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bart stevens

Member Since:
December 18th 2007
69 Posts
Location:
Sacramento, CALIFORNIA
Friends:

Dan Ebberts

Walter Soyka
expression for color control - frame hold - slider number?
by bart stevens 2 days ago
I'm using a great expression from created by Filip Vandueren to create a random fill effect via color control expressions. Currently the colors change every frame, what I would like to have a is a sli
Re: expression for color control - frame hold - slider number?
by bart stevens 18 hours ago
Great, thanks again Dan
Could not find camera at current time.
by bart stevens 6 days ago
I get an error message that has me a little puzzled. This error just pops up in a dialogue box. Not consistently, but intermittently: Could not find camera at current time. Choose Layer New Camera to
Re: Could not find camera at current time.
by bart stevens 5 days ago
I'll try it out, thanks Dan
Illustrator or Photoshop import - hybrid of comp retain layer size and comp?
by bart stevens 6 days ago
I'm trying to import a multiple layer Illustrator project. I'm wondering if there is a way to both keep the original image size of the comp (1920x1080) but also have my anchor point at the layer cente
Re: Illustrator or Photoshop import - hybrid of comp retain layer size and comp?
by bart stevens 6 days ago
Thanks Ridley! Great script.. this will speed things up Cheers, Bart
linking value to specific time
by bart stevens 2 weeks ago
I have a light that has its color linked to a fill effect. The fill effect is driven by a wiggle point on a gradient (the sampleImage expression). Currently the fill updates every frame with the wiggl
Re: linking value to specific time
by bart stevens 2 weeks ago
Once again, Thanks Dan!
File: motion track - stripped down
by bart stevens 7 months ago
aep file AE project showing scale issues in the track http: f1.creativecow.net 4765 motion-track-stripped-down
Re: motion track - stripped down
by bart stevens 7 months ago
motion track stripped down project is attached
Mocha and inverse motion stabilization - scale?
by bart stevens 8 months ago
I'm new with Mocha and had a question about using it with inverse motion tracking. I'm working with some footage where I want to track effects on a face. I'm comfortable working from Andrew Kramer's "
Re: Mocha and inverse motion stabilization - scale?
by bart stevens 7 months ago
Roland, Thanks for the input. Yes, I was doing my stabilization then applying the liquify effect. I understand the render order, but it didn't seem to effect the track. Even with the scale issues, it
replacing a .mov file with an image sequence?
by bart stevens 2 years ago
What I thought would be an easy task has become very frustrating. I have a 4k project, that I rendered 1 4 resolution proxy files. I did my edit with the proxy .mov files. I've got my edit done, and w
Re: replacing a .mov file with an image sequence?
by bart stevens 9 months ago
I can't be exactly certain, because it was a while ago, and currently my workflow is a little different. But I don't think I was able to get around the "in cut" issue. I think I had to re-do my edit u
Color Finesse Color Management Redux
by Dmitry Kitsov 2 years ago
After long experimentation I was able to figure out how to "color manage" Synthetic Aperture Color Finesse so at least the tonal curve of the image inside the interface matches that of the after effec
Re: Color Finesse Color Management Redux
by bart stevens 1 year ago
Thanks for all the useful information. I'm just starting out with color grading, so it's a lot to digest. But the description of your workflow will help me as I dig deeper. Thanks
Using display color management - workarounds?
by bart stevens 1 year ago
I'm trying to find a way to utilize SA's luma waveform in my Digtial Cinema workflow. My After Effects project is in Universal Camera Film Printing Density working space. I'm working mostly with R3D f
.r3d source to DCP workflow (color space) question
by bart stevens 2 years ago
I currently working on a project in AE CS 5.5 that uses mostly R3D files and some DPX sequences. My final edit will exported into a DPX sequence in the digital cinema color space DCDM xyz. I would lik
Re: .r3d source to DCP workflow (color space) question
by bart stevens 2 years ago
Thanks for the feedback Ted, I have the luxury of being able to test on a D.C server and through some trial and error, I found a successful workflow: Project working space: Universal Camera Film Print
Can't export cineform quicktime from After Effects CS5
by bart stevens 2 years ago
I get an error when I try to render a cineform quicktime file from After Effects CS5. What's really got me puzzled is that: I can render cineform avi files from AE CS5 I can render cineform quicktime
Re: Can't export cineform quicktime from After Effects CS5
by bart stevens 2 years ago
Thanks for the info, yes I've also been in contact with Cineform support and have had limited success. If I export the quicktime with RGBA channel premultiplied, trillions of colors, and 4:4:4 color d
My archival purchase decision is...
by Les Fitzpatrick 2 years ago
My journey through archive land has been long and exhausting. It began with a strong desire to find something other than LTO tape. I now know LTO is the only viable option that will allow a good night
Re: My archival purchase decision is...
by bart stevens 2 years ago
I'm also looking at LTO archive solutions, Windows Adobe Suite workflow. How did your solution work out
multiple HD display / projection project
by bart stevens 2 years ago
I'm creating a multiple HD display project. The goal is to use the multiple displays as one massive canvas. I have a massive comp - 22000 wide by 6000 tall - that contains all of my HD displays in sca
Re: multiple HD display / projection project
by Walter Soyka 2 years ago
Gary's advice is all spot-on for anyone considering a multi-screen project. I know from another post a couple weeks ago that Bart has been working on this project for some time, has thought a lot of t
24p to 60i - best conversion method
by bart stevens 2 years ago
I'm trying to convert some of our stock footage from 24p to 60i. There is lots of information about the reverse 60i to 24p, but I'm struggling to get great results creating the opposite. I know for br
Re: 24p to 60i - best conversion method
by bart stevens 2 years ago
Dave, Thanks for the info. Yes, flicker would be the generic term I was using for the appearance of moderately fast motion in 24p. Personally, I don't mind the look, but the company decision is 60i. T
Adobe CS5 not recognizing Blackmagic codecs
by bart stevens 3 years ago
I'm working with quicktimes pulled from our DOREMI V1 UHD deck. With After Effects and Premiere CS3, I was able to use this footage by installing Decklink 7.2.2. (This is what DOREMI recommends) Now w
Echo space to parented layer?
by bart stevens 3 years ago
I'm new to echospace, and I'm trying to figure out if it's possible to apply echospace to a child layer. I know the plugin automatically generates a null that is parented to the Main layer, but I'm tr
Re: Echo space to parented layer?
by bart stevens 3 years ago
Never mind, Easy answer. I just had to create echo-space effect in different comp then parent main layer to original source layer.
Adobe Encore CS3 burn blu-ray dvd fails
by bart stevens 4 years ago
Transcoding is successful. I get the following message about halfway through the writing process: Abode encore cs3 "device error", Code: "3", Note: AS_StorageError = -97060 I had no problems burning b
windows media encoder stopped working
by bart stevens 5 years ago
I'm trying to convert an uncompressed HD resolution avi file to a .wmv. Windows media encoder runs through the first pass (I can see the video monitor updating), and then tells me it's running through


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