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| | | | |  | Media not showing up in timelineby Alan Rencher 1 month agoI'm running Davinci 9 Lite, and I have a problem where one of the clips in the timeline is showing as if it's not connected (red). The media is in the media pool, and it shows up fine. Is there a way | Re: Media not showing up in timeline
by Robert Due 1 month ago
Also, make sure your timeline is unlocked. If it is not, "Force conform" will not be available (greyed out). Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core
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| | | |  | DaVinci Resolve 10by Peter Chamberlain 1 month agoWe are pleased to announce DaVinci Resolve 10. For those of you unable to visit us at the south hall of NAB here is a list of new features. This is a no charge upgrade for existing customers and will +2 | Re: DaVinci Resolve 10
by Robert Due 1 month ago
BMD, Thanks for listening to your customers! Looking forward to the new version! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci Resolve 9.1.1 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 8GB RAM Nvidia
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| | | |  | No reply from davinciheelp email?by Laco Gaal 3 months agoIn the past few weeks I had major hiccups with Davinci 9, I always sent an email to davincihelp at blackmagic-design, but I never got a reply. Davinci 9 doesn't allow me to playback Prores footage rea | Re: No reply from davinciheelp email?
by Robert Due 2 months ago
Wow, thanks for the quick reply. I did buy from macvidcards. So, on 10.7.5 I can remove the GT 120 and swap out one GTX 570. I assume it will go in the same slot Then still have the Cubix with the oth
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| | | |  | ACES implementation in Resolve - bugsby Paul Provost 2 months agoI'm curious as to users experience with using ACES color science in Resolve and any bugs and or issues you may be having. I'm experiencince issues with all curves (except for "custom"). They are clipp | Re: ACES implementation in Resolve - bugs
by Robert Due 2 months ago
Alexis, Thanks for the thorough explanation. It helped me understand ACES a lot more. This is why I check out the Cow forums daily!!! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci 9.1.1 OSX 10.7
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| | | | | ACES and REDby Robert Due 3 months agoI am just starting to dabble in an ACES workflow. I have some r3d clips that look great using ACES (RED IDT, Rec 709 ODT). I was wondering if all RED footage can utilize the ACES workflow. I have a cl | | | | |
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| | | | | Force Eject and General Lagby Robert Due 4 months agoNot sure if anyone else is having this issue, but when quitting Resolve, there seems to be this unnecessarily long delay until I can go to my desktop or choose any other application to run. The image | Re: Force Eject and General Lag
by Robert Due 3 months ago
I finally performed the 9.1.1 upgrade and Resolve is working MUCH better! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci 9.0.3 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 8GB RAM Nvidia GT120 GTX570 (C
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| | | | | Backing Up Databaseby Robert Due 3 months agoI am trying to backup my database before I upgrade to 9.1.1 When I go to the Database Manager window, I select my current database, then I click the upper right drop down window to select backup, but | | | | |
| | | |  | Technicolor 3 strip - tutorialby stig olsen 4 months agoAs this has been talked about, check out this tutorial by Mynah Media. - http: www.mynahmedia.com 2013 01 3-strip-technicolor-look-in-davinci-resolve +2 | Re: Technicolor 3 strip - tutorial
by Robert Due 4 months ago
Great tutorial. Great explanation as well. Thanks! Robert Due Editor Colorist INDEPENDENT EDIT DaVinci 9.0.3 OSX 10.7.5 MacPro 8-core 4,1 2.93 Ghz 8GB RAM Nvidia GT120 GTX570 (CUDA 5.0.36) Decklink Ex
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| | | |  | Problem in the Conform pageby Peter Berg 7 months agoI am having some trouble with the Conform page. I am trying to compare 2 shots. One shot on V1 and one shot on V2. I click on the little camera icon to turn on and off V2 so I can see how the new vfx | Re: Problem in the Conform page
by Robert Due 7 months ago
Are you monitoring the source view on the conform page or the offline view I think it is at the bottom of the left viewer. You can select which you want to view. That is my guess. Robert Due Editor Co
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| | | |  | Feather one side pluginby Elliot Beach 11 months agoI need to feather one side while having that side move and crop across at times. I cant seem to get the desired effect using the mask shape feather filter as that seems to only do top bottom or left r | Re: Feather one side plugin
by Robert Due 11 months ago
Try searching for Alex 4D Crop. Free plug-in that allows you to do crops with feathering on 1 to 4 sides independently Robert Due Editor Colorist INDEPENDENT EDIT DaVinci 8.2 OSX 10.6.8 MacPro 8-core
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| | | | | ProRes 4444 Alpha Problemsby Robert Due 2 years agoI am having an issue when trying to use a ProRes 4444 QT in FCP. The QT is animated text (generated in AE) that will be keyed over footage. What happens is this: I insert the QT into my sequence and t | Re: ProRes 4444 Alpha Problems
by Robert Due 1 year ago
It was intermittent. It displays fine most times, but every so often I have to render and it solves the issue. Robert Due Editor Colorist INDEPENDENT EDIT
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| | | |  | Video: Reel of Colorsby Teo Rižnar 2 years agoReel of Colors Reel of Colors is color grading showreel of NuFrame postproduction, colorist Teo Ri nar (teo@nuframe.si). Works from 2007-2010. watch demo reel+14 | Re: Reel of Colors
by Teo Rižnar 1 year ago
Thank you! It took me 2 months of finnisihg the edit ;) but I enjoy doing cuts like this Will try to look for the name of track, it was a while ago. Cheers, Teo Color grade reel: http: vimeo.com 15480
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| | | | | OMF Export Not at Timeline Framerate!!by Robert Due 4 years agoI am editing a project at 23.98 fps. When I export an OMF for my audio engineers to use, they say it imports at 24 fps. Furthermore, I export a QT of my sequence (using the same ins and outs as the OM | | | | |
| | | | | Offline won't displayby Robert Due 2 years agoI have added a clip into the media pool as an offline clip. I make sure that it is referenced in the Timeline Management window as the offline clip. Problem is that it won't display in the offline win | Re: Offline won't display
by Sascha Haber 2 years ago
Probably a timecode issue. Go to your online Conform, navigate to the first cut. Remember that timecode. Now go back to Browse ,select the offline and play to the exact same frame you just had in the
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| | | | | Alexa LUT Applied Wrong?by Robert Due 2 years agoI am working with some Alexa Log C footage. I think I may have made a mistake when I applied the LUT. Instead of on a node, I applied it on the Config page under the Display Lookup Table pulldown. Whe | Re: Alexa LUT Applied Wrong?
