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Shane Ross

COW Leader
Broadcast Television Editor:
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Discovery Channel
The History Channel
National Geographic
Member Since:
January 23rd 2004
18804 Posts
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Location:
Los Angeles, CA USA
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Alexa 23.98 footage - deliver 29.97 :30 commercial for TV - FCP 7
by jesse mendelson 11 hours ago
Hi all, just wanted to take a quick poll. I'll have 2-3 hours of Alexa footage shot at 23.98 that I will be editing into a :30 commercial for broadcast TV, thus will need to be 29.97. Anyone think I s
Re: Alexa 23.98 footage - deliver 29.97 :30 commercial for TV - FCP 7
by Shane Ross 11 hours ago
jesse mendelson "Anyone think I should conform all dailies to 29.97 in cinema tools before editing " No. Edit 23.98. How does this need to be delivered Digital file Tape Compressor does a great job o
Remove Advanced Pulldown from P2 Footage
by Matthew Sonnenfeld 12 hours ago
Hello, Is there any way to remove advanced pulldown from 1080 24pA material from an HPX170 within Media Composer Thanks! Blackmagic Cinema Camera, RED Scarlet-X, Panasonic HPX170, Canon 7D 2011 Macboo
Re: Remove Advanced Pulldown from P2 Footage
by Shane Ross 12 hours ago
The HPX 170 and HVX 200 and 200a make better images at 720p than 1080, in my experience. I ONLY shoot 720p 24PN with those cameras. Then cross convert to 1080 for delivery. Always looked great. Shane
Exporting in .MP4
by Alexiou Gibson 1 day ago
My client has asked for me to export my final products in .MP4 because that is the format needed for their website. The problem is I lose a lot of quality when I do this. Am I doing something wrong I
Re: Exporting in .MP4
by Shane Ross 1 day ago
You yourself said it was icky. I've never had decent luck. I typically convert to H.264 in Compressor, and then use MPEG STREAMCLIP to SAVE AS MP4. Well, that's what I USED to do. Now I simply use Ado
sync prob w proRes files exported from good sync TL
by Paul Dougherty 1 day ago
I have Canon h.264 footage (an interview) that needs to be synched up with a wave file. Did it with PluralEyes, looks good. Go to export the resulting new seq as a ProRes Qt and when I reimport the re
Re: sync prob w proRes files exported from good sync TL
by Shane Ross 1 day ago
Why do that Sync internally in FCP. Make a "merged clip." Exporting again will add a layer of recompression unnecessarily. Shane Little Frog Post Read my blog, Little Frog in High Def
Need to turn Alexa slow-mo footage into High Frame Rate playback material
by Joewi Verhoeven 2 days ago
Hello everybody, I'm doing my thesis on High Frame Rate cinema and I shot some 60fps 48fps test footage with the Alexa, unfortunately the timebase of the camera couldn't go higher than 30fps so I kept
Re: Need to turn Alexa slow-mo footage into High Frame Rate playback material
by Shane Ross 2 days ago
Joewi Verhoeven "The only method I can think of now is creating a 60fps project and speeding up the HFR material in FCP, but that seems to be quite an inadequate way of doing it. Any help on this wou
How do I add Avid Codec DNxHD to Compressor 3.5.3 AND What SSD size hard drive should I buy?!
by Nadia Lesy 2 days ago
Former FCP 7 editor...... I just installed Media Composer 6.5.2 on my iMac computer and am eager to start using it. I am looking to transcode footage I shot from various .mov formats into Avid DNxHD f
Re: How do I add Avid Codec DNxHD to Compressor 3.5.3 AND What SSD size hard drive should I buy?!
by Shane Ross 2 days ago
Nadia Lesy " Well I currently am editing HD footage shot on a JVC GY HM 100 in a .MOV (Quicktime)1920 X 1080 format." What QT format The camera shoots two...XDCAM and HDV. Both of those QT formats ar
Uprezzing SD 30i media to 1080p29.97 cut into timeline ?
