording (through the c
Re: XLR cable - best 'sound proof' one
by Bouke Vahl 2 months ago
Old ones can get noisy, but then it has to be really old. Now, since a connector is 1.50 bucks, and very good cable 1 buck per meter, and soldering a cable takes 15 minutes if you're unexperienced, wh
Analyse Waveforms
by Darren Lee 3 months ago
Hi, is it possible detect the Audio alignment of 2 movies in FFMPEG You can do this in Premiere using synchronise, I just wondered if FFMPEG had the capability to analyse audio waveforms Thanks
Re: Analyse Waveforms
by Bouke Vahl 3 months ago
If the audio is from another recorder than the camera, it's dual system sound. And if you want to replace the audio from the cam, that's normal. it all is very, very easy if you shoot with common time
Multicam where every cut starts on first frame (is it possible?)
by Anders Haavie 3 months ago
I have a friend that works with huge international live-shows. Before doing a job he sits down with the music and makes a dummy edit so that all the cameraguys will know when they are on, and can get
Re: Multicam where every cut starts on first frame (is it possible?)
by Bouke Vahl 3 months ago
Not possible if the sources have BITC I would think, but if you have an effect that can do 'duration' as BITC you are done. (I think avid can do this.) It would be easy to script though based on an ED
H 265 4K bitrate
by Vasco daNeva 3 months ago
Adobe advises a bitrate of 35 when exporting (PPro - Media Encoder) a 4K movie. But in Media Encoder for H 265 the max value is 25 (both for Target and for Maximum). On MediaZilla I was advised to "se
Re: H 265 4K bitrate
by Bouke Vahl 3 months ago
who cares about the actual bitrate H265 is supposed to be half the size of H264, and Adobe thinks H264 has to be 8 times the size as I use for deliveries. (I encode outside Adobe stuff.) H265 is deliv
Batch Capture without FireWire??
by brian norris 3 months ago
I'm currently using Premiere Pro CC 2014 and a windows machine. Over 10 years ago I created batch lists for several minidv tapes. I recorded old home movies from a vhs deck so its one long video, henc
Re: Batch Capture without FireWire??
by Bouke Vahl 3 months ago
Why not use firewire then A deck will set you back 30 bucks or so... Or, capture entire tapes and use the database stuff to create offline clips in aid to razor, or trough EDL conversion, or let my Re
1080p 25 F55 into a 1080i 50 workflow
by Jason Welkerk 4 months ago
Hi Guys So basically we work in 1080i50 for on air transmission. However this travel show is being shot in 1080p 25 with the F55 camera. Would the best workflow just be as simple as linking & transcod
Re: 1080p 25 F55 into a 1080i 50 workflow
by Bouke Vahl 3 months ago
Last time. READ WHAT I WRITE (and try to understand at least half of it, then you don't make these stupid posts.) I KNOW what it means, but it is A WRONG NOTATION. I work with 25i all day, for the las
Exporting 16 bit audio in Op1a
by Chris Coote 3 months ago
Hi there I am on a Mac running Symphony 8.6.3. Trying to deliver a 1080i HD XDCAMOp1a MXF file with 16 bit audio (that is the spec for the deliverable). There is a drop-down menu for audio bit depth,
Re: Exporting 16 bit audio in Op1a
by Bouke Vahl 3 months ago
Good you figured that one out. This is a known flaw (and not the only one) in the specs over here. All broadcast here (SD as well as HD) is XDcam style, but to annoy as many people as possible, some g
Codec and rate for display on domestic monitor in museum
by Mickey Power 4 months ago
We've been delivering most of our HD films in H.264 for the web at recommended Youtube Vimeo rates so all very uncomplicated there. But some films are destined for permanent display in museums and oth
Re: Codec and rate for display on domestic monitor in museum
by Bouke Vahl 4 months ago
Hi Jeff, Call me a stranger if you want, but some people here know I'm around the digital video stuff for some 25 years. And (as I stated, it was some time ago) I DID read the brightsigng manual, and
How to efficiently switch back and forth between 2 cameras?
by Robert Maric 4 months ago
I have a scene with multiple camera angles and I want to switch between them many times. Layers only have 1 in and 1 out point that I'm aware of so I don't know how to achieve this without adding a ne
Re: How to efficiently switch back and forth between 2 cameras?
