Dailies Colorist In NOLA.
Currently working on The Tomb. | | | | Member Since: September 5th 2005 | | | | |
Friends:  Arnie Schlissel  Ben Heusner Brownlee  Bryan Banks  Craig Harris  Darin Wooldridge  Dave Taylor  Sascha Haber  Thomas Wong | | | | |  | Monitor Comparisonby Ryan Snook 1 year agoI'm just getting into resolve, and am at a loss at what playback monitor solution I should get. I don't really have much of a budget right now, just about $1500 - $2000. I hear the DeckLink via SDI dr | Re: Monitor Comparison
by illya laney 1 year ago
It has built in test signals. There's many new features on this model because it's specifically designed for broadcast. Our engineering department uses a Klein probe I think. I could be wrong.
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| | | |  | Article: Media Composer 6: Avid kept their promise.by walter biscardi 2 years ago Apple FCPX or Not: The Debate Media Composer 6: Avid kept their promise. Walter Biscardi has been beta testing Media Composer and gives his "Avid from a Final Cut Pro" point of notes in thi+2 | Bins
by illya laney 2 years ago
With Avid you just copy over bin files. When dealing with dailies we just create a bin that references the media and send that with an ALE to editorial. No need to send or copy projects and it works w
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| | | |  | New Panasonic Broadcast/Post Plasmasby Robert Houllahan 2 years agoAnybody else take a look at these http: www.panasonic.com business plasma TH-42BT300U.asp Looks pretty nice!! 42" & 50" models. -Rob- Robert Houllahan Director Colorist Cinelab Inc. www.cinelab.com MA | Re: New Panasonic Broadcast/Post Plasmas
by illya laney 2 years ago
Chad Terpstra "I heard somewhere that Pioneer's magic was being integrated into Panasonic's line" I think the Pioneer guys Panasonic hired have been working on the higher end consumer plasmas since mi
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| | | |  | Fcp X updateby Paul Provost 2 years agoClaims XML export and import to davinci resolve! http: www.postandbeam.tv grade and finish @ post + beam http: www.facebook.com pages post-beam 137967176232067 | Re: Fcp X update
by illya laney 2 years ago
The new XML they're using is called AXEL. twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color
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| | | |  | FCPX-The Choice for a New Generation?by Adam Portnoy 2 years agoMy 11.5 year old daughter is expressing interest in learning how to edit video. While I have FCP 7 and PPro CS5.5, I was wondering what the community thought of having her be the FCPX guinea pig. She +1 | Re: FCPX-The Choice for a New Generation?
by illya laney 2 years ago
It's funny when people talk negatively about Avid when pretty much every one of their favorite shows and movies were edited with Media Composer. If we're going to talk about training...I'd argue that
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| | | |  | Be STILL my BEATING HEART.by Aindreas Gallagher 2 years agoJeremy garchow just posted this. http: vimeo.com 28681222 No published Apis, no published XML hooks stuff, and you can still get this I am many flavours of agog. www.ogallchoir.net promo producer edit+1 | Re: Be STILL my BEATING HEART.
by illya laney 2 years ago
Yeah, it's too bad they didn't expand into other cameras. twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color
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| | | |  | AVID Resolve roundtripby Joseph Owens 2 years agoI know this has been explored a couple of times, but as a total newcomer to AVID, I don't understand the MXF way of doing things, obviously. What I got out of Resolve in Source mode was still one big | Re: AVID Resolve roundtrip
by illya laney 2 years ago
How did they label the Tapes in Avid The Tape column should actually be relabeled as Source since everyone and their momma is using tapeless cameras now. The key to a "solid" roundtrip is making sure
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| | | |  | Lightworks evolvesby Geoff Dills 2 years agoHighlights: -subscription for pro codecs except dnxhd which has one time purchase -Mac beta in December, windows full release November -matrix support with Aja and blackmagic support coming -share pro | Re: Lightworks evolves
by illya laney 2 years ago
Funny enough, I was actually looking at that yesterday. It's interesting to see the long list of big budget films that have used Lightworks. It's double the number of films cut on Final Cut Pro and it
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| | | |  | Article: FCPX: Didn't We Ask for This?by Jeremy Garchow 2 years ago Apple FCPX or Not: The Debate FCPX: Didn't We Ask for This "When talking about FCPX, the greater topics of philosophy, ethics, religion, personal well-being, the time space continuum, the conseq+3 | | | | |
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| | | |  | I guess it's So Long and Thanks for all the Fish!by Darren Kelly 2 years agoToday I ordered Production bundle CS5.5. I made the decision to not go to FCPX, but leo the decision that there are better choices out in the market. I also ordered a PC, the first in my company since | @Craig S.
