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Anna Ingenthron

Member Since:
August 17th 2012
38 Posts
Location:
LOS ANGELES, CA
how to get a *realistic* and powerful flash effect in FCP 7?
by Edwin Adkins 7 years ago
Hi, In some footage I am editing, a stage performance has some performers in nearly total darkness, with occasional flashes. The problem is that although the flashes were supposed to be very powerful
Re: how to get a *realistic* and powerful flash effect in FCP 7?
by Anna Ingenthron 7 years ago
The free "Too Much Too Soon" FCP 7 plug-in set has a "Flashframe" transition which is nice if set to a relatively short duration - around 8 frames or so.
Better FCP 7 SmoothCam plug in
by Enrico Lappano 7 years ago
Can someone recommend a better smoothcam plug-in solution than the one that is included with FCP 7 Unless I'm not using it properly, (primarily with 7D clips and sometimes HDV), it leaves noticeable "
Re: Better FCP 7 SmoothCam plug in
by Anna Ingenthron 7 years ago
Importing the shot into Apple Motion (in the FCP suite) as a project and adding the behavior "Stabilize" under Motion Tracking. Smooths things out nicely if you don't mind the little export and import
apple prores 422 problem
by raju bhai 7 years ago
Hi! I posted this question before. But didn't get it resolved yet. I imagine somebody here though must know the problem i am facing or has probably experienced it before. I edited most of my video tha
Re: apple prores 422 problem
by Anna Ingenthron 7 years ago
I'm not really sure what you're asking. You don't need to recut if you just relinked your clips to the prores footage (which should have the same filenames and lengths as the h264s). If you overcut yo
Image Stabilize 5D Mark iii footage with Pans/Tilts & convert to 720p (from 1080p) in FCP7 or other
by David Turner 7 years ago
Hi Creative Minds! I am working mostly in FCP7 still, so I thought I'd post this here (although I also have Adobe CS6 as I slowly switch to Premier & am open to working in an Adobe program too). I hav
Re: Image Stabilize 5D Mark iii footage with Pans/Tilts & convert to 720p (from 1080p) in FCP7 or other
by Anna Ingenthron 7 years ago
Another option would be Apple Motion. You can import the clip as a new project, add the behavior "Stabilize," and adjust the settings they give you. This way you can decide if you want it to just smoo
Converting A FCP Project for DVD
by Romina Rey 7 years ago
Greetings Just looking for advice and or suggestions. I just received and FCP project to export and compress for DVD purposes. However the another person originally cut the project in h264. I was thin
Re: Converting A FCP Project for DVD
by Anna Ingenthron 7 years ago
Was their project in FCP 7 or FCPX Only FCPX claims to support h264 native editing. If it was in FCP 7, I definitely recommend converting to prores and reconnecting. You cannot edit h264 in FCP 7 and
Log And Transfer Crash
by Angela Zumbrum 7 years ago
Already logged an entire project with no problems. One clip (the most important clip, of course) will NOT complete. FCP freezes and won't respond! I tried to restart, tried changing scratch disk to mu
Re: Log And Transfer Crash
by Anna Ingenthron 7 years ago
It does sound like the file or drive is corrupt. When a copy won't work through Finder (error 36), try using Terminal to copy those files onto another drive. You can follow these instructions if you'r
Questions about XML Export for Grading From Someone New To The Process
by Scott Clements 7 years ago
Hi, I have a project edited in FCP 7 that needs grading. The colourist hasn't been chosen yet, so we don't know what system will be used. I'm assuming the colourist will want an XML file in order to g
Re: Questions about XML Export for Grading From Someone New To The Process
by Michael Gissing 7 years ago
Personally I would take an XML and original media for da Vinci Resolve. Yes da Vinci can scene detect but a feature of da Vinci is that you can apply a grade to one shot and it then automatically appl
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Anna Ingenthron liked this 7 years ago
Render Issue
by Harrison Gruber 7 years ago
I have edited a number of videos with the same setting: It's a three camera setup so I have three video tracks (all same settings). The top video (camera C) in the timeline (visible in the canvas here
Re: Render Issue
by Anna Ingenthron 7 years ago
I'd check 8-bit in your render control User Prefs to keep your preview but reduce the need to render. Also, if you don't need your waveforms, hiding them will help your processing speed. If all else f
No audio on import
by Molly Locklin 7 years ago
There is no audio after importing into FCP 7. There is definitely audio on the tape. Video yes, but no audio. Thanks.