by Rosie Walunas 2 days ago
Finishing up a short doc I started when I was naive and in college with zero guidance, now 5 years later, it's truly worth finishing and getting out into the world. Started shooting everything as 16x9
Re: Uprezzing SD 30i media to 1080p29.97 cut into timeline ?
by Shane Ross 2 days ago
You take the SD clips offline, and relink to the HD clips. Hmmm...but Compressor likes to add the compressor type to the name. So from "CLIP1" to "CLIP1-ProResHQ." You'll have to make the setting in C
mixing 29.97 into 24p timeline
by tonya easbey 2 days ago
we have a project filmed primarily in 24p, into which we would like to incorporate some 29.97 broll. Though we realize it technically works best to convert all footage to 29.97, we like the look of 24
Re: mixing 29.97 into 24p timeline
by Shane Ross 2 days ago
Not incorporating 29.97 if you can help it. If you can't help it, If you have the money, go to a post facility that has a TERRANEX and have them convert the footage for you. If not, Cinema Tools to CO
Problems Logging XF files with a Changed File Structure into FInal Cut Pro 7
by james kendi 3 days ago
While copying XF files from a Canon C300 I ignorantly altered the file structure and didn't copy the folder named "Content". Instead I bypassed the "Content Folder" and copied and saved the "Clips" Fo
Re: Problems Logging XF files with a Changed File Structure into FInal Cut Pro 7
by Shane Ross 2 days ago
There isn't. Without the full file structure and supporting files, log and transfer is useless. The only solution now is third party MXF readers. I highly recommend CALIBRATED MXF IMPORT: http: www.ca
Full clip not working- HOW TO VIEW FULL DURATION OF CLIP
by Kirst Allnutt 3 days ago
I am currently doing a documentary at university and we are expected to learn to use Avid Media Composer 6 to edit the piece. I have consolidated my footage and all that jazz, but the interview clips
Re: Full clip not working- HOW TO VIEW FULL DURATION OF CLIP
by Shane Ross 3 days ago
What camera was used to shoot this footage Did you use AMA to access the media, then transcode How exactly did you bring it in Shane Little Frog Post Read my blog, Little Frog in High Def
Bold Statement Warning!
by craig slattery 4 days ago
Iam cutting a 1 2hour doco for television. 12 day edit, 18 contributors, actuality, over 700 clips EVERYTHING shot 3 cameras, even the PTCs shot 3 cameras. C300, Canon 5D MKIII, DV25 (stylistic choice
Re: Bold Statement Warning!
by Shane Ross 4 days ago
Bill. We've given up bashing FCX. We know it is very capable now. Besides, we have Adobe to bash now. FCX Who cares. I WANT TO OWN MY SOFTWARE, NOT RENT IT! :) Shane Little Frog Post Read my blog, Lit
+5
New petition directed to department of justice
by Ricardo Marty 5 days ago
Spread the word to all interested https: petitions.whitehouse.gov petition ask-doj-investigate-adobe-systems-inc-recent-announcement-change-its-software-license-subscription TfWzqjHQ
Re: New petition directed to department of justice
by Shane Ross 5 days ago
Ricardo Marty "Its a question of rights." Life, liberty, persuit of happiness. Those are rights. How companies charge for software you have the OPTION to use...isn't. You have the right to use other
Automatic Duck DNXHD36 compatibility
by Adam Wise 5 days ago
Before Automatic Duck went EOL, their fcp to avid converter was able to convert to several DNxHD formats with the exception of 36. Although I'm not sure exactly why, I assume that this was because DNx
Re: Automatic Duck DNXHD36 compatibility
by Shane Ross 5 days ago
Nope...I have the latest Duck and DNx36 isn't an option. If this is something required for your workflow, the ability to transfer an FCP cut to Avid as DNx36...and the free product won't do it, but an
