
| | | | Member Since: October 21st 2010 Location: new york, NEW YORK | | | | |
| | | | |  | EDL problems with 5D and HDVby Sean Sartori 6 months agoHi, I have a project where the B roll was shot in HDV at 29.97, and the program shot on the 5D at 23.976. I am having several problems. It was edited in CS5.5 and EDL's were generated. The EDL of the | | | | |
| | | |  | Symphony and Artist Colorby Sean Sartori 7 months agoHi, I'm a Davinci colorist, and I have a client that is working in Symphony and so I am getting familiar with those tools. One problem I am having is that the soft keys do not load. None of the functi | Re: Symphony and Artist Color by Lee Warner 7 months ago In the Eucon settings, is the Color Surface loaded in the first tab and the workstation loaded in the second tab Have you downloaded firmware for the Color lately Lee SAMDOG Digital Post Calgary, Albe
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| | | |  | EDL problems with scene cutby Sean Sartori 1 year agoHi, I am probably missing something, but I'm having an issue with EDL's that are generated from scene cut detection. The spots are coming from Avid, so theyre exported to a ProRes file to grade. I spl | | | | |
| | | |  | external mattesby Sean Sartori 1 year agoHi, I am having a problem getting an external matte to load. I have a simple composite, with a background plate, a foreground plate, and a matte rendered as pro res HQ. Its a simple shape that moves a | | | | |
| | | |  | having trouble making SD Blu Rayby Sean Sartori 2 years agoI have a documentary that I want to screen in Blu Ray (the only other options are standard DVD, so this will look better). I've encoded in Compressor to an MPEG2 elementary stream and Dolby Digital Pr | Re: having trouble making SD Blu Ray by Sean Sartori 2 years ago I am aware that going to Blu Ray will not "make it look better" than the original. It will, however, be a better compression than a DVD compression, as Blu Ray holds more information than DVD's. Hence
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| | | |  | Color crashing on trackingby Sean Sartori 2 years agofor some reason I cant use tracking. every time I go to the tracking tab and click on anything, Color crashes. This is a 90 minute piece, all uniform codec and source material. | | | | |
| | | |  | I'm back, same problemby Sean Sartori 2 years agoUh oh. This is what has been happening. Suddenly about 75percent through a job, the timeline stops playing. when i hit the spacebar, i just get a window that says "loading". this goes on forever, and  | Re: I'm back, same problem by Sean Sartori 2 years ago The problem is, every single shot in these shows has a speed effect. And there are over 600 shots per show. So baking them in is out of the question. I've done 10 episodes without incident, so i dont
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| | | |  | serious round trip problemby Sean Sartori 2 years agoI'm working on a half hour show, shot on 5D and working in pro res. I've done 10 episodes so far with no problem. This time, when I send the sequence back to FCP, it doesnt link to the render files. i | Re: serious round trip problem by kim krause 2 years ago when this happened to me i did an xml command from color (even though the render line was red)... then i opened the fcp project and imported the xml.......it worked perfectly...and is way quicker than
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| | | |  | timeline wont play, says "loading"by Sean Sartori 2 years agoSuddenly about 75percent through a job, the timeline stopped playing. when i hit the spacebar, i just get a window that says "loading". this goes on forever, and i have to force quit. everything else  | Re: timeline wont play, says "loading" by Sean Sartori 2 years ago I've rebooted everything, shut down for the night, and now today that playback problem seems to be gone, and I've finished grading the show. Now, however I have another problem. After we render and se
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| | | |  | black shifts between FCP and Colorby Sean Sartori 3 years agoI'm grading a show shot on XDCAM, rendering out of Color Apple Pro Res HQ. Viewing HD (via SDI) on a Flanders Scientific, with a Kona 3 card. I've done 3 episodes with no problem, but now suddenly the | | | | |
| | | |  | processing questionby Sean Sartori 3 years agoHi, I am doing the color for a project that was shot on HD, and is delivering SD. The editor has set it up so that there is an HD-SD conversion happening in the sequence, ie the sequence is 720x480, a | Re: processing question by Sean Sartori 3 years ago I agree with you here, and it is a strange way to work. The thing is, the director is very concerned with color and look shifts when the project is converted to SD. Thus why he wants to do the color c
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