Re: No audio on import
by Anna Ingenthron 7 years ago
Are you using Log and Transfer Make sure the deck is connected properly and your settings in the L&T window have the video AND audio boxes checked. You can check Preview as well if you'd like to hear
The movie File "MAC OS" cannot be found - error message -
by louis sparre 7 years ago
Hi Everyone, I recently had a mac pro that died. I had a project on an internal drive on the mac pro. I removed the internal drive and installed in a different mac pro and was unable to open it. The m
Re: The movie File "MAC OS" cannot be found - error message -
by Anna Ingenthron 7 years ago
Are you getting the error message when opening an .mov or the FCP project itself If it's when you're opening the FCP project, try clearing out your Render Files and opening the project, forgetting the
Import & Export settings
by Troy Queen 7 years ago
Hello, I shoot a lot of sports with my canon xha1s. I shoot all my games in 1080 30f. What import & export settings should I use to attain high quality HD footage for youtube Thanks in advance
Re: Import & Export settings
by Steve Eisen 7 years ago
We also want to put Troy on the right track. Steve Eisen Eisen Video Productions Vice President Chicago Creative Pro Users Group
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Anna Ingenthron liked this 7 years ago
MPEG Streamclip - thin black bars after 1080 to 480 QT DV export
by Khashyar Darvich 7 years ago
Hello Everyone, I need to convert 1080i QT video (a few thousand clips) to 480i in DV codec, and after doing some tests with Compressor and MPEG Streamclip, I decided that I like the quality of MPEG S
Re: MPEG Streamclip - thin black bars after 1080 to 480 QT DV export
by Daniel Sametz 7 years ago
Did you try to convert them to Prores Proxy in Log and Transfer Some times I have found that dv uses more space than Prores.
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Anna Ingenthron liked this 7 years ago
FCP slow/drop frames warning
by paolo zuniga 7 years ago
Hello. I've been editing a video project on FCP 7 and for some reason I've been getting this slight delay and eventually a "dropped frames warning" as I try to continue my edit. My footage comes from
Re: FCP slow/drop frames warning
by Shane Ross 7 years ago
FCP doesn't work well with h.264. It might work one day, not the next. You need to Convert to ProRes. Yes, it takes up a lot more space. Shane Little Frog Post Read my blog, Little Frog in High Def
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Anna Ingenthron liked this 7 years ago
What is this job profiles called.
by Pratul gaikwad 7 years ago
Ok this not a technical question but i didnt find any other place to put this question. Here I go- What do you call the editor who edits the live transmitted sports Like the live broadcasted sport eve
Re: What is this job profiles called.
by Steve Eisen 7 years ago
The actual editor in the truck is the EVS (elvis) operator. They're responsibility is replays, highlights, bumpers, teasers, etc. Steve Eisen Eisen Video Productions Vice President Chicago Creative Pr
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Anna Ingenthron liked this 7 years ago
Delivery specs - no bars
by Jeff Meyer 7 years ago
I've recently picked up a new job and moved to a new Denver. (Go Broncos) I've got a delivery sheet for the affiliate station of one of the big four networks, and it's..concerning. The delivery sheet
Re: Delivery specs - no bars
by Anna Ingenthron 7 years ago
The spec sheet should include contact information so I would recommend calling them with specific questions - specific dimensions and frame rate do seem important! It's entirely possible they're new t
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Anna Ingenthron liked this 7 years ago
Archiving Workflows?
by George Parker 7 years ago
2 x 2.66 GHz Dual-Core Intel Xeon 8 GB 667 MHz DDR2 FB-DIMM FCP 7.0.2 For the last 4 years we have been using Quantel's LTO3A for our project & media archiving. The compination of the 400 GB tape cart
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Anna Ingenthron liked this 7 years ago
Re: Archiving Workflows?
by Bouke Vahl 7 years ago
LTO 5 works swell for me. Bouke http: www.videotoolshed.com smart tools for video pros
Question about Free Plugins
by Iris Delgado 7 years ago
Hi Creative Cow Community, I've downloaded some free plugins for Final Cut Pro that have the companies logo included in them. Is there a way to remove the company logo so I can actually use these free
Re: Question about Free Plugins
by jerry wise 7 years ago
sounds like they are free "trial" plugins. buy them and the watermark will go away.