Export with FCP 7
by Antria Nicolaou 6 days ago
Hey there, I am working on a sequence with Apple ProRes footage and i want to export for the best quality in Apple ProRes HQ with frame sizw HD 1920 X 1080. What is the best way to do it Thnx for you
Re: Export with FCP 7
by Antria Nicolaou 5 days ago
Hey again, I export it like you advise me but for some reason the video does not play in any other computer apart for mac Antria Nicolaou antria.nicolaou@gmail.com Film Director Editor
+1
Shane Ross liked this 5 days ago
Transfering project from FCP7 to PPro CS6
by Mandla Bolekaja 5 days ago
I'm transfering a project from FCP7 to PPro CS6 using XML. My export timeline setting in FCP7 are Frame Size: 1280 x 1080, Aspect Ratio HD(1280 x 1080) (16x9). I export XML to desktop. I open PPro. It
Re: Transfering project from FCP7 to PPro CS6
by Shane Ross 5 days ago
You need to be using a DVCPRO HD 1080 sequence...PPro knows to stretch that out to fill the frame, as DVCPRO HD 1080 is uber anamorphic. The sequence you brought over most likely is being read as squa
Any news on using MC with 4K Blackmagic CC?
by pekin azer 5 days ago
Ok, it's not here yet... But, the 4K files will be with us soon.... Will Avid be ready for RED or BMCC 4K files i still can't export my newly shot ad film at 4K without a 3rd party app. Using 4K files
Re: Any news on using MC with 4K Blackmagic CC?
by Shane Ross 5 days ago
The typical workflow would be to edit in Avid, send an AAF to Resolve that will link to the RED RAW files...finish in Resolve. Avid will remain 1080 max, I believe. But finishing in Resolve, or Baseli
Can't relink to Color media after moving FCP source files
by Roli Rivelino 6 days ago
I'm now on Color 1.5 and FCP7 My workflow thus far - Obtain client drive with media and start an FCP project from project file and reconnect to media on client drive 2. Prepare timeline and export to
Re: Can't relink to Color media after moving FCP source files
by Shane Ross 5 days ago
You are doing things in the wrong order. 1. Obtain client drive with media and start an FCP project from project file and reconnect to media on client drive 2. Copy FCP media from client drive to 2nd
Creative Cloud Only Option will Cost me Thousands of Dollars
by Richert Goyette 1 week ago
Dear All: I have been following this carefully and weighing my options. I am very concerned because I have purchased multiple plug-ins that perform their functions through the AE engine (eg, BCC 8, Fx
Re: Creative Cloud Only Option will Cost me Thousands of Dollars
by Shane Ross 1 week ago
From the CS6 FAQ: http: www.adobe.com products cs6 faq.html Can I purchase a perpetual license for Creative Suite 6 Yes. Adobe will continue to make Creative Suite 6 available as a perpetual software
Video Output not working in Apple Color
by Michael Lavis 1 week ago
Hi I am trying to use my external sony monitor to grade a film i have just sent from fcp to color. for some reason the screen wont play the film. I have used this set up before and it has worked fine.
Re: Video Output not working in Apple Color
by Shane Ross 1 week ago
Color, unlike Resolve, doesn't like two Graphics Cards. Graphics card and video card (two entirely different things) are fine. But it chokes on multiple graphic cards. Shane Little Frog Post Read my b
Adding new comments to bins after Transcoding to DNX36 for offlining is causing the Video to pop back to ProRes.
by Meg Twomey 1 week ago
Am I doing something wrong I have the master folder of DNX36 files open. Can anyone tell me why this is happening and how I get the files back to DNX36 I am working in Avid MC 6.5.1 on Mac Thanks! Meg
Re: Adding new comments to bins after Transcoding to DNX36 for offlining is causing the Video to pop back to ProRes.
