| | | | Member Since: February 28th 2009 | | | | |
Friends:  Ramy Samy | | | | |  | Image Sequence missing frames in Compressorby Brian Horn 3 years agoHey all, I'm trying to import a 24fps TGA image sequence into compressor v3.5.2 and spit out a 24fps ProRes 4444 quicktime. But when the quicktime is made, there are many frames MISSING from it. Out o | | | | |
| | | |  | Field dominance questionby Sergio Anguiano 3 years agowhat are the differences when choosing sequence settings and setting field dominance to lower, upper, or none if I playback on a dvd will it make a difference on my video what if I choose none -SERG | | | | |
| | | | | Composition automatic renamingby Mohamed Selim 3 years agoHi guys, I never had this problem before, i have 290 shots imported into AE and their naming conventions is as follows: Shotname_vfx_001 Shotname_vfx_002 Shotname_vfx_003 Etc.. When i drag the shot to | Re: Composition automatic renaming
by Mohamed Selim 3 years ago
Hi Erik, I tried purging and clearing the cache, and still the same. I imported shot_vfx_083 & 092 and it worked as expected but when i imported 001 to 003, dragged 001 to a new comp and it was named
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| | | | | Interlaced or not?by Mohamed Selim 3 years agoHi, I have a couple of questions concerning fields, hoping to clear my mind. 1) Footage shot on 35mm then telecined for video on a digibetacam, i always digitize as PAL 10bit uncompressed, in composit | Re: Interlaced or not?
by Mohamed Selim 3 years ago
Yes but if i interpret my footage (35mm telecined) as upper fields, it kinda of blurs it. Also if i set my render setting to output upper fields it still introduces some blurring or flickery artifacts
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| | | |  | Compressor Settings?by Patrick Jaeger 4 years agoHey all, Ive got a question about DVD settings in compressor but seeing as theres no compressor forum, i thought this would be the best place to ask. Im trying to burn a PAL DVD using custom settings | | | | |
| | | | | Qadministratorby Mohamed Selim 4 years agoHi I have been using qmaster and qadministrator for a while now, my mac was always set to service and cluster controller. Since i updated to final cut studio 7.0.1, my mac shows in the qadministrator | | | | |
| | | | | Qmaster!!??!!by Mohamed Selim 4 years agoI setup a cluster between two 8 core mac pros, i'm trying to convert a 5 min (6gb) file with the DVD:best quality 90 preset, but i customized it to de-interlace the file. When i submit it process the | Re: Qmaster!!??!!
by Mohamed Selim 4 years ago
Hi I have went through it, and haven't seen anything related to custom presets. I hope anyone can tell me how to fix this. Thanks.
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| | | |  | No Video-Out with Apple Color 1.5by Kurro Gonzalez 4 years agoHi everybody. I've got a problem with a Multibridge Pro 2. The thing is that I've been using Apple Color since it appeared on FCS 2. It worked perfectly and I could check the results of my color corre | Re: No Video-Out with Apple Color 1.5
by Mohamed Selim 4 years ago
I think color is not so friendly with nvidia, so any ATI card will work just fine...also with color if your using a nvidia card, your limited to working with either 8 or floating point internal pixel
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| | | | | Square pixels output to Pal landby Mohamed Selim 4 years agoWell we finally finished two video clips shot on RED one and the quality is amazing, we have to output SD PAL...so can i master using these settings in FCP: 786 by 576 Square pixels Progressive Uncomp | | | | |
| | | |  | Color Space Matchingby Scott Skaja 4 years agoI'm working with DVCProHD files in AE. I made Comps using the same specs. After working on, rendering and importing the files into Final Cut, the gamma contrast do not match to what I saw in After Eff | Re: Color Space Matching
by Mohamed Selim 4 years ago
Try going to final cut pro preferences then editing tab, and limit the gamma to 1.8 as a custom setting, then re import your files again and compare, hope it works for you.
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| | | | | Color managementby Mohamed Selim 4 years agoHi there, I need some help understanding how to maintain color efficiency throughout my projects until output to stay in best and max quality. I think im not too bright when it comes to color spaces a | | | | |
| | | |  | how to tell field dominanceby James Stewart 4 years agoI m increasingly getting sent video as Mov files over ftp but have no way of knowing what the field dominance is when I import it into Avid. Is there a utility out there that can tell me GSpot seems t | Re: how to tell field dominance
by Mohamed Selim 4 years ago
Do you have After Effects if you do then go to this link : http: www.redgiantsoftware.com videos tutorials Then watch the tutorial for their plug-in "Frames", in their you will find a very useful and
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| | | | | Mastering from F proxies?by Mohamed Selim 4 years agoHi im working on a video clip shot by RED one 2K 2048*1152 25 fps, im have finished my edit using the H proxies, and i will be mastering Pal 720*576 and to be honest im not very knowledgeable about te | Re: Mastering from F proxies?
by Russell Lasson 4 years ago
I wouldn't consider it the best way to finish a RED project, but if it looks good for your project, then that sounds good. You don't have to always take RED through the most complex steps to get somet
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| | | | | RED to PAL outputby Mohamed Selim 4 years agoHi this is my first post, desperately need help on this issue: We shot a video clip with RED one, 2K (2048*1152) at 25fps and i live in Egypt (PAL land) so i guess i have no option unless to master wi | | | | |
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