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Anna Ingenthron liked this 7 years ago
Paranoid Newbie question about importing into FCP
by Dale Roberts 7 years ago
HI there, Well, I'm learning as I go here on FCP 6... I just did a tutorial on how to set up my project and making all the correct folders etc, all good... And so I am happily editing away after impor
Re: Paranoid Newbie question about importing into FCP
by Shane Ross 7 years ago
If you set up a file structure on the Finder level...on the computer, not in FCP...that matches what you have in FCP, and then add a file ONLY to the folder on the desktop...finder...level, it does NO
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Anna Ingenthron liked this 7 years ago
Mixed Formats in Final Cut Pro
by Kate Bones 7 years ago
Hello there and thanks in advance for any help. I'm editing a rock-umentary style music video and I've shot some of the footage using a canon 5d mkii at 24fps. I've converted this using 5DtoRGB to app
Re: Mixed Formats in Final Cut Pro
by Michael Gissing 7 years ago
Being for a band, bear in mind audio pitch. There are two ways to convert frame rate - speed change or real time. Speed change affects pitch AND tempo. Whilst there is good software like Pitch n Time
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Anna Ingenthron liked this 7 years ago
Creating Subclips With Different Audio Tracks
by Erick Stoll 7 years ago
Don't ask me to explain why, but this is what I'm trying to do: I want to sync up some footage with audio from an external source in the timeline, and then create subclips from that footage which refe
Re: Creating Subclips With Different Audio Tracks
by Anna Ingenthron 7 years ago
After you link the two pairs of audio clips and video clip together, do you drag that into a new bin (You can check they're truly linked before dragging into a bin by making sure your 'linked selectio
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Anna Ingenthron liked this 7 years ago
Error: Out of Memory - Out of luck - any ideas?
by Barry O'Brien 7 years ago
OK.I am running FCP 7.0.3 on a Mac Pro 1.1, 2.66. dual core, 4 MB l2 cashe, 9 GB memory. never had a probem. Now running OS 10.6.8. Load up a new project. short video. using XDCam footage brought in f
Re: Error: Out of Memory - Out of luck - any ideas?
by Steven Cohen 7 years ago
I was reading you post just now and was about to say the same thing that you just discovered. We started having that same problem when we switched over to HD from SD. We traced it back to large 300 DP
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Anna Ingenthron liked this 7 years ago
Footage from a DSLR and another video camera
by Lawrence Richards 7 years ago
I'm working on a project that necessitates the mixing of footage from a DSLR and an HVX200a. Is it possible to do a multi-cam edit with footage from these two different sources Thank you! Larry Thank
Re: Footage from a DSLR and another video camera
by Shane Ross 7 years ago
Convert both to ProRes with the exact same frame dimensions. This might be tricky as the HVX shoots DVCPRO HD and that it anamorphic. Just make sure that you choose the proper dimensions in Compressor
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Anna Ingenthron liked this 7 years ago
Ingest a 12-hour clip?
by William Carr 7 years ago
As a follow-up to my DSLR Video Forum post (http: forums.creativecow.net thread 280 9397) about a single 12-hour clip... assuming it's possible to acquire such a monster clip, the next awesome challen
Re: Ingest a 12-hour clip?
by Chris Lehmann 7 years ago
I don't know of any time limit in FCP timelines, and I've done some long ones. I just finished working on a 5-hour 720p DVCPROHD recording from a conference. There were some issues with log and transf
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Anna Ingenthron liked this 7 years ago
Batch Capture from a Z7 video recording unit (rather than tape) - FCP6
by Trevor Cottam 7 years ago
Hi I hope someone can help me! Is there any way to 'batch capture' from a Z7 Video Recording Unit (rather than tape) - I'm using Final Cut Pro 6 I look forward to hearing from you! Trevor
Re: Batch Capture from a Z7 video recording unit (rather than tape) - FCP6
by Rafael Amador 7 years ago
Bit of a mess for the terminology. Capture is only for tape based formats. You use the Log&Capture function. There you build your own editing clips marking IN OUT. Then you capture one by one or in a
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Anna Ingenthron liked this 7 years ago
Interlacing issues
by Grant Walls 7 years ago
Hi there, I'm trying to put a TV show on DVD but am having trouble with the interlacing issues. I didn't edit the show, but it was shot on a few different formats but mostly HDV50i1080. But the final
Re: Interlacing issues
by Chris Tompkins 7 years ago
You shot HD - 1080i You Edit 1080i Create DVD interlaced. Done. What's the problem You don't want to DEinterlace if you're gong to DVD. 1080i is upper. When we make DVD's (SD) they're Upper, coming fr
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Anna Ingenthron liked this 7 years ago
RED on FCP6
by Anna Wysocka 7 years ago
Hi, I just got footage to edit that was shot on one of RED Cameras. I was trying to log and transfer footage to FCP but I get message that I do not have red codec. I have already installed Final Cut S
Re: RED on FCP6
by Anna Wysocka 7 years ago
Well I managed to sort out this problem. Despite i have FCP6 and should install Final Cut Studio 2 Installer, Final Cut Studio 3 Installer has newer version of Red Codec and after installing it I coul
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Anna Ingenthron liked this 7 years ago
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