by Shane Ross 1 week ago
Very odd... Are the ProRes files offline They should be. That way, Avid can only link to the DNx36 files. Shane Little Frog Post Read my blog, Little Frog in High Def
Video to Sketch
by Irfan Baloch 1 week ago
Hi, Please watch this video and can any one tell me which software he use to convert video to sketch......... Thanks.. http: www.youtube.com watch v=bgXmQXLUljE
Re: Video to Sketch
by Shane Ross 1 week ago
Yeah, they most likely printed a frame and then sketched that. Shane Little Frog Post Read my blog, Little Frog in High Def
Is native prores stable enough to edit feature film? Or should we go dnxhd?
by Toke Trangbæk 1 year ago
We are about to start shoting a feature film. We used to work with prores files in fcp. Now moving to avid 6 on Mac. Is the native prores support 100% as good as the dnxhd I know AMA support for prore
Re: Is native prores stable enough to edit feature film? Or should we go dnxhd?
by Shane Ross 2 weeks ago
Hey Brian! How goes it man Your kid in college yet I haven't done the whole workflow, but I do know of one issue... Brian Berdan "Quicktime exports (same-as-source issue )" You can only export SAME AS
HVX200 formatting
by Gerret Warner 2 weeks ago
I set up my HVX200 for 1080i 24fps to match my DSLR, but the resulting clips--ingested to FCP through Log and Transfer--say all clips are 1080p 30. The clips look more like 24 than 30 fps, but I'd lik
Re: HVX200 formatting
by Shane Ross 2 weeks ago
YOu need to shoot 1080i 24pA...that's 24p ADVANCED. Shooting with Advanced Pulldown removal means that when you log and transfer, and have REMOVE PULLDOWN checked in the L&T preferences, it will come
FCP Pro 7 Academic
by Randall Champion 2 weeks ago
I am sure this has been addressed, but I could not find it. What are the differences from the Standard and Academic versions of FCP Pro 7 Not all who wander are lost....
Re: FCP Pro 7 Academic
by Shane Ross 2 weeks ago
Don't teach FCP 7. It's 4 years old, and was discontinued two years ago. Teach Adobe Premiere Pro or Avid...FCP-X possibly. FCP 7 is dead. Shane Little Frog Post Read my blog, Little Frog in High Def
Creative Cloud going forward.
by Aindreas Gallagher 2 weeks ago
So this is worth a read. http: timelapse.org 2013 05 adobes-creative-monopoly Its the last four or five paragraphs that really stick out though. It gets pretty unnerving. I've pasted them below, but t
Re: Creative Cloud going forward.
by Shane Ross 2 weeks ago
Lightworks FCX Shane Little Frog Post Read my blog, Little Frog in High Def
Adobe's creative monopoly
by Richard Cardonna 2 weeks ago
Intersting article; richard http: timelapse.org 2013 05 adobes-creative-monopoly Why Adobe Wants You in the Cloud, Today. Adobe s move to a subscription only model for their market dominating Creative
Re: Adobe's creative monopoly
by Shane Ross 2 weeks ago
They DOMINATE huh They are the ONLY game in town No...There's Avid, FCX, Vegas, Edius...many others. After Effects yeah...that's an issue. There is Motion, but that's not quite as powerful. There are
Petition
by Tom Daigon 2 weeks ago
If you would like to let Adobe know how you feel here is a great opportunity to do it with a bunch of other folks. Here is a petition someone started. http: www.change.org petitions adobe-systems-inco
Re: Petition
by Shane Ross 2 weeks ago
walter biscardi ". How can anyone start a petition against LEGOs ! " Have you ever stepped on a Lego with your bare feet It's painful. But not worth a petition... Shane Little Frog Post Read my blog,
Automatic Duck from FCP 5 to Avid MC 5 is this possible
by Cammie Noel 2 weeks ago
I have an old version of FCP ( FCP 5 ) on an OLD G5 Mac. I am trying to get my feature off of the Mac in FCP and finish it in Avid MC 5 on my much newer PC machine. I am trying to use Automatic Duck t
Re: Automatic Duck from FCP 5 to Avid MC 5 is this possible
by Shane Ross 2 weeks ago
Did you have the Duck convert the media to MXF Did you then put the files into the Avid media file structure Did you watch the demo movies (upper right of this page...look at FCP 7 to Avid 2) http: ww
Why you'll buy Adobe CC
by John Kaley 2 weeks ago
You will have to buy Adobe CC whether you want to or not. Have you ever had a client send you a .PSD or .AI file for use in an edit and had to modify it Pay up, sucker!
