For Sale: Tangent Wave Panel, Decklink by Ben Starkey 7 years ago I've stopped freelancing to pursue other opportunities and no longer need my Tangent Wave. It's 2 years old and I'd estimate 400 hours of use, it's been in the original box other than that and include
nice skin tone.... by andrew sableton 7 years ago Funny how some people seem to look weird and unhealthy no matter what you do while others with just a slightly different skin tone always seem to look good..... and it's not about having a tan..... I
Re: nice skin tone.... by Sascha Haber 7 years ago The problem is that people are spoiled by beauty fotography and Michael Bay. Sometimes I make a little fun with the producers and ask them if they want natural skintones or digital makeup. The later i
5D MK III DaVinci Workflow by Daniel Neutzsky-Wulff 7 years ago Hi all, I just finished the edit on a TV documentary in Premiere Pro. I edited the files in their native H.264 format straight off the camera. I exported an XML from Premiere and imported it into Reso
Re: 5D MK III DaVinci Workflow by Andi Winter 7 years ago h264 master isnt a good idea. i would render out in your favorite editing codec, aka prores422hq or aviddnxhd185x. then add your credits titles etc.
Feature request, More Auto correct options by Yoram Tal 7 years ago Hello Black Magic folks. I love my DaVinci system and I use it everyday on 3 different shows... Considering that I have to go thru about 2000 Plus shots a week I would love to have a better Auto corre
Color theory resources by David Sikes 7 years ago Hey everyone. I'm looking for some resources to help me grow not so much on the software side of color grading, but to enhance my knowledge and understanding of the theoretical side of color. I've bee
Re: Color theory resources by Kevin Cannon 7 years ago Hi David, I think a lot of folks here at all levels of experience would recommend Alexis Van Hurkman's Color Correction Handbook as a good survey of technical (but software agnostic) and artistic cons
Serious export issue - flickering noise by Sebi Holbourn 8 years ago Grading footage using DaVinci Resolve Lite 9.03 on Mac OS X 10.7.4. It was shot with a Canon 60D, converted to ProRes 422. Computer is iMac mid-2011, 2.7GHz Intel i5, 4GB RAM, Radeon HD 6770M 512MB. E
anyone switched to mountain lion? by Blase Theodore 8 years ago Curious if anyone has switched over. Happy with the Resolve performance of Lion, but its been my least favorite OS to date. (Somewhat regret bumping up from SnowLeopard.) If you've moved to Mountain L
Davinci Resolve vs. Lustre vs. Scratch by Tom Ma 8 years ago Are there any unbiased comparisons out there that size Resolve, Lustre, Scratch (opinions also welcome) Factors: I do short format work: commercial, music video I am somewhat invested in autodesk syst
All ahead slow!.. by jason wingrove 8 years ago OK.. my main issue is performance!.. be buggered if i can get anywhere near 25fps grading 5DMkIII clips even with one simple grading node!. Average is about 12-18fps with a decent pause between clips.
Glows and diffuse highlights? by Robert Glanns 9 years ago I'm in my 3rd week now working with Resolve with clients in the room, and I've been having difficulty pulling off some looks that I could easily pull off in Apple Color's ColorFX room, such as diffuse
Re: Glows and diffuse highlights? by Ben Starkey 8 years ago This is the only, and I stress only realm where Apple Color really outshines Resolve and ultimately it's pretty minor unless everything you grade needs that diffused look. Digital Colorist http: www.b
Re: Can Apple Be Trusted Ever Again? by Ben Starkey 9 years ago Agreed. Great writeup. My disappointment is obviously with the company direction and not as much with the FCP X app itself. This app just represents more clearly than anything before it the direction
Why Final Cut Pro X has ruined us all by John Davidson 9 years ago Well, I hoped the rapture would fix this, but I guess it's not. For a while now, I've been naively trying to keep a positive spin on Final Cut Pro X, but the reality is we're all doomed, and here's wh
Color Correction Pricing by Jeremy Ball 9 years ago Maybe this has been covered somewhere else but a forum search did not turn up any answers. I am just starting out on my own and would like to know a good base for pricing. For example lets say we have
Color Correction service now @ Costco by Richard Dee 9 years ago I was just at the Costco photo department. They will color correct a 1 hour show for $79.95 plus tape stock if needed. They listed "Power Windows" on the price chart, so I'm not sure if they're using
Dr. Electronic by Tony Aramburu 10 years ago Hello all, This is a trailer for my show, Dr. Electronic. http: www.youtube.com watch v=sA66fKcXfR0 Let me know what you think. Best, Tony Tony Aramburu www.Happy-Machine.com
assistant editor by Ben Starkey 10 years ago Los Angeles based non-union assistant editor. Immediate availability. Work experience in both FCP & AVID in network promo, independent feature film, made for cable TV, and reality TV. Extensive backgr
Offloading P2 cards from AG-HPX500 by Niklas Wikman 11 years ago Currently I'm offloading my P2 cards using a MPB with Duel Adapter onto a USB-powered hard disk. Then back home, I duplicate the disk and then import the footage in FCP from any of my source disks. Ho
Saving Media Only Used in Cut by Jonathan Dean 11 years ago Hi there I was wondering if it was possible to save the media only used in a final sequence i.e. rather than saving whole source clips, saving each individual cut clip.... This is for backup purposes.