by Dan Moran 2 years ago
Hey Robert, We can figure this out. A display LUT applies the LUT to the viewer output so you can grade with the LUT turned on but it's not applied to your Render. Not the best for your situation but
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| | | | | Matching the Offlineby Robert Due 2 years agoI know how to add a clip into the media pool as an offline. I am wondering if there is a way to superimpose the offline in the color tab so that I can match the resize that was done to the offline edi | Re: Matching the Offline
by Vladimir Kucherov 2 years ago
Yep, on the color page, first play a still from your gallery. Any still, it just needs the still playback on. Then you can select "reference mode" from the menu until it's in "offline" mode, and set t
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| | | |  | Multiple Keyframe changesby Ben Walker 2 years agoHello Creative Cow folks, I have made a moving vignette to take the saturation out of an object in my frame. I have got to learn the trackign tools in Color cause it has taken way too long to keyframe | Re: Multiple Keyframe changes
by Robert Due 2 years ago
Requests Um.....(See the Davinci Forum and the BlackMagic customers accompanying satisfaction then you will have your answer) Robert Due Editor Colorist INDEPENDENT EDIT
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| | | | | Clip Duration Differenceby Robert Due 3 years agoI had posted this in the Color Forum, but perhaps it should have been here: I graded a series of shots and noticed that the renders were all one frame shorter than the original source. My source foota | Re: Clip Duration Difference
by Robert Due 3 years ago
The files were exported out of the AVID as ProRes HQ 1080i @ 29.97. (Avid can play and create ProRes files now) I created a new Color project and imported them individually. This is where the one fram
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| | | |  | AVID to COLOR to AVID?by Chad Terpstra 3 years agoI'm hoping to do the Color work on a RED feature I shot this February but it was edited in Avid and I use Color for my post work. What are my workflow options If I can't figure out a workable solution | Re: AVID to COLOR to AVID?
by Robert Due 3 years ago
You might want to check out this thread: http: forums.creativecow.net thread 223 16909 Robert Due Editor Colorist INDEPENDENT EDIT
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| | | | | Clip Duration Differenceby Robert Due 3 years agoI graded a series of shots and noticed that the renders were all one frame shorter than the original source. My source footage was supplied by an AVID editor as ProRes HQ 1080i 29.97. I rendered out A | | | | |
| | | | | Color to Avidby Robert Due 3 years agoHello all, Anyone out there color grading in Color and then exporting files to an AVID for final conform What codec are you using I am trouble shooting image differences between the render files from | Re: Color to Avid
by Robert Due 3 years ago
The Avids here are all Mac. I have never sent files to a PC based Avid. Robert Due Editor Colorist INDEPENDENT EDIT
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| | | |  | DNxHD export appears brighterby Ronald Anderson 3 years agoWondering if anyone has seen problems with black levels getting brighter when exporting from FCP to DNxHD Quick Time Just compared the same clip in Quick Time, exported 4 ways, DNxHd, Pro Res HQ, DVC | Re: DNxHD export appears brighter
by Robert Due 3 years ago
I work in a facility where we grade in Color and send QTs back to an Avid. Here is a thread that may help you. http: forums.creativecow.net thread 223 16909 Robert Due Editor Colorist INDEPENDENT EDIT
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| | | | | Multiple roundtrips, possible?by Scott Davis 3 years agoLets say I have my sequence in FCP, send to Color, correct, render, send back to FCP. All is good; except I decide I don't like what I did to a few of the clips. How do I go back into Color, fix that | Re: Multiple roundtrips, possible?
by Robert Due 3 years ago
After revising the grade in Color, I quit Color and then open FCP. Just select the clip in the timeline, control click and select "reveal in finder". This updates the clip (and any others you modified
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| | | | | Color correcting green screenby John Knapich 3 years agoI have a bunch of scenes shot against green screen. I would like to run them through Color first to enhance the green screen for keying. Can anyone tell me what aspects I should be enhancing, i.e. sat | Re: Color correcting green screen
by Robert Due 3 years ago
It depends on your source. But, yes do what you want to make the keying looking better. I also try to make the key color (green, blue, whatever) consistent on all shots. Look at your vectorscope and m
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| | | | | Adjusting Multiple Audio Clips in Browserby Robert Due 3 years agoHello all, I am wondering if there is a way to adjust the db level of multiple clips in the browser. When I import needle drops, they come in about 12 db too high, so I would like to select all of the | | | | |
| | | | | Keeping Dissolves Intactby Robert Due 4 years agoI am new to FCP (Avid user learning FCP). On the Avid, when you want to replace a shot that is bound on each side with a dissolve, you simply mark your clip, insert the new one and your dissolves stay | Re: Keeping Dissolves Intact
by Robert Due 4 years ago
Yes, this was amazing when Avid implemented this feature. So simple, and a huge time saver. So, no way to do it in FCP That should have been added a long time ago. I will trudge along for now. Robert
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