Re: Why you'll buy Adobe CC
by Shane Ross 2 weeks ago
Well, later versions have newer and better features. But simply opening PSD files...one doesn't need the latest and greatest. Shane Little Frog Post Read my blog, Little Frog in High Def
Exporting HD project w/o line factoring
by David Lewis 2 weeks ago
I've just finished a "personal" video project shot on my home HD (AVCHD codec) camera and imported AMA and transcoded to DNxHD 185. Very simple edit, but when I exported it as an H264 MOV I get all th
Re: Exporting HD project w/o line factoring
by Shane Ross 2 weeks ago
David Lewis " It was shot at 1080i 50fps(PAL system), though the fps on the MC 6 project shows it as 25 fps." Just so you know, 1080i50 runs at 25fps. The "i" indicates INTERLACED, which is two field
So After Creative Cloud, Is Anyone Reconsidering FCPX?
by Joe Campanale 2 weeks ago
I had pretty much made my mind with Premiere, and was extremely excited for "CS7," but I don't know how I feel about Adobe owning my content ... seems like bad business to undertake, and for what I'm
Re: So After Creative Cloud, Is Anyone Reconsidering FCPX?
by Shane Ross 2 weeks ago
Joe Campanale " but I don't know how I feel about Adobe owning my content" What Where are you getting that It's not that they own your content...it's that you are perpetually renting the software fro
Alternative to DVD Studio Pro?
by Shane O'Donnell 3 weeks ago
Hello! Apparently DVD Studio Pro is no longer offered by Apple. If I want to author DVDs with menus after creating a movie on FCPX, what are my alternatives and their Pros & Cons (Note: I am aware tha
Re: Alternative to DVD Studio Pro?
by Shane Ross 3 weeks ago
Or, if you still have fcp7 suite, just install and use DVDSP Shane Little Frog Post Read my blog, Little Frog in High Def
Audio & Video Tracks out of Sync Sony Z5u & Final Cut Pro 7.0.3
by Bob Paul 3 weeks ago
I am importing video from a Sony Z5u into FCP 7.0.3. My audio track and video tracks are drifting apart. Does anyone know what the proper import settings are for that combination for Standard Def, 16:
Re: Audio & Video Tracks out of Sync Sony Z5u & Final Cut Pro 7.0.3
by Shane Ross 3 weeks ago
HOW are you importing these files FCP and AVI don't go together. Shane Little Frog Post Read my blog, Little Frog in High Def
Can create an HD sequence for broadcast
by Chris Franklin 3 weeks ago
Hello, I have a fairly new editing machine and have recently loaded Premiere Pro CS5. I am trying to create as HD sequence that is acceptable to air on Network TV & cable stations. As far as I can tel
Re: Can create an HD sequence for broadcast
by Shane Ross 3 weeks ago
Chris Franklin "the problem is I am limited on my sequence and exporting options." How so DVCPRO HD is anamorphic. 1280x1080 or 960x720. But Adobe Premiere will stretch it out to fill the screen. Whe
Convert P2 structure to friendlier single file format for PC (or Mac)?
by Alex Vak 3 weeks ago
I am working with P2 files on a PC, but have trouble dealing with P2 folders files. I used to import the files on Mac with Final Cut Pro 7 (now unavailable) and it would conveniently convert P2 videos
Re: Convert P2 structure to friendlier single file format for PC (or Mac)?