by Bouke Vahl 4 months ago
AE is a compositing effect app. Switching (multicam editing) is for an NLE. Switch to ANY nle and do that part of the work there. Bouke www.videotoolshed.com
Sound editing for broadcast
by Lena Gregorian 4 months ago
Hello all, Ive been asked as an assistant editor to change the sound level due to distortion in the sound The only instruction was make the sound -18 Does anyone know what it means I think that the vo
Re: Sound editing for broadcast
by Bouke Vahl 4 months ago
I think they mean -18 LUFS And that is not so hard if that is the only demand. (Getting commercial now...) Export a Wave from your sequence, and put it in this: https: www.videotoolshed.com handcrafte
DF vs NDF
by Olivier Prudhomme 9 months ago
I work to a TV station. We used to deliver NDF and now we're asked to switch to NDF. My post supervisor mentioned he thinks this switch will mess up our workflow but he doesn't remember how specifical
Re: DF vs NDF
by Bouke Vahl 4 months ago
grinner hester "It's a math thing. It's why your 30 second spots are actually 29:20" Yo Grinner, Math is my middle name. Difference is 0.1 % So, a '30 sec' spot (In TC notation, if it does not roll o
Closed Caption Issues
by Rafael Parlatore 5 months ago
Hi, I use Maccaption and Caption to produce Closed Caption. When I import the .MCC file in premiere, there are some problems. Like: When I select 608 CC in premiere, some accents are lost, for example
Re: Closed Caption Issues
by Bouke Vahl 5 months ago
As the char did encode the first time, it should be properly supported. Now, only thing (besides stuff under the hood that is invisible) I can imagine, do you have enough loading time (Old captions ne
What is the best export setting for 4K video?
by Benny Boo 5 months ago
Hello everybody. I shot a H.264, 4K video on Sony A7SII. I edited the video on Premiere Pro, matching the clip setting with the timeline setting. I cropped most of the clips %10. I thought this wouldn
Re: What is the best export setting for 4K video?
by Bouke Vahl 5 months ago
Benny Boo "But I don't think you read the question right. I am looking to export in 1920x1080" I did read the question right, but you did not state your delivery format was 1920x1080. If that is the
How to export captions I made in Premiere Pro CC?
by Mark Suszko 5 months ago
I created a caption file within Prem Pro, and I want to export the captions as an .SRT file. I'm new at Premiere so it's not immediately obvious to me how I export just the captions, not as a video fi
Re: How to export captions I made in Premiere Pro CC?
by Bouke Vahl 5 months ago
afaik, it's not possible. (But perhaps I'm overlooking something.) Did you not try to export one single line before putting in effort (way too much as PP is not a caption subtitle tool) Good news, if
Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Rachel Pearl 6 months ago
HI, I've been trying to find an answer to this question in the Archives but none of the answers quite address this problem. The video on this project was recorded on the RED at 23.98 with no camera so
Re: Video is 23.98 fps on Red and Audio was recorded at 24 fps 48K
by Bouke Vahl 5 months ago
Job ter Burg "When those 48.048 sound files are played back at 48 kHz, the 0.1% pull down" If this is the case, I stand corrected of course. Do you happen to have one of those files to study (Just fo
Corrupted .wav file
by michael weber 5 months ago
Hi all, I have received a file from a friend per USB Stick , but the audio file doesnt open in any program i've used. I have also used various programs to try to restore it but nothing worked. If i im
Re: Corrupted .wav file
by Bouke Vahl 5 months ago
The file is fine, it's just not a Wave file. Tell Philipp to send you a new file if you can't recover it with Audacity. (I can't, or it was very overmodulated to start with.) Bouke www.videotoolshed.c
testing for dust on sensor; MBP as monitor
by Bob Cole 10 months ago
In film days, it was very common to check for "hair in the gate." Now, I want to verify that I have no dust specks on the sensor. No matter how careful you are when changing lenses, stuff happens. Do
Re: testing for dust on sensor; MBP as monitor
by Bouke Vahl 6 months ago
Bob Cole "software which enabled you to use a laptop as a field monitor and maybe even grab a still frame." Scopebox can do this, and display vectorscope waveform, and record video as well. Isn't tha
Which text generator in FCP X builds titles from the bottom upwards and centers left-aligned titles according to the longest line?