by David Cherniack 2 years ago
Craig Seeman " Once you put together a powerful professional PC workstation it's not going to be that much cheaper than some Macs. Look at what a decked out HPZ400 or Z800 workstation costs. Consider
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| | | |  | FCX makes the air again.by Mark Morache 2 years agoShhhh. Nobody knows but us. I've actually been using this software for real-world, over-the-air broadcast work. Yes! I said it's been broadcast. The average viewer doesn't know what's happening, but q+1  | Re: FCX makes the air again.
by Rafael Amador 2 years ago
Gerald Baria "Ha! This will shut a lot of people up.:D See, we should all just be like Mr. Morache, stop whinning and start learning. Thank you sir." Nobody had ever doubt that FCX was able of some b
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| | | |  | Alexa LUT Applied Wrong?by Robert Due 2 years agoI am working with some Alexa Log C footage. I think I may have made a mistake when I applied the LUT. Instead of on a node, I applied it on the Config page under the Display Lookup Table pulldown. Whe | Re: Alexa LUT Applied Wrong?
by Mike Most 2 years ago
I normally ad my LUT to the second node of the Tree. I find its the easiest as if I need to make changes to the original LOG image I can pop back to Node 1 and if not I can grade away happily from No
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| | | |  | Good Job Steveby Mark Dobson 2 years agoI know a lot of people are really disappointed with FCP X ( I'm not one of them) but I just thought I'd say thanks to Steve Jobs for helping me make a living for the last quarter of a century. And as +4  | Re: Good Job Steve
by Jamie Franklin 2 years ago
All speculative I guess. It could go either way. Apple, under Jobs, EOL'd most of the enterprise software they acquired...so...hopefully one day we'll discover who was really behind this debacle...
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| | | |  | Real World job on FCPXby Craig RussillRoy 2 years agoHiYall, thought i would throw a few words together on my FCPx experience on a paying job. Background; been editing for a million years on all the usual suspects - I have recently started helping my wi+1  | Re: Real World job on FCPX
by Scott Sheriff 2 years ago
illya laney "Dailies for a majority of the biggest films, commercials, and TV shows in the world end up on DVD and or services like DAX or PIX(and soon nextSPOT). I'm trying not to sound like a money
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| | | |  | Let’s get ready to rumble…by Craig Alan 2 years agoFCP 7 VS FCP X And in this corner ... Two experienced professional FC editors begin with identical systems having already imported the same clips media. ROUND 1 FCP 7 editor creates a short but comple | | | | |
| | | |  | What Do we Do now? How Do you Feel?by Greg Burke 2 years agoOkay So, THis program has been out for awhile now and SOME questions have been answered, I was very angry when this was released and I vented on the iMovie X Forums, But what I realize now is that I w | Re: What Do we Do now? How Do you Feel?
by illya laney 2 years ago
Herb Sevush "these have very little relevance to the glacial pace of feature film editing" In Hollywood it's not just features, but narrative television and trailers too. Believe it or not, there's st
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| | | |  | Where are we TODAY?by Rick Fromet 2 years agoSo, here's our situation we're in, in the real world, as of today... We are in the process of hiring 2 new editors, and need to buy them software laptops. We are a FCP house with 9 FCPS licenses. So y+4  | Re: Where are we TODAY?