by Shane Ross 3 weeks ago
Well, no other app does that to my knowledge. FCP was Quicktime based, so it needed to wrap files in QT in order to see them. Avid is MXF based, so nothing needed to be done. Adobe, Vegas, Edius...all
IO-HD user needs advice...
by Ken Zukin 3 weeks ago
I'm using FCP7 -- soon to migrate to Premiere -- editing on 5 yr. old Mac Pro. Everything stable -- waiting to see what Apple releases in terms of Mac Pro -- willing to buy IMac if necessary... Anyway
Re: IO-HD user needs advice...
by Shane Ross 3 weeks ago
I can think of one. AJA IoXT that connects via Thunderbolt to new iMac or to new MacBook Pro. Then $295 to get the BlackMagic Design MiniConverter that takes Analog and makes it SDI. Or save money and
IO XT noisy
by Anhtu Vu 4 weeks ago
I'm on my third IO XT replacement...still the same problem, these things are annoyingly noisy. Is this normal
Re: IO XT noisy
by Shane Ross 4 weeks ago
I notice the fans...but I don't think it's LOUD. But then again, you are concentrating on audio, so it is more present in your mind. Put it under and behind the desk Shane Little Frog Post Read my blo
Questions about the editing industry
by Ian Fitch 4 weeks ago
Although this isn't the only and sole reason I've joined this forum, I'm doing a statistical research for math class. Please answer the following questions to the best of your ability: 1. What is your
Re: Questions about the editing industry
by Shane Ross 4 weeks ago
Ian Fitch "1. What is your favorite NLE, and why " FCP 7. Because it was so versatile. But now that it is gone, I'm back to Avid...but really like where Adobe is going with Premiere Pro Next. Current
App or plugin for lines removal from damaged sensor
by Otto Preminger 4 weeks ago
Dear all I have a bad luck with my GH2 camera due to the damaged sensor and I need help to chose app that is able to remove one horizontal an two vertical lines that apears acros whole frame. I have F
Re: App or plugin for lines removal from damaged sensor
by Shane Ross 4 weeks ago
Oooof! That's a very damaged sensor! I know of tools to remove dead pixels: http: www.digital-heaven.co.uk dh_reincarnation And occasional dropouts: http: www.digital-heaven.co.uk dh_dropout But that
Editing "rules"
by Christopher Travis 1 month ago
Hello all, What do people think about cutting straight from one talking head to another in an interview-led narrative i.e. no cutaways in between just comment A - cut- comment B. I just got told by my
Re: Editing "rules"
by Shane Ross 4 weeks ago
There are no rules concerning that. Except the rules dictated by the producer. I intercut interviewees many times...unless the producer says "I don't want to see that." Then I don't. There is no hard
+1
Working happily with CS 6 on Creative Cloud for two days and then...
by TImothy Auld 4 weeks ago
No apps will open. The application manager just hangs. I'm sure I will drudge through the support and get it working again and thankfully I am not in a time crunch now. The fact that this kind of thin
Re: Working happily with CS 6 on Creative Cloud for two days and then...
by Shane Ross 4 weeks ago
Not the Ghostbusters... Shane Little Frog Post Read my blog, Little Frog in High Def
AJA Kona 3G- Edit Suite setup- Which TV to buy?
by Matthew Groark 1 month ago
We are currently trying to setup an edit suite with an aja card. At the minute we are loaning some equipment, we have an AJA 3g (but the one without HDMI) and a JVC DTV24G1 production monitor, but thi
Re: AJA Kona 3G- Edit Suite setup- Which TV to buy?
