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Friends:  Juan Morales | | | | | | no numerical keyboard inputby Pepijn Klijs 4 days agoHi, Since a while I can't seem to punch in any number in Resolve (ie. saturation). Anyone encountered this one before Thanks, Pepo Editor Colorist, Amsterdam, The Netherlands www.pepijnklijs.nl | | | | |
| | | | | H264 export greenishby Pepijn Klijs 3 weeks agoI just had a lot of trouble trying to export a H264 from Resolve. I was bringing them back into Resolve to check them and they all had a slight shift towards green, plus a tiny luminace shift (darker) | | | | |
| | | |  | Turning show mask on/offby Ben Edwards 3 weeks agoI must of pressed a key by accident and now rather than seing the footage I see a grey area showing where the mask is selected. How do I tun this off, google and manual have not helped. Ben -- Ben Edw | | | | |
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| | | | | File based workflowby Pepijn Klijs 1 month agoHello, I sometimes wonder how other editors manage their files and bins now that we are more and more in a tapeless world. My approach is to create sequences from every disk or card I'll receive. I do | Re: File based workflow
by Pepijn Klijs 1 month ago
Job ter Burg "This is precisely why there is a longstanding feature request" Hoi Job! I actually just posted this as a feature request on the avid feature request forum as well. Hope it helps. Kinda
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| | | | | Remove motion effect and ripple sequenceby James Brill 2 months agoSo I need to take a sequence and remove a lot of motion effects. I haven't gotten a look at the timeline yet but I believe they used the motion effects button and not time warp. Is there a simple way | | | | |
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| | | | | AMA Linked Final Version Now What?by Brian Bruhn 2 months agoHello Folks, Against all odds I have been editing via AMA linked volumes for the life of my current project. The project is a feature documentary and was all shot on Panasonic HVX-200 in 720PN 23.976 | Re: AMA Linked Final Version Now What?
by Pepijn Klijs 2 months ago
No, actually you can continue with your transcoded sequence, edit again with ama media. When you're finished you can transcode again and avid will only transcode the ama media. I do this all the time.
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| | | |  | Avid workflow question...by Tom Laughlin 2 months agoPlease understand, this email is to seek any advice on this workflow. SCENERIO: Right now, yes, apologies are in order, though learning Avid as much as I can, I'm still doing quite a bit of editing in | Re: Avid workflow question...
by Pepijn Klijs 2 months ago
Michael Hancock "Even faster - map Subclip to your keyboard and you can do it with a keystroke. When you Subclip a sequence it makes a subsequence." Definetily faster, but if you are organizng into s
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| | | |  | Timeline to Timeline Editingby Erin McConnell 2 months agoHello community, I'm running into a time-slog wall in a project I'm editing. I'm working with two synced lines of video and 8+ lines of audio. The only current way to keep all the audio available for | Re: Timeline to Timeline Editing
by Pepijn Klijs 2 months ago
How I would do it. Have both timelines open and switch between them. Select your pieces using in and out point with all tracks selected. Hit copy, go to other sequence and hit paste. Now take out the
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| | | |  | Copy from TRACK to CLIPby Francois Driessen 2 months agoHi there, guys Might have missed something along the way, but hope someone could help. My workflow has been to do primary and corrective secondaries in CLIP nodes - and then use the TRACK to rough in | Re: Copy from TRACK to CLIP
by Francois Driessen 2 months ago
Yiy! That does it! Thnx I got stuck before not realizing you can grab a still and access its TRACK node graph if you are in TRACK mode when you grab it - thought you could only access it's CLIP node t
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| | | |  | Decklinkby William Edwards 2 months agoHello, I was wondering, is there any reason to purchase the Decklink HD Extreme 3D when the 4k is out I did notice that it's not certified yet to use with Resolve, but should I *assume* that it does w | Re: Decklink
by Pepijn Klijs 2 months ago
I can't be sure, just like you, but I think there's a 99% chance it will work. My decklink sdi has never been a certified card, but works well. Editor Colorist, Amsterdam, The Netherlands www.pepijnkl
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| | | | | DNxHDby Pepijn Klijs 2 months agoHello, I want to export transcode to DNxHD, but it simply doesnt show up in any way in media encoder as an option. Im on mountain lion 10.8.2 and yes, i did install the Avid codec package. Anybody got | Re: DNxHD
by Pepijn Klijs 2 months ago
Okay, I solved my issues. Apparently I had installed version 2.3.7 of the Avid codecs, however version 2.3.8 made them show up in Adobe Media Encoder and also Mpegstreamclip. Seems like one needs vers
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| | | |  | Various assimilate problemsby vincent lee 3 months agohere is a list of things that keep being weird on assimilate scratch.. 1) Crashes all the time for no reason 2) Keyboard stops functioning after a a few minutes and only works again when I exit scratc | Re: Various assimilate problems
by Pepijn Klijs 3 months ago
I have no experience with any of your errors, sorry, can't help. However, point 3. (menu hiding) can be related to the way you have setup your pen and tablet if you have one. Scratch works with 'swipi
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| | | | | Dual xeon system, cpu qustion and moreby Joel Arvidsson 7 months agoIm ready to order a new workstation that will be dedicated for resolve and premiere. But I have some questions. 1. In resolve recomandation dokument, there is a Intel Xeon E5-2620 6C 12T 2.00 GHz, TLC | | | | |
| | | |  | 'Tweening' a single attribute.by Steve Davies 8 months agoHi, I've autotracked an object but need to do some tweeks. The circular window needs to zoom as the person moves across the room, so I set keyframes and use the 'Between' button to 'tween' them. This | Re: 'Tweening' a single attribute.
