| | |
|  | templates and variable text fieldsby Dave Simon 2 years agoHi, I work for a media company that creates localized content for various locations around the country. Up to now, this would require an editor or graphics artist to sit down and create 20 or 30 diffe | |
| | |
| | |
|  | why render?by Peter Brusikiewicz 4 years agoI have captured footage in NTSC 48KHZ format, and my sequence settings match those of my capture setting, but whenever I drag clips into the timeline, a dark yellow render line shows up above. What am | Re: why render?
by Mike Jennings 4 years ago
I think you meant to post this in a Final Cut Pro forum. This is for the server, which doesn't edit -- it just manages the media.
|
| |
| | |
| | |
| | FC svr and attached raid storageby Joe Pitts 4 years agohi i'm interested in setting up a FCsvr install on a Xserve addressing the raid storage on our Dell house system.....will this work for editing at hdv (25Mb per sec) on our gig E network. thx joe | Re: FC svr and attached raid storage
by Mike Jennings 4 years ago
In my installation, bandwidth isn't the problem. I can already edit off of my server, albeit unmanaged by Final Cut Server. The problem is that no matter how I configure it I cannot prevent FCServer f
|
| |
| | |
| | |
|  | CS3 P2 Project Settings againby Jake Hawkes 4 years agoSo I earlier I posted about the best project settings for a DVCPro HD Timeline. We determined that if you create a Custom Setting Editing Mode: Desktop Time base: 30frames second Frame Size: 1920 hori | Re: CS3 P2 Project Settings again
by Mike Jennings 4 years ago
Use the Premiere Pro settings now. They'll process YUV and high bit depth when possible (some of the older filters force it to 8-bit (but who uses those anyway ) -- the filters written expressly for P
|
| |
| | |
| | |
|  | | |
| | |
| | |
| | Third Party Encoders are a problemby Lyle Anderson 4 years agoWe've had no luck getting any third party encoders (On2 Flash, Adobe Flash Encoder, Telestream's Episode Pro) to work with Final Cut Server, though they all work fine with Compressor. Right now there | Re: Third Party Encoders are a problem
by Mike Jennings 4 years ago
What about Exporting to a watched folder I know the resulting Flash would not be managed, but does it need to be Also, have you thought about encoding to h.264 now that Flash Player and FMS support it
|
| |
| | |
| | |
| | Edit in Place without SAN?by Mike Jennings 4 years agoI have server shares that all of the client machines can mount over SMB and edit directly from them. But I can't seem to put in the right specifier in the Admin tool for Edit in Place with Final Cut S | Re: Edit in Place without SAN?
by Jon Rutherford 4 years ago
Mike, It is possible to use Edit-in-Place without SAN, but the performance will be limited to the connection bandwidth and is therefore NOT recommended. Using a direct attached device to a client can
|
| |
| | |
| | |
| | Adviceby Ryan McCarthy 4 years agoI have a client who has a huge project including 100-200 2-3 minute clips as a tutorial. His goal is to upload raw footage and hire a few different editors in different states with their own systems t | Re: Advice
by Mike Jennings 4 years ago
Final Cut Server is definitely a potential solution for your client. You can coordinate productions with different or overlapping assets, assign them to users, and users can copy the proxy files or th
|
| |
| | |
| | |
| | Forum Suggestion: Apple Final Cut Serverby Mike Jennings 4 years agoIf there's a user group out there discussing installation, configuration and use of Final Cut Server, I can't find it. this seems like an excellent place for it. And if you search the forum posts you' | |
| | |
| | |
| | MiniDV Duplicatorby Mr. David 6 years agoCan someone recommend a good MiniDV duplicator I am looking to spend no more than $3,000. Thank you in advance. | Re: MiniDV Duplicator
by Mike Jennings 6 years ago
Be sure to get one that can copy incoming timecode. Usually when you duplicate tapes with DV devices, new timecode is written that's offset fromt he original, and your offline clips won't recapture co
|
| |
| | |