by Leonore Verster 7 months ago
We have searched through all possibilities in FCP X to find a title generator that allows for the following: 1. Titles that are bottom-aligned AND that build from the bottom up. First line sits at the
Re: Which text generator in FCP X builds titles from the bottom upwards and centers left-aligned titles according to the longest line?
by Bouke Vahl 7 months ago
Ah, now I understand what you mean. This is really ugly IMHO, and I've never seen it... I would not bother and convince the rest that all centered is the 'normal' way of doing stuff. Bouke www.videoto
Sending subtitles from FCP 7 to FCP X
by Leonore Verster 7 months ago
Hi, Our subtitles are done on FCP 7, but the editor uses FCP X. We've had no success exporting XML from FCP7 and opening them in FCP X. Which converter tool or software would you recommend
Re: Sending subtitles from FCP 7 to FCP X
by Bouke Vahl 7 months ago
You did not say what generator plugin was used in FCP 7 Then you talk about a screenshot that I can't find. But, you suggest all titles are centered, except when two people are talking in on title (Th
+1
Alpha Chanel JPG
by Nathan Kendall 7 months ago
I have a design for t shirt. I am assuming it should be in CMYK for print. However when I designed it I had the document set to RGB with a cmyk proof. the save as panel says all the formats and below
Re: Alpha Chanel JPG
by Bouke Vahl 7 months ago
Jpeg DOES support an alpha channel. Just lots of software does not allow for it. After Effects can do this. (although not the tool for this job though.) Bouke www.videotoolshed.com
4444 XQ to DCP gamma issues!
by Sean Sartori 7 months ago
Hi I've just graded a film shot CinemaDNG and rendered it out 4444 XQ, video levels, gamma 2.4, rec 709 for a DCP. Viewing the DCP in a theater, it was washed out. The house making the DCP didn't set
Re: 4444 XQ to DCP gamma issues!
by Bouke Vahl 7 months ago
DCP does not use video levels. I think your problem lies there. Try full scale (or whatever it is called in your grading software.) Gamma issues (2.2 vs 2.4) is hard to detect, but elevated black (as
GH5 auto focus hack works! Now, about conforming 29.976 to 24p in Resolve. Possible?
by Duke Sweden 7 months ago
As the title suggests, I tried the autofocus "hack" which fixes the GH5's horrible autofocus problem. The only thing is you have to shoot in 30p (29.976) or 60p. It doesn't work in 23.blah or proper 2
Re: GH5 auto focus hack works! Now, about conforming 29.976 to 24p in Resolve. Possible?
by Bouke Vahl 7 months ago
Duke Sweden " Because I, sir, am an artiste!!! ;-)" 24 fps was choosen as a framerate that was a comprimise between smooth motion and low cost. (Higher framerates costed more film, which was highly e
Are FCP subtitles good enough for theatre?
by Christopher McDonell 7 months ago
..is the question I m being asked by my post-supervisor. She has no experience with FCP. We re doing a DCP for festivals. A feature doc. Subtitles are Outline text and they look fine to me... on my 27
Re: Are FCP subtitles good enough for theatre?
