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| | | | |  | Preview comparisons "MPEG I Frame & P2"by Tom Daigon 2 years agoI had some revisions on the motocross piece and decided to compare the preview options in the sequence setting. The length was now 1:45 and the timeline still had a lot of assorted effects and 2 5sec. | | | | |
| | | |  | The best codec to use in Premiere?by Tom Durham 2 years agoGreetings Folks, Switching to Premiere Pro. Have been using AfterEffects forever, but now my studio and colleagues are going all Adobe. In the FCP world, we used ProRes 4444 for motion graphics and fi | Re: The best codec to use in Premiere?
by Nick Lovell 2 years ago
Hey, all! Another FCP guy considering jumping ship here! I like the interface quite a bit, but I'm having some issues with basic play and editing speed. I'm trying out a small project with files from
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| | | |  | Best option for HDV green screenby Ron Craig 4 years agoI have a project that is going to include green screen shot on HDV. I've read all the admonitions against this but sometimes we don't get to choose our own poison. I'll be editing in FCP and doing the | Re: Best option for HDV green screen
by Nick Lovell 4 years ago
Hey there! Which camera are you using Here's another option that I've done a few times, it involves some extra production setup, though. If you have the option of capturing to the Kona live on set fro
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| | | | | Live Upconvert of 1440 to 1920?by Nick Lovell 4 years agoHi, all! So, we're trying to view some footage captured as HDV-to-ProRes 422 23.98p using the SDI out on a Kona LHe to a Sony Luma monitor. The Kona no likey. It'll give me still frames just fine, but | Re: Live Upconvert of 1440 to 1920?
by Nick Lovell 4 years ago
Thanks so much for your response! The video is true 23.98... Looking at the information in the format tab, here's what it is: Vid Rate: 23.98 fps Frame Size: 1440 x 1080 Compressor: Apple ProRes 422 P
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| | | | | Flip4Mac "Importing" On Every FCP Launch?!by Nick Lovell 4 years agoHi there! I recently wrapped a project where the client provided WMVs for b-roll. Not the greatest workflow, but for the project it worked out. Anyway, when working with this project in FCP, at the sp | | | | |
| | | | | Monitoring Questionby Nick Lovell 4 years agoHey there! This might be a dumb question... I have two displays, both Dell 2007FPs. If I were doing color timing, let's say, would there be any advantage to going out to a monitor with a component vid | | | | |
| | | | | CalDigit eSATA Card Vs. Othersby Nick Lovell 5 years agoI've heard a lot of people say that the CalDigit eSATA ExpressCard is superior to other similar products... Anyone care to comment why Others seem to have 2 ports whereas the CalDigit only has one...  | Re: CalDigit FASTA-1ex eSATA ExpressCard
by Jeff Mack 5 years ago
"having 2 ports really doesn't give you any advantage over a 1 port card." The advantage it gives is if you need two raids for storage. If you connect them both, you have an advantage of constantly ha
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| | | | | Workflow Suggestion?by Nick Lovell 5 years agoHi there! Currently working on pre-production for a music video with the Red One. I'm new to the camera and the workflow, so bear with me... The video will be mostly green screen with a lot of motion  | Re: Workflow Suggestion?
by Uli Plank 5 years ago
How is he going to work with DPXs in Motion While DPXs are superior in a high-end workflow, you can get pretty decent keys from ProRes for HDTV. Regards, UliDirector of the Institute of Media Research
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| | | | | Good Mid-range Camera for Chroma Key?by Nick Lovell 5 years agoHey, all! Wanted to get some opinions on what would be a good mid-range HD-resolution camera for Chroma key, taking into account resolution, chroma subsampling, and any other factors that come to mind | | | | |
| | | | | FLV Metadata (Duration) Problem?by Nick Lovell 5 years agoHey all! Apparently, Episode is not generating the correct "duration" metadata for FLVs that we're exporting. Anyone else have this issue or know of a workaround We have a sophisticated player designe | | | | |
| | | |  | Kona/FCP Format Issueby Scott Smith 5 years agoThe problem: Both on capture and on playback, FCP and the Kona card are not properly communicating with each other. The kona card keeps switching to SD 525i when capturing, editing, playing back 720p. | Re: Kona/FCP Format Issue (did it work???)
by Nick Lovell 5 years ago
Hey there! I'm having this same problem with a Kona LHe. Did deleting the receipt, uninstalling and reinstalling solve the issue Please let me know! (I don't want to tell my I.T. department to do this
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| | | | | How exactly does 23.98 video work?by Nick Lovell 6 years agoHi, all! So this is one of those questions that goes back and forth on the boards, and just need some help understanding this concept. I understand that drop frame timecode doesn't actually drop frame | | | | |
| | | | | Recommended RS-422 Cable?by Nick Lovell 6 years agoHey, all! I'm looking for an extender cable to go between my Kona LH card and a DigiBeta deck that's about 20 feet away. I tried hooking together a couple of 9-pin cables I had lying around and it did | Re: Recommended RS-422 Cable?
by Bob Zelin 6 years ago
you need a generic male to male 9 pin db connector on both ends, with NO SPECIAL WIRING - it's a generic 9 pin, where pin 1 goes to pin 1, pin 2 to pin 2, pin 9 to pin 9, etc. No null modem cables, no
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