by Shane Ross 1 month ago
As long as it has HDMI, it'll work. Panasonic Plasmas are the best...some use those professionally. But if it is just to show the clients the edit...if not for color grading, then most TVs will do fin
Dove "Real Beauty"
by Todd Terry 1 month ago
Most of you might have seen this campaign since it's been getting a lot of buzz over the past few days, but if not.... I think it's just beautiful, and one of the best pieces of (subtle) advertising w
Re: Dove "Real Beauty"
by Shane Ross 1 month ago
Well look at that... Shane Little Frog Post Read my blog, Little Frog in High Def
Fair use laws when using commercial video?
by stan welks 1 month ago
Can someone please provide some clarity regarding Fair Use laws with regard to ripping short clips from DVDs to be used in documentaries, movie reviews on blogs, etc. 1. Is there a length that you sho
Re: Fair use laws when using commercial video?
by Shane Ross 1 month ago
stan welks " Siskel & Ebert (amongst many other shows) use to show clips from movies on their TV show and often times did not have favorable things to say about the movies. Did they need to get permi
Best way to clone P2 cards to disk?
by Drew Smith 1 month ago
Hi there, I'll be starting a shoot using a HPX2000 camera and P2 cards, I've never shot with P2 cards before and am wondering what the best method to backup offload everything on the fly in the field
Re: Best way to clone P2 cards to disk?
by Shane Ross 1 month ago
I second Shotput Pro. And BULLETPROOF is supposed to be great too. Shane Little Frog Post Read my blog, Little Frog in High Def
Transcoding HVR footage from a Sony Z5
by adrian kelaty 1 month ago
Hi there! How would I transcode HVR footage shot on a Z5, using Toast I'm specifically trying to avoid 'jaggies" Adrian
Re: Transcoding HVR footage from a Sony Z5
by Shane Ross 1 month ago
Transcode...to what For what Editing DVD computer file The jaggies are interlacing. When viewed on TVs, look normal. But not so good on computers. DEINTERLACE for computer playback. Shane Little Frog
**Danger Will Robinson** **Danger Will Robinson**
by Aindreas Gallagher 1 month ago
Looks like adobe are going to force the entire customer base onto perpetual hire purchase. They're coming for all our bank accounts on direct debit for real. If you just spent thousands on a perpetual
Re: **Danger Will Robinson** **Danger Will Robinson**
by Shane Ross 1 month ago
Craig Seeman "So Apple isn't the only company we don't trust " Avid screwed us hard in the past. And now they are on financially shaky ground. Apple is solid, financial wise, but seems to be aiming a
Tutorial: Tapeless Workflow with Final Cut Pro 7
by Shane Ross 3 years ago
Apple Final Cut Pro Tapeless Workflow with Final Cut Pro 7 This tutorial gives an overview of the tapeless ingest workflow using Log and Transfer in Final Cut Pro 7. It encompasses a handful of the s
+18
Andy Wood liked this 1 year ago
@Troy Nie
by Shane Ross 1 month ago
Well, with 720p and 1080...I'd just mix. Convert everything to ProRes, but you don't need to resize 720p to 1080p outside of FCP. Shane Little Frog Post Read my blog, Little Frog in High Def
I can't burn my project onto a disc. Why?
by and grill 1 month ago
I used the DVD feature on final cut pro to burn my disc, I didn't use a compressor or anything. The disk burns, but when I try to play the video from the disc, a folder pops up that just has the files
Re: I can't burn my project onto a disc. Why?
by Shane Ross 1 month ago
You need to put it into a DVD player, or use the DVD Player app on your computer Shane Little Frog Post Read my blog, Little Frog in High Def
Making the switch to Premier from FCP.
by Steven Cohen 1 month ago
I had this placed in the Adobe Premier Beginner forum, but didn't get much response so I'm going to try the Big Boys forum. I'm looking at advising my company to switch from Apple FCP 6 to Adobe Premi
Re: Making the switch to Premier from FCP.
by Shane Ross 1 month ago
I didn't make it this year. Too many family obligations to deal with. Shane Little Frog Post Read my blog, Little Frog in High Def


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