by Bouke Vahl 7 months ago
Don't forget, subtitles are bottom aligned. and IIRC, the default text generator isn't smart enough for that. Meaning, you have to start with a return on every single line sub. Then, If it's a feature
error ( 23 :: 0 ) illegal XML Character ""
by Wilko Morsink 7 months ago
Could someone help me with this error Regards Willy
Re: error ( 23 :: 0 ) illegal XML Character ""
by Bouke Vahl 7 months ago
It means that there is are illegal xml charachters in the xml. And those are double quotes. the error message is quite helpfull! Replace the quotes (inside the quotes) with " and you should be fi
Documentary film audio mix
by Frank Baumann 8 months ago
Recently I've seen some documentaries where the music was on the right channel only, while the dialog was in the right and left channel. Does it have to do with specific broadcast requirements I've al
Re: Documentary film audio mix
by Bouke Vahl 8 months ago
Rob Neidig "I suspect it probably was an accident." Totally agree, but very strange QC at the broadcasters side (or is it site ) did not rejected it. Bouke www.videotoolshed.com
Wildlife videography camera and lens combination decision
by Amin Zargar 8 months ago
Hi All, I have been a wildlife (mostly birds) photographer and videographer hobbyist for a few years. I'm not happy with the quality of the videos I produce and as such, I would like to upgrade to a b
Re: Wildlife videography camera and lens combination decision
by Bouke Vahl 8 months ago
What do you need 10 bits for Advanced color correction Not for publishing, as all intenet television delivery is 8 bits, and you have to be lucky if your end user has an 8 bit capable monitor. The the
+1
ProRes to XDCAM422
by Elia Navarro 8 months ago
Hi everybody I have a beginner question.... I need to deliver a XDCAM HD422 mxf file to a TV channel. As I do not really know how the transcoding from ProRes works here, I wanted to ask if somebody ha
Re: ProRes to XDCAM422
by Bouke Vahl 8 months ago
How about you test for yourself and trust your eyes Bouke www.videotoolshed.com
DV/D1 Pal 720x576 export (a little explanation needed)
by Vaggelis Valassopoulos 9 months ago
Hi to the forum, and merry Christmas, This is my third post here and i am so glad that always i got all the info i was looking for. To just dive right in, I decided to capture VHS tapes, with virtuald
Re: DV/D1 Pal 720x576 export (a little explanation needed)
by Bouke Vahl 9 months ago
SD pal is upper field frst for all codecs, except DV (and on that is an exception too, Avid DV is upper as well) And I miss cropping in this whole story, as SD is an overscanned format. Bouke www.vide
Timecode Time-Of-Day Drift?
by David C Jones 12 months ago
Greetings, I have a question regrading timecode. I cannot remember what piece of gear I was using when I saw this (ether the Sounddevices 633 or the Canon EOS C300 camera) but, as I was setting it up
Re: Timecode Time-Of-Day Drift?
by Bouke Vahl 9 months ago
23.976 fps has a framerate of Now, that is displayed as 24, as there are no fractional numbers in frames. So, after one second, the TC says 24, where in fact it should say 23.976. Here is the source o
Problem with brand new Canon XA 30
by Jaime Espinoza 9 months ago
Hello everybody: I purchased a Canon XA 30 HD Camcorder around 20 days ago, and today i did my first demo recordings. I transferred the files using the data import utility downloaded from the Canon we
Re: Problem with brand new Canon XA 30
by Bouke Vahl 9 months ago
I think you mean compression artifacts. Did you try shooting AVCHD Bouke www.videotoolshed.com
FCPX v10.4 - Best way to create .srt files
by Gary Brightman 9 months ago
to post a video to Amazon I'm required to create an .srt file of the dialogue. What do people recommend as the best method tool to achieve this Many thanks for your help
Re: FCPX v10.4 - Best way to create .srt files
by Bouke Vahl 9 months ago
As always, define 'best'. It highly depends on the amount you have to do, the quality you're after, the time you want to spend on learning (as subtitling is an art by itself). Of course I recommend th
Add timecode to audio tracks???
by Michael McCune 10 months ago
Frame sequence codecs do not of course include audio tracks. But frame sequences are sometimes desirable and can easily be created in the Delivery page in various flavors. But of course the audio is l
Re: Add timecode to audio tracks???
by Bouke Vahl 10 months ago
Dude, You do NOT provide any info we've asked, and you seem to be lost. If you work on image sequences, that indicates a high end workflow. You seem to be totally clueless. We can help, but not this w
iMac Pro or next year's Mac Pro?
by Steve Connor 10 months ago
So the new iMac Pro should be available in the next couple of weeks, is anyone thinking of getting one I'm very interested but also intrigued by next year's Mac Pro as well "Traditional NLEs have time
Re: iMac Pro or next year's Mac Pro?
by Bouke Vahl 10 months ago
ProRes CAN be made on PC. If you use Adobe stuff, it's a simple plugin that catches the uncompressed video down the pipeline, and uses FFmpeg to output ProRes. If you use Avid, you can render to an in
50p to 50i conversion
by Brian Cutts 10 months ago
Next summer we will be working on projects which are shot and edited in 1080 50p and need to be delivered in both 1080 50p and 1080 50i. I understand that most transcoders will take 2 adjacent frames
Re: 50p to 50i conversion
by Bouke Vahl 10 months ago
First, please name 25i not 50i. It's Frames and Progressive or Interlaced. (I know you're not the only one doing this....) For two fields from different shots in one frame, that's how VHS worked, reme
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