by Gary Huff 2 years ago
Craig Seeman Are you confusing connected clips with secondary storylines. Connected clips only have a vertical relationship. Secondary Storyline has a horizontal relationship and maintains one connec
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| | | |  | Avid Workflow using AMAby Eric Santiago 2 years agoDoes anyone here have any tips and tricks on editing AMA in Avid MC then round-tripping to Resolve 8 using R3D clips I tried AAF but cant seem to get past the link error. Avid throws out an error that | Re: Avid Workflow using AMA
by Marcin Zwolski 2 years ago
AMA detects folders named with RMD and RDC and files named .R3D. So, if you retain proper magazine folder structure (Your HD) camera+reel_date.RMD camera+reel_clip_date+random number.RDC everything sh
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| | | |  | If you have to switch today...by Armando Ciurana 2 years agoThis is pretty much my reality, I have to make a expansion plan for the next year, today and I have been considering switching both of our on-line systems (now FCS 3) to Avid Autodesk Black Magic. I m | | | | |
| | | | | Color bars?by Graham Dickinson 2 years agoDid Apple not include bars and tone on fcpx If they are in the program can anybody tell me where to find them | Re: Color bars?
by illya laney 2 years ago
Bill Davis "Color bars are kinda an analog video world artifact." So how do you CYA when a client comes back because they think the black levels are wrong Every delivery we make(HDCAM SR or file based
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| | | | | Modifying Clip Timecode With XMLby illya laney 2 years agoBasically I need a quick way of replacing the Media Start column with timecode from an XML(created using a modified ALE in Cinema Tools). The offline material has different timecode than the source me | Re: Modifying Clip Timecode With XML
by illya laney 2 years ago
The footage was being recorded onto a Clipster then captured into FCP. The Aux TC(which contained the source TC) didn't carry over into the XML which was generated from an ALE in the Clipster. It woul
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| | | |  | Blog: The realization sets inby gary adcock 2 years agoSo, When I posted the first comments on FCPX 4 weeks ago, I thought I was going to be strung up and burned at the stake by some of the commentary. Now everyone seems resolute to the fact that FCPX is | Re: Blog: The realization sets in
by illya laney 2 years ago
Craig Seeman "Audio will be assigned through metadata. That's how FCPX works. I don't see any need for track assignments. If the metadata can be assigned on edit as easily as editing to a track" After
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| | | |  | older computer settings for Alexaby Denis Bosnjakovic 2 years agoHello, I am shooting a short film on the Alexa and am data managing the clips myself and editing as well. We would be shooting on SxS Cards in ProRes 4444 and I wanted to know since I have never used | Re: older computer settings for Alexa
by illya laney 2 years ago
So dynamic and unlimited won't help timeline playback when a color correction or LUT filter is applied twitter.com illyalaney nextLAB Mobile SpeedGrade DI Resolve da Vinci 8:8:8 Renaissance Color True
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| | | |  | ALEXA - Can't open Clips on computerby Adam Foskey 2 years agoHey guys, I am new to the site. I am just looking for any kind of help with this situation possible. A colleague of mine was shooting with the Arri Alexa recently, and the problem they are having is t | Re: ALEXA - Can't open Clips on computer
by illya laney 2 years ago
"FYI- this cannot not happen in the camera- this is a file transfer error on the data handlers side-you cannot corrupt a ProRes clip in an Alexa" What if the camera freezes in the middle of a take I'v
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| | | | | ALEXA - Transcodingby Kim Fox 2 years agoHi all, Okay, I'm new to the ALEXA, and I need a little help. As I understand it, the camera records in either ProRes 4444, or ProRes 422. I've just gotten the dailies for a feature, and it looks like | Re: ALEXA - Transcoding
by illya laney 2 years ago
If everything needs to be transcoded to LT, then you can just throw one compressor setting on everything. If I'm forced to use compressor, I'll usually set it up by camera roll to stay organized and I
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| | | |  | Tangent WAVE and Colorby Oleg Aleksejev 2 years agoThe fact is that when I switch BUTTON BANKS or KNOB BANKS, or by pressing ALT to display is displayed not name, managed installations, but quite another incomprehensible information. And to see the co | | | | |
| | | |  | Panny pro vs. consumer?by Charlie Kosheff 2 years agoIs there any reason I can't buy a consumer model (with a tuner) instead of this one: http: www.bhphotovideo.com c product 686607-REG Panasonic_TH_42PF20U_Full_HD_Professional_Plasma_Display.html I can | | | | |
| | | |  | Chromakey workflow?by Allan White 2 years agoGreetings. I have a workflow question: I'm shooting a lot of greenscreen stuff lately, and I'm wondering if Color.app can help me do some things differently. I'm new to the app but not FCS, compositin | | | | |
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