by Pepijn Klijs 8 months ago
Maybe a workaround, but you could use dynamic keyframing for just the size of the window in the timeline, combined with the tracker. Editor Colorist, Amsterdam, The Netherlands www.pepijnklijs.nl
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| | | |  | Scratch and mouseby david hotes 9 months agoHi i have access to scratch at night where i am intern but i have anybody to teach me so i am learning what i can see on the web. Editor takes his tangent devices home and all i am left with is mouse | Re: Scratch and mouse
by Pepijn Klijs 9 months ago
To answer the last question first, yes it's normal, it's called a swipe. You can swipe left, right and down to trigger different menu's and windows. Now, for working with the mouse... Scratch is very
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| | | | | Benchmarks wanted, please participate!by Pepijn Klijs 11 months agoAs I just build my new Resolve system, I'm wondering how it's doing compared to other configurations. Therefore I created a very simple benchmark test that probably isn't scientifically correct, but w | | | | |
| | | |  | Tutorial: ProMAX ONE: Looking at the Heroby walter biscardi 11 months ago What Computer Should I Buy ProMAX ONE: Looking at the Hero ProMAX has put together a beast of a creative workstation designed to serve a host of needs in production, particularly Post, and Walter Bis+5 | @Paolo Castellano
by Pepijn Klijs 11 months ago
And I also ran the test again in OSX, with the extra ram installed. This time it took 10 minutes and 7 seconds. So cs6 seems to love a lot of ram. Editor Colorist, Amsterdam, The Netherlands www.pepij
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| | | |  | Problems capturing into Avid via firewireby Lau Leck Gee 1 year agoHi guys, I am trying to capture DV PAL footage into Avid MC 6 via the firewire that is hooked up to my Sony Z1P camera. Somehow when I go to the capture tool, it always says "no source tape selected". | | | | |
| | | | | White balance / remove color castby Eric Mc Guire 1 year agoHi, is there a way to remove a color cast (in shadows or highlight) in DaVinci Resolve with the color picker, just like I do in Avid Media Composer I know I can export my cc from AVID, but I just can' | Re: White balance / remove color cast
by John Michaels 1 year ago
Save for the "Auto Color," you'll need to balance your image "manually" using the lift gamma gain controls and referencing the waveforms. This could be a great way to learn Davinci anyway!
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| | | | | Avid quicktime export and renderby Pat Baril 1 year agoHEllo all, Fairly new to Avid ( 6.0.1 ), we have this project in DNXhd36 and we need to get a movie out of it for approval. Now the way I understand it ( and correct me if I am wrong ), is that you ne | Re: Avid quicktime export and render
by Pepijn Klijs 1 year ago
Job ter Burg "QT Ref can sometimes be buggy" I agree with Job. Yesterday one of my collegues did a QT ref and some shots did not show up anymore, there were just 'black' slugs in the movie file. Avid
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| | | | | Resolve work station and gamingby sergio reynoso 1 year agoHello, I am building a Windows workstation per BMD Davinci Resolve manual to do all of my design and video work. Since this will be my only computer, I was hoping I can use it to play some games too. | Re: Resolve work station and gaming
by sergio reynoso 1 year ago
Yes, it goes without saying... While I do appreciate the suggestion, recommending a PS3 absolutely has nothing to do with answering my specific question. And yes I wont be doing any professional work
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| | | | | copy grade...i thinkby peeter wintzaouer 1 year agoHi everyone, i'm really new on scratch ... and you will see ... lazy. I'm trying to find the way to link multiple shot. Link, based on the TC or the reel name or manually or ... For exemple if i have | Re: copy grade...i think
by Pepijn Klijs 1 year ago
I also dont know how to do that in scratch, like you can in Resolve. I have been trying to work with grouping clips in the tray but even following the manual, step by step, i couldnt get it working. I
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| | | | | sony pdw-f3 50 vs 60fps for slomo'sby Pepijn Klijs 2 years agoHi, If I want to record some slomo's with the F3, what would the best framerate, 50 or 60fps I'm going to record the rest of the footage 1080 25 fps, edit in FCP, in Europe, so in a 25 fps timeline. I | | | | |
| | | | | SONY PDW-F3 50 or 60 fps?by Pepijn Klijs 2 years agoHi, If I want to record some slomo's with the F3, what would the best framerate, 50 or 60fps I'm going to record the rest of the footage 1080 25 fps, edit in FCP, in Europe, so in a 25 fps timeline. I+1  | Re: SONY PDW-F3 50 or 60 fps?
by Marvin Holdman 1 year ago
In progressive mode, I don't think it much matters. Interlaced I'd go with 50fps. Easier conversion assuming your final deliverable is PAL. Marvin Holdman Production Manager Tourist Network 8317 Front
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| | | | | export problemby Pepijn Klijs 2 years agoI am having a very strange problem. I am working on a project in FCP and Color, all canon footage converted to pro res 422. Everything is running smooth untill I want to export to quicktime. When revi | Re: export problem
by Pepijn Klijs 2 years ago
It's strange. Most the people talk about washed out contrast, while my problem is the opposite, my exports have too much contrast and too much saturation. I tried it, but it didn't work. Thanks for yo
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